Theatre Royal, Nottingham – until Saturday 26 September 2026

Reviewed by Amy C

5*****

I went to see Matthew Bourne’s The Car Man at Nottingham Theatre Royal expecting an entertaining evening of dance, but I came away feeling like I’d experienced something much more dramatic and exciting. I have to admit that one of the things I enjoyed most was just how steamy and sensual the production was. It certainly wasn’t your typical ballet! Classic Bourne!

The Car Man takes inspiration from the story of Carmen but transports it to a small American town in the 1960s. The characters are on stage when you enter the auditorium, there is a real sense that something is about to happen. The atmosphere is gritty, passionate and slightly dangerous, and that tension carries through the whole performance.

The dancing had me sat open-mouthed. I’m not someone who would claim to know anything about dance, but I found it incredibly easy to get caught up in the story. The performers ooze sensuality, and there is so much chemistry between the characters that you sometimes forget you’re watching a dance production.

And yes, it is very steamy. There’s plenty of flirtation, desire and sexual tension, and some of the scenes are seriously sultry. There were definitely moments where I thought, “I’m glad I’m not watching this with Mum!”

Luca, played by local lad Harrison Dowzell and Lana (Ashley Shaw) oozed cool and sex appeal. The whole cast is exceptional and there’s so much movement on stage that I struggled to keep up! I swear I was as exhausted as the dancers when the interval came.

The score is instantly recognisable and deadly serious. Bourne says it was the score that attracted him to the story in the first place, 26 years ago. He wanted to use the music to tell a different story – a ‘dance thriller’, full of plot twists and suspense.

There are moments of humour alongside the darker scenes, which gives the production some much-needed lightness and even the whoops and cheers from the characters provide moments of relief.

I also really enjoyed the set and costumes. They help create that 1960s small-town atmosphere. There is always something happening, whether it’s a passionate encounter, a tense confrontation or a group scene full of energy.

What really impressed me was how accessible it felt. You don’t need to be a ballet expert to enjoy The Car Man. The storytelling is clear, the characters are memorable and the emotions come across incredibly strongly.

Overall, I absolutely loved it. It was dramatic, sexy, energetic and at times quite shocking, with fabulous dancing of course. If you enjoy a story filled with passion, jealousy, desire and a bit of danger, I’d recommend giving The Car Man a try.

Five stars from me — especially for the dancing, the drama and all that deliciously steamy chemistry!

NICA BURNS

Presents

The Sheffield Theatres Production of

FULL CAST ANNOUNCED FOR
10TH ANNIVERSARY UK TOUR OF

EVERYBODY’S TALKING ABOUT JAMIE

WITH KELLE BRYAN AND JOANNE CLIFTON AS MISS HEDGE

 AND DIVINA DE CAMPO AS HUGO/LOCO CHANELLE

TOURING FROM JANUARY 2027

Nica Burns, producer of the smash-hit critically acclaimed musical Everybody’s Talking About Jamie is thrilled to announce the full cast for the 10th Anniversary UK Tour commencing in January 2027.

Joining the previously announced Ashcon Rahmani as Jamie and Rebecca Trehearn as his mum Margaret New, Kelle Bryan will play the role of Miss Hedge from Leeds to Southampton and Joanne Clifton will play Miss Hedge in Cheltenham through until Newcastle, with Divina De Campo playing the role of Hugo/Loco Chanelle.

Also joining the 10th Anniversary UK Tour cast will be Natasha Lewis (Ray), Mariam Pope (Pritti), Matthew Cavan (Tray Sophisticay), Daniel Jacob (Sandra Bollock), Jenson Steele (Laika Virgin), William Hazell (Dad), Kyle Dick (Dean), Ethan Casey-Clothier (Levi), Ellie Eames (Vicki), Uzuazo O’David (Cy), Grace Porter (Bex), Callum Saddler (Young Loco/1st Cover Jamie), Fin Scott (Mickey), Zaynab Shahid (Fatimah), Will Stevenson-Jones (Sayid), Zarina Thompson (Becca), Jáiden Lodge (Swing), Ynez Williams (Swing), and Samantha Ivey (Understudy Margaret / Miss Hedge / Ray).

Nica Burns, Producer, said: “We are delighted to announce our wonderful new stars Kelle Bryan, Joanne Clifton and Divina di Campo who join the brilliant Ashcon Rahmani (Jamie) and Rebecca Trehearn (Mum). Everybody’s Talking About Jamie has been a huge success around the world, playing to audiences from all walks of life.A brilliant, uplifting musical for all.”

Kelle Bryan, Miss Hedge (Leeds – Southampton) said: “I’m so delighted to take on this iconic musical role! Everybody’s Talking About Jamie is so relatable, relevant and heartfelt, but also fun and full of sass. I can’t wait to step into Miss Hedge’s fabulous red shoes and bring some ‘Edge to Hedge!’”

