The school bell is ringing and the Corn Nuts are being called, not to class, but to a day of Big Fun – and it definitely will be Beautiful! So, grab your diaries and mark the date as The Other Palace has a lot planned on 1 September.
Starting at midday, attendees will have the opportunity to take part in scheduled choreography and vocal workshops on the iconic Westerburg High stage, attend multiple Q&As with cast members and creatives happening at the bar and show off their Heathers knowledge during the Quiz. Rumour has it a lifeboat of new cast members might be sailing nearby that day too…
Throughout the afternoon there will be photo opportunities with current members, giveaways, and the chance to become truly a Heather by making your own scrunchie.
Cosplay is not only welcomed, not only encourage…but essential – we want to see your best blazers on and signature black trench coats.
During the day we plan to break a World Record, Heathers The Musical style. As “the extreme always seems to make an impression,” why not be a part of Heathers history and make your mark with us?
Heathers Big Fan Day will start at 12pm on Thursday 1 September with the afternoon activities running until 6pm. The event will be free; however, sessions will be ticketed and require booking in advance, this can be done via The Other Palace website.
Amidst the activities throughout the day there will be the evening performance of Heathers The Musical which will be one of the final performances for the current cast members.
With a book, music and lyrics by Kevin Murphy and Laurence O’Keefe, Heathers the Musical is based on one of the greatest cult teen films of all time, and starred Winona Ryder and Christian Slater. The production is directed by Andy Fickman, withchoreography by Thriller Live’s Gary Lloyd, designs by David Shields, lighting by Ben Cracknell and sound by Dan Samson.
Westerberg High’s Veronica Sawyer is just another nobody dreaming of a better day. But when she joins the beautiful and impossibly cruel Heathers, her dreams of popularity may finally come true. Mysterious teen rebel JD teaches her that it might kill to be a nobody, but it is murder being a somebody…
The school bell has rung! Meet your fellow classmates and find out all about the day, photos opps, giveaways and more!
12.30pm: Learn Choreography
Honey, what you waiting for? Step into our Candy Store and learn choreography with Jasmine Beel (Heather McNamara), Maddison Firth (Heather Chandler) and Vivian Panka (Heather Duke).
1.15pm Q&A 1: Lisanne Falk (Original Film Heather McNamara) and Paul Taylor-Mills
Hop into our tiniest lifeboat as we set sail on our first Q&A of the day! Join the original Heather McNamara herself from the cult classic movie, Lisanne Falk, along with our faculty’s own Paul Taylor-Mills.
2.00pm: Learn Vocals, Beautiful
You hope, you dream, you pray… and you get your way! That’s right, now you can learn how to sing Beautiful with our vocal workshop.
2.45pm: Q&A 2: Ailsa Davidson (Veronica) and Mhairi Angus (Martha)
BFFs Veronica and Martha invite you and your BFFs to join them! Put your questions to Ailsa and Mhairi in this Q&A.
3.30pm: New Cast Announcement
It’s official: we will be announcing our brand-new classmates on September 1st! And YOU can find out first! Grab your phones – and get ready to record some Heathers history!
4.15pm: Quiz led by Daniel Robinson (Kurt’s Dad) and Oliver Brooks (Ram’s Dad)
It’s quiz time! Get your team together as we test you on all things Heathers, 80s and more! Will you be top of the class? Or will Veronica have to forge your report card?
5.00pm: Q&A 3: The Heathers – Jasmine Beel (Heather McNamara), Maddison Firth (Heather Chandler) and Vivian Panka (Heather Duke)
Have a question for the Heathers? Crave a boon? Now’s your chance to put it to them in our final Q&A of the day!
5.45pm: Cosplay Pics onstage together
School photos onstage? How very (exciting!) Here’s your chance to have your photo taken on the set, with our big group photo!
6.00pm: End
*Cast and creatives access is subject to availability.
Happening throughout day:
Photo opportunities with props
Giveaways
Cosplay
Make your own scrunchies
Bill Kenwright & Paul Taylor-Mills present
HEATHERS THE MUSICAL
Book, Music & Lyrics by Laurence O’Keefe & Kevin Murphy
Calling all #CornNuts – Be the first to hear the latest Heathersthe Musical gossip and further details on dates, venues and on-sales by following us on the following:
ANN HAMPTON CALLAWAY ANNOUNCES LONDON DATES FOR FEVER!: THE PEGGY LEE CENTURY AND LET’S FALL IN LOVE
Tony nominee pop, jazz singer, songwriter and actress Ann Hampton Callaway, today announces her return to London on 21 and 22 September with a musical valentine for all seasons in her show, Let’s Fall in Love; a spellbinding and artfully crafted two-act show exploring the many facets of love performed at The Pheasantry Pizza Express.
Callaway has also created an exciting night of songs and stories that she will be debuting in London entitled Fever!: The Peggy Lee Centuryon 25 and 26 September. The show celebrates her inspiration and one of America’s most beloved artists, Peggy Lee, and will be performed at Pizza Express Jazz Soho.
Ann Hampton Callaway said today: “I am thrilled to announce that I will be bringing my brand new show ‘Fever!: The Peggy Lee Century’ to London, along with my show ‘Let’s Fall in Love’. I can’t wait to spend two wonderful nights exploring the many facets of love and another two offering a tribute to Peggy Lee’s artistry.”
Ann Hampton Callaway presents:
LET’S FALL IN LOVE
Wednesday 21 and Thursday 22 September at 8pm
The night begins with beloved classics from the 20s to the 40s by Irving Berlin, Porter, Arlen, Gershwin and Kern. Then, in the second half, the celebration builds with gorgeous contemporary love songs by the Bergmans and beyond and her own compositions which have been recorded by Barbra Streisand and many others. Be there when this multi-award-winning artist gives us the perfect date night and a warm, musical hug for these complex times.
Ann Hampton Callaway presents: FEVER!: THE PEGGY LEE CENTURY
Thursday 25 and Friday 26 September at 8pm
On the heels of Ann’s Streisand Songbook symphonic triumph, this show celebrates the 100th birthday of the trailblazing woman who gave the world Fever, through six decades of iconic songs from sultry to sizzling. Fall under the spell of love songs from Peggy’s swinging Benny Goodman days through decades of hits from film and recordings that earned this iconic singer-songwriter her powerhouse nickname, The female Frank Sinatra. Peggy Lee’s granddaughter Holly Foster Wells will also be Ann’s special guest for a brief Q and A after the show.
Will Friedwaldfrom The New York Timesnotes it was “The Best Peggy Lee tribute I’ve ever seen”
Stephen Mosherfrom Broadway World noted “Ann Hampton Callaway has never sounded better, she’s never looked better, she’s never been better.”
