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“irrepressible wartime musical is a West End triumph”

Emma John, The Guardian

“Hilarious tale makes Mincemeat out of its rivals…Before curtain I talked to a fan seeing this for the seventh time. I wondered why anyone would see the same show seven times. Now I know.”★★★★★

Neil Armstrong, Mail On Sunday

“LAUGHING so hard I could barely breathe is not what I expected for a musical about a World War II top-secret plan.…the perfect invasion of the West End. Long may they occupy it.” ★★★★★

Thea Jacobs, The Sun

It was announced today, 2^nd June 2023, that following Operation Mincemeat: A New Musical ‘the best musical in decades – a Hamilton and Book of Mormon love child’ garnering fifty-eight five star reviews, the show has extended its West End run again by a further five weeks until 23^rd September. Operation Mincemeat follows thirty-three hugely successful years of The Woman In Black at the Fortune Theatre.

The news coincides with Sony Masterworks Broadway releasing the Original London Cast Recording in the United States.

Tickets are on General Sale from the Official Box Office at OperationMincemeat.com. Priority access to the best seats is available via the official mailing list.

If you would like to enter the Operation Mincemeat ticket lottery sign-up at OperationMincemeat.com/Lottery. £25 tickets are available Wednesday – Saturday. The lottery is drawn every two weeks on a Monday, with the next draw on 12th June.

After five sold-out development runs at the New Diorama Theatre in 2019 and Southwark Playhouse in 2020, 2021 & 2022, plus an extended Riverside Studios run last summer, Operation Mincemeat: A New Musical is back.

The year is 1943 and we’re losing the war. Luckily, we’re about to gamble all our futures on a stolen corpse. 

Singin’ in the Rain meets Strangers on a Train, Noel Coward meets Noel Fielding, Operation Mincemeat is the fast-paced, hilarious and unbelievable true story of the twisted secret mission that won us World War II. The question is, how did a well-dressed corpse wrong-foot Hitler? 

The production is directed by 2023 Olivier Award nominated  Robert Hastie (Standing at the Sky’s Edge, National Theatre – 2023 Best New Musical Olivier Award winner), following providing directorial support for the Riverside Studios run, while Olivier Award nominated Jenny Arnold (Jerry Springer: The Opera, National Theatre) continues as choreographer. Also from Standing at the Sky’s Edge at theNational Theatre on the creative team are: 2023 Olivier Award nominated  Ben Stones (Sylvia, The Old Vic) as set and costume designer, Tony Award, six-time Olivier Award and Bafta Award winning Mark Henderson (Girl From the North Country, Broadway & Noël Coward Theatre) as lighting designer and Olivier Award winning Mike Walker (Jerry Springer: The Opera, National Theatre) as sound designer. Grammy Award winning and Tony, Emmy, Olivier award nominated Steve Sidwell (Beautiful: The Musical, Broadway & Aldwych Theatre) is orchestrator and vocal arranger. Georgie Staight joins as Associate Director and Paul Isaiah Isles as Associate Choreographer.          

Operation Mincemeat won The Stage Debut award for Best Composer/Lyricist and the Off-West End award for Best Musical Production and Best Company Ensemble. Following the first New Diorama Theatre run, Operation Mincemeat was listed in The Observer’s Top 10 shows of the year and most recently was listed in The Independent’s Top 15 shows of the year.  The show is currently featured in the V&A’s Re:Imagining Musicals display, exploring how musicals have continuously reimagined, reinvented and reinterpreted themselves over time.                  

The 2023 Off-West End Best Musical Production Award winning returning cast (Southwark Playhouse/ Riverside Studios), David Cumming, Claire-Marie Hall, Natasha Hodgson, Jak Malone and Zoë Roberts, are joined by: Seán Carey (returning Riverside Studios), Geri Allan, Christian Andrews and Holly Sumpton.

Operation Mincemeat is written and composed by David Cumming, Felix Hagan, Natasha Hodgson and Zoë Roberts, who form SpitLip.

Operation Mincemeat is presented in the West End by Avalon (in association with SpitLip), who have supported since the Southwark Playhouse runs. The show was commissioned by New Diorama Theatre, co-commissioned by The Lowry, and also supported by the Rhinebeck Writers Retreat.

What The Press Said:

Garnered fifty-eight★★★★★  reviews

“mission improbable is a runaway hit…SpitLip honour as well as spoof with their all-conquering espionage musical…It’s a hoot – and a marvel. It is also one of the surprise survivors of the pandemic-stricken theatre. A show that looked like a caper with a cult following is on the brink of commercial success… Its rise, in an era of juggernaut musicals, is flabbergasting…nimbly varied, expressive music, ranging from sea shanty, to jazz to hip-hop; lyrics so patteringly exact and ingeniously rhymed that Noël Coward might have flushed with envy.”

Susannah Clapp, The Observer

“a Pythonesque wartime romp that doesn’t short-change the intellect… a delight…this inventive gem of a night is in with a very good fighting chance of resounding victory”

Dominic Cavendish, The Daily Telegraph

“Pure theatrical serotonin, it’s a show that will leave you with a spring in your step”

Hugh Montgomery, Metro

“a daring, ridiculous and unapologetic piece of theatre that leaves us completely credulous in trying to understand just how on earth they created something so sensational and pulled it off… an incredible emotional range… The songs are unforgettable and all of them add to the insanity of this musical… The comedy is insanely clever and absurd; this musical is a fun space that challenges but doesn’t look to offend in the name of being funny… such an amazing experience to watch it… an incredibly well-written musical… Unfortunately five stars is the limit, I would happily give many more.”
Cindy Marcolina, Broadway World

“a real triumph… has potential to become a cult classic. Go see it now with the original cast, so you can brag about it for years.”

Sarah Rappaport, Bloomberg 

“a daring, ridiculous and unapologetic piece of theatre that leaves us completely credulous in trying to understand just how on earth they created something so sensational and pulled it off… an incredible emotional range… The songs are unforgettable and all of them add to the insanity of this musical… The comedy is insanely clever and absurd; this musical is a fun space that challenges but doesn’t look to offend in the name of being funny… such an amazing experience to watch it… an incredibly well-written musical… Unfortunately five stars is the limit, I would happily give many more.”

Katerina Partolina Schwartz, Broadway Baby

“There are some big, blowsy shows around in the West End, but this little belter is staging its own audacious invasion plan.”
 Suzi Feay, The Financial Times

“a miraculous musical that tells the entire story in a kind of accelerated farce that is part Mel Brooks, part SIX, part Hamilton with a side order of One Man, Two Guvnors.”
Neil Norman, The Daily Mirror

“a little show with a very big future.”
David Benedict, Variety

“But whoof! It blew the roof clean off. Hoots and tears welcomed this ingenious, touching musical. Taut lyrics, vintage gags, a wild tale and tunes that followed me out into the night air, in hums and whistles. Perfection… An artisanal masterpiece”
Luke Jones, The Daily Mail

“At a time when London’s musical theatre landscape is flooded with film adaptations and Broadway imports, Operation Mincemeat is that rare thing: an original British musical… lyrics as smart and snappy as Hamilton and a book as silly as the greatest slapstick comedies”

Isobel Lewis, The Independent

“Sometimes the jokes hit you so quickly that you barely have time to laugh before the next one comes sweeping along….gloriously inventive musical…brilliantly evoked by a multitasking, gender-switching cast of five…The songs, given a contemporary veneer, sometimes veering into Hamilton rap territory, are crafted with infinite care…Amid the mayhem, it’s touching to see the actors pay homage to the memory of the homeless man, Glyndwr Michael”
Clive Davis, The Times 

“It’s a cause for great celebration when such a joyously homegrown, idiosyncratically British new comedy musical lands in the West End… insanely hard-working quick-change cast… The show is witty, mocking, camp and joyous, not to mention immensely tuneful – the songs are both clever and catchy… Anyone with even the slightest interest in homegrown success stories should wish Operation Mincemeat the very best of British.”
Fiona Mountford, The i

“The best show in town is back – bigger and better than ever…makes its West End debut with a bigger budget and just as much heart and hilarity. Do not miss!…The little show that roared in the face of blockbuster has executed a flawless transition to mainstream triumph with impeccable class, quicksilver shine and its trademark plucky determination to remain true to itself. It’s as fabulously funny, wickedly witty and magnificently moving as before – just with added sequins…Madcap and utterly marvellous…extraordinarily talented cast…blends every musical genre and delivers a dazzling array of pastiche treats and belly laughs, backed by the excellent live band…This show was already a major triumph, now it is sheer perfection.”

