CAST AND CREATIVE TEAM ANNOUNCED FOR
THE WORLD PREMIERE OF NEW MUSICAL
COVEN
WITH THE RUN AT KILN THEATRE EXTENDED TO 20 DECEMBER
Kiln Theatre in association with Kindred Partners and Eilene Davidson Productions today announce the cast and creative team for Coven.The world premiere new musical has music and lyrics by Grammy Award-winning Daisy Chute with Rebecca Brewer, book by Rebecca Brewer and is directed by Olivier Award winner Miranda Cromwell. The run at Kiln Theatre has been extended by popular demand, now running 31 October – 20 December 2025 (Press Night: Tuesday 11 November).
Cromwell directs Allyson Ava-Brown (Nell/Elizabeth), Rachel Barnes (Ensemble), Gabrielle Brooks (Jenet), Shiloh Coke (Frances/Alizon), Rosalind Ford (King James / Ensemble), Penny Layden (Martha/Judge), Holly Mallett (Ensemble), Lauryn Redding (Rose), Kathryn Tindall (Ensemble), Diana Vickers (Edmund/Covell), Jacinta Whyte (Maggie), and Jennifer Whyte (Keys).
The creative team includes Miranda Cromwell – Director, Jasmine Swan – Set and Costume Designer, Zeynep Kepekli – Lighting Designer, Helen Atkinson – Sound Designer, Jennifer Whyte – Musical Supervisor, Shelley Maxwell – Choreographer, Laura Cubitt – Puppetry Director, Rosie Pearson for Pearson Casting CDG – Casting Director, Tom Wright – Dramaturg, Hazel Holder – Voice Coach
Amit Sharma, Artistic Director & CEO of Kiln Theatre, said: “Coven is unlike anything we’ve staged at Kiln before! With this phenomenal cast on stage along with an incredible creative team, Coven is a real celebration of female-led storytelling, live music, and theatrical magic. We’re so proud to premiere it here with our brilliant producing partners and, with the extension announced too, can’t wait to share it with audiences this autumn!”
Rebecca Brewer and Daisy Chute said: “We are absolutely thrilled to be collaborating with such an incredible cast and creative team. The two of us feel so lucky to see the show brought to life by such a richly talented coven.”
Miranda Cromwell, Director, said: “I am thrilled to share the cast and creative team for Coven. This is a Coven of extraordinarily talented women who are reclaiming this incredible slice of history and exploring the legacy it holds today. It is such an honour to be at the helm of the world premiere of this brand-new musical and I’m so excited to watch it come to life with an audience on the stage of Kiln Theatre.”
A Kiln Theatre production in association with Kindred Partners and Eilene Davidson Productions
COVEN
book by Rebecca Brewer
music & lyrics by Rebecca Brewer and Daisy Chute
directed by Miranda Cromwell
31 October – 20 December 2025
A scorching new musical
Based on England’s most notorious witch trials
1612. Pendle, Lancashire. A witch hunt is raging and a 9-year-old Jennet accuses her own family of witchcraft. 21 years later, she finds herself imprisoned, surrounded by the most feared women in town. As the accuser becomes the accused, Jennet must confront a 250-year legacy of witchcraft and the dark secrets of her own past. As she listens to the shocking stories of the women around her, Jennet’s faith begins to crumble.
Olivier Award-winning director Miranda Cromwell joins forces with Grammy award-winning Daisy Chute alongside Rebecca Brewer. A thrilling new musical combining uplifting anthems and powerful melodies in a fresh reinterrogation of the true story of the Pendle Witch Trials. With power in their veins and the earth beneath their feet, 13 women rise above the forces that seek to silence them.
Join the coven. The trial begins.
CAST BIOGRAPHIES
Allyson Ava-Brown | Nell/Elizabeth
Theatre credits include: Hamilton (Victoria Palace Theatre), Les Misérables (Queen’s Theatre), A Midsummer Night’s Dream (Lyric Hammersmith), 23.5 Hours (Park Theatre), The Quiet House (Birmingham Rep/Park Theatre), Etienne Sisters, Dangerous Lady and Crowning Glory (Stratford East), Snakes and Ladders (UK tour), Julius Caesar, The Tempest, Antony and Cleopatra (RSC/Tour/West End). Allyson has also worked at the National Theatre, Park Theatre, Watford Palace Theatre, Yorkshire Playhouse, Liverpool Playhouse, Theatre503, Riverside Studios and Hackney Empire. Screen credits include EastEnders, Casualty, Vera, Apple Tree House, Bear Behaving Badly and Secret Diary of a Call Girl.