Ann Hampton Callaway is one of America’s most gifted artists in pop and jazz. A leading champion of the great American Songbook, she’s made her mark as a singer, pianist, composer, lyricist, arranger, actress, educator, TV host and producer. Voted by Broadwayworld.com as Performer of the Year and two years in a row as Best Jazz Vocalist, Ann is a born entertainer. She is best known for Tony-nominated performance in the hit Broadway musical Swing! and for writing and singing the theme song to the hit TV series The Nanny. She made her feature film debut opposite Angelina Jolie and Matt Damon in the Robert De Niro film The Good Shepherd, performing the standard Come Rain or Come Shine and recorded Isn’t It Romantic? and The Nearness of You for Wayne Wong’s Last Holiday starring Queen Latifah. Ann also wrote songs for the upcoming movie musical The Man Who Saved Paris starring Stanley Tucci and can be heard singing her original song Pourquoi in the soundtrack of Blind starring Alec Baldwin and Demi Moore. Callaway is a Platinum Award winning writer whose songs are featured on seven of Barbra Streisand’s recent CD’s. The only composer to have collaborated with Cole Porter, she has also written songs with Carole King, Rolf Lovland, Amanda McBroom and Shelby Lynn to name a few. Ann has recorded over 50 CDs as a soloist and guest and her latest CD Jazz Goes to the Movies debuted at #12 on the Billboard Jazz Chart and has been in high rotation on Siriusly Sinatra. Callaway’s performances and recordings have garnered her The Theatre World Award, 15 MAC Awards, several Bistro Awards, The Mabel Mercer Award, The Johnny Mercer Award for Songwriting and The Blanton Peale Award for Positive Thinking. Ann also will be releasing two more albums in 2023.
THE EUROPEAN PREMIÈRE OF DAVID YAZBEK AND ITAMAR MOSES’
THE BAND’S VISIT
The Donmar Warehouse today announces the cast for the European première of David Yazbek and Itamar Moses’ multi-Tony award-winning musical The Band’s Visit, directed in a new production by Donmar Warehouse Artistic Director Michael Longhurst. Leading the company are award-winning film, TV and stage actor Alon Moni Aboutboul and seven-time winner of Israeli Female Singer of the Year award, and judge on Kokhav Nolad, the Israeli version of American Idol, Miri Mesika. They are joined by cast and onstage band of Sharif Afifi, Jason Alder, Marc Antolin, Harel Glazer, Levi Goldmeier, Ido Gonen, Michal Horowicz, Emma Kingston, Shira Kravitz, Nitai Levi, Yali Topol Margalith, Ashley Margolis, Carlos Mendoza de Hevia, Peter Polycarpou, Ant Romero, Idlir Shyti, Maya Kristal Tenenbaum, Sargon Yelda and Baha Yetkin.
The production opens on 6 October 2022, with previews from 24 September, and runs until 3 December.
Michael Longhurst said, “I am so proud we are assembling this astonishing cast, musicians and creative team, to tell this beautiful story and cannot wait for audiences to discover the power of this Tony-winning musical here in London for the first time.”
A DONMAR WAREHOUSE PRODUCTION
THE EUROPEAN PREMIÈRE OF
THE BAND’S VISIT
Music and lyrics by David Yazbek and Book by Itamar Moses
Based on the screenplay by Eran Kolirin
Performed by arrangement with Music Theatre International
Cast and onstage band: Alon Moni Aboutboul, Sharif Afifi, Jason Alder, Marc Antolin, Harel Glazer, Levi Goldmeier, Ido Gonen, Michal Horowicz, Emma Kingston, Shira Kravitz, Nitai Levi, Yali Topol Margalith, Ashley Margolis,Carlos Mendoza de Hevia, Miri Mesika, Peter Polycarpou, Ant Romero, Idlir Shyti, Maya Kristal Tenenbaum, Sargon Yelda, Baha Yetkin.
Director: Michael Longhurst; Musical Supervisor: Nigel Lilley; Designer: Soutra Gilmour; Lighting Designer: Anna Watson; Sound Designer: Paul Groothuis; Choreography, Movement & Intimacy Director: Yarit Dor; Casting Director: Anna Cooper CDG; Musical Director: Tarek Merchant; Associate Director: Orr Benezra-Segal; Assistant Musical Director: Natalie Pound; Resident Assistant Director: Dadiow Lin; Cultural Consultant: Dr Lina Khatib; Arabic Music Consultant: Attab Haddad; Dialect Coach: Caitlin Stegemoller
Joining the creative team in CATALYST roles are Assistant Designer: Lucy Sneddon; Assistant Lighting Designer: Cat Salvini; and Assistant Sound Designer: Daberechi Ukoha-Kalu.
CATALYST supports the development of talent both on and offstage which is underrepresented both at the Donmar and in the wider industry.
24 September – 3 December 2022
“Once, not long ago, a group of musicians came to Israel from Egypt. You probably didn’t hear about it. It wasn’t very important.”
In a quiet desert town way off the beaten path, a band of musicians arrive lost. As they wait for the next bus out, these unexpected visitors bring the town to life in surprising ways, proving that even the briefest visit can stay with you forever.
Winner of 10 Tony Awards and a Grammy for Best Musical Theatre Album, The Band’s Visit rejoices in the way music makes us laugh, makes us cry, and ultimately, brings us together.
Artistic Director Michael Longhurst directs the European premiere of The Band’s Visit in a brand-new production, his next musical following his Tony-nominated revival of Caroline, or Change.
Alon Moni Aboutboul plays Tewfiq. He recently completed 5 successful seasons of John Singleton’s hit series Snowfall for FX, where he portrayed the fan favourite Avi Drexler. In 1989 he won the Israeli Film Academy’s Best Actor Award for his performance in Uri Barbash’s Ehad Mishelanu. He has since been nominated for Best Supporting Actor three times, again winning the award in 2003 for his performance in Savi Gabizon’s Nina’s Tragedies. Aboutboul played a pivotal role in Ridley Scott’s Body of Lies alongside Leonardo DiCaprio and has appeared in Christopher Nolan’s blockbuster The Dark Knight Rises, Steven Spielberg’s Munich, Peter MacDonald’s Rambo III and Eytan Rockaway’s Lansky opposite Harvey Keitel, Sam Worthington and AnnaSophia Robb. He starred in London Has Fallen opposite Gerard Butler, Hand of God, which earned him another award from the Jerusalem Film Festival and A Place in Heaven, written and directed by Yossi Madmoni, which screened at the Toronto International Film Festival, Karlovy Vary International Film Festival, the Seattle International Film Festival and won him Best Actor at the International Film Festival of India in Goa. In 2018, he appeared in Beirut, directed by Brad Anderson. In the United States, Aboutboul has guest-starred on the television series Twin Peaks(The Return), FBI: International, Homeland, The Leftovers, Low Winter Sun, Fringe, Castle, Burn Notice, Law & Order: Special Victims Unit, NCIS: Los Angeles and The Blacklist. Some of Aboutboul’s best work has been on the stage in Israel’s most prestigious theatres. Just to name a few, he starred in theatre productions of Hamlet, King Lear, Caviar and Lentils, Sonia Mushkat, Blood Brothers, Closer, and Redemption. At the Haifa Theater, he starred in Andora, Yair, and a one man show called The Baby of Ben Shatrit. He’s also performed at the Beer Sheva Theater, starring in The Jewish Zis and The Western Wharf. Alon is also an accomplished painter who has solo exhibits in Los Angeles and abroad, and will soon be releasing his first music album Family Business.
