New Wimbledon Theatre – until Saturday 25th October 2025
Reviewed by Carly Burlinge
5*****
Stepping into the wonderful New Wimbledon Theatre for none other than Fawlty Towers feels almost as if you’re checking into one of Britain’s most chaotic hotels- and quite frankly the audience could not be happier to be guests. Based on John Cleese and Connie Booth’s beloved 1970s sitcom, this stage adaption captures all the manic energy, razor-sharp wit, and the farcical miscommunication that made the original series a comedy classic.
The play cleverly weaves together several of the show’s most iconic episodes, from ‘The Hotel Inspectors’ to ‘The Germans’ creating a whirlwind of slamming doors, mistaken identities, and Basil’s (Danny Bayne) increasingly desperate attempts to maintain order amid the madness. Fans of the original series will relish the faithful recreation of the hotel lobby, complete with a flickering reception and a flustered Manuel (Hemi Yeroham).
At the heart of the production is Basil Fawlty himself, portrayed with both homage and originality. The actor doesn’t attempt to mimic John Cleese outright but instead channels Basil’s neurotic energy and physical comedy with impressive timing. His sharp exchanges with Sybil (Mia Austen) crackle with tension and familiarity, while his constant exasperation with guests – and poor Manuel – elicits roars of laughter.
The supporting cast delivers equally strong performances. Sybil’s withering sarcasm is on point, Polly (Joanne Clifton) balances sanity and sass and Manuel – the hapless waiter from Barcelona – steals every scene with his perfect blend of confusion and charm. The direction keeps the pace frantic but controlled, with crisp transitions and expertly timed slapstick sequences that feel both chaotic and expertly choreographed.
Visually, the production nails the 1970s aesthetic – mustard tones, floral wallpaper, and all. While the set design allows for quick shifts between rooms and comedic entrances and exits. The result is a show that feels alive, nostalgic, and endlessly funny.
While the humour occasionally relies on familiarity – with long-time fans anticipating some punchlines – the play manages to stay fresh thanks to its dynamic staging and genuine affection for the source material. Newcomers, too, will find plenty to enjoy in its timeless physical comedy and delightfully absurd characters.