Rachel Barnes | Ensemble
Rachel is an Actor from Hull. She graduated from The Royal Welsh College of Music and Drama in 2019. Theatre credits include: Grapes of Wrath (National Theatre), Manic Street Creature (Southwark Playhouse), Sugar Coat (Southwark Playhouse), Wicker Husband (Watermill), Joan of Leeds (New Diorama), Canary And The Crow (Arcola), I Hate Alone (Middle Child Tour), The Sicilian Courtesan (Richard Burton Theatre Company), Kasimir and Karoline (Gate Theatre), The Dancing Bear (Leeds Playhouse).
TV credits include: Ladhood (BBC).
Gabrielle Brooks | Jenet
Gabrielle originated the role of Rita Marley in Get Up Stand Up, for which she was nominated for an Olivier Award. On screen, Gabrielle can be seen playing the role of Nadia in Shadow and Bone for Netflix. Other TV and Film credits include: Coming Down the Mountain (BBC), J’Ouvert (BBC) and Notes on a Scandal.
Further theatre credits include: Comedy of Errors, Cymbeline (Shakespeare’s Globe); Mlima’s Tale (Kiln Theatre); Once on This Island (Regent’s Park Open Air Theatre); J’Ouvert (Harold Pinter Theatre); Anna Bella Eema (Arcola Theatre); A Midsummer Night’s Dream (Regent’s Park Open Air Theatre); Our Lady of Kibeho (Royal and Derngate); Twelfth Night (Young Vic); The Way of the World (Donmar Warehouse); The Wizard of Oz (Sheffield Crucible Theatre); Everybody’s Talking About Jamie (Sheffield Crucible Theatre); Queen Anne (RSC/ Theatre Royal Haymarket); Lazarus (Kings Cross Theatre); Synergy Play (Theatre 503); The Strangers Case (Liverpool Everyman); Red Snapper (Belgrade Theatre); The Book of Mormon (Prince of Wales); Our House (Savoy); Hairspray (UK Tour: Stage Entertainment); Avenue Q (UK Tour: Cameron Mackintosh).
Radio credits include: Porgy Loves Bess (BBC Radio 4) Best Actress nomination.
Shiloh Coke |Frances/Alizon
Shiloh is a writer, actor and musician.
Theatre credits include: Chiaroscuro (Bush Theatre – Nominated for Best Emerging Talent at the 2019 Evening Standard Theatre Awards), Small Island (National Theatre) and Belly Of The Beast (Finborough Theatre).
Screen credits include: Cheaters (BBC), Pirates , I May Destroy You (BBC), This Way Up (Channel 4) & Fast and Furious Presents: Hobbs & Shaw.
Rosalind Ford | King James/Ensemble
Rosalind read French and Italian at Edinburgh University and holds an MA in Translation. She also works as a portrait artist under the name Rosalind Olivia (@rosalindolivia.art).
Theatre credits include: In Clay (OFFIE Winner 2025 – Best Lead Performance in a Musical, Upstairs at the Gatehouse), The Cabinet Minister (Menier Chocolate Factory), Elowen and Mary in The Curious Case of Benjamin Button (Southwark Playhouse), Miss Littlewood and Boundless as the Sea (RSC/Cunard), Adriana in The Comedy of Errors (Mercury Theatre); Ophelia in Hamlet (Guildford Shakespeare Company); Once (UK Tour); Gin Craze! (Royal & Derngate); Mother Courage And Her Children (Southwark Playhouse); These Trees Are Made Of Blood (Arcola Theatre).
Workshops include: The Curious Case of Benjamin Button (ATG), Coven (Kiln Theatre), Flitch the Musical (Pinchy Theatre), The Lost Souls Club (Mercury Theatre), United We Stand (The Cockpit), John Barleycorn Must Die (Tombola Theatre), The Little Mermaid (Metta Theatre).
