Children’s Creativity Celebrated on Stage at The Lowry

Children’s Creativity Celebrated on Stage at The Lowry

The winners of The Lowry’s first annual Creative Writing Challenge were announced at a special celebration event on Thursday 18th May.

Presented by Manchester-based actor, writer, and director Carla Henry, with performances by poet Tony Walsh, the 16 shortlisted entries were performed on the Quays stage at The Lowry, Salford.

Open to children aged 7-11 (Key Stage 2) from across Salford and Greater Manchester, the judges, who included actor Carla Henry, writer and actress Samantha Giles, performance writer and spoken word activist Emma Rogerson, playwright Simon Stephens, poet Tony Walsh, screenwriter and children’s author Frank Cottrell-Boyce, and Programme Manager at the National Literacy Trust, Mike Leyland, had the difficult task of shortlisting from almost 400 entries in three categories – Script, Poetry and Short Story.

Winners and runners-up include; in the Script category – (winner) Salome Samuel (age 10) for Freya’s Amazing Adventures and (runner-up) Ruby Lee (age 10) for Alien in Manchester. In the Poetry category – (winner) Layla Wood (age 11) with The Journey, and (runner-up) Peter McColgan (age 10) for The Lonely Man. And in the Short Story category – (winner) Gabriela Kulacz (age 11) for In The Box, and (runner-up) Maryam Akram (age 10) with Return To Kandahar.

A special Founders Prize was awarded by Beryl Jones to (winner) Hawa Chowdhury (age 9) for their piece The Adventure of The Oak Tree and (runner-up) Charlie Grieve (age 10) for The Rivers Adventure.

All shortlisted children and runners-up each received a certificate and book token, with the winners also receiving an original illustration created by artist and illustrator Catherine Booth.

Other shortlisted entries who performed on the night included: Maariyah Ahmad (age 10), William Maher (age 11), Eve Bennet-Mould (age 10), Andaz Amin (age 11), Éowyn McDonald (age 9), Isla Hickey (age 11), Kaio Devine Dos Santos (age 7), and Rosanna De Martiis (age 9).

Layla, a pupil at Marlborough Road Academy (Salford) whose poem ‘The Journey’ was inspired by refugees traveling to unknown places said My school teacher entered my piece into the competition. It was fun. I made a lot of new friends and enjoyed watching the other pieces being performed. Getting up on stage was nerve-racking but the moment I began to read my poem all the nerves disappeared. This has inspired me to write even more and enter more writing competitions. The whole experience has boosted my confidence.”

Carla Henry said “What a pleasure and privilege to have been part of The Lowry’s first ever Creative Writing Challenge. Fabulous memories were made! It was beautiful to see such creative and talented young people sharing their words with such confidence and joy. I felt so proud and inspired!”

Tony Walsh said “It’s been a delight and an inspiration to be involved with the first Creative Writing Challenge with The Lowry. The competition uncovered a huge wealth of young writing talent in all parts of Greater Manchester. To see many of them visiting The Lowry, some of them for the first time, and even taking to its famous stage to share their work, was a night which will live long in the memory.”

The Lowry’s Creative Writing Challenge is delivered in partnership with the National Literacy Trust, an independent charity dedicated to raising literacy levels across the UK.

Jenny Riding, Director of Learning and Engagement at The Lowry “We work with thousands of young people every year and we have seen the devastating impact the pandemic has had on those who were already facing the biggest challenges. Our Creative Writing Challenge has inspired children to use their imagination and develop literacy and oracy through creativity.  We could not have done this alone; it has been wonderful to work with teachers and artists in schools and to begin a new partnership with the National Literacy Trust.”

Mike Leyland, Programme Manager, National Literacy Trust: “It was an absolute privilege to join as a judge for this fantastic creative writing challenge and meet the young writers at the awards ceremony. It was so inspiring to see the incredible work they produced as research from the National Literacy Trust shows that children who enjoy writing outside school are seven times more likely to write above the expected level for their age. Our partnership with The Lowry is invaluable as projects like this play a vital role in supporting children’s literacy, encouraging them to find a love of reading, writing, speaking and listening, that will last a lifetime.”

The competition has been made possible thanks to the generous support of Beryl Jones, who along with her husband Trevor is a Gold Patron of The Lowry. The launch of this new award is timely given the post-pandemic need for support in education and creativity being greater than ever.

Julia Fawcett OBE, CEO of The Lowry said “We feel so passionately about the creation of this prize, to be able to encourage the creativity and confidence of the next generation of writers and performers is a true privilege. I want to extend my heartfelt thanks to Beryl and Trevor Jones whose generosity has made this possible.”

Beryl Jones, Gold Patron of The Lowry said “I am passionate and dedicated to children’s creativity and removing any barriers they may experience to enjoying and creating great literature and performance. Thank you to the team at The Lowry for launching the Creative Writing Challenge this year and I look forward to working with them to grow it in the future. Seeing the children present their work on stage at The Lowry was a true joy and my dream come true.”