Stefan Kyriazis, The Sunday Mirror

“an exuberant, energetic, incurably daft show …wit, charm, a subversive attitude to gender, a surprising amount of pathos, and a Eurobeat number for a Nazi boyband (yes, really)…It’s an embodiment of the eccentric British exceptionalism it both celebrates and mocks…a marvellously bluff, gruff, freewheeling parody of cocksure masculinity….undeniably funny…The script is nimble; the songs riff through period genres from Noel Coward numbers to stirring sea shanties; the rhymes are inspired…This show could be just what the West End needs.” 

Nick Curtis, Evening Standard

“a fringe theatre comet that’s gathered mass and momentum… a delight from start to finish… chemistry really is off the chart…I think it’s safe to say that the operation has been a total success.”

Andrzej Lukowski, Time Out

“high-octane musical comedy hits the big time…hilarious … a glorious parade of witty stagecraft… a triumph of ingenuity… guaranteed to give your ability to grin and giggle a strenuous, much needed workout.”

Helen Hawkins, The Arts Desk

“the perfect blend of everything we want from a musical – a delightfully witty sense of humour, yet with real heart… Inventive, creative, and endlessly enjoyable – we can’t recommend this show enough. If you’ve not seen it, do yourself a favour and pick up a ticket!”

Chris Selman, Gay Times  

“A corpsing comedy that deserves its cult hit status…a deft pastiche…spectacularly successful …brilliantly funny”

Tim Walker, The New European

“the macabre yet tender musical comedy we all need…Corpses, conspiracies and constant laughs, Operation Mincemeat is a brilliant new addition to the West End.”
Olivia Garrett, Radio Times

“the zany toast of the West End”

Patrick Marmion, The Daily Mail

“If you only see one musical this year, make it Operation Mincemeat…the songs are very catchy, the script is hilarious, and the actors’ performances are tip-top. It’s innovative, moving, uplifting and entertaining and I just can’t recommend it enough.”
Ed Gleave, Daily Star Sunday

“wowing audiences with its hilarious and wildly entertaining musical”

Boyd Hilton, Heat Magazine

“a buzz louder than a doodlebug surrounds Operation Mincemeat…a kind of genius declares itself”
Dominic Cavendish, The Telegraph

“Right now, it’s Operation Mincemeat that has people talking. With a huge number of 5* reviews the fast-paced, hilarious production centres around the most bizarre true story you’ve ever heard.”
Daniella Scott, Cosmopolitan

“Showcases the utterly bonkers plot in the most fantastical way… cannot recommend it enough – perfectly cast… beyond doubt one of the most brilliant, funny, captivating shows with proper laugh-out-loud moments… you won’t be disappointed”
Zara Janjua, The Sun

“They just go for it: huge facial expressions, beautifully weird delivery of lines for maximum comic effect, clownish movement… It is that balance of comedy and heart that is this show’s great strength…A brilliant spy thriller, a brilliant comedy, and a brilliant musical all rolled into one, it is exhilarating to see it hit the West End.”
Tim Bano, The Stage 

“there are resonances of everything from Hamilton and Six to Gilbert and Sullivan. There are also homages to Monty Python and Mel Brooks, and even a nod to Flanders and Swann. It feels both utterly contemporary and nostalgically throw-back. And it balances genuine hilarity with enormous heart… The five-strong cast are uniformly excellent… it more than delivers, and stands a shining example of homegrown talent – among many things it’s just so very, very British. It’s also a reminder of why these smaller West End theatres are so vitally important, and are wasted when clogged up by longrunners. But having said that, I don’t anticipate the Fortune being available again for some time to come.”

Theo Bosanquet, WhatsOnStage

Praise on social media for Operation Mincemeat:

“I saw @mincemeatlive this week and was blown away by it. Laughed AND cried. Do anything you can to get a ticket”
Dolly Alderton, Sunday Times columnist

“Saw Operation Mincemeat last night in the West End. I don’t normally like musicals, but this was incredible! The funniest show I’ve seen since Book of Mormon @mincemeatlive”
Russell Howard, Comedian

“EXCELLENT!”

Daisy Ridley, Actor

“Went to the opening night of #OperationMincemeat tonight. I saw it at Riverside Studios and loved it but the new West End staging is a real triumph. A funny, warm, original new musical, with brilliant songs and magnificent performances”
Matt Lucas, Comedian/ Actor

“Just to say, we (whole family, 10 year old up to me) really enjoyed #operationmincemeat at the Fortune Theatre. An unlikely musical, believe the hype, genuinely brilliant.”

Alex Horne, Comedian

“Saw the opening night of the brilliant #operationmincemeat last night at the @fortunetheatre1. Funny, sharp and so moving I cannot recommend it enough. @DaveyCumming, @Natasha Hodgson, @ZoeBobRoberts, @JakMalonee and @ClaireMarie612 are all jaw droppingly good. @mincemeatlive”
Reece Shearsmith, Comedian/ Actor

“Watched the musical OPERATION MINCEMEAT last night in London. Wow! If you like laughing, crying and just being thoroughly entertained… go and see it! @mincemeatlive outstanding!”

Chris Ramsey

“Fellow musical theatre pals!!! You MUST go and see @mincemeatlive if you’re in London/ I’ve not stopped grinning for two hours!”
Rosie Ramsey

“fantastically entertaining and oddly moving… and extravagantly talented cast, a gripping story, really funny and fresh.”
Al Murray, Comedian

“Well Operation Mincemeat at @FortuneTheatre1 was brilliant – genuinely one of the best things I’ve ever seen in the West End – @DaveyCumming, @Natasha Hodgson, @ZoeBobRoberts, @JakMalonee and @ClaireMarie612 are all geniuses and Jenny Arnold’s choreography was a joy”
Peter Bradshaw, Guardian Chief Film Critic

“A splendid evening at the launch of @mincemeatlive last night. Really funny, and with a huge heart. Wonderful performances all round – huge congratulations to the cast. You must be exhausted! Book now!”
Ben Willbond, Actor

“Very much enjoyed @mincmeatlive Operation Mincemeat at the Fortune Theatre last night. Funny, moving, spectacular and yet still true to its roots. Go and see it if you can!”
Richard Herring, Comedian

“Just seen the phenomenally inventive and entirely surprising OPERATION MINCEMEAT @mincemeatlive, which on its long journey from the fringe to the West End has been much enhanced but not lost its scrappy wit now that it comes with much added glitz. A palpable hit!”
Mark Shenton, Theatre Critic

“This show was witty, funny and incredibly moving (after one unexpected solo I could hear everybody sniffling around me). It was mind-blowing to see a cast of only 5 people play various roles, taking on multiple accents and personalities AND having to sing and perform at that level for over two hours. I would describe it as a Hamilton and Book of Mormon love child if it were written and directed by Richard Curtis with his infectious, British charm. It was truly such a joy and I would see this show again tomorrow and take as many friends as possible with me”

TamsinAmy, Lifestyle and Culture influencer

“Hilarious, camp, innovative and covertly queer take on history. Very fun, great songs and proof that unexpected stories make the best musicals”
Jamie Windust, Gay Times

“Standing ovations 2 nights in a row! You gotta see this show! I loved it!”
Lou Sanders, Comedian