Joanne Clifton, Miss Hedge (Cheltenham – Newcastle) said: “I’m really looking forward to bringing Miss Hedge to life for our brilliant audiences! This role is a casting dream, and I can’t wait to join such a talented team of performers and makers for the show’s tenth anniversary! What an honour! Now CALM DOWN YEAR 11 and book your tickets QUICK!”

Divina De Campo, Hugo/Loco Chanelle said: “This show is so very special. Jamie’s amazing story – and the beautiful characters within – have impacted audiences world-over for a decade now. I’m excited to follow in the footsteps of some amazing past performers, and to bring Loco Chanelle into a new and glittering light.”

Following a record-breaking three-year West End residency, two sold-out UK & Ireland Tours and Amazon Studios award-winning film, the smash-hit critically acclaimed musical Everybody’s Talking About Jamie will also feature a brand-new song from Dan Gillespie Sells and Tom MacRae. The tour will open in Leeds 10 years after the original opening at the Sheffield Crucible prior to the West End, national tours and playing across the world including USA, Korea, Japan and Italy. Jamie is coming home to the UK again for possibly the last time.

The 10th Anniversary tour of Everybody’s Talking About Jamie opens at Leeds Grand Theatre on 15 January 2027 before visiting Chester, Shrewsbury, Sunderland, Edinburgh, Wolverhampton, Wycombe, Sheffield, Manchester, Wimbledon, Liverpool, Truro, Eastbourne, Glasgow, Southampton, Cheltenham, Birmingham, Aylesbury, Cardiff, Nottingham, Leicester, Oxford, Woking, Bradford, Canterbury and Newcastle.

Jamie New is sixteen and lives on a council estate in Sheffield.

Jamie doesn’t quite fit in.

Jamie is terrified about the future.

Jamie is going to be a sensation.

Supported by his brilliant loving mum (Rebecca Trehearn) and surrounded by his friends, Jamie (Ashcon Rahmani) overcomes prejudice, beats the bullies and steps out of the darkness, into the spotlight.

This ‘Funny, outrageous, touching’ (Daily Telegraph), musical sensation is to be experienced by all the family and not to be missed! With an original score of catchy pop tunes that will ‘blow the roof off the Theatre’ (Mail on Sunday) by lead singer-songwriter of The Feeling, Dan Gillespie Sells and writer Tom MacRae (Doctor Who), this ‘Sparkling coming-of-age musical’ (The Times) will have everybody talking about Jamie for years to come. Sixteen: the edge of possibility.  Time to make your dreams come true.

★★★★★
Time Out, The Stage, WhatsOnStage, The Times, Financial Times, The Independent

Darlington Hippodrome – until 26th September 2026

Reviewed by Alexandra Sykes

4****

Any show that starts with an announcement about phones not being invented yet is sure to be a good one. Set in 1989, Heathers tells of high school drama with love, friendships and murder thrown in for good measure.

Based on the film of the same name, the musical follows Veronica (Gerardine Sacdalan) as she goes from a nobody to a somebody thanks to getting the Heathers (Liberty Stottor, Jessica Ibadin and Lou Henry) out of trouble with teacher Ms Fleming (Veronica Carabai). The Heathers take Veronica under their wing, give her a makeover and invite her to parties, however she has to earn her stay by forging notes in her classmates handwriting to embarrass others. After befriending the mysterious JD (Louis Hearsey), Veronica’s life goes from bad to worse when she accidentally kills Heather Chandler and football players Kurt and Ram (Markus Södergren and Beau Jackson). Realising that JD is part of the problem, not the solution, Veronica ends the relationship and after JD sacrifices himself to save Veronica, she ends the feud between different groups at the school and remains friends with the two remaining Heathers, as well as making up with Martha (Sophie Manners) who she helped the Heathers to bully despite being friends previously.

With catchy songs throughout, the musical caters to its audience well and will have people singing along. The costumes are era appropriate and the Heathers signature colours of red, green and yellow are shown in their outfits, along with Veronica’s signature blue outfit and JDs trench coat. The sets are basic but work, with scenes set in the high school, various characters’ bedrooms and the local convenience store all used to their full potential.

Even if you haven’t seen the film, this musical is well worth a visit for anyone looking for a good night out and will guarantee you have plenty of laughs along the way

Hall for Cornwall, Truro – until 26 September 2026

Reviewed by Kerry Gilbert

5*****

‘A dazzling celebration of dance, spectacle and Michael Flatley’s enduring legacy’

Having watched Michael Flatley’s Riverdance during The Eurovision Song Contest many years ago – a performance that has remained etched in my memory – it was a privilege to experience Lord of the Dance at the wonderful Hall for Cornwall, particularly as the production celebrates its 30th anniversary.

