PLAYHOUSE THEATRE, LIVERPOOL UNTIL – SATURDAY 2ND MAY 2026
REVIEWED BY MIA BOWEN
4****
I arrived at the Playhouse on a packed-out Tuesday evening, with only a vague understanding of the story. Having never read the novel by John Lutz, I could only reminisce about the impact of its iconic 90s psychological thriller adaptation showing in cinemas. This feeling of unease lingered and was swiftly reignited by the gripping stage version.
Adapted for the stage by Rebecca Reid and brilliantly directed by Gordon Greenberg, this production offers a sharp, contemporary take on a chilling classic. What once shocked cinema audiences decades ago continues to resonate profoundly even in our current world, dominated by smartphones and constant connectivity.
The play skillfully modernises the story’s themes while maintaining its fundamental tension. It highlights that although technology and society have advanced, human behaviour—especially at its most sinister—remains unchanged. The feelings of manipulation, control, and psychological threat are just as current and disquieting today as they were in the past.
What makes this adaptation particularly effective is its capacity to harness a timeless fear: that beneath seemingly ordinary surfaces, something profoundly disturbed may be concealed. The outcome is a gripping, suspenseful production that keeps the audience on tenterhooks, demonstrating that some stories not only retain their potency over time but also acquire fresh relevance.
The true strength of this stage adaptation is its captivating cast, featuring a trio of well-known television stars who exceed expectations. Kym Marsh delivers a powerful performance as Hedy, skillfully combining vulnerability with a growing sense of unease. In contrast, Lisa Faulkner excels as Allie, infusing the character with warmth, relatability, and a quiet resilience. Jonny McGarrity delivers a confident portrayal of Sam, Allie’s ex-husband, exuding charm and credibility while enhancing the unfolding drama. The supporting cast significantly enhances the production as well: Andro shines as Graham, Allie’s devoted best friend, infusing warmth and humour, while Amy Snudden captivates as Bella, Allie’s daughter, showcasing an authentic and natural performance.
The ensemble works wonderfully together, creating a convincing and exciting atmosphere. Their connection shines as they explore the play’s emotional depth, making this performance both captivating and truly unforgettable.