The Creative Writing Challenge is a 5-year project. Related to the competition a support scheme is available to primary schools in Salford and Greater Manchester, to register your interest please email getcreative@thelowry.com. The Lowry has also developed free downloadable lesson plans for Years 3, 4, 5 and 6 which can be accessed here visit thelowry.com/creativewritingchallenge

The 15th annual STEPHEN SONDHEIM SOCIETY Student Performer of the Year 2023 competition

Finalists announced for the 15th annual
STEPHEN SONDHEIM SOCIETY
Student Performer of the Year 2023 competition

Alex Young will host the event
at the Sondheim Theatre, Sunday 11 June

Royal Academy of Music, The Guildford School of Acting, Leeds Conservatoire,
Hammond School, Italia Conti, Royal Conservatoire of Scotland  
and Royal Welsh College of Music and Drama to field the 12 finalists and 2 reserves

Judges to include JENNA RUSSELL and JULIA MCKENZIE

The 12 finalists: Sara Bartos, Emily Botnen, Lucy Carter, Harry Lake
Josh Lewindon, Ritesh Manugula,Tom O’Kelly, Emily Ridge
Pétur Svavarsson, Isobel Twist, Harry Warburton, Milly Willows

The Stephen Sondheim Society Student Performer of the Year competition – affectionately known as SSSSPOTY – was inaugurated in 2007, and in 2023 returns for its 15th year. The gala final will be held, fittingly, in the Sondheim Theatre, on the afternoon of 11 June 2023.

The final will be hosted by Alex Young, whose Sondheim credentials include Young Sally in the recent National Theatre cast of ‘Follies’, The Baker’s Wife in Terry Gilliam’s ‘Into The Woods’ at the Theatre Royal Bath and Cora Hoover Hooper in ‘Anyone Can Whistle’ at Southwark Playhouse. Alex is a former winner of the event, taking home the SSSSPOTY prize in 2010 after her hilarious rendition of ‘Sunday in the Park with George’ from the musical of the same name.

This year, The Stephen Sondheim Society (a charitable trust founded in 1993) asked for the first round of auditions to be made via video. More than 250 submissions were received, 80 of which qualified for a live, in-person audition with critic and broadcaster Edward Seckerson (Chair of the Judges) and Musical Director Nigel Lilley (‘Follies’, National Theatre; ‘Fun Home’, Young Vic). 12 finalists were selected, with 2 students held in reserve.

The 12 finalists are:

Sara Bartos (Royal Conservatoire of Scotland)
Emily Botnen (Royal Academy of Music)
Lucy Carter (Royal Academy of Music)
Harry Lake (Guildford School of Acting)
Josh Lewindon (Royal Welsh College of Music and Drama)
Ritesh Manugula (Royal Welsh College of Music and Drama)
Tom O’Kelly (Royal Academy of Music)
Emily Ridge (Leeds Conservatoire)
Pétur Svavarsson (Royal Academy of Music)
Isobel Twist (Bristol Old Vic Theatre School)
Harry Warburton (Guildford School of Acting)
Milly Willows (Italia Conti Academy of Theatre Arts)

The Stephen Sondheim Society Trustees and judges also agreed to select two reserves:.

El Haq Latief (Royal Academy of Music)
Thom Foster (The Hammond School)

The winner will receive a £1,000 first prize, and the chance to headline their own Sondheim-infused cabaret in London. The runner-up is also awarded £500.

Reserves – El Haq Latief and Thom Foster

The competition has an impressive track record for identifying young talent. Finalists have included Cynthia Erivo, Oscar Conlon-Morrey and Shaq Taylor, and winners include Alex Young, Taron Egerton, Turlough Convery, Erin Doherty, Stuart Thompson and, most recently, Desmonda Cathabel, who made her professional debut as Lorene in ‘From Here To Eternity’ at Charing Cross Theatre, and who also performed in ‘Stephen Sondheim’s Old Friends Concert’ at the Sondheim Theatre and ‘Maria Friedman and Friends’ at the Menier Chocolate Factory.

Alex Young will host proceedings, becoming the first person in SSSSPOTY history to have been a competing student, a winner, a competing song-writer (her song ;Haus Potsdam’ from the musical ‘Here’ was entered in the 2015 competition), a judge (she joined the panel in 2017), a guest performer (2022), and now host.

Previous MCs include Hannah Waddingham, Julian Ovenden, Maria Friedman and Joanna Riding.

The Final will be directed by Hannah Chissick (‘Marry Me A Little’, ‘Pack of Lies’, ‘Amour’).

The students will perform for a panel of highly respected judges drawn from West End directors, MD and performers, including Jenna Russell.

The Prize Giving will be led by Julia McKenzie, a founding patron of The Stephen Sondheim Society and one of the most celebrated interpreters of Sondheim’s work.

More judges to be announced.

Previous judges include John Wilson, Imelda Staunton, Don Black and Andrew Lippa.