This spectacular Irish production combines traditional music and dance with theatrical storytelling, dazzling costumes and high-energy performances.  The narrative centres on the timeless battle between good, represented by the Lord, and evil, embodied by the Dark Lord.  While the storyline becomes more prominent during the second half, the production remains easy to follow throughout.  Powerful choreography effectively conveys the emotions of each character through movement, complemented by striking visual effects and impressive costume design. 

The opening scene immediately establishes an atmosphere of mystery, beginning in complete darkness before hooded figures emerge, holding brightly glowing orbs against a backdrop of ancient symbols.  It is a visually captivating introduction to the spectacle that follows. 

The entire cast delivers a tremendous performance, with precise movements and seemingly boundless energy throughout.   The Lord, played by Macaulay Selwood, is a particular highlight.  His immaculate dancing technique and commanding stage presence are captivating, making him a compelling focal point whenever he appears.

Tom Doherty, as the Dark Lord, is equally impressive, delivering a powerful performance and creating a striking onstage dynamic with Selwood.  Their chemistry and contrasting performance add considerable impact to the production. 

The Little Spirit, played by Evia Hayter, also gives an exceptional performance, showcasing an impressive range of talent across music, dance and theatrical performance.  Her contribution brings both energy and charm to the production.

Michael Flatley’s influence and presence are felt throughout the show, which opens with a filmed biographical tribute to the legendary dancer and creator.  The first encore features a particularly clever and entertaining video sequence in which three versions of Flatley appears on screen, attempting to out-dance one another.  It is a wonderfully playful moment that adds a touch of humour to the finale.  Lord of the Dance is an incredible, nostalgic and spectacular production.  With its combination of traditional Irish music and dance, theatrical storytelling, exceptional performers and breathtaking visuals, it is easy to understand why audiences have continued to fill theatres around the world for three decades.  A dazzling celebration of dance, spectacle and Michael Flatley’s enduring legacy.

FULL CASTING ANNOUNCED FOR

JIM CARTWRIGHT’S MODERN CLASSIC

THE RISE AND FALL OF LITTLE VOICE

AT THE NATIONAL THEATRE THIS WINTER & THEN TOURING

EARLY 2027

The National Theatre today announces full casting for Jim Cartwright’s modern classic The Rise and Fall of Little Voice.  Directed by Deputy Artistic Director, Robert Hastie, this new production will run in the Dorfman theatre from 2 December 2026 until 23 January 2027 before embarking on a tour across England supported by Arts Council England. 

As previously announced, BAFTA Award-winning actor, Paul Chuckle (The Madam Blanc Mysteries, Channel 5) will play the role of Mr Boo, Olivier Award-winning actress, Jill Halfpenny (The Long Shadow, ITV) will play the role of Mari Hoff and Ian Charleson Award-winner Francesca Mills (Silent Witness, BBC)will play the title role of Little Voice.

They are joined by Beverly Rudd (Trollied, Sky/NOW) who will play the role of Sadie, Daniel Ryan (The Bay, ITV) who will play the role of Ray Say, Adonis Siddique (Withnail and I, Birmingham Rep) who will play the role of Billy and Noel White (Hamlet, National Theatre) who will play the role of Telephone Man and understudy Ray Say/Mr Boo. 

Completing the company are, Alice Croft (ensemble and understudy Little Voice), Kofi Dennis (ensemble and understudy Billy/Telephone Man) and Nicky Swift (ensemble and understudy Mari Hoff/Sadie). 

The Rise and Fall of Little Voice is a joyful, tender and bittersweet celebration of music, ambition and the courage it takes to be heard featuring iconic music from the likes of Judy Garland, Shirley Bassey and more.

Following its run at the National Theatre from 2 December 2026 until 23 January 2027, The Rise and Fall of Little Voice will open at Newcastle Theatre Royal (3-6 February 2027) before touring to Lyceum Theatre, Sheffield (9–13 February 2027), Belgrade Theatre, Coventry (16-20 February 2027), Lowry, Salford (23-27 February 2027), The Marlowe, Canterbury (2-6 March 2027), Wolverhampton Grand Theatre (9-13 March 2027) and Plymouth Theatre Royal (16-20 March 2027).  

The hardest voice to find is your own.

Alone in the sanctuary of her small bedroom, Little Voice fills the air with pitch‑perfect renditions of her deceased dad’s prized record collection of the great divas, from Judy Garland to Billie Holiday.

But when her mother Mari’s latest fling, local wheeler dealer Ray, hears her sing he’s certain he’s struck gold. Will Little Voice be pushed into a spotlight she never asked for?

Joining director Robert Hastie in the creative team is set and costume designer, Janet Bird; lighting designer, Paul Pyant; sound designer, Mike Walker; composer and music director, David Shrubsole; movement director, Ira Mandela Siobhan;fight and intimacy director, Bethan Clark; casting by Alastair Coomer CDG and Harry McDonald;dialect coach, Hazel Holder and voice coach Zoe Littleton. 