Sharif Afifi plays Haled. His theatre credits include My Fair Lady (London Coliseum), The Magician’s Elephant (RSC), You Bury Me (Paines Plough), On Your Feet! (UK tour), We Live in Cairo (American Repertory Theatre), Hadestown (National Theatre), The Toyboy Diaries (Hope Mill Theatre), Wonderland (UK tour) and Rent (Greenwich Theatre); and, for film, Mamma Mia!… Here We Go Again!.
Dr Jason Alder is a musician who enjoys an international musical career as a clarinet and saxophone performer, educator, academic researcher, and recording engineer. His projects include contemporary classical, orchestral, jazz, pop/rock, and world music and has performed in venues such as the Berliner Philharmonie, Amsterdam Concertgebouw, Stadsshouwburg Antwerpen, and Cadogan Hall. Jason has been active in musical theatre and opera for over 25 years performing on woodwinds, guitar, and bass guitar. Recent productions have included Ba-ta-clan (West Green House Opera), The Wiz, Hairspray, Gypsy, Drowsy Chaperone, and Reefer Madness (Bridewell). He has been involved in the creation and (sometimes onstage) performance of original music for new shows, such as Guys on Ice (Jeff Daniels’ Purple Rose Theater),Storm, Moeder Blues, and Pillowman (ITs Theater Festival Amsterdam). Jason is a member of Payazen! Klezmer Band, JORO Afrobeat, Droste Effect (Balkan jazz), and performed with Grammy, Tony, and Emmy winners Idina Menzel and Rob Mounsey on the Idina Menzel World Tour. As a recording artist, Jason has been heard on BBC Radio 3 and on stations in the US, Austria, Spain, Netherlands, France, and Greece. He was recently a featured soloist on the soundtrack for the Paramount film Spell, BBC drama Ridley Road, ITV documentary The Thief, His Wife, and the Canoe, the animation Beren op de Weg which played at many film and animation festivals worldwide, released a solo album, Milieu Interieur, in summer 2022, and appears on numerous others. Originally hailing from the metro-Detroit area, Jason has lived in Europe since 2006. He received his musical training in the US, Netherlands, and earned his PhD from the Royal Northern College of Music in Manchester.
Marc Antolin plays Itzik. His theatre credits include Murder on the Orient Express, Amadeus, Singin’ in the Rain, The Music Man (Chichester Festival Theatre), The Magician’s Elephant (RSC), Camelot (The Watermill Theatre), Romantics Anonymous (Shakespeare’s Globe/Bristol Old Vic/US tour), Cry Havoc (Park Theatre), Hedda Gabler (Sherman Theatre), Little Shop of Horrors, Into the Woods, Hello, Dolly! (Regent’s Park Open Air Theatre), The Flying Lovers of Vitebsk (Shakespeare’s Globe/ Edinburgh Festival Fringe/UK & US tour), Twelfth Night (Shakespeare’s Globe), Peter Pan (National Theatre), Taken at Midnight (Theatre Royal Haymarket/Chichester Minerva Theatre), The Trial (Young Vic), From Here to Eternity (Shaftesbury Theatre), Matilda (RSC/Cambridge Theatre)and Imagine This (New London Theatre). For television, his work includes The Outlaws, Keeping Faith, Caerdydd and More Than Love; and, for film, London Road, Hunky Dory, Love Actually and Coconut Shy.
Harel Glazer makes his professional UK debut in the role of Papi. His other theatre credits include The Wizard of Oz (Hashana Theatre), A Song for Shira (HaKibutz Theatre). He has performed in concerts including Stephen Sondheim’s Old Friends – A Celebration (Sondheim Theatre) and Maria Friedman & Friends – Legacy (Menier Chocolate Factory).
Levi Goldmeier plays Zelger (and Understudy Haled). His theatre credits include Fatherland, Macbeth, Pentecost (Lawrence Hall Theatre) and Oliver! (Hyde Park St.Johns). For television, his credits include Wool.
Ido Gonen plays Sammy. His theatre credits include Everything Between Us (Marylebone Theatre), Cloud Nine, The Heiress (John Thaw Studio), On Your Walls (Sky Blue Theatre), 74 Georgia Avenue (New End Theatre), Naughty – Modern Romance and $ellebrity, Toyboy and Living With… (Blue Elephant Theatre), Spare (New Diorama Theatre), Crazy For You, Me and My Girl (London Palladium), Jew You Love Me? (HaSimta Theatre and The Lion and Unicorn Theatre), Actually, I-do (The Pheasantry), Got a Problem? (The Battersea Bridge), On Your Walls (The Lost Theatre), Head (Kenneth More Theatre), Loving Art! (Landor Theatre), Yiff! (King’s Head Theatre), The Producers (Cameri Theatre), Cabaret and Blood Brothers (Ramat Gan Theatre).For television, his credits include Autopsy: The Last Hours Of;and, for film, Aryan Papers.
Michal Horowicz plays Iris. Her theatre credits include Amsterdam (Orange Tree Theatre), Bylines (Theatre503), The Famous Five (Gobbledigook Theatre), Resources of Quinola (Cockpit Theatre), Thea Saves Her Parents (Hounslow Arts Centre), Mimi and the Mountain Dragon (Skewbald Theatre) and Gretel and Hansel (UK tour). For television, her credits include The Rabbi’s Son and Tikva.
Emma Kingston plays Sammy’s Wife (and Dina at certain performances). Her theatre credits include Carousel (Kilworth House), Heathers (The Other Palace), The Last 5 Years (Minack Theatre), Zorro (Hope Mill Theatre), Evita (International tour), Fiddler on the Roof (Chichester Festival Theatre), In The Heights (King’s Cross Theatre/Southwark Playhouse), Les Misérables (Queen’s Theatre), Priscilla Queen Of The Desert and Grease (UK tour). For television, her credits include The Sound of Musicals; and, for film, Been So Long and BKLYN. She has performed in concerts including Children of Eden (Cadogan Hall), A Little Night Music (Opera Holland Park), The New Year’s Musical Concert (Tokyu Theatre Orb), West Side Story (BBC Proms), Honeymoon in Vegas (London Palladium), Something Wonderful (Royal Festival Hall) and Kings of Broadway (Palace Theatre).
Shira Kravitz makes her professional debut as Understudy Iris / Anna / Julia / Sammy’s Wife.
Nitai Levi is Understudy Itzik / Papi / Telephone Guy / Sammy. For theatre his credits include A Midsummer Night’s Dream and Spring Awakening (Edinburgh Festival Fringe). For television, his credits include Masters of the Air. He has performed in concerts including Romeo and Juliet/West Side Story (BBC Concert Orchestra/Barbican Centre), The Pillowman, The Glass Menagerie, The Wild Party, The Sweet Smell of Success and Letters Home (The Royal Academy of Music).
Yali Topol Margalith makes her professional stage debut playing Anna.
Ashley Margolis plays Telephone Guy. His theatre credits include Bad Jews (Arts Theatre), Oh! What a Lovely War (Lyric Hammersmith Theatre), A Midsummer Night’s Dream (The Georgian Theatre Royal) and Beauty and the Beast (UK tour). For television, his credits include The VAR Room, Doctors, Casualty, So Awkward, Holby City, Anne Frank: A Life in Hiding, The City and the City, Comedy Playhouse: Broken Biscuits, Father Brown, Some Girls, Living the Dream and Hollyoaks; and, for film, A Christmas Number One.