Craig Glenday, Chair of The Stephen Sondheim Society, said: “We’re very excited to be back in the Sondheim Theatre for the 15th annual competition that bears his name, so a massive thanks to Sir Cameron Mackintosh for his generous support of the event. Steve was absolutely passionate about encouraging new talent across all aspects of theatre – his mantra was “Teaching is a sacred profession” – so as well showcasing the student performer finalists – literally the best the country has to offer – we’re thrilled to be sharing the stage with this year’s influx from the National Youth Music Theatre. We’re also delighted to be offering opportunities to young, emerging creatives in roles supporting direction, stage management and musical direction. The invaluable support we receive from our membership across the UK and beyond means we can offer these emerging talents a West End stage from which to show off their amazing abilities. You can say, ‘I saw them here first!’”

Each finalist will be required to sing one song by Stephen Sondheim, plus a new song chosen by them from the selection at NEW UK MUSICALS – the organisation founded by composer Darren Clark to showcase the UK’s best new musical-theatre writing for the stage. It was the express wish of Mr Sondheim that for every one of his songs selected by the finalists, a new song is performed, in order to encourage and support the creation of new work.

The Society is also excited to partner this year with the National Youth Music Theatre (NYMT), and look forward to featuring a performance by a chorus drawn from the current cohort of young performers.

PREVIOUS WINNERS
Arts Ed currently leads the field with three winners, with a chance this year to extend their total to four, as their BA Musical Theatre student Caitlyn Allen is included in the final 12.

2022: Desmonda Cathabel (Royal Academy of Music)
2019: Stuart Thompson (Mountview)
2018: Alex Cardall (Arts Ed)
2017: Izuka Hoyle (Arts Ed)
2016: Courtney Bowman (Guildford School of Acting)
2015: Erin Doherty (Bristol Old Vic Theatre School)
2014: Corrine Priest (London School of Musical Theatre)
2013: Turlough Convery (Guildford School of Acting)
2012: Kris Olsen (Guildhall School of Acting)
2011: Taron Egerton (Royal Academy of Dramatic Art)
2010: Alex Young (Royal Academy of Music)
2009: Michael Peavoy (Royal Academy of Dramatic Art)
2008: Adrian Grove (Bristol Old Vic Theatre School)
2007: Carl Au (Arts Ed)

THE STEPHEN SONDHEIM SOCIETY
Registered Charity Number 1142092
Chair: Craig Glenday (craig.glenday@sondheim.org)
Events: Tina Foote (tina.foote@sondheim.org)
www.sondheim.org
The Stephen Sondheim Society is a registered Charity regulated by the Charity Commission (Registered Number 1142092). Its charitable aims are stated as being: to promote the public knowledge and appreciation of the works of Stephen Sondheim by such means as are charitable; and to advance the public education in music, particularly but not exclusively, to young people by holding an annual music competition. The Society produces cabarets, educational events such as workshops and masterclasses, maintains the Sondheim Archive at Kingston University, and publishes Sondheim The Magazine. The jewel in the Society’s crown, however, is SSSSPOTY, which gives students of musical theatre invaluable experience working with established Directors and Musical Directors, and provides them with a chance to perform on a West End stage. Recent events include Alex Young & Friends and Merrily We Sing Along with Ellie Nunn (Upstairs at the Gatehouse), The Art of Making Art: Staging Sondheim (V&A).

LISTINGS INFO

Stephen Sondheim Society
Student Performer of
the Year

Sondheim Theatre
Shaftesbury Avenue
London
W1D 6BA

Sunday 11 June 2023
at 3pm

Tickets:
from £23.75

Box Office: 0344 482 5151

online:
www.delfontmackintosh.co.uk/
whats-on/sssspoty-2023

Proceeds are in aid of The
Stephen Sondheim Society
(Registered Charity No.1142092)

West End star Lee Mead announces October concert tour

Lee Mead announces October concert tour
Lee Mead – The Best of Me
UK Tour: October 2023

Lee Mead, award winning stage and screen actor, singer and West End leading man, is thrilled to unveil his all-new October concert tour, set to captivate audiences across the country. Mead, known for his powerful voice and magnetic stage presence, will embark on a series of unforgettable performances, showcasing some of his favourite songs.

His concert promises to be a sensational musical experience, with Mead taking centre stage alongside his live band to perform a repertoire that spans various genres from his musical influences, including musical theatre classics, contemporary hits, soulful ballads and a sneak peek at his brand-new EP. Audiences can expect an evening of extraordinary vocal performances, infused with Mead’s witty charm and heartfelt emotion.

Kicking off at The Apex Bury St Edmunds (17 Oct), the show will also play these unmissable
dates: Redhill’s Harlequin Theatre (18 Oct), Watford’s Palace Theatre (19 Oct), Clacton-on-Sea’s West Cliff Theatre (20 Oct), Portsmouth’s New Theatre Royal (24 Oct), Newbury Corn Exchange (25 Oct), Taunton Brewhouse Theatre (26 Oct) and Worcester’s Swan Theatre (28 Oct).