Blackpool Grand – until 26 September 2026

Reviewed by Annabel Southern

4****

Bollywood comes to Blackpool in Rifco Theatre’s Surinderella, a vibrant and joyful South Asian reimagining of the traditional Cinderella story.

From the moment the Devi Godmother bursts onto the stage with glamour, sparkle and plenty of personality, it is clear that this is a pantomime ready to involve its audience. The show quickly gets everyone joining in, creating a lively atmosphere that continues throughout the performance.

At the centre of the story is Surinderella herself, a charming and confident heroine who impresses with both her strong vocals and excellent comic timing. Her friendship with the traditional pantomime cow provides some of the show’s funniest moments, with their scenes bringing plenty of warmth and silliness. Importantly, this is a Cinderella who isn’t waiting for a prince to rescue her. Instead, she is looking for someone who will join her on her adventures, giving the familiar story a welcome modern twist.

The larger-than-life Wicked Stepsisters, Lovely and Bubbly, embrace everything we love about pantomime dames. Gloriously nasty, outrageously camp and dressed in wonderfully over-the-top costumes, they bring plenty of laughs whenever they appear. Their big musical number is a particular highlight and had the audience thoroughly entertained.

The whole cast throw themselves into the production, singing and dancing with infectious energy. The Bollywood-inspired music, colourful costumes and vibrant choreography bring a real sense of celebration to the stage and provide a welcome burst of colour and escapism on a dreary autumn night in Blackpool.

There is something here for both children and adults, with plenty of audience participation, comedy, music and traditional pantomime fun, while the South Asian influences give the familiar story its own distinctive identity.

Surinderella is a colourful, energetic and entertaining family pantomime that delivers plenty of laughs, catchy music and feel-good fun. A great choice for a festive theatre trip and a welcome splash of Bollywood sparkle for Blackpool.

CASTING ANNOUNCED

FOR

THE UK AND IRELAND TOUR
OF

THE SMASH HIT MUSICAL

BASED ON THE CLASSIC METRO-GOLDWYN-MAYER FILM

NATALIE ANDERSON AND KAREN HAUER

TO SHARE THE ROLE OF ‘LINA LAMONT’

GRANT ALMIRALL TO PLAY ‘DON LOCKWOOD’

NICOLE-LILY BAISDEN ‘KATHY SELDON’

MATTHEW MADDISON ‘COSMO BROWN’

AND

WENDI PETERS AS ‘DORA BAILEY’

TOUR OPENS AT CHURCHILL THEATRE, BROMLEY
FROM 28 JANUARY 2027

FOLLOWING A CHRISTMAS SEASON AT SHEFFIELD THEATRES
26 NOVEMBER 2026 – 16 JANUARY 2027

Jonathan Church Theatre Productions and Tilted are delighted to announce casting for the UK and Ireland tour of the Chichester Festival Theatre, Stage Entertainment and Sheffield Theatres smash-hit production of SINGIN’ IN THE RAIN, opening at the Churchill Theatre, Bromley from 28 January – 6 February 2027, including a summer season at Sadler’s Wells from 2 June – 3 July 2027. The tour follows the production’s Christmas season at the Crucible Theatre, Sheffield (26 November 2026 – 16 January 2027).

The production stars Natalie Anderson and Karen Hauer, who will share the role of Lina Lamont, Grant Almirall as Don Lockwood, Nicole-Lily Baisden as Kathy Seldon, Matthew Maddison as Cosmo Brown and Wendi Peters as Dora Bailey.

Wendi Peters is scheduled to play the role of Dora Bailey until Saturday 3 July 2027. Further casting for the role to be announced. Casting schedule and listings below. www.singinintherainshow.com

The company is completed by Charlie Bishop, Grace Chan, Ross Chisari, Stan Doughty, Barry Drummond, William Elijah-Lewis, Maria Garrett, Alyn Hawke, Megan Jade-Johnson, Ellis Linford-Pill, Jeremy Lloyd, Brontë Macmillan, Chloe Malek, Greta McKinnon, Melissa Mese, Ben Middleton, Grace May Parry, Roan Pronk, Elly Shaw, Jack Skelton and Catrin Thomas.

Natalie Anderson is best known for her role as Alicia Metcalfe in ITV’s Emmerdale. Her further screen credits include Danielle Silverton in ITV’s Coronation Street, Claire in Netflix’s Fool Me Once, and Stella Davenport in The Royal. On stage, Natalie’s credits include Lauren in the UK tour of Fat Friends the Musical and Nessarose in Wicked at the Apollo Victoria.

