The Mill at Sonning – until 6 September 2025
Reviewed by Marcia Spiers
4****
Set in the 1990s, this thoughtfully crafted play combines drama with elements of humor to explore the intricate dynamics of two families who, despite apparent differences, reveal comparable levels of dysfunction over time. Written by Robin Hawdon and Directed by Sally Hughes this production features a blend of seasoned performers and promising newcomers. Special recognition is due to Jackie Hutson (set designer) and the backstage team for their outstanding work in creating an impressive setting.
The narrative unfolds aboard an attractive boat moored on the River Thames, where Arthur Bullhead—portrayed adeptly by (Stephen Pinder) as an egotistical and self-absorbed businessman—invites the Coombes family for a weekend gathering alongside his patient wife Mary well played by (Melanie Gutteridge) and assertive teenage daughter Shirley (Francesca Barrett) giving a fantastic performance in her debut at The Mill.
(Harry Gostelow), perfectly cast as John Coombes who is presented as a community-minded solicitor of strong principles, joins with his wife Carol, again a great performance by the experienced (Rachel Fielding), who describes her husband as balanced and dependable yet laments the monotony of their relationship. Their daughter Wendy (Hannah Brown), in her debut at The Mill, delivers a compelling performance as a reserved 17-year-old with little in common with Shirley, despite attending the same school. Both teenagers are initially apprehensive about sharing accommodations.
Arthur’s intention is to leverage John’s council influence for personal gain. Depicted as loquacious and dismissive, Arthur regularly blames his wife for setbacks, which Mary counters with either sarcasm or silence, while Shirley openly challenges her father’s conduct and does what she pleases despite his protestations.
Observing Arthur’s motives, John anticipates the approval of the planning proposals and disconcerted, retires early, leaving Carol and Arthur alone. Subsequent events see both adults candidly discussing their spouses and more before being interrupted by their daughters’ return from an unsanctioned outing. The following morning, Carol empathizes with Wendy, recalling her own past, leading to a confrontation with John that prompts him to insist on leaving, as
Arthur, with his newly acquired knowledge, seeks an alternative approach. This raises questions about lasting changes within the Coombes family.
The play addresses enduring themes such as governmental corruption, local politics, educational concerns, family relationships, generational conflict, morality, and the pervasive influence of wealth, encouraging reflection on their continued relevance today. Overall, the production is well-cast and offers an engaging piece of theatre.
As always, the setting of the Mill on the banks of the River Thames with the bonus of a delicious meal beforehand is delightful. Well done to Director Sally Hughes and all the team for another great evening.