Currently in rehearsals for the West End’s summer revival of We Will Rock You, Lee Mead’s talent has garnered him critical acclaim and a dedicated fan base over the years. From his
breakthrough win on the BBC talent show Any Dream Will Do, to his subsequent career in the West End, including Wicked, Legally Blonde, Chicago, Chitty Chitty Bang Bang, Mead has consistently delivered exceptional performances as one of the most remarkable voices in the industry. Lee has also enjoyed TV regular roles on Casualty and Holby City

Mead said, I am absolutely thrilled to announce my October concert tour. I’m excited to journey back through some of my musical influences and it’s a chance for me to connect and share with my fans my passion for music and live entertainment. We have put together an exciting setlist that I hope will resonate with audiences and be a fun night out for all.

To purchase tickets and for more information about the tour dates and venues, please visit Lee Mead’s official website: www.leemead.co.uk

Kay Mellor’s: A Passionate Woman Review

The Leeds Playhouse  until 10 June 2023

Reviewed by Sal E Marino

5 *****

The Leeds Playhouse was overflowing with love, laughter and big-hearty chuckles last night as the fabulous Katherine Dow Blyton wowed the audience by embodying Kay Mellor’s ‘Betty’.  This new production of  A Passionate Womanas it’s 30 years since Leeds born Kay’s gem of a drama was first staged in the Courtyard theatre, must have had her family and friends swelling with pride as yet again; it was a rip-roaring success! Obviously, due to her passing in 2022, there was a tinge of sadness along with the giggles but her positive presence was much stronger and felt through her profound and straight-talking tongue-in-cheek dialogue.

Kay’s Mellor’s play (directed by Tess Seddon) is about a woman called Betty who’s son (Mark) is getting married and although she doesn’t realise it; she’s in deep pain.  What she perceives as losing Mark (Tom Lorcan) is just the precipice of a something bigger that needs unearthing. This process is one in which a chain of events, energised by the trials we face in life, accumulate and finally explode so that we can get to the heart of the matter – which is always fear based.  For Betty, what’s got to her is that she’s feeling old and Mark getting married has made her feel worried that she’ll become useless – just like the rubbish in the loft, forgotten.  Not having a married son makes her feel like a younger person and that means she’s still alive!  Alive means that she’s still got time to take a chance on life again and to go and live it – to be once more: A Passionate Woman!   Now feeling like this and realising she’s stuck with her hapless and lacklustre husband Donald – Betty runs scared – and heads for a break-down.  But what Betty and her family don’t realise is that the word and concept that’s been attached to the word, ‘break-down’, has been inverted and it’s actually a breakthrough!  

At the beginning of the play, poor Mark, who is getting married in an hour, tries to coax his mum down from the loft she’s placed herself in and they go through some poignant exchanges where the roles of parent and child interchange.  Mark is a beautiful human who is like his mum, passionate, and he displays this very clearly through showing his love for his mother and his future wife.  He respects, loves and understands their strengths and vulnerabilities.  And just as it seems like we’re going to have a predictable ending where by ‘they all lived happily after’ – Betty does something incredible – she manifests Craze!  This life can’t go on for Betty anymore and so the puzzle needs solving. In order to experience her epiphany and thus smash the barriers to live life in freedom (instead of living like what’s expected of her sitting with Donald as he flicks through the TV channels) Betty wants PASSION.  This frequency of passion that Betty conjures is a memory – one of music, lust and love.  These are presented to her by the spirit of Craze (Michael Bijok); an old lover who she sometimes wonders about.  When he ‘appears’, as he was back then and she was his ‘Beautiful Betty’, right there in front of us –  Katherine Dow Blyton actually reverses her whole appearance through her aura.  Without any tricks or props her essence goes back to when she was in her early 20s.  It’s quite a scene.  

Without giving too much away, secrets, betrayals and a broken, monotonous marriage start to unfold.  Betty’s husband, Donald, played very authentically by David Crellin, enters into the drama and although it might be easy to just champion Betty and her struggles within their relationship, I really felt for him too.  Donald’s also forgotten who he is in the rat-race of a system and that ground hog day existence so many of us end up in.  Betty refuses to do it any more – enough is enough!  The line Mellor wrote for her, ‘Do you know something, we’ve got to live life for every moment because this might be all we’ve got’ rings so true.  Every moment is a gift – a present – and the more we live in the present then the more we are likely to live in love, harmony and happiness – the true design for humankind.  