Karen Hauer is a professional Latin dance specialist and World Mambo Champion, best known for appearing on BBC’s Strictly Come Dancing. She was the longest-serving female professional dancer on the show. Her theatre credits include Mavis in the UK tour of Stepping Out, Speakeasy, Firedance, Firedance Reignite and the original Broadway cast and international tours of Burn the Floor.

Grant Almirall is no stranger to the role of Don Lockwood, having previously starred in the show in several international tours. His further theatre credits include the role of Frankie Valli in Jersey Boys, Ken in Dalliances, Jesus Christ Superstar, Evita, Boys in the Photograph, CATS, Chicago, Hairspray and RENT.

Nicole-Lily Baisden’s theatre credits include the role of Dale Tremont in the UK tour of Top Hat, Peggy Sawyer in 42^nd Street at Sadler’s Wells and on tour, Hope Harcourt in Anything Goes at the Barbican, Nabulungi in The Book of Mormon, both in the West End and the UK and International tour, and Harry Potter and the Cursed Child at the Palace Theatre.

Matthew Maddison returns to the role of Cosmo Brown, having toured China with the production. His further theatre credits include Hello, Dolly!, A Christmas Carol and South Pacific.

Wendi Peters is best known for her role as the iconic Cilla Battersby Brown in ITV’s Coronation Street, as well as series regular Cook Jenkins in CBBC’s Hetty Feather. Alongside her screen work, her many stage credits include Mother Superior in the UK and Ireland tour of Sister Act the Musical, Diane in the European premiere of You Are Here at the Southwark Playhouse, Madame Latour in the National Tour of John Cleese’s Bang Bang, Mrs Baskin in the West End premiere of Big The Musical at the Dominion Theatre, and national tours of The Legend of Sleepy Hollow, White Christmas, Quartet, Oh, What A Lovely War! and Rutherford & Son.

Journey back to the glamour of Hollywood in the roaring 20’s with high-energy choreography and sumptuous set designs (including over 14,000 litres of water on stage), combined with all the romance and wit of one of the world’s best- loved films.

Beautiful, charismatic, and very much in love (if you believe what you read in the press), Hollywood’s golden couple, Don Lockwood and Lina Lamont have the world at their feet. But when “talkies” start to replace silent movies, and an aspiring actress is drafted in to save the day, life as they know it is turned upside down.

Singin’ in the Rain features the glorious MGM score including Good Morning, Make ‘em Laugh and the legendary Singin’ in the Rain.

SINGIN’ IN THE RAIN is Directed by Jonathan Church with Choreography by Andrew Wright, Additional Choreography by Jayne Elster, Set and Costume Design by Simon Higlett, Lighting Design by Tim Mitchell, Sound Design by Gareth Owen, Video Design by Ian Galloway, Musical Supervision by Robert Scott and Orchestrations by Larry Blank. In addition, the full creative team includes Associate Director Brendan Cull, Associate Choreographer Kelly Ewins, Associate Costume Designer Karen Large, Original Fight Direction by Malcolm Ranson and Casting Director Olivia Laydon for Jill Green casting.

SINGIN’ IN THE RAIN features a screenplay by Betty Comden and Adolph Green, with songs by Nacio Herb Brown and Arthur Freed and is performed by arrangement with Music Theatre International. Based on the classic Metro-Goldwyn-Mayer Film, by special arrangement with Warner Bros. Theatre Ventures, Inc. Music Published by EMI, all rights administered by Sony/ATV Music Publishing LLC (Original Movie Choreography by Gene Kelly and Stanley Donen). Produced by agreement With Maurice Rosenfield, Lois F. Rosenfield and Cindy Pritzker, Inc.

SINGIN’ IN THE RAIN – TOUR LISTINGS

www.singinintherainshow.com 

THURSDAY 28 JANUARY – SATURDAY 6 FEBRUARY 2027
CHURCHILL THEATRE, BROMLEY
https://trafalgartickets.com/churchill-theatre-bromley
The role of Lina Lamont will be played by Karen Hauer.

TUESDAY 9 – SATURDAY 13 FEBRUARY 2027
CLIFFS PAVILION, SOUTHEND
https://trafalgartickets.com/cliffs-pavilion-southend/
The role of Lina Lamont will be played by Karen Hauer.

TUESDAY 16 – SATURDAY 20 FEBRUARY 2027
GRAND OPERA HOUSE, BELFAST
https://www.goh.co.uk/
The role of Lina Lamont will be played by Karen Hauer.

TUESDAY 23 – SATURDAY 27 FEBRUARY 2027
BORD GÁIS ENERGY THEATRE, DUBLIN
https://www.bordgaisenergytheatre.ie/
The role of Lina Lamont will be played by Natalie Anderson.

TUESDAY 2 – SATURDAY 6 MARCH 2027
SUNDERLAND EMPIRE
https://www.atgtickets.com/venues/sunderland-empire/
The role of Lina Lamont will be played by Natalie Anderson.