Recordings include: In Clay Live in Concert (The Other Palace), The Little Prince (Metta Theatre)
Penny Layden |Martha/Judge
Theatre credits include: The Ocean at the End of the Lane (National Theatre/West End), London Tide, Paradise, Jellyfish, Macbeth, My Country: A Work in Progress, Another World: Losing Our Children to Islamic State, An Oak Tree, Everyman, Edward II, Table and Timon of Athens (National Theatre), The Tempest, Roberto Zucco and Measure for Measure (RSC), Pygmalion, The Lorax and Cinderella (Old Vic), Medea (Soho Place), A Christmas Carol (Rose, Kingston), Seeds (Tiata Fahodzi/Soho Theatre), Cleft (Rough Magic/Galway Festival),), Bright Phoenix (Liverpool Everyman), Beryl (West Yorkshire Playhouse), Nora (Belgrade, Coventry), Jellyfish and 66 Books (Bush), Incoming (Hightide Festival), Lidless (Trafalgar Studios/Hightide Festival/Edinburgh), Draw Me Close, Vernon God Little and The Art of Random Whistling (Young Vic), The Bacchae, Mary Barton, Electra and Mayhem (Manchester Royal Exchange), Dancing at Lughnasa (Birmingham Rep), The Spanish Tragedy (Arcola), Romeo and Juliet, The Antipodes and Hamlet (Shakespeare’s Globe), Comfort Me With Apples (Hampstead Theatre/Tour), Assassins (Sheffield Crucible), Seasons Greetings and Popcorn (Liverpool Playhouse), The Laramie Project (West End), Romeo and Juliet (Southwark Playhouse), The Recruiting Officer (Lichfield Garrick), A Passage to India, The Magic Toyshop and Jane Eyre (Shared Experience), Maid Marian and her Merry Men (Bristol Old Vic), What I Did In The Holidays, The Plough and The Stars, Hunchback of Notre Dame, Dangerous Corner and A Midsummer Night’s Dream (New Vic, Stoke).
Television credits include: Supacell, Father Brown, Belgravia, Casualty, My Country: A Work in Progress, Grantchester, Dark Angel, EastEnders, Prisoner’s Wives, Call the Midwife, Land Girls, Sirens, South Riding, Doctors, Silent Witness, Poppy Shakespeare, Bad Mother’s Handbook, Waterloo Road, No Angels, The Bill, Murphy’s Law, Fat Friends, Outlaws, M.I.T and Casualty.
Film credits include Broken and The Libertine.
Radio credits include: Second Chance, Uganda and Crime and Punishment.
Holly Mallett | Ensemble
A graduate of the Academy of Contemporary Music and East 15 Acting School, Holly has spent over a decade carving out a unique space for herself in the arts. Best known for playing Moxy in CBBC’s ‘Andy & the Band’, she’s also an accomplished session drummer, experienced theatre actor, and a published playwright. Holly’s also pretty funny tbh, and has an extensive improv CV with companies such as all-female group NOTFLIX, and Olivier Award-winning Showstopper: The Improvised Musical.
Theatre credits include: Are You Ready to Rock? (Livenation Australia, Tour), Medusa’s First Kiss (Little Angel Theatre), Jack & the Beanstalk (Stanley Arts), Mother Goose (Hackney Empire), Deep Blue (Liverpool Everyman), NOTFLIX: The Improvised Musical (Soho Theatre & UK Tour), Sleeping Beauty (Liverpool Everyman), Enough is Enough (Camden People’s Theatre), Beauty & the Beast (Queen’s Theatre Hornchurch), Elemental (Bush Theatre), Andy & the Odd Socks (Glastonbury & UK tour), Cbeebies Live: The Big Band (UK Arena Tour), The League of St George (Kings Head Theatre, Hope Theatre – Stella Wilkie & NSDF Award-winner), The London Jungle Book (Royal Festival Hall).
TV credits include: Andy & The Band (CBBC), Justin’s House (CBeebies), Saturday Mash Up (CBBC), Mr Maker at Home (CBeebies), Merry Christmas Everyone (Official Children in Need Christmas Single), The Playlist (BBC).
Writing credits include: Pinocchio (Old Joint Stock Theatre – Book, music & lyrics), PEA & the Princess (Polka Theatre – Music & lyrics), Medusa’s First Kiss (Little Angel Theatre – Music & Lyrics), Choosers (Published 2016 by Playdead Press) and songs for Panto Dame Mama G’s “Oh Yes I Am” book tour.
Lauryn Redding | Rose
Lauryn is an actor, writer and composer.