This play can appear light-hearted and fun – which it is – however it goes deep and makes you think about your own mortality.  “Am I living my life to the full?” and “If not then what can I do about it?” are the questions that start to swim around in one’s mind?  I love that about theatre and live performances – they stay with you because unlike Donald you don’t immediately switch to another channel once it’s finished and forget about it – you talk about it with the person next to you.  This of course is unless they’re immediately on their phone straight as the appreciation of clapping starts which tragically some were and I’ve been guilty of this myself in the past.  If you do talk about what you’ve just experienced then you start to mull it over and might even be encouraged to start your own epiphany.  “What did you think?” and “I liked the bit when … ” begin the thought processes that lead us to Mellor’s purpose for writing the play – which is obviously open to interpretation.  For me it was about witnessing a woman’s awakening through exploring and ‘bottoming’ her shadow side and letting go of the concept of ‘time’.  Betty had the incorrect view point that time is  ‘slipping away from her’.  Through her journey of – not so much ‘the dark soul of the night’ but more like ‘the crazy (Craze) woman in the loft’ – Betty transcends, literally into the clouds to find her pot of gold at the end of the rainbow.  Her face is lit up with joy and it’s coming from inside her – not outside or from another person.  

A Passionate Woman is a play we need right now as more and more people are ‘tiring’ before they retire.  Mellor is trying to tell us that it’s not too late – seize the day!  Unfortunately for Betty this happens to be on the day of her son’s wedding but that’s why it worked for her, as barmy as it may seem.  It had to be dramatic to ignite her into taking this big but necessary step which was leaving her old life behind her. Change was needed, a change of perspective about herself and her freedom of choice and will.  A Passionate Woman is funny, surprising and makes you think and best of all feel.  This is a big sparkly diamond of a show, that you’ll be so glad you went to see, and grateful for Kay and her wisdom to write it.  

MIKE BIRBIGLIA BRINGS HIS HIT BROADWAY SHOW – THE OLD MAN & THE POOL – TO THE WEST END FOR A STRICTLY LIMITED RUN THIS AUTUMN

MIKE BIRBIGLIA BRINGS HIS HIT BROADWAY SHOW

THE OLD MAN & THE POOL

TO THE WEST END FOR A STRICTLY LIMITED RUN THIS AUTUMN

“Broadway’s greatest comic storyteller” (Deadline) Mike Birbiglia brings his latest one man show The Old Man & The Pool to the West End for a strictly limited 4 week run, following sell out performances across the US, including a Broadway run at the Vivian Beaumont Theater at Lincoln Center. The show opens at Wyndham’s Theatre on 15 September, with previews from 12 September, and runs until 7 October, following performances at Underbelly at McEwan Hall at the Edinburgh Festival Fringe from 22-27 August.

Priority on-sale for DMT members is open now, with public on-sale from 10am tomorrow, 25 May.

Mike Birbiglia said today, “I love everything about London. I love being there. I love performing there. I love walking there. Last summer I got to take my daughter to see Matilda in the West End and it was one of the greatest days of her and my life. I hope that my show The Old Man & The Pool can be your Matilda. With your kids. Or your parents. Though my show is nothing like Matilda. And don’t bring your kids if they’re 7. But I’d like to think of my show as an event you could bring anyone age 12 through 112 to. It’s a series of jokes and stories about life and death and mortality that add up to a single story that will hopefully make you happier about your life than you were when you walked in. Sounds like what Matilda does, right? Maybe the shows do have something in common! In closing, if you see one show this fall in the West End, see Matilda. If you can see two shows, go to Matilda and The Old Man & The Pool. It’s got my heart and soul in it. And about 1,000 jokes. See you there, my London friends.”

Producers Sue Wagner, John Johnson, Patrick Catullo, and Seaview commented, “Working with Mike is a joy and we are thrilled to bring his hilarious and life-affirming comedy to the West End this Autumn. Mike had Broadway audiences roaring with laughter nightly and we look forward to the laughter rolling on to London.”

Sue Wagner, John Johnson, Patrick Catullo, and Seaview present

THE OLD MAN & THE POOL

Written and performed by Mike Birbiglia

Directed by: Seth Barrish

General Managed by: Wessex Grove

Acclaimed comedian and storyteller Mike Birbiglia plays a strictly limited run in the West End this Autumn with his hit show The Old Man & The Pool

Chronicling his coming-of-middle-age story Mike asks the big questions: Why are we here? What’s next? What happens when the items at the doctor’s office that you thought were decorative become functional?  This tale of life, death, and a highly chlorinated YMCA pool resonates with audiences ages 12 to 112, and won rave reviews whilst playing to sold-out houses in the US. Now “the best comedy of the year” (The New York Times) promises to charm London audiences.

The Old Man & The Pool is a hilarious reminder for all of us recovering from failing bodies and a flailing world that laughter is indeed the best medicine.  Get your tickets now, and remember: Mike’s here for a good time, not a long time. This strictly limited run plays at Wyndham’s Theatre for just 4 weeks. 