“10/10 Highly recommend Must see Best thing I’ve seen in ages. Go go go”

Grace Hopper, Kiss Breakfast Producer

“Saw the Operation Mincemeat musical at @RiversideLondon tonight and it was a joy. Go.”
David Baddiel, Comedian

“This is a phenomenal show and everyone should see it.”
Chris Addison, Comedian

“Absolutely loved @mincemeatlive. So well written, AMAZING performances by everyone in the tiny cast and most impressively of all, a musical with excellent jokes. Go see it at @RiversideLondon before the run ends on July 23rd.”
Ed Gamble, Comedian

“Just seen Operation Mincemeat at the Fortune Theatre. Might be the best thing I’ve ever seen – genuinely”
“Just saw @mincemeatlive at the @FortuneTheatre1 and it’s genuinely one of the best things I’ve ever seen. Blew my head clean off, steal a ticket if you have to”
Pierre Novellie, Comedian

“Just saw @mincemeatlive on the west end after enjoying it loads last year off-west end and wowww they have absolutely aniled it. Even MORE joyful and fun and moving and silly and brilliant. Please honestly go and see e it. Go go go go (go)”
“Cannot overstate how good @mincemeatlive is. Saw it last year, and again tonight and my god have they rose to the west end challenge. It is LIQUID JOY”
Stevie Martin, Comedian

“Saw @mincemeatlive tonight, cackled and cried. @JackMalonee singing about a lost War love is worth the ticket price alone”
Elllie O’Mahoney, Fabulous Magazine

“Far and away the greatest new British musical in years. An immaculately and farcically told true story of military deception. This is truly top-tier theatre.”
Max Shetland, Theatre influencer

“So good to see the five-star reviews coming in for the primped and shiny new West End version of Operation Mincemeat – such a big hearted, witty, brilliant show”
Alexandra Coghlan, Classical Music journalist

“OPERATION MINCEMEAT is the greatest new British musical in years. The writer/performers are magnificent and have created something hilarious, heart-warming, smart and original.”
Matt Lucas, Comedian

“It was like the camp funness of Six, the rappiness of Hamilton, the Britishy-murdery- over the topness of Gentleman’s Guide to Love and Murder”
Jack Remmington, Singer and Presenter
 

“Everyone MUST go and see @mincemeatlive – joyful, hilarious and incredibly moving. The best musical I’ve seen in years. Loved it!”
Henry Lewis, Mischief Theatre Artistic Director

“Last night I went to see Operation Mincemeat @mincemeatlive at the Fortune Theatre. To see @spitlip at this moment in time felt like watching some sort of brilliantly human machine, pummelling the audience repeatedly with their talent. It was almost brutal in how good it was”
Rob Auton, Comedian

MICHAEL HARRISON AND NICA BURNS ANNOUNCE

THE WORLD PREMIERE OF NEW BRITISH MUSICAL

THE LITTLE BIG THINGS

BASED ON THE SUNDAY TIMES BEST-SELLING MEMOIR BY HENRY FRASER

EXCLUSIVE FIRST LISTEN OF THE PRODUCTION’S TITLE TRACK HERE

• World premiere of new British musical The Little Big Things based on the Sunday Times best-selling inspirational memoir by Henry Fraser.
• Music by Nick Butcher, lyrics by Nick Butcher and Tom Ling, Book by Joe White.
• Following his Olivier Award winning and Tony nominated production of & Juliet, and Fringe to West End hit, My Son’s a Queer, Luke Sheppard directs The Little Big Things
• Starring Ed Larkin as Man Henry Fraser and Jonny Amies as Boy Henry Fraser, with further casting to be announced
• The first performance is on 2 September, running @sohoplace until 25 November 2023.
• The Little Big Things is produced by Michael Harrison and Nica Burns.
• Nica Burns said: “The Little Big Things, our first musical and a world premiere, is our fifth and final production to open in our first year @sohoplace.  It follows Marvellous, As You Like It, Medea and Brokeback Mountain which runs until 12 August. A big thank you to brilliant musicals producer Michael Harrison for bringing us this exciting project, authored by a new British musical theatre writing team and with an actor who is a wheelchair user at its heart.”
• Tickets are on sale now via @sohoplace

Michael Harrison and Nica Burns today announce the world premiere of the new British musical The Little Big Things, based on the best-selling memoir by Henry Fraser. The Little Big Things opens @sohoplace on 2 September, and runs until 25 November 2023.

An extraordinary true story about an ordinary young man.

When one moment changes everything, Henry finds himself split between a past he no longer recognises and a future he can’t even begin to imagine. As he learns to navigate this new world, can he find a way to take control of his life, and keep his family from falling apart?

Based on the Sunday Times best-selling autobiography by Henry Fraser, The Little Big Things is a new British musical with an explosive theatrical pop soundtrack in a world premiere production.

This uplifting and colourful new musical is a life-affirming story of courage, transformation and a reminder that it’s the little things that really do matter the most.

An avid sportsman and academy player with a premiership Rugby club, Henry Fraser’s life changed forever when in 2009 he had a diving accident. From that moment he had a new life to live as a tetraplegic and new circumstances to accept and adapt to. Henry’s defiance and determination to prosper against devastating odds led to him wheeling himself out of hospital a whole year earlier than predicted. Today he is a successful artist, inspirational speaker and best-selling author.   

Henry Fraser said: “There have been many things that have happened since my accident that I never thought about in life, never planned and really surprised me, in a great way. This musical is one of those moments. The guys have been great to work with and the moment they played me a couple of songs I was sold. I still can’t believe it’s actually happening and it makes me incredibly excited and nervous.”

Created by a young team of exciting theatre makers, The Little Big Things has music by Nick Butcher (Loved Before), lyrics by Nick Butcher and Tom Ling (Techies: The Musical), a book by Joe White (Blackout Songs – Olivier Award nominated), and is directed by Luke Sheppard (& Juliet – Olivier Award winner, and Tony Award nominated).

Luke Sheppard said: “After an incredible development process over the last few years, it’s a privilege to be welcoming the world to this brand-new musical premiering at London’s newest theatre. With an extraordinary true story at the centre of it and an electrifying new score, we can’t wait to bring this thrilling new production to the stage.” 

Starring Ed Larkin as Man Henry Fraser and Jonny Amies as Boy Henry Fraser, with further casting to be announced.

Ed Larkin said: “It’s an honour to be able to tell this story and be trusted with such a role. To be making my West End debut in a musical as a wheelchair user feels incredible. I haven’t seen wheelchair users in musical theatre in the UK, so I feel honoured to be a part of a cast that is telling this story and pushing the boundaries of what’s expected on a West End stage.”

Also released exclusively today is the production’s title track, ‘The Little Big Things’ – please findhere.

Nick Butcher said: “Getting to know Henry Fraser and his family has been both a joy and a key part of the song writing process. Many of our personal conversations inspired songs within the show both honouring and expanding on Henry’s autobiography. It’s a rollercoaster of a ride musically, much like Henry and his family’s emotional journey in the show.”

When Producer Michael Harrison heard a demo tape of music for a brand new musical from an exciting up and coming British theatre team, he stopped in his tracks. When he read the inspiring book it was based on – The Little Big Things by Henry Fraser – he knew he wanted to bring this uplifting and heart-warming story to the West End. By serendipitous coincidence, Nica Burns was in the process of building the first new West End theatre in 50 years @sohoplace with unrivalled accessibility. Over garden meetings during Covid constraints, Michael shared the project with Nica and together they agreed to produce this unique world premiere production in the West End’s newest theatre.