Carlos Mendoza de Hevia plays Camal. His theatre credits include Let Me Play the Lion Too (Barbican Centre), Siyanda Protector of Plants (Kew Gardens), The Party’s Over, The Band at the End of the World (UK tours), El Guru (La Rosa Theatre), La Sibylle (Dans La Poche) and Lady Macbeth of Mtsensk (Royal Opera House). For television, his credits include Killing Eve.
Miri Mesika plays Dina. She is a multi-award-winning Israeli singer and actress, selling over 200,000 albums internationally. She was raised in Herzliya, where she learned music (guitar and flute) in the local conservatoire. She studied at the Yovel High School under Sofi Moskovich, then at the Rimon School of Music. She made her professional debut as a lead singer in a production marking the 50-year anniversary of Israel, directed by Tsedi Tsarfati, and music managed by Roni Vise, which she has performed all over Europe. She then sang in different musical groups at Rimon, where she met Uri Zach, who later produced her first album in collaboration with Shmulik Noifeld, one of her teachers. In 2000, Miri won the competition Shir Rimon, performing David Daor’s “Ima Shel Guy”. The next year she created her first independent show featuring the songs of Karen Peles, following which she was offered a recording contract with Anana in collaboration with the recording company Head Artsi. Miri launched her first album in 2005, featuring hit singles including “Le Sham”, which also won the Galgalatz Radio’s Song of the Year. It went Platinum, selling over 70,000 copies. Miri was also awarded Singer of the Year and Discovery of the Year. Her tour of the album which had started in small clubs moved quickly into large concert halls. In February 2006, she was awarded Singer of the Year by the Israeli Music Channel 24. Since 2005, Miri has released seven successful albums and won every possible title. In 2015 she won The Times of Israel Award for The Artist of the Year. Theatre includes: Shlomo Ha Melech Ve Shelmay Ha Sandlar (winner of Musical of the Year), Joseph and the Amazing Technicolour Dreamcoat, Les Misérables, and Od Hozer Hanigun (Habima). Her television credits include Ze Lo HaGil, The Psychologist, Me’orav Yerushalmi and Keshet; and she has been a judge on A Star is Born (the Israeli version of American Idol), Aviv or Eyal (the Israeli version of The Voice), The X Factor Israel, TheSchool of Music and The Masked Singer; and, for film, Three Mothers and Restless.
Peter Polycarpou returns to the Donmar to play Avrum – he previously appeared in City of Angels. His other theatre credits include Indecent (Menier Chocolate Factory), A Very Expensive Poison (The Old Vic), Moonlight, Oslo (Harold Pinter Theatre), Ross (Chichester Festival Theatre), The Choir (Glasgow Citizens Theatre), The Magistrate (National Theatre), Artefacts (Nabokov – Bush Theatre), Last Easter (Birmingham Rep), Silver Birch House (Arcola Theatre), All the Ordinary Angels (Royal Exchange, Manchester), Anna in the Tropics; Follow My Leader (Hampstead Theatre), The Resistible Rise of Arturo Ui (Bridewell Theatre), Angels in America (Manchester Library Theatre), Titus Andronicus (RSC), Man of La Mancha (English National Opera), Working (Southwark Playhouse), Mrs Henderson Presents (Royal Alexandra Theatre, Toronto), Les Misérables (Cameron Mackintosh, Dubai), Follies (Royal Albert Hall), Oliver! (Curve, Leicester), The Pajama Game, Guys and Dolls, Sweeney Todd, Love Story (Chichester Festival Theatre), Les Misérables 25th Anniversary Concert, Miss Saigon (Cameron Macintosh), A Christmas Carol (Birmingham Rep), Imagine this (ICW Productions Ltd – New London Theatre), Chitty Chitty Bang Bang (The London Palladium), Cats, Phantom of the Opera (Really Useful Group), The Secret Garden, Les Misérables (RSC) and Oklahoma! (National Theatre). For television his credits include Unforgotten, The Lost Honour of Christopher Jeffries, Tyrant, Defending the Guilty, Family Tree, Threesome, Hustle, Last Days of Lehman Brothers, Holby City, Empathy, Eastenders, The Bill, Waking the Dead and Sunburn; and, for film, Blue Iguana, Cleanskin, I Could Never Be Your Woman, O Jerusalem, De-lovely, Julie and the Cadillacs, Oklahoma!, Bloodlines: Legacy of a Lord and Evita.
Antonio Romero is a musician who was born in Jerez, Spain, and now lives in London. He was co-founder and drummer of the band El Hombre Burbuja which became known as one of the most influential groups to appear on the Spanish pop-rock scene at the end of the 90s. EHB recorded 4 LPs as well as collaborating on various movie soundtracks and frequently appearing at festivals and major venues throughout Spain. With the separation of EHB, Antonio moved completely away from the world of pop and fully dedicated himself to studying oriental percussion. Feeling passionate about this new field, he moved temporarily to Istanbul where he created a bond with Turkey and its music that has lasted until today. Antonio completed his professional studies in percussion at the Royal Conservatory Manuel de Falla. More recently Antonio has played and collaborated with such diverse groups and singers as Laura Marling and the BBC Scottish Symphony Orchestra, Brian Finnegan, Boris Grebenshchikov, El Barrio, Hamza Namira, Matoula Zamani, Sarah Jane Morris, Antonio Forcione, Benjamin Ezcoriza (Radio Tarifa), India Martinez, Faia Younan, Lanja Ali, Cigdem Aslan, Attab Haddad, Los Delinquentes, La Banda Morisca, Agustin Carbonell “El Bola”, Ramón Ruiz, Eduardo Niebla, Pepe Justicia, and Julio de la Rosa amongst many others.
Idlir Shyti is an Albanian cellist based in London. He has been awarded the ‘Diplôme Supérieur de Concertiste’ under the tutelage of Anssi Karttunen at the École Normale de Musique de Paris. Previously he studied with Richard Lester at the Royal College of Music London and at the Conservatorio di Santa Cecilia Rome with Maurizio Gambini. He has played for many renowned musicians such as Yo-Yo Ma, Gary Hoffman and Johannes Goritzki. As a soloist he has performed with Sudwestdeutche Kammerorchester Pforzheim, Southbank Sinfonia, Orkestra Filharmonike e Tiranes amongst others. An ardent chamber musician, he has been invited to play at Rome Chamber Music Festival, Leamington Festival, Anghiari Festival, Different Trains Festival, Southwark International Music Festival, and alongside artists like the Allegri Quartet and Alberto Portugheis. His passion for contemporary music has led him to premiere chamber music works at Cheltenham Festival, Festival of Contemporary Music for All as part of Chineke and IXION ensembles. He has worked with composers such as Joseph Sonnabend, Michael Finnissy, Morgan Hayes, Xia-Leon Sloane. London premieres include The Key, an opera by Francesca Le Lohe for three trio ensembles and Kenneth Hesketh`s Ein Lichtspiel. Idlir is also an enthusiastic orchestra musician and has collaborated with Philharmonia Orchestra, English National Opera, BBC NOW, BBC CO, Royal Liverpool Philharmonic, Southbank Sinfonia, Welsh National Opera.
