PLAYHOUSE THEATRE, LIVERPOOL – UNTIL SATURDAY 14TH MARCH 2026
REVIEWED BY MIA BOWEN
5*****
Last night, I had the immense pleasure of attending the press night of The Constant Wife at the Playhouse, and it was a delightful surprise. Upon entering the theatre, I had only a vague idea of what to expect, but the evening soon revealed itself to be an absolute joy from the very first moment.
Before a single word was uttered, the audience was whisked back in time, thanks to the breathtaking set design by Anna Fleischle. The stage instantly conjured the glamour and elegance of the Roaring Twenties, featuring a meticulously crafted Art Deco aesthetic that was both stylish and immersive. The level of detail was impressive, creating a setting that truly embodied the essence of the mid-1920s. As the lights dimmed, a man in a black suit quietly took the stage. He approached the piano and began to play. The audience fell silent, captivated by the music that filled the theatre, marking the graceful beginning of the play.
Written in 1926 by W. Somerset Maugham, The Constant Wife is a brilliantly incisive comedy that delves into themes of marriage, betrayal, and independence with both humour and unexpected modernity. Almost a century after its inception, the play remains notably relevant, providing a refreshingly unconventional viewpoint on infidelity and personal freedom.
The story centres around Constance Middleton, portrayed with exceptional charm and intelligence by Kara Tointon. Constance has long been aware of her husband’s affair with her best friend, Marie-Louise. However, when the affair comes to light, her reaction is surprising to everyone. Rather than displaying anger or heartbreak, she calmly seizes the opportunity to take charge of her life. She starts working, pays her husband rent to stay in the house she now financially supports, and ultimately asserts her independence.
With Laura Wade’s adapted script and Tamara Harvey’s direction, the production exudes warmth, wit, and impressive craftsmanship. It showcases a profound admiration for Constance’s understated strength and celebrates a woman who steadfastly rejects society’s expectations.
The entire cast delivers outstanding performances, with each actor infusing charisma and energy into the stage. While all deserve commendation, Philip Rham’s portrayal of Bentley the Butler is especially noteworthy. Rarely speaking but always vigilant, he moves silently in and out of scenes, becoming a constant ally to Constance as their secrets gradually come to light.
At the core of the production is Kara Tointon’s outstanding performance. She infuses Constance with warmth, intelligence, and bravery, perfectly embodying the character’s wit and subtle resolve.
This production of The Constant Wife is graceful, humorous, and unexpectedly empowering—an utterly delightful evening of theatre that demonstrates great writing is always timeless.