THE LITTLE BIG THINGS

Creative Team

Music                                                 Nick Butcher

Lyrics                                                  Nick Butcher and Tom Ling 

Book                                                   Joe White

Director                                             Luke Sheppard

Set Design                                         Colin Richmond

Choreographer                                Mark Smith

Costume Design                              Fay Fullerton

Video Design       Luke Halls

Lighting Design                                Howard Hudson

Sound Design                                   Paul Gatehouse

Musical Supervisor                          Matthew Brind

Musical Director                              Laura Bangay

Dramaturg/Associate Director    Nickie Miles-Wildin

Casting Director                              Jill Green CDG 

• NEW BOOKING PERIOD ANNOUNCED FOR MAMMA MIA! THE PARTY AT THE O2, LONDON
• DUE TO EXTRAORDINARY DEMAND THE PARTY IS NOW BOOKING THROUGH TO 3RD MARCH 2024.
• 2024 MARKS THE 50TH ANNIVERSARY OF ABBA’S WIN AT THE 1974 EUROVISION SONG CONTEST WITH ‘WATERLOO’

MAMMA MIA! THE PARTY, London’s premier dining experience is extending to 3rd March 2024 at The O2, London with tickets for the new dates on sale now.

2024 marks the 50th anniversary of ABBA’s legendary performance of ‘Waterloo’ at Eurovision and a trip to Nikos Taverna on the Greek Island of Skopelos (via The O2, London) will be the perfect way to celebrate this milestone. Created by ABBA’s Björn Ulvaeus, MAMMA MIA! THE PARTY is a unique and magical experience, bringing all ABBA’s hits to life more vividly than ever before.   Over the course of four glittering hours, guests can immerse themselves in a spectacular musical extravaganza, a four-course Greek feast and an ABBA disco, all in one unforgettable evening of dancing, dining and singing!   

Since MAMMA MIA! THE PARTY opened in 2019 over 275,000 guests have been welcomed to Nikos Taverna on the island of Skopelos, the stunning location where most of the exteriors of the first MAMMA MIA! film were shot. 

The current cast performing includes Javier Rasero as Nikos, Scarlet Gabriel as Debbie, Luke Friend as Adam, Noah Sinigaglia as Konstantina, Oscar Balmaseda as Fernando, Tamara Perks as Nina, Lorraine Chappell as Kate (at certain performances), Kimberly Powell as Kate (at certain performances), Allie Ho Chee as Bella (at certain performances), Rosie Rowlands as Bella (at certain performances), Dawn Spence as Grandma, Claudia Bradley, Ellis Dackombe, Jessica Spalis, Jamie Birkett, Caline Hampartzoumian, Robban Hogstrom, and Maison Kelley. The musicians are John Donovan, Luke Higgins, Kathryn Tindall, Steve Rushton and Luke Roberts.

Nikos and his wife Kate run the exotic and wonderful Nikos Taverna together with their family and friends. Told through dialogue and timeless ABBA songs, a warm, romantic and funny story evolves and unfolds during the evening, taking place around the guests as they enjoy a gourmet Greek meal. The evening ends with a 1970s disco, where audience members are welcome to stay to sing and dance to ABBA’s greatest hits.

Food is at the heart of the experience and a menu has been created that delivers the finest Greece has to offer, made from the best, freshest ingredients. Guests are served a traditional mezze followed by the iconic Greek salad of fresh tomatoes, cucumber and feta. The main course of confit lamb shoulder and slow-cooked beef is served with roasted garlic potatoes, courgette peperonata, romesco and aromatic jus. For vegetarian and vegan guests, there is roasted cauliflower with a lemon-herb dressing served alongside a tomato stuffed with lentil ragout. A sumptuous Greek lemon cake served with confit orange skin and citrus yoghurt is the perfect end to this delicious meal. Vegan guests are served traditional loukoumades, delicious dough balls, accompanied by a sweet fig jam.

Guests can get the ultimate MAMMA MIA! THE PARTY experience with one of the available packages. The Platinum Package provides a Tier A ticket in a prime location, a cast meet and greet with a tableside photo opportunity, champagne on arrival, half a bottle of Nikos house wine and a MAMMA MIA! THE PARTY merchandise party pack. Guests can also upgrade their existing booking by adding the VIP upgrade package, taking their experience to the next level with champagne on arrival, half a bottle of Nikos house wine and a MAMMA MIA! THE PARTY merchandise party pack. 

MAMMA MIA! THE PARTY has music and lyrics by Benny Andersson and Björn Ulvaeus (some songs with Stig Anderson), and a story by Calle Norlén, Roine Söderlundh and Björn Ulvaeus, with the English book by writer, comedian and broadcaster Sandi Toksvig.

The London version of MAMMA MIA! THE PARTY, which originally opened in Stockholm in January 2016, is co-directed and choreographed by Stacey Haynes and Roine Söderlundh, with set designed by Bengt Fröderberg, lighting designed by Patrick Woodroffe, sound designed by Gareth Owen, costumes designed by Annsofi Nyberg, music supervision by Robin Svensson and casting by David Grindrod CDG for Grindrod Burton Casting.

MAMMA MIA! THE PARTY is executively produced by Björn Ulvaeus and produced by Sally Davies for U-Live.

The Actors’ Church kicks off its sensational summer season with West End stars

Summer Season: May – September 2023

St Paul’s Church, Bedford Street, London, WC2E 9ED

The Actors’ Church has announced further events for Theatre in the Garden, its dedicated summer season filled with Shakespearean comedy, puppetry, comedy and new takes on classic tales. Eight visiting companies will bring a wide variety of innovative theatre to the Church’s award-winning gardens, marking a new era for the Actors’ Church. St Paul’s, world renowned as the Actors’ Church, lies at the heart of London’s West End. This follows Their Majesties King Charles and Queen Camilla’s visit to the Church in May, which was their first engagement since their Coronation.

Mark Robert Petty presents a series of events running throughout the summer, kicking off with Don’t Tell The Bishops! The After-Pride Concert on Sunday 2nd July at 7.30pm celebrating songs from LGBTQ+ themed musicals and classic Pop songs. The concert will raise money for the LGBT charity OneBodyOneFaith, which supports marriage equality in the Church of England. Following this a celebration of all things Wickedly Ever-Green…A Musical Theatre Celebration, which will take place on Sunday 16th July at 7.30pm, featuring 6 former stars of the musical. Completing the series is Masquerade…A Musical Theatre Celebration of The Phantom Of The Opera descends on the venue on Sunday 23rd July at 7.30pm

The Reverend Simon Grigg, Rector, comments, ‘We are delighted to have launched our summer season, with the triumph that was As You Like It, presented by The Three Inch Fools. Outdoor theatre is in our bones and this season will attest to that. But the West End also has its beating heart here in Covent Garden and we would be remiss not to celebrate Musical Theatre as part of our summer extravaganza. Our three electric concerts will delight and dazzle visitors with the cream of theatre talent, promising to produce a fabulous night of entertainment which may even see some “homegrown” talent return to the stage after a gap of over thirty years… but I of course, couldn’t possibly comment….’

Shakespeare in the Square stages Shakespeare in London’s garden spaces every summer. Their Patron is Dame Judi Dench, who is a great friend of St. Pauls. They will perform Shakespeare’s glorious romantic comedy of mistaken identity, Twelfth Night (30th June – 1st July) set in the roaring 1920s. This year’s production is kindly sponsored by Chestertons.

Tethered Wits will welcome audiences to the ultimate Jazz Age party, for an adaptation of F. Scott Fitzgerald’s masterpiece of American literature The Great Gatsby (17th – 24th August). The company will then bring a fun, family-friendly story of Doctor Dolittle (18th – 24th August) to the church, using magnificent puppetry to fill the courtyard with every kind of creature imaginable.

Troubadour Stageworks will stage a fast paced, high-energy version of Romeo + Juliet (5th – 8th July) suitable for all the family. Audiences will be whisked away on a magical visit to Verona, with newly composed music and even a dance or two. The company will also present a new adaption of The Odyssey (4th – 6th August) which is full of music and adventure – the perfect way to encounter a classic at any age.