Theatre credits include: Standing at the Sky’s Edge (Gillian Lynn Theatre, West End), Bloody Elle (Lyric Theatre, West End/Soho Theatre/Traverse Theatre/Royal Exchange, Manchester), The Worst Witch (Vaudeville Theatre, West End), The Secret Diary of Adrian Mole Aged 13 3/4, The Hired Man (Queen’s Theatre Hornchurch); 71 Coltman Street, Oliver Twist (Hull Truck); A Midsummer Night’s Dream, Macbeth, Twelfth Night (Wilton’s Music Hall), The Comedy of Errors (Shakespeare’s Globe/UK Tour); Seagulls (Bolton Octagon), Educating Rita (UK tour), Treasure Island (New Vic), Bread and Roses, Up N’ Under, Oh! What A Lovely War, Dreamers (Oldham Coliseum), Horrible Histories – Barmy Britain (Garrick Theatre, West End/Sydney Opera House & Australia/Asia Tour), Horrible Histories – Awful Egyptians & Ruthless Romans (UK Tour), Horrible Christmas (The Lowry), Frankenstein (Salisbury Playhouse), Romeo & Juliet (Watermill Theatre), The Winter’s Tale, She Stoops To Conquer, An August Bank Holiday Lark (Northern Broadsides), Alice’s Adventures Underground (The Vaults); The Wind In The Willows (Leeds Playhouse) and Tall Tales (Theatr Clwyd).
Screen credits include: Smoggie Queens (BBC Three), The Midwich Cuckoos (Sky), Doctors, EastEnders, Lee Nelson’s Well Good Show (BBC) and Emmerdale (ITV).
As a writer and composer Lauryn was selected to join the BBC Studios Writers’ Academy and has literary work for both TV and theatre in development.
Kathryn Tindall | Ensemble
Training: Performance Preparation Academy
Theatre credits include: Mamma Mia! The Party (O2 Arena); Red Side of The Moon (Iris Theatre); Little Red Riding Hood and the Three Funky Pigs (Theatre2U)
Workshops include: Wishlist (Global Musicals)
Diana Vickers | Edmund/Covell
In 2010 Diana had a Number 1 album with ’Songs from the Tainted Cherry Tree’ containing the Number 1 single, and pop banger ‘Once’ . In 2012 she released her second critically acclaimed album ‘Music To Make Boys Cry.’ Since then she has become a star of the West End stage and appeared in musicals, plays, television and film. She’s gone viral online with her hilarious comedy duo Ki and Dee with the 2025 summer banger ‘Picky Bits.’ She has also started a new sex and love podcast with The Metro newspaper called ‘Just Between Us’ that has reached number 2 in the UK society and culture charts. She also is releasing new music in 2025.
Theatre credits include: I Wish You Well -The Gwyneth Paltrow Ski-Trial Musical (Criterion Theatre); The Rise and Fall of Little Voice (Vaudeville Theatre); Ki and Dee – On The Sesh (Edinburgh Fringe Festival); The Duck House (Vaudeville Theatre); The Entertainer, I Wish My Life Were Like A Musical, Myth, Son of A Preacher Man, Big (Theatre Royal Plymouth); The Rocky Horror Show (ATG Tour), Hatched n Dispatched (Park Theatre); Dial M for Murder (UK tour); Steel Magnolias (UK tour).
Film credits include: Awaiting; To Dream; The Perfect Wave; Upcoming: Blood On Snow.
Television credits include: Not Going Out (BBC1); Little Darlings (Sky); Josh (BBC3); Top Coppers (BBC); Give Out Girls (Comedy Central).
Other credits include: Ki and Dee: The Podcast; Just between us: Metro News Podcast.
Jacinta Whyte |Maggie
Irish actress, Jacinta Whyte is widely recognised as one of Dublin’s most prolific stage exports.
Jacinta began her career as a much-in-demand child actress, frequenting all of the major professional stages of Dublin and culminating in her starring as ‘Annie’ in the original West End production of Annie. Jacinta was subsequently cast as ‘Eponine’ in the original UK and Ireland touring production of Les Miserables, leading to her being cast in the same role in London’s West End at the Palace Theatre and achieving notable acclaim as the first Irish actress to play the role professionally.
Since then, her many and various leading and titular roles in the West End include that of Blood Brothers and Miss Saigon, with a plethora of major national touring credits including Aspects of Love, Titanic and Grease. As well as her major London and touring stage work, Jacinta’s regional credits include West Side Story, The Card (For Cameron Mackintosh), Private Lives and Anne of Green Gables with Irish work including Brighton Beach Memoirs, Mary Makebelieve, Gypsy and Annie (which broke all Irish box office records).