Maya Kristal Tenenbaum plays Julia. Her theatre credits include In The Heights (Starcatcher) and Avenue Q (Cinema City).
Sargon Yelda plays Simon. His theatre credits include Hex, Antony and Cleopatra, Light Shining in Buckinghamshire, Dara, Emperor & Galilean, Mother Courage and Her Children (National Theatre), Stovepipe (National Theatre & Bush Theatre), Romeo and Juliet (Shakespeare’s Globe), Fanny and Alexander, King Lear (The Old Vic), The Comedy of Errors, Twelfth Night, The Tempest (RSC), Human Animals, Teh Internet is a Serious Business (Royal Court Theatre), Incognito, Forget Me Not (Bush Theatre), Moby Dick and The Cabinet of Dr Caligari (Arcola Theatre). For television, his credits include Treason, Dead Pixels, Endeavour, People Just Do Nothing, Strike: The Silkworm, The Cuckoo’s Calling, Innocent, Zen, Midnight Man,Saddam’s Tribe and Compulsion; and, forfilm, Spectre and Close.
Baha Yetkin (musician) is a Turkish oud artist and composer. He grew up in Istanbul, the meeting point of two continents, and the prolific melting pot of European and Middle Eastern musical cultures. So, not very surprisingly, he was able to shape a very unique artistic style which embraced both Istanbul music and Middle Eastern music; which in return, paved the way for fruitful collaborations with Turkish and European masters of music like Mustafa Keser, Zeki Cetin, İnci Çayırlı, Melihat Gülses, Petros Klampanis, Michalis Kouloumis. Yetkin also garnered attention as the first ever Turkish oud artist to be invited to play flamenco in Spain, and to give a solo recital at Royal Albert Hall. Furthermore, these milestone events were preceded and followed by performances at prominent concert venues in Turkey and Europe such as Cemal Reşit Rey Concert Hall (Turkey), Zorlu Performing Arts Center (Turkey), Angora Theatre (Spain), Union Halle (Germany), and in the UK at the Royal Alert Hall, Asia House, the RAS, the RSC, Vortex, and Green Note, to name a few. He also performed in festivals like Alamar World Music Fest in Almeria, Yeldeğirmeni Spring Jazz Festival in Istanbul and Rebetiko Carnival in London. He has also done some Oud and Makam Music workshops in Istanbul, London, Cambridge and Madrid. His latest workshop was at Cambridge University in 2022. He makes videos to explain Ottoman music makams on his Youtube channel and his Superpeer channel. His first single Emperian and first album The Pearl was released in 2019, his second and third singles Shine Again and Tears of the Pearl were released in 2020 his latest album The Turkish Oud was released in 2021. They are on all digital platforms. He continues performing and teaching in the UK and on online platforms.
Itamar Moses’ work includes Outrage, Bach At Leipzig, Celebrity Row, The Four of Us, Yellowjackets, Back Back Back, Completeness, and The Whistleblower, the musicals Nobody Loves You (with Gaby Alter), Fortress of Solitude (with Michael Friedman), and the evening of short plays Love/Stories (Or But You Will Get Used To It).
David Yazbek is a Tony Award winning writer, musician, composer and lyricist.Broadway credits include Tootsie, Fish in the Dark, Women on the Verge of a Nervous Breakdown, Dirty Rotten Scoundrels, Bombay Dreams and The Full Monty.
Michael Longhurst is Artistic Director of the Donmar Warehouse. For the company, direction includes Force Majeure, Midnight Your Time (lockdown film), Teenage Dick, Europe, Belleville and last summer’s multicast revival of Nick Payne’s Constellations, whichbroke box office records at the Vaudeville and won the Olivier Award for Best Revival. Constellations previously ran on Broadway (Samuel J Friedman Theater, for MTC), West End (Duke of York’s, Evening Standard Award Best Play), UK tour, originating at the Royal Court. His Chichester Festival Theatre production of Tony Kushner and Jeanine Tesori’s Caroline, or Change transferred to Studio 54 for Roundabout Theater on Broadway with Sharon D Clarke reprising her Olivier Award-winning performance (also West End and Hampstead). The Broadway production received three Tony nominations including Best Musical Revival. Other theatre includes Amadeus with the Southbank Sinfonia (National Theatre/NTatHome), The Son (Kiln Theatre/Duke of York’s Theatre), Gloria (Hampstead Theatre), Bad Jews (Theatre Royal Haymarket/Theatre Royal Bath/UK tour & current revival at the Arts), They Drink It In The Congo and Carmen Disruption (Almeida Theatre), ‘Tis Pity She’s A Whore, The Winter’s Tale (Shakespeare’s Globe), If There Is I Haven’t Found It Yet (Off-Broadway for Roundabout), Linda, The Art of Dying, Remembrance Day (Royal Court Theatre), A Number (Nuffield Southampton Theatres/Young Vic), Cannibals (Royal Exchange Theatre), The History Boys (Sheffield Theatres), Dealer’s Choice (Royal & Derngate), The World of Extreme Happiness (NT Shed), Stovepipe (site-specific promenade with the National Theatre, HighTide and Bush Theatre), Midnight Your Time (HighTide), On The Beach (Bush Theatre), On The Record, Gaudeamus (Arcola Theatre), dirty butterfly (Young Vic – winner of the Jerwood Directors Award) and Guardians (Pleasance/Theatre503 – Fringe First Award).
Preview discounts apply to the first 4 performances only
YOUNG+FREE
YOUNG+FREE tickets for 16-25 year olds released by ballot. Sign up atwww.donmarwarehouse.com.
Generously supported by IHS Markit.
DONMAR DAILY
New tickets on sale every day at the Donmar. Allocations of tickets will be made available every day for performances 7 days later. Tickets will be available across the auditorium at every price band.
ACCESS
The Donmar Warehouse is fully wheelchair accessible. Guide dogs and hearing dogs are welcome in the auditorium. There is a Loop system and a Radio Frequency system fitted in the main auditorium and there are also hearing loops at all the front of house counters.
ASSISTED PERFORMANCES
If you require a companion to attend the Donmar, their ticket will be free. To book call 020 3282 3808 or email [email protected].
For all other access enquiries or bookings call 020 3282 3808.
THE BAND’S VISIT
24 September – 3 December 2022
Captioned: Monday 28 November 7.30pm
Audio-Described: Saturday 26 November 2.30pm
British Sign Language Interpreted: Saturday 19 November 2.30pm
This production is generously supported by Charles Holloway, Season Supporter.
Additionally, we are very grateful to the following production supporters: Jane & Simon Davis, Victoria & Fergal O’Driscoll, Clive & Sally Sherling and an anonymous donor.
‘It had me on the edge of my seat, and a West End transfer is a must’
Mail on Sunday
‘This is a cracking, exciting piece of theatre that’s become, sadly, very timely’
Evening Standard
‘Peter Morgan’s absorbing, acerbic new play’
Variety
Patriots is international award-winning writer Peter Morgan’s (Frost/Nixon) first new play since The Audience. He is best known for writing the multi award-winning Netflix hit, The Crown.