Originally created in 2015 to critical acclaim, Henry I from Rabble Theatre returns at a time when its themes resonate more acutely than ever. Henry I is written by the company’s resident writer Beth Flintoff. Rabble Theatre are known for their award-winning historical seasons and championing the forgotten women of history.

Slapstick Picnic Peter Pan (13th – 15th July) is a theatrical treat like no other as they whip up a three hander version of JM Barrie’s classic tale Peter Pan. Let your imagination soar as they dish out this timeless tale of hapless pirates, revolting children and a particularly punctual reptile…

The award-winning Illyria Theatre Company return to St Paul’s with Jane Austen’s scandalous romcom Pride and Prejudice (1st – 2nd August). It flips the traditional costume drama on its head for a whirlwind of parties, romance, and gossip.

The Three Inch Fools return after the success of As You Like It, rushed off their feet performing the legendary folktale Robin Hood (1st – 3rd September) with a production which can only be described as disastrous.

To conclude the season the HandleBards, the company of cycling Shakespearean actors, will delight audiences with their hilarious, high-octane production of A Midsummer Night’s Dream (7th – 8th September). The company carry all their set, props and costumes on the back of their bikes, performing extremely energetic, charmingly chaotic and environmentally sustainable Shakespeare plays across the UK.

Fantastic cast announced for Figure’s
A Midsummer Night’s Dream at
Opera Holland Park
Thursday 29th June – Saturday 1st July 2023, 7.30pm
Opera Holland Park Theatre, Ilchester Place, London, W8 6LU

This summer, acclaimed historical performance ensemble Figure return to London’s Opera
Holland Park after the success of their fantastically detailed (The Guardian) 2022 performance of Handel’s Serse with a fresh staging of Shakespeare’s A Midsummer Night’s Dream. Unbridled desire meets magic as Figure stages Shakespeare’s celebrated comedy, accompanied by Mendelssohn’s enchanting orchestral score.

Mischief-maker Puck will be played by T. S. Eliot Prize-winning poet and performer Joelle Taylor (BLUE NOW, Tate; UK Slam poetry champion), and Bottom will be played by Jay Mailer (Boiling Point, BBC; Emmerdale, ITV). Playing the role of fairy queen of the forest Titania is comedian and actress Anna Leong Brophy (Shadow and Bone, Netflix; Last Tango in Halifax, BBC; Henry VI Part 1, RSC), and her King Oberon will be played by acclaimed British TV and movie actor Ray Fearon (Fleabag, BBC Three; Harry Potter and Fantastic Beasts, Warner Bros; Beauty and the Beast, Walt Disney Studios; Macbeth, National Theatre Live), who is an Associate Artist of the Royal Shakespeare Company.

Figure’s A Midsummer Night’s Dream will star Eleanor Sutton (Wuthering Heights, Wise
Children UK/US Tour; Amadeus, National Theatre) as Helena, Hannah Rose Caton (The Da Vinci Code, UK Tour; Last Knights, Lionsgate) as Hermia, Johan Munir (Into the Woods, Theatre Royal Bath; Saving Grace, Riverside Studios) as Demetrius, and Emmanuel Olusanya (Phaedra, National Theatre) completes the set of lovers as Lysander.

The marvellous Mechanicals will be played by the following: Gail Sixsmith (The Lion, The Witch and The Wardrobe, RSC; The Winter’s Tale, RSC) as Quince, Jordan Laviniere (Wuthering Heights, Wise Children; Everyone’s Talking About Jamie, Apollo Theatre) as Flute, Susie Coutts (Running Wild, Chichester Festival Theatre) as Snout, William Edden (Oliver, UK Tour; Les Misérables, Queens Theatre) as Snug, and Joyce Henderson (The Street of Crocodiles, Complicité; The Magic Flute, Complicité) rounding off the cast as Starveling.

Director Samuel Rayner comments, A Midsummer Night’s Dream is arguably Shakespeare’s most loved comedy but – like a fairy tale from the Brothers Grimm – the aspects of the play that seem sweet and gentle conceal the diabolical perversity at its heart. Beneath the japes, Dream explores patriarchal power and violence, restrictions on sexual freedom, and frequently questions our perception of reality

The Athenian court is a world of rigidity but, in the woods, characters are liberated from the court’s rule; it is a space where desire reigns, where conscious and unconscious experience is probed and laid bare, and where the imagination (and the mechanicals’ creativity) – which is so closely aligned with magic and love – abounds.

Our production’s fairy-tale aesthetic seeks to pose questions about our perception of reality. By using an interactive and malleable set design, where we repeatedly create and reimagine the space, we allow the surreal and the real to move side by side. The design also incorporates a 19th-century aesthetic, in sympathy with Felix Mendelssohn’s Romantic incidental music, which both accompanies and drives the drama in this production as we reunite this towering music with Shakespeare’s much-loved play

FULL CASTING FOR THE WORLD PREMIÈRE OF

CHRISTOPHER J ORTON AND JON ROBYNS

THEN, NOW & NEXT

Paul Virides Productions today announces full casting for the world première production of the heart-warming, original musical Then, Now & Next, written by Christopher J Orton (My Land’s Shore)and Jon Robyns (currently playing the Phantom in The Phantom of the Opera)in a first-time collaboration for the pair. The production opens at Southwark Playhouse, Borough on 28 June, with previews from 23June, and runs until 29 July.

Julie Atherton directs Tori Allen-Martin, Justin Brett, Peter Hannah and Joaquin Pedro Valdes alongside the previously announced Alice Fearn. Ahead of previews, the cast will perform for the first time at this year’s West End Live on 17 and 18 June.

Joining the company are stage manager Zoe Leonard, assistant stage manager Odette Robertson, and sound technician Amber Carey. In the band are musical director and keys player Honor Halford-MacLeod, guitarist James William-Pattison, cellist Alice Luddington and percussionist Tom Bennett.

Paul Virides says today “Chris and Jon have written the most beautiful show, complemented perfectly by Ben’s stunning orchestrations. But no piece of theatre exists only on paper, and I’m thrilled at the team that have decided to jump in and join us on and off stage to give life to this 100% original, brand new British musical. Alice, Peter, Joaquin, Tori and Justin are individually and all together a fantastically talented group of people that bring so much to the table – and with Julie in the director’s chair, audiences at Southwark are in for a treat!”

Paul Virides Productions presents:

THEN, NOW & NEXT

by Christopher J Orton and Jon Robyns

Directed by Julie Atherton

Orchestrations, arrangements and musical supervision by Ben Goddard-Young

23 June – 29 July 2023

Cast: Alice Fearn, Peter Hannah, Joaquin Pedro Valdes, Tori Allen-Martin, Justin Brett

Band: Honor Halford-MacLeod, James William-Pattison, Alice Luddington, Tom Bennett

Musical director: Honor Halford-MacLeod; Movement director: Alexzandra Sarmiento;

Set and costume designer: Bob Sterrett;Lighting designer: Adam King;

Sound designer: Raffaela Pancucci; Production manager: Titch Gosling;Dramaturgy: Kate Golledge; Stage manager: Zoe Leonard; Assistant stage manager: Odette Robertson;

Sound operator: Amber Carey; Produced and general managed by Paul Virides Productions.

Struggling with a difficult past, Alex Shaw is attempting to take steps forward. We follow her journey over twenty years, through two loves – young, adventurous idealist, Stephen, and the older, reliable and charming Peter –  as she gathers the scattered chapters of her life, in the hope of re-building her story and asking if she will ever be more than just “fine”.

Through Alex’s experiences, her uplifting story questions how relationships can change over time and explores what it takes to truly heal.

Accept what was. Embrace what could be.

Christopher J Orton is an actor, composer, lyricist and writer. His writing credits include My Land’s Shore, Grace Notes, The Gory Story of Edward Polidori, Dracula, This Time Next Week, B.O.A.T.S, The Road to the Port of Barry, Elephant Juice and Are you Sitting F**king Comfortably?. As an actor his credits include Tom (UK tour), The Hired Man (Leicester Curve), Spamalot (UK tour and Playhouse Theatre) and Oliver! (The Watermill Theatre).