Mike Birbiglia is a comedian, storyteller, director, and actor who has performed in front of audiences worldwide, from the Sydney Opera House to Carnegie Hall to Broadway. His solo shows Sleepwalk with MeMy Girlfriend’s BoyfriendThank God For Jokes, and The New One enjoyed successful runs on and off Broadway. My Girlfriend’s Boyfriend won the Lucille Lortel Award for Outstanding Solo Show, and The New One received the Drama Desk Award as well as the Outer Critics Circle award for outstanding solo performance. Birbiglia is also a filmmaker who wrote, directed and starred in the films Sleepwalk with Me and Don’t Think Twice. As an actor, Birbiglia has appeared in the films Trainwreck, The Fault in Our Stars, Popstar, A Man Called Otto starring Tom Hanks, Taylor Swift’s music video for Anti-Hero, as well as TV roles in Orange Is the New Black and Billions. He is the host of the podcast Mike Birbiglia’s Working It Out.

LISTINGS

THE OLD MAN & THE POOL

Wyndham’s Theatre

Charing Cross Rd, London WC2H 0DA                                                                                                              

Tuesday 12 September – Saturday 7 October 2023

Monday, Tuesday, Thursday and Friday at 7.45pm (and Wednesday 13 September)

Wednesday and Saturday at 6.30pm and 9pm


Ticket Prices: From £15 (£10 standing)

Preview prices: save up to £20 from 12-14 September

Age Recommendation: Recommended for ages 12+

Group booking: 0344 482 5100 / Click here

6+ groups, available Monday to Thursday 12 – 28 September only

Access performances:

Captioned: Wednesday 20 September at 6.30pm

Audio Described: 18 September at 7.45pm, preceded by a touch tour


www.MikeOnWestEnd.com 

Box Office: 0344 482 5151
Group Bookings: 0344 482 5100 
Access Booking Line: 0344 482 5137

Instagram: www.instagram.com/OldManPoolWestEnd
Twitter: www.twitter.com/OldManPoolWE

Facebook: www.facebook.com/OldManPoolWestEnd

Edinburgh Festival Fringe – McEwan Hall

22-27 August

https://underbellyedinburgh.co.uk/event/mike-birbiglia

Spongebob Squarepants Review

Lyceum, Sheffield – until 27th May 2023

Reviewed by Alison Beaumont

4****

Spongebob the Musical is based on the hit Nickelodeon children’s TV program Spongebob Squarepants.

When the people of Bikini Bottom discover that a volcano will soon erupt and destroy their home, Spongebob and his friends come together to save their undersea world.

The storyline isn’t what makes this show it’s the actors, the scenes, costumes and songs. You might think this is a musical just for the young, but it is enjoyable for us big kids.

The cast all enjoyed themselves and the smiles on their faces and pure enjoyment were felt throughout. At times it felt like the stage was very chaotic, but this just adds to the craziness of this great show. The costumes were bright and colourful and just right for this show., I especially liked Squidward’s (Tom Read Wilson) four legged trousers. The creativeness of the headwear for the Electric Skate Band using plastic cups and plastic straws was very effective.

Screens on the stage gave news bulletins from the famous tv presenter Richard Arnold who played Perch Perkins. Although it was nice to see someone of his stature on the show it didn’t add anything that couldn’t have been achieved by anyone playing the role.

Spongebob played by Lewis Cornay sang a solo (Just a) Simple Sponge which was very good, and the neon dancing sponges added to this routine. The only thing I would say is it would have been better had the spotlight not been quite as bright as you could see some of the faces of the cast moving the sponges when it was supposed to look like the sponges were dancing on their own. Lewis played the part of Spongebob brilliantly with lots of energy and enthusiasm. He kept Spongebob’s accent throughout and at times sounded very much like the tv character Spongebob.

Irfan Damani played Patrick and was very funny. The best part for me was Patrick is a Star song which really made you want to get up and dance.

Sarah Freer who played Pearl is an excellent singer, very strong and shone in the song Daddy Knows Best.

The creativity in the Jelly Fish scene with Squirrel (Chrissie Bhima) was simple but effective.

I’m not a Loser was another song worthy of a mention, the tap routine to this was brilliant and faultless.

The show finished by everyone getting up to the theme song Who lives under the pineapple under the sea Spongebob Squarepants

The Lies Review

Alphabetti Theatre, Newcastle – until Saturday 3rd June 2023

Reviewed by Sandra Little

3***

Directed by Matt Jamie and Produced by Ellis McGowan, The Lies is written and performed by Degna Stone. Degna is a poet and poetry editor based in the North East. This 45 minute play questions the lies we tell our children, the lies we tell ourselves and the the lies that are told to us.

The Lies is Degna’s debut theatrical performance and in this performance Degna is joined by Luca Rutherford. Luca plays the part of such mythical beings as a very exuberant Easter bunny, a disillusioned Santa and a forthright tooth fairy!

The play begins with video footage of national and global events and the audience are presented with three definitions of “truth”. The stage set is simply a table and 2 chairs covered in newspaper and newspapers displaying bold headlines are strewn around the floor. Against this backdrop a story unfolds of the difficult relationship between a mother and daughter and the lies that are told within this relationship. Whilst considering lies told to children relating to such fictitious characters as the tooth fairy, the question, “was it the magic of childhood or a form of control?” is asked.