Patriots is the Almeida’s fastest selling new play and transfers to the Noël Coward Theatre for a limited twelve-week run from 26 May to 19 August 2023, with Opening Night on 6 June 2023. Directed by the Almeida’s Artistic Director, Rupert Goold (Ink,Enron), Patriots is a brilliant and startlingly timely story of ambition, loyalty and betrayal in a brave new world.
BAFTA-winning actor Tom Hollander (The Night Manager; Travesties) reprises his starring role as Boris Berezovsky, the ‘kingmaker’ behind Vladimir Putin, with Will Keen (His Dark Materials) also returning to play Putin and Luke Thallon (Albion) as Abramovich. Further casting will be announced in due course.
“If the politicians cannot save Russia, then we businessmen must. We have not just the responsibility but the duty to become Russian heroes”
1991. The Fall of the Soviet Union.
With the dawning of a new Russia, there are winners and losers, and today’s patriot can fast become tomorrow’s traitor.
As a new generation of oligarchs fights to seize control, PATRIOTS follows billionaire businessman Boris Berezovsky from the president’s inner circle
to public enemy number one.
The full creative team for Patriots is Director: Rupert Goold, Set Designer: Miriam Buether, Co-Costume Designers: Deborah Andrews and Miriam Buether,Lighting Designer: Jack Knowles, Movement Director Polly Bennett, Sound Designer and Composer: Adam Cork, and Casting Director: Robert Sterne.
A sublime evening of mellow music began with Lukas Drinkwater. His nimble fingers dance across the guitar strings, accompanied by melancholic folk tunes that carry you gently along, until you listen to the lyrics! Often accompanied by a fellow musician this is a rare occasion to see him flying solo. Drinkwater is an accomplished musician and sound technician – this was evident from the set up for the evening that he managed personally. He laid a great foundation to introduce The Last Inklings.
This award winning duo, Leonardo MacKenzie and David Hoyland, have taken the band name from a distinguished writing group, founded by members like C. S. Lewis and J. R. R. Tolkien. Pioneer, ground breaking authors of their time. An apt reflection of The Last Inklings music. MacKenzie’s classical training shines through his crystal clear tones and cello playing with purity and honesty. Hoyland’s grass roots musical education is a great compliment to layer the sound and deliver exquisite harmonies. The lyrical content is both traditional and contemporary, using a folklore style to touch on modern life. I particularly enjoyed Alchemy, from their EP of the same name. The theme is based on a quotation from philosopher Marcus Aurelius – ‘the soul is dyed by the colour of its thoughts’. In simple words, always look for the positives in life.
The Last Inklings musical talent is a treat for the ears and the eyes. The musical synergy is palpable. You are enveloped in a magical musical bubble and carried away to a place where time doesn’t exist. You could listen to them all night.
The Birmingham Rep –until Saturday 27th August 2022
Reviewed by Amarjeet Singh
5*****
Counting and Cracking is a joyful and heart-breaking tale of love, political conflict, patriotism, belonging, displacement, movement and being stuck. A profoundly emotive narrative of parents and children, culture and belonging, loss and being reunited, it’s an endearing and ground-breaking performance that will capture hearts and minds. A play for the people about people.
The epic story follows the journey of one Sri Lankan-Australian family over four generations, from 1956 to 2004, opening with Radha and her son Siddhartha who are shifting into a new phase of their lives. Radha arrived in Sydney 21 years ago while pregnant with her son, Siddhartha. Going by the name of ‘Sid’ and fully embracing the Aussie way of life, Siddhartha doesn’t know much about his families past, and he has his mind firmly fixed on the future. Struggling for independence, having moved out of his mother’s home in Pendle Hill, studying media studies and falling in love with a Yolgnu woman, his relationship with his mother and his rich heritage is growing weaker by the day.
Meanwhile Radha, feisty and fiery, widowed before leaving for Australia, is considering going on a date with a chatty workman employed by her son to fit an air-conditioning unit for her. A vulnerable and daring move, its Radha’s way of looking to put the mystery of the past behind her and embrace the life she must live now. Radha still holds on to remnants of the past, she keeps her grandfather’s ashes under her bed and has done so for 21 years. She can’t quite bring herself to let go of him and the past, but now, she thinks, this might be the time.
But just as both Radha and Siddhartha feel they can move on, their entire world is turned upside down. Radha receives a phone call from Sri Lanka, that in an instant, changes the trajectory of their lives. We move through time and space, going back to Radha’s life as a young woman in Colombo and follow her journey, and Siddhartha’s to Australia. As we witness the events of the past colliding with the present, and the riots of Black July – the start of the Sri Lankan Civil War between the Tamil militants and the government of Sri Lanka, we are left reckoning with how much we are all shaped by the family who came before us, those who govern us and the people around us and how these influence the choices we make.
Counting and Cracking showcases the talents of 19 performers, three of whom are musicians who sit and perform on stage alongside the actors. The performers hail from six different countries, the majority play multiple roles and the show is performed in English, Tamil and Sinhalese, with live translation into English. The cast as a whole were incredible but there were stand out performances by Rodney Afif, Prakash Balwadi, Shiv Palekar, Sukhbir Singh Walia, Kaivalya Suvarna, Nadie Kammallaweera, Abbie-Lee Lewis, Vaishnavi Suryaprakash and Sukania Venugopal.
Counting and Cracking has a duration of 3 and a half hours. The co-writer and directors, Shakthidharan and Flack, have divided these momentous moments into three strongly defined acts with two intervals. Each act encompasses a particular part of the action and has its own cliff hanger, which adds to the steadily mounting tension of the final act. The final act is a masterpiece of emotional manoeuvring, to enable the audience insight into the beginnings of the war itself and how it affected those involved. It is driven with breath-taking and powerful momentum, and as it unfolds you are left in no doubt that this is a crucial work for our times. Counting and Cracking theatrically demonstrates how easily musings of differences, feelings of injustice and interfering leaders can rip a society apart. It depicts how the voices of those who desperately want to hold society together can forcefully and effectively be silenced, and how individual lives are defined forever as a result.
There are those who question the length of the play but having just seen an astounding production of Richard III with a 2-hour first act, it proves it’s hard to condense epic tales in a one size fits all box, and the 2 intervals offer ample comfort and refreshment breaks and time to take in what you have just experienced.
Counting and Cracking is a play full of quick witted and sophisticated humour, both physical and verbal. Amidst all the emotional trials and tribulations, its genuinely funny and the audience were laughing out loud throughout the performance, at the appropriate times. This gave a wonderful facet to the story and the characters. The narrative structure is tight and artful, almost every single line feels thoroughly thought out, and never ignores the so-human reality of happiness, heartache, and other emotions occurring simultaneously.
