PLAYHOUSE, LIVERPOOL – UNTIL SATURDAY 28TH FEBRUARY 2026
REVIEWED BY MIA BOWEN
5*****
Experiencing The Woman in Black on press night at the stunning Liverpool Playhouse was truly unforgettable. This legendary thriller continues to prove that it becomes more chilling and impactful as time goes on. Having attended this production three times now, I find that it somehow grows sharper, darker, and even more nerve-shredding with each viewing. I still find myself jumping at the same moments — which, in my opinion, is the greatest compliment I can give to a performance.
The Playhouse itself truly deserves a heartfelt mention. Its stunning historic architecture, both inside and out, beautifully enhances the eerie, gothic atmosphere of the evening. You can really feel the charm of the building as it draws you in. The central aisle running through the stalls seating is particularly striking for this performance, and I won’t share too much—just know it creates an enchanting sense that the story might inch much closer to the audience than one would anticipate.
At the heart of this incredible production are just two remarkable performers, who captivatingly carry the entire narrative with their astonishing skill. Daniel Burke, in the role of the Actor, has blossomed into an even more confident and compelling presence since I first experienced the tour last September. His precision, impeccable timing, and physical storytelling weave a masterclass in suspense that truly keeps the audience on the edge of their seats. Previously, I had the pleasure of seeing John Mackay as Mr Kipps, but this time the role was taken on by the talented Philip Stewart. Both actors deserve equal recognition for their phenomenal performances—each brings remarkable depth, vulnerability, and superb control to the role. Watching this dynamic duo seamlessly switch between multiple characters is not only impressive but also adds an extra layer of richness to the production, making it an unforgettable experience.
The creative team truly deserves enormous credit for their exceptional work. The sound design, crafted by Sebastian Frost, and the brilliant lighting by Kevin Sleep are both essential to the production’s impact. Together, they create a pervasive atmosphere of tension and unease that maintains a thrilling edge throughout the performance, keeping the audience engaged and on the edge of their seats.
What makes this thrilling experience particularly captivating is the atmosphere of live theatre itself. Unlike the standard experience of watching a horror film, you find yourself completely enveloped — seeing, hearing, and almost sensing the story as it unfolds all around you. The energy from last night’s packed audience, which included many eager students, was electric: as laughter, gasps, and genuine screams echoed through the theatre, they intensified the tension and excitement of the performance, creating a truly unforgettable experience.
As I left the theatre and made my way back to my car, I couldn’t help but notice how quickly my footsteps became — each step more hurried than the last. The atmosphere was thick with a sense of urgency, and I became acutely aware of the sounds surrounding me: the rustling leaves, distant voices, and the echo of footsteps on the pavement. It was a vivid reminder of the intensity of the experience I had just witnessed. The performance was dark, atmospheric, and hauntingly moving — a true testament to the power of live theatre. It gripped my heart and mind in a way that’s both thrilling and unforgettable, leaving a lasting impression that lingers long after the final curtain call.