The play also highlights how people fall into the trap of accepting lies as part of everyday life. Through video presentation and narrative it hints at wider national and political issues relating to lies. It is suggested for example, that we are led to believe that we are part of a tolerant society, “a society so tolerant that poverty and obscene riches exist side by side”. Issues regarding lies relating to race are also explored from a personal perspective.

Within the comedy of an Easter bunny, a disgruntled Santa and a feisty tooth fairy serious issues regarding truth and lies are explored in this work. We are told that there is no such thing as a harmless lie and we are also reminded that we all remember things differently. I would suggest that both of these assertions could be great material for an after theatre discussion.

I enjoyed this performance and left the theatre thinking about the notion of lies and the assertion that we are all complicit in this deception.

42nd Street Review

Curve Theatre Leicester – until 3rd June 2023

Reviewed by Amarjeet Singh

5****

Credit: Johan Persson/

It’s the era of the Great Depression and infamous musical theatre director Julian Marsh is putting on a new show. Every dancer worth a dime wants to be a part of it and none is more determined than the former Miss Allentown, Peggy Sawyer, but can she make it? Mishaps and mayhem, mischief and misunderstandings all cumulate to scupper her dreams of making it big. Is there anything that can get Peggy to where she was born to be, In front of the bright lights of a Broadway stage? Peggy’s pluck, determination and incredible talent earns her the respect, recognition and role of a lifetime but can she pull it off at the 11th hour?

42nd Street is a musical extravaganza steeped in nostalgia. It takes you through the journey of Sawyers serendipitous rise to stardom and this new Made at Curve co-production is a spectacular rendition. Directed by Jonathan Church it is jam packed with iconic song-and-dance showstoppers. Choreographed and designed by Olivier Award winners Bill Deamer and Rob Jones the songs include ‘42nd Street’, ‘We’re in The Money’ and ‘Lullaby of Broadway’ it’s simply not to be missed.

The production is enthralling and the wise-cracking book by Michael Stewart and Mark Bramble is full of snappy one-liners. It is, however, a little uncomfortable when faced with the misogyny of yesteryear musicals being revived but not updated. It’s quite jarring to hear the chorus sing, ‘Keep Young and Beautiful, if you want to be loved”, and “What’s cute about a little cutie is her beauty, not brains.”, and other such things, but…

42nd Street is a good old-fashioned spectacle, and it is beautiful. The tap dance routines are incredible and leave you open jawed at their intricacies. There is melodrama, backstage intrigue, classic romance and a dazzling show within a show…and it must go on!

Josefina Gabrielle as Maggie Jones and Les Dennis as Bert Barry brought some great comedic moments. Ruthie Henshaw as Dorothy Brock was every bit the divine diva. Her execution of ‘I Only Have Eyes for You’ gave me tingles. Fully embracing the development of her character, she was a joy to watch. Adam Garcia played Julian Marsh with an understated coolness, which worked really well in this production. Sam Lips as Billy Lawlor was a phenomenal talent, both his singing and dancing left me speechless, but the star in every sense was Nicole-Lily Baisden who played Peggy Sawyer. She was the personification of dynamite, what she did with her feet was nothing less than enchantment. Tapping, twirling and all the while flashing a megawatt smile and barely breaking a sweat. She was both youngster and a star. The rest of the ensemble were incredible. It was astounding to behold the huge tap-dancing chorus fill the stage, coming together to create a magical performance. Traditional tapdancing was also enhanced with the addition of some tango and flamenco flavours, which really spiced things up.

The costumes, dazzlingly lavish and bright, added extra layers to the dance routines. The sets, stunning, steeped in art deco, quite simple, but very effective. Many set pieces doubling up, seamlessly moved into place as the action continues before your eyes.

With a running time at 2 hours and 35 minutes, including a 20-minute interval, 42nd Street is a larger-than-life, celebration of hope, grit and the irrepressible spirit of Broadway that’s guaranteed to lift anyone’s spirits. It’s a charmingly choreographed extravaganza that both musical veterans and novices can equally enjoy, making it the perfect show for one and all.

OVER £70,000 RAISED AT THE ACTING FOR OTHERS WEST END FLEA MARKET

OVER £70,000 RAISED AT THE ACTING FOR OTHERS WEST END FLEA MARKET

Theatrical charity Acting for Others today announces that more than £70,000 was raised at their most successful West End Flea Market to date, held on Saturday 20 May at St Paul’s Church in Covent Garden, with thousands of people enjoying the fun!

Sir Stephen Waley-Cohen, Co-chair of Acting for Others said today “There was a fantastic atmosphere with dozens of cast members from West End shows, stars signing autographs and thousands of fans buying the memorabilia on offer – all of it providing support for everyone from the theatre professions, through our network of 14 member charities”

Taking the prize of Best Dressed Stall this year was Mamma Mia! judged by national star Christopher Biggins and award-winning choreographer Dame Arlene Phillips. Their stall contained an array of delights including show memorabilia, signed posters and cast pictures, as well as a treasure trove of Donna and the Dynamos accessories to take selfies with and join the cast performing in a TikTok.