TUESDAY 9 – SATURDAY 13 MARCH 2027
MARLOWE THEATRE, CANTERBURY
https://marlowetheatre.com/
The role of Lina Lamont will be played by Karen Hauer.

TUESDAY 16 – SATURDAY 20 MARCH 2027
ORCHARD THEATRE, DARTFORD
https://trafalgartickets.com/orchard-theatre-dartford/en-GB
The role of Lina Lamont will be played by Karen Hauer.

TUESDAY 23 – SATURDAY 27 MARCH 2027
MILTON KEYNES THEATRE
https://www.atgtickets.com/venues/milton-keynes-theatre/
The role of Lina Lamont will be played by Natalie Anderson.

TUESDAY 30 MARCH – SATURDAY 3 APRIL 2027
LEEDS GRAND THEATRE
https://leedsheritagetheatres.com/
The role of Lina Lamont will be played by Natalie Anderson.

TUESDAY 6 – SATURDAY 10 APRIL 2027
NEW VICTORIA THEATRE, WOKING
https://trafalgartickets.com/new-victoria-theatre-woking/en-GB
The role of Lina Lamont will be played by Karen Hauer.

TUESDAY 13 – SATURDAY 17 APRIL 2027
EMPIRE THEATRE, LIVERPOOL
https://www.atgtickets.com/venues/liverpool-empire/
The role of Lina Lamont will be played by Natalie Anderson.

TUESDAY 20 – SATURDAY 24 APRIL 2027
KING’S THEATRE, GLASGOW
https://www.atgtickets.com/venues/kings-theatre-glasgow/
The role of Lina Lamont will be played by Karen Hauer.

TUESDAY 27 APRIL – SATURDAY 1 MAY 2027
WYCOMBE SWAN
https://trafalgartickets.com/wycombe-swan-theatre/en-GB
The role of Lina Lamont will be played by Karen Hauer.

TUESDAY 4 – SATURDAY 8 MAY 2027
EDINBURGH PLAYHOUSE
https://www.atgtickets.com/venues/edinburgh-playhouse/
The role of Lina Lamont will be played by Natalie Anderson.

TUESDAY 11 – SATURDAY 15 MAY 2027
BIRMINGHAM HIPPODROME
https://www.birminghamhippodrome.com/
The role of Lina Lamont will be played by Natalie Anderson.

TUESDAY 25 – SATURDAY 29 MAY 2027
MAYFLOWER THEATRE, SOUTHAMPTON
https://www.mayflower.org.uk/
The role of Lina Lamont will be played by Karen Hauer.

WEDNESDAY 2 JUNE – SATURDAY 3 JULY 2027
SADLER’S WELLS
https://www.sadlerswells.com/
The role of Lina Lamont will be played by Karen Hauer.

TUESDAY 6 – SATURDAY 10 JULY 2027
NORWICH THEATRE ROYAL
https://norwichtheatre.org/
The role of Lina Lamont will be played by Karen Hauer. Casting for the role of Dora Bailey to be announced.

TUESDAY 13 – SATURDAY 17 JULY 2027
THEATRE ROYAL, PLYMOUTH
https://theatreroyal.com/
The role of Lina Lamont will be played by Karen Hauer. Casting for the role of Dora Bailey to be announced.

TUESDAY 20 – SATURDAY 31 JULY 2027
LOWRY, SALFORD
https://thelowry.com/
The role of Lina Lamont will be played by Natalie Anderson. Casting for the role of Dora Bailey to be announced.

TUESDAY 3 – SATURDAY 7 AUGUST 2027
CONGRESS THEATRE, EASTBOURNE
https://www.eastbournetheatres.co.uk/congress-theatre
The role of Lina Lamont will be played by Karen Hauer. Casting for the role of Dora Bailey to be announced.

TUESDAY 10 – SATURDAY 14 AUGUST 2027
NOTTINGHAM THEATRE ROYAL
https://trch.co.uk/
The role of Lina Lamont will be played by Natalie Anderson. Casting for the role of Dora Bailey to be announced.

TUESDAY 24 AUGUST – SATURDAY 4 SEPTEMBER 2027
NEW THEATRE, CARDIFF
https://trafalgartickets.com/new-theatre-cardiff/en-GB
The role of Lina Lamont will be played by Natalie Anderson. Casting for the role of Dora Bailey to be announced.

WOLVERHAMPTON GRAND THEATRE JOINS REGIONAL INDEPENDENT THEATRE ALLIANCE

Wolverhampton Grand Theatre becomes sixth member of RITA as alliance strengthens voice of independent regional theatres

Wolverhampton, UK, 22 September 2026 — Wolverhampton Grand Theatre has joined the Regional Independent Theatre Alliance (RITA), becoming its sixth member and strengthening the network of independent, large-scale regional theatres the alliance represents across the UK. The Grand joins RITA’s five founding members: Birmingham Hippodrome, Leeds Heritage Theatres, Norwich Theatre, Newcastle Theatre Royal and the Marlowe Theatre, Canterbury.