Jon Robyns is an actor and writer. Then, Now & Next marks his debut project as a writer, and first collaboration with Christopher J Orton. As an actor, his credits include Les Misérables (Sondheim Theatre and Queen’s Theatre), Hamilton (Victoria Palace), The Phantom of the Opera (Her Majesty’s Theatre), Avenue Q (Noel Coward Theatre and Gielgud Theatre), Miss Saigon, Spamalot, Sister Act, (UK tour), Dessa Rose (Trafalgar Studios), Dickens Abridged (Arts Theatre), Legally Blonde (Curve Theatre), The Last 5 Years (Greenwich Theatre) and Dickens Unplugged (Yvonne Arnaud Theatre). He has released two albums, completing a sell-out UK tour of his most recent entitled Musical Direction.

Tori Allen-Martin plays Woman. Her theatre credits include Park Bench (Park Theatre), One Man Two Guvnors (New Wolsey Theatre/Nuffield Theatre), The Season (Royal & Derngate Theatre), Rock of Ages (UK tour), H.R.Haitch (Union and St Paul’s Church), The Hardest One (The Other Palace), Wretch (VAULT Festival), Rent (Cockpit Theatre), Hair (European tour), and Zip: A Street Dance Musical (Camden Fringe). Her television credits include Mrs Sidhu Investigates, Significant Other, Clean Break, Unforgotten, Laundrette, Here We Go, Pandemonium, The Other Half, Plebs: Soldiers of Rome, The Flatshare, Back to Life, London Kills and Pure.

Justin Brett plays Man. His theatre credits include Jack and the Beanstalk (Newbury Corn Exchange), The Snow Queen (Park Theatre), Million Dollar Quartet (Noel Coward Theatre), Robin Hood (Theatr Clwyd), Dick Barton – Special Agent, Return to the Forbidden Planet (UK tour), Beauty and the Beast (New Wolsey), Cinderella (Oxford Playhouse), Blue/Orange (Bolton Octagon Theatre), East Lynne (New Vic Theatre), The Real Thing (Manchester Library), Strangers on a Train, Arms and the Man (Keswick Theatre), My Sister Sadie, This is Where We Came In (Steven Joseph Theatre), A Small Family Business (Leeds Playhouse), The Rivals (Theatre Royal Bath), Deirdre of the Sorrows (Riverside Studios), Jinx and Other Lives (Orange Tree Theatre), His television credits include Hilary Devey’s Interns, Peep Show, Topsy and Tim, Pulling, Dombey and Son, The Queen’s Nose, London’s Burning and for film; War Horse, Gulliver’s Travels, The Fallen and Brothers.

Alice Fearn plays Alex Shaw. Her theatre credits include Come From Away (Phoenix Theatre), Wicked (Apollo Victoria Theatre), Dirty Rotten Scoundrels (Savoy Theatre), Oliver! (The Watermill Theatre), The Woman in White (Palace Theatre), Les Misérables (Queen’s Theatre), Into The Woods (Regent’s Park Open Air Theatre) and Shrek (Theatre Royal Drury Lane).

Peter Hannah plays Peter. His theatre credits include The Oyster Problem (Jermyn Street Theatre), Into the Woods (Lyric Theatre/Northern Ireland Opera), Waitress (Adelphi Theatre), The Strange Undoing of Prudencia Hart, The 306: Dawn (National Theatre of Scotland), Cockpit (Royal Lyceum Theatre), Greater Game, One Arm (Southwark Playhouse), Shakespeare in Love (Noel Coward Theatre), Four Play (Theatre503), A Clockwork Orange (Nottingham Playhouse) and Mock Tudor (Pleasance Courtyard). His television credits include Six Four, Unforgotten, I Hate Suzie and Doctor Who, and for film; The Serpent Queen, Above the Clouds and Mr Turner.

Joaquin Pedro Valdes plays Stephen. His theatre credits include Killing the Cat (Riverside Studios), The Lion King (UK and Ireland tour), Heather the Musical (The Other Palace), Vanara The Legend (Hackney Empire), Miss Saigon, The King and I (UK and International tour), Fanny and Stella The Musical (The Garden Theatre), Matilda, Vanya and Sonia and Masha and Spike, Red and The Last 5 Years (Manila Metropolitan Theatre).

Julie Atherton directs. Her theatre credits include Ordinary Days (Cockpit Theatre), Well Behaved Women (Cadagon Hall), Club Mex (Hope Mill Theatre), Cinderella (Capitol), Made in Dagenham (Mack Theatre), Dirty Rotten Scoundrels (Bernie Grant Arts Centre), Girlfriends, Deed Not Words (Karamel Club), Legally Blonde (Laines Theatre Arts) and The Hello Girls (St Peter’s Arts Centre).


THEN, NOW & NEXT

LISTINGS

Southwark Playhouse, Borough

77-85 Newington Causeway, London, SE1 6BD

www.southwarkplayhouse.co.uk

23 June – 29 July 2023

Ticket prices: previews £16, full price £32.50, concessions £26

Julie Atherton will perform the role of Alex Shaw on 13 and 29 July 2023.

The Producers cannot guarantee the appearance of any particular artist, which is always subject to illness, injury or other unforeseen circumstances.

Twitter: @TNNmusical

Instagram: @tnnmusical

Leeds Playhouse, Leeds – until Saturday 3 June 2023

Reviewed by Sofia Robottom

5*****

This beautiful performance of Christy Lefteri’s poignant novel ‘The Beekeeper of Aleppo’ was adapted by Nesrin Alrefaai and Matthew Spangler, also known for adapting the West End and Broadway version of The Kite Runner, a novel that similarly conveys an emotional and unforgettable story following the horrific circumstances that refugees face. This timeless production, directed by Miranda Cromwell, speaks up on social issues while portraying a compassionate narrative that beautifully encapsulates human nature and explores the characters’ relationships and how they grow and develop throughout this incredible journey. There are glimpses of hope throughout, emphasised by subtle and well-delivered humour, which keep the audience invested in the characters’ happy endings.

The actors’ compassionate performances allow the audience to witness the powerful and moving story of a former Beekeeper Nuri (played by Alfred Clay) and his wife Afra (played by Roxy Fairdany) and their heroic yet catastrophic journey, trying to find refuge from the war in Syria after their hometown Aleppo was made inhabitable by brutal bombings. They are forced to leave their entire livelihood behind and dangerously make their way across Turkey and Greece, uncertain of what lies ahead but full of courage and hoping to be reunited with Nuri’s cousin Mustafa, (played by Joseph Long) an enthusiastic and optimistic man who becomes broken by the war and its inconsolable effects on his family. The nonchronological narrative allows shocking information to be withheld and revealed in a way that generates shock value. Flashbacks are scattered throughout the play, creating a disjointed storyline that reflects the impact of traumatic events on memories, also shown by Afra’s deteriorating health. In order to come to terms with the distressing events Nuri and his wife endured while seeking refuge, and to cope with the loss of his son, Nuri creates a character of a young boy who was present throughout their journey. As the couple make their way to the UK, we continue to wonder whether they will not only find asylum in the UK, but also a comfortable life where they can rebuild their relationship.

As new characters were revealed the audience was able to recognise the complex journey of fleeing from war as a refugee. The immigration officer (played by Daphne Kouma) reminds us of the treatment that refugees receive when they arrive in foreign countries and how they are often misunderstood and overlooked by the western world. This brings light to the reality of asylum seekers and the patronising attitudes of those who are supposed to offer support. We also gain insight into the stories of other immigrants for example Angeliki in Athens (played by Nadia Williams) who shares a heart-breaking and powerful anecdote, and the Moroccan man (played by Joseph Long), staying at the same Bed and Breakfast as Nuri and Afra, who takes an interest in British customs.