The staging is extraordinary, simplistic but effective. The clever sky signs that are never intrusive or distracting but let us know clearly what the dates and locations are for the current scene, were so helpful as we wove in and out of the timeline, however, as I became more engaged with the play and the players, I found myself using them less and less as I knew exactly where I was in the narrative. Moments linger for just the right amount of time before moving to the next, these never felt clunky. The whole of the stage and auditorium was utilised for dramatic effect. The players were like dancers, and the play never felt stuffy or stilted. Although the productions storyline was sometimes heavy, these occasions were peppered with theatrical moments of pure joy, the slip-and-slide, the sea-saw, the intercom, the drill and its dust for example, are carried out by cast members and rudimentary props, a creative delight.
Counting and Cracking is not just a play, it’s an immersive experience which welcomes you into its multicultural and multilingual world. You are warmed from the taste of Sri Lanka, during the interval, with bowls of lentil curry, roti and rice, which is included as part of the evening and the price of your ticket. You are wowed with an abundance of colour, continual humour and charm, characters that leap off the stage (literally), fully realised and completely endearing. You are enlightened at the plight of the Sri-Lankan struggles and identify with individuals’ personal grapples with change. Counting and Cracking is a beautiful story of love, vulnerability, strength, power and identity.
Shakthidharan has woven a brilliant and beautiful tapestry of people, places, and timelines within a tale that has strong political points that it succeeds in making, whilst always maintaining believable characterisation and credible storytelling. He has ultimately created an overall amazing piece of theatre which I would urge you all to experience for yourselves
First staged in 2021, Cruise is a semi-autobiographical play written and performed by Jack Holden, and directed by Bronagh Logan. Holden, in a tour de force performance, starts the story in the present day at Switchboard, the LGBTQ+ helpline, where a young man is trying to navigate taking calls while extremely hungover, when he receives a call from Michael. We are then taken on a rollercoaster ride through 1980s Soho as Michael tells the story of arriving in London, being diagnosed with HIV and being told he has four years to live, right up to what he thought would be his last day on earth.
There are dozens of characters, all masterfully played by Holden. He manages to create a world that is so rich and full of life and sensitivity and humour and sadness, each character as important as the last. One of my personal highlights was a rendition of Peggy Lee’s Is That All There Is in a club. It was funny and beautiful and perfect. On the stage throughout, music producer and composer John Patrick Elliott provides the soundtrack using decks, guitar, and piano. Every element of this production from the lighting by Prema Mehta, to Nic Corralls set design, to the music creates something verging on transcendental. Sarah Goldings’s masterful movement direction utilises every corner and creates an energy that never dips. Nothing is wasted.
When Michael believes he is at the end of his time on earth, he goes dancing and decides to go out with a bang. A furious drug fuelled dance that culminates in a frantic naming of all the people he knew who have gone. A list that goes on and on and then stops as he wakes up on the floor of the pub. At that moment he realised he must carry on. This play is a celebration. A celebration of queer culture, community, and of life. Watching Cruise is like being in a kaleidoscope of colour, music, and spoken word. The poignancy and the importance of this play could be felt around the theatre. Life was affirmed.
Courtyard Theatre, London – until 21st August 2022
Reviewed by Bobbi Fenton
4****
In Greek Mythology, there are many different versions of the story of Persephone, in which she eats pomegranate seeds and marries Hades. ‘Persephone’, ingeniously written and directed by Emma Hawkins, combines the many stories of Persephone into one brilliant story. In this play, Persephone, Goddess of spring (Bethan Draycott) meets Hades, God of the Underworld (Peter Todd) and they dance together in the woods. Hades convinces Persephone to go with him to the underworld, which enrages Persephone’s mother Demeter, Goddess of harvest (Emma Starbuck) who causes a famine when she leaves to find Persephone. Hermes the messenger God (Franco Lopez) is sent by Zeus, King of the Gods (Lorcan Cudlip-Cook) to retrieve her and bring her to him, where he attacks her. Persephone befriends Aphrodite, the goddess of love (Abi Watkinson) who later hides her when Hades is angry at Persephone for being pregnant with Zeus’ child. This play combines the many stories of Persephone, while capturing the chaotic and complicated nature of Greek Myths.
The music that features in this show is so cleverly written, and I especially liked the back and forth between Hades (Peter Todd) and Zeus (Lorcan-Cudlip-Cook) during the song ‘Hey Brother’. The pair work excellently in this song together, as they have great singing voices. That said, it is difficult to narrow down a favourite song, as they are all incredible, and performed by highly talented actors. The lyrics to Aphrodite’s (Abi Watkinson) song ‘Leave Them Wanting More’ are delivered perfectly, with such powerful vocals from Watkinson.
The set is made up of four rails on wheels, which are used to hang props on the show the setting of Demeter and Persephone’s home, and the forest, while Zeus’ office and Hades’ office both have a sofa, with a desk and chair. The set is generally quite minimalistic to allow for easy transitions between scenes, and this works very well for the show.
The whole show is absolutely magnificent, and although there are a few moments where the sounds of props being wheeled around slightly muffle the actors’ voices, the pure talent of the actors is not lost. Anyone who is a fan of Greek Mythology should see this amazing show.
Nica Burns presents the New Vic Theatre production of
MARVELLOUS Writers Neil Baldwin and Malcolm Clarke Adapted for the stage by Neil Baldwin and Theresa Heskins Directed by Theresa Heskins
@sohoplace, 4 Soho Place, London, W1D 3BG
Previews from 15 October and runs to 26 November 2022
Nica Burns is delighted to announce that the opening production of @sohoplace will be the New Vic’s much acclaimed production Marvellous, directed by Theresa Heskins. The New Vic theatre is the oldest purpose built, in-the-round theatre in the UK and @sohoplace is the first new West End theatre in 50 years, with a flexible, 602-seat auditorium, purpose built and opening in-the-round.
Marvellous is the joyful, inspiring true story of Neil ‘Nello’ Baldwin who, defying all expectations, has led and continues to lead, the most amazing life.
The show is performed by a talented company including neuro-divergent actors.
Coming next @sohoplace: two new productions – the first directed by Josie Rourke, the second by Dominic Cooke.
Growing up in the 1950’s in less enlightened times, Neil Baldwin was not expected to be a success. But Neil decided he was destined to do wonderful things and that his life was going to be marvellous. And it is.
He hitchhiked across the country, became a famous clown, got an honorary degree from Keele University, was appointed Stoke City’s legendary kit man, appeared on the Queen’s New Year Honours list and accepted a BAFTA award for the film made about his life. A friend to anyone he meets, he became a local hero and an inspiration to the world. A reminder to us all not to let anything stand in the way of your dreams, just go out and make them happen.
Nica Burns, Producer and Theatre Owner said:“Marvellous is precisely that, marvellous. A wonderful production of a heartwarming and uplifting tale about an extraordinary man who decided he would lead an exceptional life. And against all the odds, he has and does. The New Vic in North Staffordshire, led by its brilliant director Theresa Heskins, is an absolute jewel of a regional theatre, the cultural beacon of the area and the beating heart of its community. As we open our new theatre in-the-round, we are honoured to be collaborating with and learning from the expertise of the New Vic’s amazing team.”