RITA was launched in June 2026 to champion the distinctive “third way” model within the theatre sector: charitable, not-for-profit organisations that operate as growth engines without day-to-day public subsidy, while reinvesting their surpluses into artistic programmes, audiences and their communities.

Wolverhampton Grand Theatre is a historic, independent performing arts venue located at the heart of the city’s cultural life since 1894. The Grand combines a major programme of touring productions and its own produced work with community and creative engagement activity, while operating at commercial scale and generating the income required to sustain its work.

Its membership strengthens RITA’s representation across the country and comes as the alliance continues to advocate for greater recognition of the contribution independent regional theatres make to economic growth, employment, skills and communities.

“We are delighted to welcome our sixth member of RITA. Wolverhampton Grand Theatre embodies the values that bring our alliance together: a mission-driven, financially self-reliant theatre with deep roots in its community and a clear ambition to create lasting impact,” said a RITA spokesperson.

“Joining RITA is a natural step for Wolverhampton Grand Theatre. As an independent venue deeply rooted in our community, we operate at scale, sustaining our work through commercial success while reinvesting in local culture. Together with our alliance partners, we look forward to ensuring the immense economic, social and cultural value of independent regional theatre is fully recognised in national policy,” said Karen Smallwood, Chief Executive Officer at Wolverhampton Grand Theatre.

The alliance is calling on the Government to formally recognise the independent theatre “third way” operating model in policy and funding decisions; establish a regular data-sharing relationship with DCMS so that the sector’s economic and social contribution can be properly understood; and champion a national co-investment strategy treating independent theatres as partners in regional growth.

HACKNEY EMPIRE, WOOD STREET WALLS AND HACKNEY WOMEN’S FOOTBALL CLUB UNVEIL NEW FOOTBALL KIT CELEBRATING 125 YEARS OF HACKNEY EMPIRE AND 40 YEARS OF THE CLUB

WINNING DESIGN BY LONDON COLLEGE OF FASHION STUDENT DAPHNE SCOTTO DI CARLO DRAWS ON HISTORIC HACKNEY EMPIRE PLAYBILLS, TICKETS AND PERFORMERS

PAID STUDENT DESIGN COMPETITION CREATED IN COLLABORATION WITH WOOD STREET WALLS CIC AND LONDON COLLEGE OF FASHION

HACKNEY EMPIRE YOUNG PRODUCERS ART DIRECT CAMPAIGN SHOOT FEATURING HACKNEY WOMEN’S FC PLAYERS AND HACKNEY EMPIRE YOUNG ARTISTS

Hackney Empire, Wood Street Walls and Hackney Women’s Football Club today unveil a specially commissioned football kit celebrating two landmark anniversaries in the borough: 125 years of Hackney Empire and 40 years of Hackney Women’s FC.

Designed by London College of Fashion student Daphne Scotto Di Carlo, the kit brings together archive material from Hackney Empire’s history with the identity and heritage of Hackney Women’s FC, Europe’s longest-running LGBTQIA+ football team.

The new kit is the result of a collaboration between Hackney Empire, Wood Street Walls CIC and London College of Fashion, University of the Arts London, which invited students to respond creatively to the history and legacy of both organisations through a paid design competition.

Three London College of Fashion students were selected to develop designs for the kit, responding to key themes from Hackney Empire’s history and visiting Hackney Archives to explore historical material and artefacts that could inform their work.

A panel made up of representatives from London College of Fashion, Wood Street Walls and Hackney Empire, alongside Hackney Women’s FC players, selected Daphne Scotto Di Carlo’s design as the winning kit.

Scotto Di Carlo’s design draws directly on Hackney Empire’s archive, using the typography and print styles of historic playbills and tickets, alongside references to the theatre’s distinctive red seating. The design makes a playful connection between football and theatre as shared spaces where communities come together to watch a performance, while the words “Playing with Pride Since 1986” celebrate Hackney Women’s FC’s history and identity. 

The collaboration continued beyond the design of the kit. Following its production, a team of Hackney Empire Young Producers worked with Wood Street Walls’ Mark Clack and photographer Jake Green to art direct and deliver a campaign photoshoot, featuring Hackney Women’s FC players alongside Hackney Empire young artists.

The project forms part of Hackney Empire’s 125th anniversary year, celebrating not only the generations of artists, audiences and communities who have shaped the theatre since it opened in 1901, but also the young people, creatives and communities continuing to shape Hackney today.