Many other West End shows had stalls including Back to the Future, Phantom of the Opera, Les Miserables, Hamilton, Moulin Rouge, The Mousetrap, SIX, Jersey Boys, Rocky Horror Show, The Book of Mormon, The Play That Goes Wrong  and other attractions included; Menier Chocolate Factory, Go Live Theatre Projects, Concord Theatricals, Disney on Stage, Theatrical Memorabilia, Tombola, face painting, Mariachi Loco, The Pearly Kings and Queens and Flea market favourite Psychic Su Pollard told fortunes aplenty!

There were stars in the autograph tent taking selfies and signing posters and goodies for fans including Christopher Biggins, Arlene Phillips, Bonnie Langford, John Partridge, Harriet Thorpe, Derek Jacobi, Samantha Bond, Frances Mayli McCann, Jordan Luke Gage, George Maguire, Cassidy Janson, Christina Bianco, Mazz Murray, John Owen-Jones, Jon Robyns, Aimie Atkinson, Oliver Tompsett and Giles Terera.

Sara Kestelman took to the mic, as the eventsemcee, announcing the days proceedings.

Biggins’ Bargains, the auction event hosted by Christopher Biggins, returned, with items including, a Shirley Valentine script signed by Sheridan Smith and Willy Russell, artwork signed by the cast of A Little Life and VIP Package to Back to the Future which was followed by a Panto Dame singalong with West End Sensation Emma Lindars.

www.actingforothers.co.uk       

Facebook: /Acting4Others

Instagram: @actingforothers

Twitter: @ActingForOthers

#WestEndFleaMarket

‘Love Never Dies In Concert’, Theatre Royal Drury Lane

‘Love Never Dies In Concert’

at Theatre Royal Drury Lane this summer

21st and 22nd August

The world’s most famous opera ghost returns to the West End for 2 nights only with much-loved stars reprising the roles of Phantom and Christine in star-studded concert

Sign up for exclusive pre-sale released today (Wednesday 24th May);

pre-sale starts Friday 26th May

https://lwtheatres.co.uk/loveneverdies

Andrew Lloyd Webber’s iconic Love Never Dies returns to London’s West End this summer in a star-studded concert at LW Theatres’ Theatre Royal Drury Lane.

Broadway legend Norm Lewis (Les Misérables 25th Anniversary ConcertJesus Christ Superstar)stars as The Phantom after a hugely successful run as the first African-American Phantom in the Broadway production of The Phantom of the OperaCelinde Schoenmaker (Guys & DollsRocketman) stars alongside him as Christine, following her appearance in London’s West End for the 30th anniversary of The Phantom of the Opera. Shaun Kerrison (My Fair LadyA Christmas Carol) directs. Further casting and creatives to be announced.

Love Never Dies In Concert, which features the sensational ‘Til I Hear You Sing and the heart-breaking Love Never Dies, is accompanied by the 27-piece London Musical Theatre Orchestra (LMTO), and will run at Theatre Royal Drury Lane on 21st (7.30pm) and 22nd August (2.30pm).

A closed pre-sale (via sign-up) starts on Friday 26th May, with a general on-sale to follow in due course. Sign up for pre-sale, released today, via: https://lwtheatres.co.uk/loveneverdies

This concert comes as The Phantom of the Operain London’s West End continues to break records at the box office, 36 years after opening at the recently-renamed His Majesty’s Theatre on Haymarket.

Norm Lewis commentsMy love for Andrew’s ‘Love Never Dies’ meant this was the quickest yes, the moment I was asked! I am honored to don the iconic Phantom mask yet again, and continue the story of a character that forever changed my life.  And to perform it at the famous Theatre Royal Drury Lane?  There’s nothing greater. I cannot wait to be reconnected with the London audiences!”

Described by The Daily Telegraph as “one of the greatest of all Andrew Lloyd Webber’s musicals”, Love Never Dies returns to the story of The Phantom of the Opera 10 years after the Phantom’s disappearance from the Paris Opera House. Escaped to a new life in New York, he has finally found a place for his music to soar. All that is missing is his love – Christine Daaé. In a final bid to win her back, the Phantom lures Christine, her husband, and their young son Gustave to America to perform one final time. As old wounds are reopened and forgotten memories unlocked, The Phantom sets out to prove that, indeed, Love Never Dies.

‘Love Never Dies In Concert’ is produced by Fourth Wall Live and the London Musical Theatre Orchestra, and arranged with the permission of Andrew Lloyd Webber’s Really Useful Group, with a score by Andrew Lloyd Webber, lyrics by Glenn Slater, and a book by Lloyd Webber, Slater, Ben Elton and Frederick Forsyth.

Theatre Royal Drury Lane is owned and operated by LW Theatres. The venue reopened in June 2021 following a total, £60m, 2-year restoration.