Theresa Heskins, New Vic Artistic Director said:What a thrill it is, to see a new theatre in the round opening in London! And what a very special honour to be collaborating with Nica Burns so that the first show produced in it will come from the New Vic. Nica’s decision to make a West End venue which deliberately nurtures an inclusive relationship between stage and audience is a radical one, and it’s matched by creative programming. When she first proposed we open her new theatre with Marvellous, I was speechless: I could never imagine we would receive an extraordinary invitation like this. Nello’s special magic rubs off on everyone he encounters, and bringing that magic from audiences in Staffordshire to audiences in London will be such a privilege
When Stephen Joseph proposed this new format of theatre-in-the-round in 1962, in a pamphlet called ‘Planning for new forms of theatre’, he described it as “the simplest and most vital form of theatre”. That’s certainly the case with Marvellous. Neil’s simple and vital story has inspired so many. He has a talent for happiness that’s infectious. His is a story of joy and sadness; of realising dreams; of belonging and othering; of how labels both limit us and protect us; of what constitutes a hero – and why we need them. It’s a play that is as straightforward, direct, and sunny as Neil is: it will fill audiences with optimism, bring people together and spread happiness.’
Neil Baldwin said: Theresa said ‘I would like to make a play about you’ and I thought ‘why make a play about me?’ which is the same thing I said about the film! The cast are lovely, we’re friends. It was great. The theatre was full and I made friends with the audience. I am excited about going to London. There’s more people so hurry up and get your ticket!’
The Sunday Times ★★★★ “Life-affirming” The Stage ★★★★ “A funny, touching feel-good treat about a local hero that deserves to be seen by audiences beyond his home crowd.” The Times ★★★★ “An irresistible story about a local hero. Like a cleric, he sees goodness in everyone. No wonder people love him.” The Guardian ★★★★ “It’s tone of playfulness is infectious.”
Cast: Name Role Suzanne Ahmet Suzanne Charlie Bence Charlie Gareth Cassidy Gareth Alex Frost Alex Michael Hugo Real Neil Jerone Marsh-Reid Jerone Daniel Murphy Daniel
Creatives: Neil Baldwin Writer Malcolm Clarke Writer Theresa Heskins Writer & Director Lis Evans Designer Conrad Nelson Original Musical Director/ Composer James Atherton Additional Musical Director/Composer Beverley Norris-Edmunds Movement Director Daniella Beattie Lighting & Projection Designer James Earls-Davis Original Sound Designer Alex Day Additional Sound Designer Paul Groothuis Sound Designer for London transfer Caroline Wilkes Associate Director Anji Carroll CDG Casting Associate Caroline Hetherington Vocal coach Jenny Holford Personal Assistant to neurodiverse actors Patrick Molony & Chris Easton Production Management
Cameron Mackintosh is delighted to announce new cast members joining the critically acclaimed new production of LES MISÉRABLES at the Sondheim Theatre from Tuesday 27 September.
Joining the company from 27 September will be David Thaxton as Javert, Ava Brennan as Fantine, Robert Tripolino as Marius, Nathania Ong as Éponine and Lulu-Mae Pears as Cosette. They join Jon Robyns as Jean Valjean, Gerard Carey as Thénardier, Josefina Gabrielle as Madame Thénardier and Jordan Shaw as Enjolras.
The company also includes Hazel Baldwin, Brad Barnley, Emma Barr, Cameron Burt, Natalie Chua, Matthew Dale, Matt Dempsey, Bryony Duncan, Louis Emmanuel, Sophie-May Feek, Natalie Green, Melad Hamidi, Harry Jack, Christopher Jacobsen, Benjamin Karran, Yazmin King, Bart Lambert, Sarah Lark, Georgie Lovatt, Ellie Ann Lowe, Adam Robert Lewis, Donald Craig Manuel, Jodie Nolan, Sam Peggs, Jo Stephenson, Phoebe Williams and Ollie Wray.
David Thaxton returns to Les Misérables, having previously played both Javert and Enjolras at the Queen’s Theatre. His other West End credits include Kevin T/Garth in Come From Away at the Phoenix, The Phantom in The Phantom of the Opera at Her Majesty’s Theatre, Raoul in Love Never Dies at The Adelphi Theatre, Pilate in Jesus Christ Superstar at Regent’s Park Open Air Theatre and Giorgio in Passion at the Donmar Warehouse, for which he won the Olivier Award for Best Actor in a Musical.
Ava Brennan’s West End theatre credits include Angelica Schuyler in Hamilton at the Victoria Palace Theatre, Alline Bullock in Tina – The Tina Turner Musical at the Aldwych Theatre and Mrs Crachit in A Christmas Carol at the Old Vic. She has also appeared in Netflix’s Top Boy and her film credits include Hellboy, Rocketman, Mamma Mia! Here We Go Again and Beauty and the Beast.
Robert Tripolino’s theatre credits include The Man in Whistle Down The Wind at The Watermill Theatre, Jesus in Jesus Christ Superstar and Sal Russo in RAGS at Manchester Hope Mill Theatre. In Australia he has appeared as Jamie in The Last Five Years, Roger in Rent, Chino in West Side Story, Jean-Michel in La Cage Aux Folles, and Jamie in Third World Blues.
Nathania Ong, who most recently played Éponine in the UK and Ireland Tour, now joins the London production in the same role. She graduated from Mountview in 2021 and went on to make her professional debut in Be More Chill at the Shaftesbury Theatre that same year.
Les Misérables marks Lulu-Mae’s West End debut. She has recently been seen as Graziella in West Side Story at the Ljubljana Festival in Slovenia.
Since Cameron Mackintosh first conceived this acclaimed new production of LES MISÉRABLES in 2009, to celebrate the show’s 25th anniversary, it has taken the world by storm. It will relaunch its record-breaking tour of North America in October this year, a new tour of The Netherlands is set for early 2023 with further productions to be announced. The UK and Ireland tour continues its acclaimed run.
Boublil and Schönberg’s magnificent iconic score of LES MISÉRABLES includes the classic songs, I Dreamed a Dream, On My Own, Stars, Bring Him Home, Do You Hear the People Sing?, One Day More, Empty Chairs at Empty Tables, Master Of The House and many more. Several of its songs have become real life anthems of revolution wherever in the world people are fighting for their freedom. Seen by over 120 million people worldwide in 52 countries and in 22 languages, LES MISÉRABLES is undisputedly one of the world’s most popular and contemporary musicals.
Cameron Mackintosh’s production of LES MISÉRABLES is written by Alain Boublil and Claude-Michel Schönberg and is based on the novel by Victor Hugo. It has music by Claude-Michel Schönberg, lyrics by Herbert Kretzmer and original French text by Alain Boublil and Jean-Marc Natel, additional material by James Fenton and adaptation by Trevor Nunn and John Caird. Orchestrations are by Stephen Metcalfe, Christopher Jahnke and Stephen Brooker with original orchestrations by John Cameron. The production is directed by James Powell and Laurence Connor, designed by Matt Kinley inspired by the paintings of Victor Hugo with costumes by Andreane Neofitou and Christine Rowland, lighting by Paule Constable, sound by Mick Potter, projections realised by Finn Ross & Fifty Nine Productions, musical staging by Geoffrey Garratt, and music supervision by Stephen Brooker and Alfonso Casado Trigo.