Chris Sudworth, CEO of Hackney Empire, said: “This project brings together so many of the things we want our 125th anniversary to represent: celebrating Hackney Empire’s extraordinary history while creating opportunities for the next generation of artists and creatives, and working in partnership with the communities around us.

“It has been brilliant to see the students respond so imaginatively to our archive, and for our Young Producers to then take that work forward through the campaign shoot. Hackney Women’s FC has its own remarkable history in the borough, so this feels like a fitting celebration of two organisations that have community and inclusion at their heart.”

Daphne Scotto Di Carlo said: “Inspired by the typography and imagery found in the Hackney Empire archives, as well as Hackney itself-from corner shops and football pitches to everyday street details-the kit aims to embody the character of the area. As a female footballer, I also considered colourways and graphics as a way to give players confidence on the pitch.”

Molly Redmond, General Secretary, Hackney Women’s FC said: “This project is a really exciting moment for Hackney Women’s FC, particularly as we celebrate our 40th year. It feels especially fitting that it lands alongside Hackney Empire’s 125th anniversary, two proud parts of Hackney’s history coming together. To have our training kit created in collaboration with such an iconic venue is so special, and we’re incredibly proud to wear it. It means a lot to see our club’s LGBTQIA+ history represented through this collaboration, as we reflect on everything that’s shaped and made us who we are today. We’re incredibly grateful to Wood Street Walls for their support and for bringing the project to life.”

Mark Clack of Wood Street Walls said: “Having been speaking to Hackney Women for a number of years on how we can help promote the club’s amazing work and history, I am delighted to be involved bringing three very important London institutions together for this project, and showcasing some amazing emerging creative talent. The context, locality and personal story of a club matters in a project like this. Hackney Empire’s place in London’s history celebrating their anniversary, along with Hackney Women’s own 40th celebration brings together people and place, with a shared time to celebrate both their achievements with London College of Fashion’s stellar students. We are honoured to be involved in such a beautifully shot and such a thoughtful and well-designed kit.”

Founded in 1986, Hackney Women’s Football Club is Europe’s longest-running LGBTQIA+ football team. The club is dedicated to making football more accessible for women and non-binary players across London, with weekly training and matches catering for a range of abilities from advanced to amateur. Off the pitch, the club maintains a strong social community, reflecting its belief that football is about much more than the game itself. Hackney Women’s FC is proudly gay and trans inclusive, welcoming everyone both on and off the pitch.

The project was funded and produced by Wood Street Walls CIC, made possible by the North London Waste Alliance and in partnership with London College of Fashion.

The Hackney Women x Hackney Empire collections designed by LCF Student Daphne Scotto Di Carlo can be pre-ordered on the Wood Street Walls website:

https://shop.woodstreetwalls.co.uk/collections/hackney-womens-fc-x-hackney-empire

Website: www.hackneyempire.co.uk / Facebook @HackneyEmpire / Bluesky- @HackneyEmpire / Instagram – @HackneyEmpire

SHEDINBURGH AND FRANCESCA MOODY PRODUCTIONS CELEBRATE OPENING WEEKEND OF LONDON RESIDENCY AT YOUNG VIC THEATRE

New arts venue Shedinburgh celebrated the official launch of its first-ever London Residency over the weekend, bringing together critically acclaimed artists and creatives to perform in a one-of-a-kind bespoke space at the Young Vic Theatre in Southwark.

Opening weekend shows included critically acclaimed Jessie Cave: Sunrise, Kirsty Mann: Corpse,  Javaad Alipoor: America’s Kingdoms, Songs From Across The Sueniverse and Edinburgh Comedy Award nominee for Best Newcomer, Dom McGovern: Prize Hog, followed by an evening drinks with Taskmaster star Chloe Petts in attendance. The residency continues until 10th October 2026, taking over the Young Vic’s Maria Theatre with new shows six days a week.  

The Olivier Award-winning producers behind Fleabag and Baby Reindeer, Francesca Moody Productions, have brought Shedinburgh to London for the first time with a three-week season presented in association with the Young Vic Theatre. 

Bringing together theatre, comedy, music, live art and new writing, the inaugural London season will feature more than 40 performances, including world renowned artists and critically acclaimed cult-hit revivals as they’ve never been seen before, in Shedinburgh’s intimate, bijoux, stripped-back setting.

Following its acclaimed 2026 Edinburgh Festival Fringe season, the purpose-built shed venue has been reconstructed inside the Maria Theatre for its London residency.

The full Shedinburgh 2026 programme is now on sale at shedinburgh.com and www.youngvic.org/shedinburgh 

Website: shedinburgh.com

Instagram: @shedinburgh_fest

TikTok: @shedinburghfest

X/Twitter: @ShedinburghFest

VENUE ADDRESS: 

YOUNG VIC THEATRE, 66 THE CUT, LONDON SE1 8LZ