Most recently, she appeared in Matthew Warchus’ critically acclaimed production of Sean O’Casey’s Juno and the Paycock, starred as the iconic ‘Grizabella’ in the International Tour of CATS and originated the role of ‘Angela’ in Thom Southerland’s gritty and visceral production of Angela’s Ashes at the Bord Gais (Dublin), on the UK/Irish tour and for the Irish Repertory Theatre (New York).
Aside from her considerable work on the stage, Jacinta is a highly sought-after concert artist, with frequent guest appearances in the both the UK and Internationally, in some of Europe’s most admired concert halls with some of their most celebrated orchestras and conductors- with appearances alongside the Royal Philharmonic, City of Birmingham Symphony, BBC Concert Orchestra, Bournemouth Symphony, RTE Orchestra (NSO Dublin) and at halls including Birmingham Symphony Hall, The Royal Albert Hall, The National Concert Hall (Dublin) and in Melbourne, Nuremberg, Bergen- in widely recognised festivals and major concert venues all over Europe.
Jennifer Whyte | Keys
Jenstudied music at Glasgow University and the University of Massachusetts.
Composer/Arranger credits include: Otherland (Almeida); The Red Shoes (RSC, Stratford); Radio 2 Piano Room (BBC); The Crown (Netflix); Can’t Sing Singers (BBC); Children in Need (BBC); Tsunami Prayers (BBC); Vet Safari (BBC); Shehallion (New Clyde Auditorium, Glasgow).
As Music Supervisor: Cabaret (August Wilson, Broadway/Playhouse, London); The Red Shoes (RSC, Stratford); La Cage Aux Folles (Regent’s Park); 42nd Street (Leicester Curve/Sadler’s Wells/Princess of Wales, Toronto); Avenue Q (Charlotte, Seoul).
As Music Director: The Midnight Gang (Chichester Festival Theatre); Avenue Q (Noël Coward Theatre); Les Misérables (Queen’s Theatre); The Threepenny Opera (National Theatre); Sunset Boulevard (UK Tour).
As Associate Music Director: Follies (NT); Caroline or Change (Chichester/Hampstead/ Playhouse, London); The Magistrate (NT); Betty Blue Eyes (Novello).
As Assistant Music Director: Parade (Donmar); Martin Guerre (UK Tour); Phantom Of The Opera (UK Tour); Whistle Down The Wind (Aldwych); Showboat (Prince Edward).
In film and television: On-set pianist for Les Misérables (Working Title) and Phantom of the Opera (Really Useful Films); PopIdol II (ITV); Can’t Sing Singers (BBC); Hit Me Baby One More Time (ITV); Soapstar Superstar (ITV); Children in Need (BBC).
CREATIVE TEAM BIOGRAPHIES
Rebecca Brewer is an actor, writer and theatre maker creating musicals, plays, and work for screen.
She is currently writing book, music and lyrics for ‘Coven’ (alongside Daisy Chute) about the Pendle Witch trials opens at the Kiln Theatre, London in October 2025, directed by Miranda Cromwell.
In 2024-2025, she was one of the Cameron Mackintosh Resident Writers (at MAST Mayflower Studios, alongside Daisy Chute). Rebecca and Daisy are currently writing ‘The Last Rose of Summer’, a new work inspired by Jane Austen’s connection to Southampton for MAST Mayflower Studios, premiering in August 2025.
She is currently developing a series for television and was one of 12 mentored writers as part of the 2024 Channel 4 Screenwriting Programme.
She was a recipient of the prestigious MGC Futures Bursary for 2021, and an Associate Artist at the Queen’s Theatre Hornchurch from 2020-2021. Rebecca was commissioned by the Queen’s Theatre Hornchurch and Creative Estuary to create and co-direct ‘Tales from the Thames’ with co-writers Vickie Donoghue and folk musician MG Boulter. The sold-out show toured non-traditional spaces in Essex including a pub, a working men’s club, a few village halls and a barn.
Her play ‘Foot’, about 3 teenagers in rural Derbyshire who discover a disembodied foot in the woods, was a finalist for New Perspectives’ Open Pitch in 2018, and her one-woman piece ‘The Escape’, an audio piece about going missing was a finalist for In Good Company’s ‘Take Off’ new writing award in 2019.
As an actor, Rebecca has worked at the National Theatre, Royal Shakespeare Company, Almeida, Royal Court and many times in the West End as well as on TV, film and radio.