This production brought a fantastic and visually striking set design as well as stunning effects which tied the performance together brilliantly. Projections of scenery highlighted the beauty and richness of Syria and its beloved city of Aleppo. These visual aids and the dramatic sound effects helped to build an atmosphere and convey the harsh and bleak conditions faced by the refugees, whether it was the aggressiveness of the sea or the picturesque fields. This brilliantly written story also uses the vocabulary of the characters’ own dialect to give a voice to refugees, allowing them to share their culture and stories. The extended metaphor of the bees working in harmony brought Nuri hope throughout the play, and despite the reluctance of others to offer their help and the horrendous circumstances he is thrown into; Nuri finds a way to remain hopeful.

This deeply moving narrative demonstrates the reality of those seeking asylum and its authentic performance has the ability to move its spectators to tears. It is an outstanding production that is not to be missed and the unforgettable and sentimental story it tells will leave a lasting impression on its audience.

FULL CASTING FOR SCHOOLS’ TOUR OF

WILLIAM SHAKESPEARE’S HENRY V

Artistic Director Michael Longhurst and Executive Director Henny Finch today announce the cast for the Donmar LOCAL schools’ tour of William Shakespeare’s Henry V, directed by the Donmar’s former Resident Assistant Director Dadiow Lin. Inspired by the critically acclaimed 2022 Donmar Warehouse production directed by Max Webster, the production tours for four weeks in June and July, with performances offered free of charge reaching up to 3000 young people in Camden and Westminster thanks to support from Headline Partner Howdens and Westminster City Council.

Dadiow Lin directs James Esler, Shaka Kalokoh, Gabin Kongolo, Natalie Kimmerling, Jess Nesling and Felipe Pacheco. The production’s Designer Roisin Jenner and Movement Director Liam Francis have both been part of CATALYST, the Donmar’s talent development programme, working on the original Donmar production of Henry V as Creative Assistants. The CATALYST programme facilitates paid training opportunities for creatives and arts administrators. Each year, paid Creative Assistant placements in set and costume design, sound design and lighting design are offered and they are mentored by industry leading creatives and supported with access to mentoring opportunities following their placement.

Dadiow Lin says “Having worked as the Resident Assistant Director at the Donmar for the last year, I am excited that I get to come back and create this Donmar LOCAL Production. I assisted Max Webster on his production of HENRY V last year and with the knowledge and inspiration I drew from the production, the team and I want to create a Shakespeare show that is accessible and evokes young people’s imagination as well as making them intrigued by the theatricality we present to them. It is also wonderful to be working with creatives who were assistants on the original production through CATALYST, the Donmar’s talent development programme.”

HENRY V

By William Shakespeare

Directed by Dadiow Lin

21 June – 14 July 2023

Designer: Roisin Jenner

Movement Director: Liam Francis 

Fight Director: Philip d’Orléans 

Sound Designer and Composer: Dom Coyote 

Casting Director: Charlotte Sumner Hughes

Voice Coach Deborah Garvey

Assistant Director: Alessandra Davison 

Education Pack: Jordana Golbourn & Studio Certain

“No King of England if not King of France!”

Shakespeare’s ever popular play is a thrilling study of nationalism, war and the psychology of power.

This production, inspired by Donmar Associate Director Max Webster’sversion starring Kit Harington, explores what it means to be English and our relationship to Europe, asking: do we ever get the leaders we deserve?

James Esler plays Henry. His theatre credits include A Matter of Life and Death (The Old Red Lion Theatre), and /Con/Trast (Gambit Theatre). His television credits include Count Abdulla, Dalgliesh and Litvinenko; and for film, Testament of Youth.

Shaka Kalokoh plays Chorus/Boy/French King. His theatre credits include The Lion, The Witch and The Wardrobe (Gillian Lynne Theatre and UK tour), Marvin’s Binoculars (Unicorn Theatre) and Forest Fables at Mottistone Manor (Greengage Ventures).

Gabin Kongolo plays Nym/Mountjoy. His theatre credits include Truth or Dare (Theatr Clwyd), Children of Glyndwr (UK tour), Eight/Gates (Sherman Theatre), and The Merchant of Venice, Three Sisters, The Night of the Iguana and The Flick (Farnham Maltings). His television credits include The Suspect, Galwad and Bulletproof.

Natalie Kimmerling plays Katherine/Gower. Her theatre credits include The Tempest (RSC), War Horse (National Theatre/UK and international tour) and Nine Foot Nine (Sleepless Theatre). Her television credits include The Bastard Son and The Devil Himself.

Jess Nesling plays Nell/Exeter/Llewellyn. Her theatre credits include Gangsta Granny (Birmingham Stage Company/UK & Ireland Tour); Pangolin (Ships in the Night Theatre); The Winter’s Tale; Nell Gwynn; Blithe Spirit; Measure for Measure (Changeling Theatre/UK Tour); Up the Bunty (Fantastic Garland/Lion & Unicorn Theatre); A Hundred Way the Fire Starts (Brave New World/Arcola Theatre); The Quarry Clock (Ed Stephenson Productions/Liverpool Everyman); Richard III (Antic Disposition/UK & France Tour); Lovely Ugly City; The Treatment (Almeida); Cut Throat (Trip & Guts Theatre/Camden Fringe Festival); Gretel and Hansel (Ships in the Night Theatre/TIE Tour); Standing Ovariation (The Cavendish Arms,Stockwell); The Unnamed Soldiers (Blackbox Theatre/Nuffield Theatre); and Close/Driver’s Seat (Heart to Heart Theatre/Camden People’s Theatre). Television includes: Citadel and Suspicion. Film includes: The Hitman’s Wife’s Bodyguard; Paul Dood’s Deadly Lunchbreak; Plot a Lot; Long Distance Call; Risk; Faking It and Accountable.

Felipe Pacheco plays Pistol/Dauphin. His theatre credits include Othello, The Way I See It (UK tour), Peter Pan (Alban Arena), Henry V (Roman Theatre of Verulamium), Our Shore (Liverpool Everyman Theatre), and A Midsummer Night’s Dream and Zorro (International tour). His television credits include Patterns, Brassic and The Responder.

Dadiow Lin is a freelance theatre director. She directs contemporary plays, adaptations of classics, new writings, and devised performances. Before moving to the UK in 2011, she worked as an assistant director on productions at the National Theatre of Taiwan. She received the Genesis Future Directors Award in 2019, directing Lauren Yee’s In a Word at the Young Vic. In 2020, she became a trustee at Storyhouse, Chester after directing Amy Ng’s adaptation of Miss Julie (UK tour/online).

DONMAR WAREHOUSE

LISTINGS

41 Earlham Street, Seven Dials, London WC2H 9LX

Box Office: www.donmarwarehouse.com / 020 3282 3808 

YOUNG+FREE

YOUNG+FREE tickets for 16-25 year olds released by ballot. Sign up at www.donmarwarehouse.com.

Generously supported by IHS Markit.

DONMAR DAILY

New tickets on sale every day at the Donmar. Allocations of tickets will be made available every day for performances 7 days later. Tickets will be available across the auditorium at every price band.

ACCESS

The Donmar Warehouse is fully wheelchair accessible. Guide dogs and hearing dogs are welcome in the auditorium. There is a Loop system and a Radio Frequency system fitted in the main auditorium and there are also hearing loops at all the front of house counters.

Wheelchair space prices vary across all price bands, check the website for details

ASSISTED PERFORMANCES

If you require a companion to attend the Donmar, their ticket will be free. To book call 020 3282 3808 or email access@donmarwarehouse.com.

For all other access enquiries or bookings call 020 3282 3808.

