York Theatre Royal – until 27 September 2025
5*****
Myself and my friend, both Military Wives (me past, now married to a Veteran and her present, married to a Colonel), approached Military Wives the Musical at York Theatre Royal with both excitement and trepidation, wondering how closely it would capture the unique highs and lows of life within the forces community. What unfolded on stage was not only an evening of remarkable theatre, but also an experience that felt deeply personal – so authentic that we found ourselves laughing and crying in equal measure. Recognising every character on stage.
The evening began in a moving and joyful way with a special performance from the WAGS Choir of Catterick Garrison. For those who may not know, this is the very first Military Wives Choir, the pioneering group whose story inspired a nationwide movement. To hear them sing before the curtain even rose was incredibly poignant; their harmonies filled the theatre with a warmth and strength that perfectly set the tone for what was to follow. It felt like more than just a pre-show entertainment – it was a reminder that this story belongs not only on the stage but in real communities up and down the country.
Once the musical began, it was clear that Debbie Isitt had captured the essence of military family life with honesty and sensitivity. Her script and the songs (arranged by George Dyer) shone a light on the unique challenges that come with constant change, long deployments, and the uncertainty that shadows everyday life. At the same time, it celebrated the humour, resilience, and friendships that sustain military families through the toughest times. The emotional truth of these moments resonated so strongly with us. One minute we were wiping away tears, the next we were laughing aloud – just as we often did in the real world to keep ourselves going. The simple stage design by Kate Lias utilised what looked like packing boxes and MFO boxes used with versatility to make them look like buses and mountains. The falling of poppies at the end was incredibly poignant
The performances themselves were nothing short of outstanding. Sydney Isitt-Ager, as Sarah, delivered an absolutely incredible portrayal, balancing vulnerability and strength in a way that was both captivating and heartfelt. Her performance felt so true to life that I often forgot I was watching an actress at all. Jess Daley, as Jenny, meanwhile, brought endless comic energy to her role. Her timing was impeccable, and she gave the audience much-needed bursts of laughter in between the more poignant moments. Both women anchored the production beautifully, each showcasing different sides of the choir’s story.
That said, the excellence of the show did not rest on just two shoulders. The entire cast (Kayla Carter, Emma Crossley, Ashleigh Gray, Joe Kelly, Bobbie little, Billy Roberts, Caroline Sheen, Rachael Wooding, Stewart Wright) was outstanding, bringing energy, authenticity, and warmth to every scene. Adrian Hansel, Luke, deserves particular praise – his rich voice and stage presence provided depth and gravitas, while his characterisation was heartfelt and deeply engaging. Together, the ensemble created a believable, uplifting community on stage that mirrored the camaraderie and support we found in real military life.
By the final number, the theatre was filled with emotion, applause, and a sense of unity. For me, the experience was more than just a night at the theatre; it was a reminder of a part of my own life, brought vividly to life with truth, humour, and compassion. This story must NOT end here. A home has got to be found on the West End and then a UK tour to follow.
Military Wives the Musical is a triumph – moving, uplifting, and unmissable.