Daisy Chute is a Scottish/American singer-songwriter who has found a loyal following through her award-winning songwriting and ‘gorgeous’ vocals (Guy Garvey, Elbow). 2024 brought with it a Grammy Award for her involvement in The Birdsong Project and collaborations with Hollie Rogers, The Dunwells, Ed Blunt, Lady Nade and James Walker. Selling out shows across the UK, Europe and US, Daisy can be spotted with a guitar or banjo at top arts venues and festivals like Black Deer and Glastonbury. Her debut originals album of folk and Americana songs Throne is out in 2025. Recognised as a ‘committed, professional and creative songwriter’ (Sir Ray Davies, The Kinks), Daisy’s music features regularly on BBC Radio and television and is also playlisted across thousands of Tesco and Caffè Nero stores around the world. Her background in classical, jazz and folk music has led Daisy to collaborate and contribute to soundtracks ranging from David Attenborough documentaries to films including Yesterday and Shaun the Sheep, and game soundtracks including The Sims 4. She has also provided backing vocals Radiohead’s A Moon Shaped Pool, and she also has 3 Platinum-selling, Classical Brit-nominated albums with her band All Angels released with Universal Records. She is currently writing The Last Rose of Summer, with Rebecca Brewer, a new work inspired by Jane Austen’s connection to Southampton for MAST Mayflower Studios, as one of the 2024 Cameron Mackintosh Resident Writers.
Miranda Cromwell is an Olivier Award-winning theatre director and currently an Associate artist at the National Theatre. Her directing credits include: The Little Mermaid (Bristol Old Vic), Milma’s Tale (Kiln Theatre), The Beekeeper of Aleppo (Nottingham Playhouse), Death of a Salesman (Broadway), Rockets and Blue Lights (National Theatre, Manchester Royal Exchange/ BBC radio 3) Oncomm Best audio drama award, and breathe… (Almeida Theatre) Black BritIsh Theatre Awards best production and best director, Half Breed (BBC iplayer, Talawa Theatre/Soho Theatre/Edinburgh Fringe Festival/India tour), Magic Elves, Hey Diddle Diddle, Sense (Bristol Old Vic), Pigeon English (Edinburgh Fringe Festival/Bristol Old Vic), The Rest of Your Life (Bush Theatre) and Death and Treason (Bristol Old Vic/UK tour). Co-director credits include the Olivier Award-winning Death of a Salesman (Young Vic Theatre/West End transfer).
As Associate Director her credits include: Company (Gielgud Theatre – Olivier Award for Best Musical Revival, Critics Circle Award for Best Musical), Angels in America (National Theatre/Neil Simon Theatre, Broadway – Olivier and Tony Award for Best Revival), A Monster Calls (Old Vic/ Bristol Old Vic – Olivier Award for Best Entertainment and Family), and Coram Boy (Colston Hall).
Kiln Theatre Listings
269 Kilburn High Road, London, NW6 7JR
Box Office: 020 7328 1000
REUNION
11 September – 11 October 2025
Tickets: £15 – £40
Access performances:
Audio Described 9 October, 7.30pm preceded by a Touch Tour
Captioned 29 September, 7.30pm
Relaxed To be announced
Special performances:
Alcohol Free 23 September, 7.30pm
COVEN
31 October – 20 December 2025
Tickets: £15 – £40
Access performances:
Audio Described 11 December, 7.30pm, preceded by a Touch Tour
Captioned 1 December, 7.30pm
Relaxed 3 December, 2.30pm
Special performances:
Alcohol Free 17 November, 7.30pm
Post show Q&A 18 November, 7.30pm
SEAGULLS
12 February – 21 March 2026
Tickets: £15 – £40
Access performances:
Audio Described 12 March, 7.30pm, preceded by a Touch Tour
Captioned 19 March, 7.30pm
Relaxed 14 March, 2.30pm
Special performances:
Alcohol Free 16 March, 7.30pm
Post show Q&A 10 March, 7.30pm
PLEASE PLEASE ME
16 April – 23 May 2026
Tickets: £15 – £40
Access performances:
Audio Described 7 May, 7.30pm, preceded by a Touch Tour
Captioned 14 May, 7.30pm
Relaxed 20 May, 2.30pm
Special performances:
Alcohol Free 27 April, 7.30pm
Post show Q&A 12 May, 7.30pm