CAPTIONED PERFORMANCES (captioned by Stagetext)

When Winston went to War with the Wireless: Monday 17 July 7.30pm

Next to Normal: Monday 25th September 7.30pm

Clyde’s: Monday 20 November 2024 7.30pm

Macbeth:  Monday 29 January 2024, 7.30pm

AUDIO DESCRIBED PERFORMANCE – 2.30pm (audio-described by VocalEyes)

When Winston went to War with the Wireless: Saturday 8 July

Next to Normal: Saturday 30th September

Clyde’s: Saturday 25 November

Macbeth: Saturday 27 January 2024, 2.30pm

BRITISH SIGN LANGUAGE INTERPRETED PERFORMANCES

When Winston Went to War with the Wireless: Saturday 22 July 2.30pm

Next to Normal: Saturday 23rd September 2.30pm

SEASON AT A GLANCE:

WHEN WINSTON WENT TO WAR WITH THE WIRELESS

2 June – 29 July 2023

Captioned: Monday 17 July 7.30pm

Audio-Described: Saturday 8 July 2.30pm

British Sign Language Interpreted: Saturday 22 July 2.30pm

NEXT TO NORMAL

12 August – 7 October 2023

Captioned: Monday 25 September, 7.30pm

Audio-Described: Saturday 30 September, 2.30pm

British Sign Language Interpreted: Saturday 23 September, 2.30pm

CLYDE’S

13 October – 2 December 2023

Captioned performance: Monday 20 November 2024, 7.30pm
Audio described performance: Saturday 25 November, 2.30pm

MACBETH

8 December – 10 February 2024

Captioned performance: Monday 29 January 2024, 7.30pm
Audio described performance: Saturday 27 January 2024, 2.30pm

TWO PERFORMANCES ADDED TO WEST END RUN OF CRITICALLY ACCLAIMED WEST END PRODUCTION OF MARTIN SHERMAN’S ROSE, STARRING MAUREEN LIPMAN

BOOKING AT THE AMBASSADORS THEATRE UNTIL SUNDAY 18 JUNE

EXTRA MATINEES ADDED SATURDAY 10 AND SATURDAY 17 JUNE @ 2.30PM

http://roseonstage.co.uk/

The award-winning, critically acclaimed 5-star production of Martin Sherman’s ROSE will extend at the Ambassadors Theatre, due to phenomenal demand. Two extra matinees are now on sale, with tickets available for Saturday 10 and Saturday 17 June at 2.30pm. Maureen Lipman stars as ‘Rose’, a performance described as ‘phenomenal…extraordinary’ (Time Out, 4*), “funny, hear-tbreaking and fierce all at once…a masterclass in acting(Whatsonstage.com, 5*), “mesmerising” (Jewish News) and “acidic, funny and touching” (Daily Telegraph, 4*).

Rose, a woman whose tumultuous journey through anarchic times takes her from the devastation of Nazi- occupied Europe to the allure of the American dream. Through the life of one woman, Rose tells the story of a century where everything changed except the violence of the strong against the weak.

The original production of Rose was produced at the National Theatre and on Broadway in 1999. Following sell-out runs at Hope Mill Theatre in Manchester, and Park Theatre in London in 2022, it transferred to the West End on 23 May 2023. It is perhaps even more relevant today, with the plight of refugees and allegations of antisemitism continuing to dominate the news. This powerful production – described as ‘a masterpiece’ (The Spectator) and ‘all too timely’ (Daily Telegraph) – is a moving reminder of the harrowing events that shaped the last century. 

Olivier Award winning Maureen Lipman has performed with The National Theatre and the Royal Shakespeare Company, and has starred in innumerable West End productions including, Messiah, Wonderful Town, ReJoice, Glorious, Oklahoma, & Daytona. For the last five years she has been delighting television audiences as ‘Evelyn Plummer’ on Coronation Street.

Maureen Lipman said, “This play has resounded with the spirit of so many theatre-goers.  It will probably finish me, but we had to find a way to allow more of them to see it! So, an extra two matinees! I hope you’ve prepared the eulogy!”

Written by award-winning Martin Sherman whose other plays include Bent, Messiah, A Madhouse In Goa, When She Danced, Gently Down The Stream, as well as the Broadway musical The Boy From Oz and the films Alive and Kicking and Mrs Henderson Presents.  

Rose is directed by Scott Le Crass, designed by David Shields with lighting design by Jane Lalljee, and with musical composition and sound design by Julian Star.

ANTON DU BEKE ANNOUNCES A LIMITED RUN AT THE EDINBURGH FESTIVAL FRINGE 

Anton du Beke, one of the country’s best-loved and most accomplished entertainers, has announced a special, limited run at the Underbelly’s McEwan Hall at the Edinburgh Fringe from 23rd – 28th August.

The one-hour show, An Afternoon with Anton du Beke, will see Anton joined by singer, Lance Ellington, as well as a live band and a company of dancers to create an afternoon filled with song, dance and a lot of laughter. 

Anton will share some hilarious behind-the-scenes stories from across his career, including some memorable moments from the last twenty series of Strictly Come Dancing which saw him become a household name.

With his inimitable quick wit, he’ll respond to questions from the audience, as well as performing some of his favourite songs and enthrall audiences with the glittering dancing that he has become synonymous with.

Anton said: “Performing at The Edinburgh Fringe has long been an ambition of mine and I am absolutely thrilled to be there this year – it’s a dream come true and it’s going to be really special.

“We’ve been warming up for you with our countrywide tour earlier this year and together with Lance, our amazing musicians and dancers, we are going to create a truly unforgettable experience for Edinburgh. 

“It’s a one-of-a-kind celebration full of laughter, music and dance – it’s the perfect way to spend an hour in the afternoon – come and have some fun!”

Tickets are now available for purchase exclusively through the Underbelly website – underbellyedinburgh.co.uk/event/an-afternoon-with-anton-du-beke

The nation’s favourite TV judge, NTA winner Anton Du Beke, best known for his charismatic performances on the hit BBC show, will be joined by Lance Ellington, an acclaimed vocalist known for his soulful voice and dynamic stage presence. Lance has been a regular featured vocalist on Strictly Come Dancing for over a decade, and his powerful performances have captivated audiences worldwide. He has worked with many of the world’s top recording artists, including Sting, Michael Jackson and Tina Turner, as well as performing at London’s famous Ronnie Scott’s Jazz Club many times.

Together, Anton and Lance are set to create a spellbinding experience for audiences, with their combined talents and electrifying stage presence.

AN AFTERNOON WITH ANTON DU BEKE at the Edinburgh Fringe will also feature a live band whose credits range from working on West End shows, to performing with The Royal Philharmonic Orchestra, to recording and performing with international artists such as Dame Shirley Bassey, Andrea Bocelli, Queen and more!

Underbelly’s Head of Programming, Marina Dixon, said, “We are beyond delighted to have Anton and his team join us for six special shows this August. The show, featuring comedy, dancing, incredible live music, all told through the eyes of Strictly Come Dancing legend, Anton Du Beke, promises to be an afternoon out to remember. We hope you can join us.”

As well as the special Edinburgh Fringe performances, the tour also visit several cities across the UK, including London, Birmingham, Manchester, Glasgow, and Cardiff, among others.

LISTINGS                                         AN AFTERNOON WITH ANTON DU BEKE & FRIENDS

Underbelly, Bristo Square (McEwan Hall)
13:30 (65 mins)
Aug 23-28 (£24.00 / £22.00 concession)
Genre: Cabaret and Variety, Dance, Comedy

Strictly Come Dancing legend and judge, Anton Du Beke, takes to the stage with his with his live band, a guest singer and his dancers; expect a fab-u-lous afternoon of song, dance and laughter.

Performing some of his favourite songs and dances that have inspired his career throughout his life, expect behind the scenes stories from his time on Strictly that will have you laughing out loud.

Don’t miss this special opportunity to get up close and personal with the King of the ballroom!

Tickets are on sale now – underbellyedinburgh.co.uk/event/an-afternoon-with-anton-du-beke

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For more information about AN EVENING WITH ANTON DU BEKE, including tour dates, venues, and ticketing details, visit www.antontour.com