Sheffield Lyceum – until Saturday 1st November 2025
Reviewed by Claire Moore
3***
Inspector Morse: House of Ghosts brings Oxford’s most famous detective to the stage for the first time. Written by Alma Cullen, who penned several episodes of the much-loved TV series back in the ’80s and ’90s, it’s set in 1987 and combines classic murder mystery with a touch of the personal. When Morse and Lewis are called to investigate the mysterious death of a young actress during a performance of Hamlet, the case begins to stir up ghosts from Morse’s own past — blurring the lines between professional duty and personal pain.
Fans of the TV series will find plenty of familiar nods — from Morse’s fondness for real ale to his sharp eye for the tiny details everyone else overlooks. But rather than the elusive, emotionally guarded Morse we know from television, this story digs a little deeper. As the investigation unfolds, we see glimpses of Morse’s own past and the memories that still haunt him, as the sinister events on stage begin to connect to something that happened twenty-five years earlier.
Tom Chambers delivers a strong performance, putting his own stamp on Morse while still giving the occasional echo of John Thaw’s beloved portrayal. His Morse has the same quiet intelligence and dry wit, but it’s refreshing to see a more personal, reflective side. His partnership with Lewis (Tachia Newall) works well — there’s an easy warmth and respect between them that makes their relationship believable and engaging to watch.
Robert Mountford works well as the arrogant and slightly sleazy director Lawrence — he could have stepped straight out of a 1980s episode. He’s the perfect opposition for Morse, who we know can’t help but loathe that kind of man. Eliza Teale gives a layered performance as Rebecca, the cast member who’s fallen off the wagon, while Teresa Banham brings a steady, grounded presence as Ellen, giving the story a touch more emotional weight. Unfortunately, what’s missing is that real sense of suspense — the tension never quite builds in the way you hope it will.
The scene changes are smooth as the cast move the furniture on and off with slick precision, keeping the action flowing without any awkward pauses. I did find myself missing those familiar shots of beautiful Oxford though; with everything set in the theatre, pub or police station, it all felt a little dark and enclosed at times.
Overall, it won’t keep you on the edge of your seat, but fans of the TV show will enjoy a nostalgic trip into familiar territory. And there are just enough twists and turns to keep everyone else entertained.