Author: FairyPoweredProductions

COVID-19 Theatre Royal update

It is with a heavy heart that we write to announce that Newcastle Theatre Royal will remain closed until 24 November 2020.

If you have a booking that will be affected by this closure, you do not need to do anything. Rest assured we will contact you over the coming months when we have more information regarding your show.

 We are aware that many customers are awaiting refunds or credit notes from existing cancellations and we want to thank you for your on-going patience. Our team are exceedingly busy as we are operating with a very reduced staff. If you have contacted us via email, it will be a number of weeks until you hear from us. We are currently prioritising enquiries regarding shows scheduled up until 4 July. 

If you have not heard from us and your booking was for a show between 23 March – 4 July, the email could be in your junk folder or an incorrect email address has been given to us at the time of booking, please email [email protected] or direct message us on Facebook with your details.  

Our egg-ceptional pantomime, Humpty Dumpty, will go ahead as planned; we are carefully monitoring developments but we absolutely hope to crack a few yolks this Christmas.  We’ll all need it!   

On our website you will find a regularly updated list of shows that have been cancelled or rescheduled so you can see where we are in this process; just click the ‘update’ link on our homepage.

COVID-19 is having a devastating impact on the theatre industry, especially for organisations like Newcastle Theatre Royal, an independent charity that does not receive any funding. All of our income comes from tickets and related sales and this revenue stopped overnight when social distancing was put in place. Together with sector bodies and other theatres across the UK, we are asking the government to help find a solution to the financial difficulties facing our industry so that we can continue to entertain and inspire audiences as we have done for hundreds of years, however we must remain closed for the foreseeable future. There are a number of ways you can support us in during this difficult time; for more information, please visit our website.

Once again, thank you for your patience and well wishes, we really appreciate your support.

Stay safe.

Malvern Theatres Proud recipients of the BFI FAN Covid-19 Resilience fund

Malvern Theatres has been awarded £15,000 by the BFI Film Audience Network (FAN) as part of its BFI FAN COVID-19 Resilience Fund.

Before the crisis, Malvern Cinema was considered one of the great national successes of independent venues, with its interesting programming praised and its film Festivals flourishing.

Malvern Theatres now faces an uncertain future owing to the Covid crisis, and this contribution will help protect the future of its cinema.

The theatre’s own public fundraising appeal is also ongoing, with donations reaching more than £80,000 so far.

BFI FAN has allocated grants from its £1.3m National Lottery funding, as well as a £150,000 contribution from the Mayor of London’s Culture at Risk Business Support Fund.

Grants were awarded to independent venues in critical financial need as they continue to face months of closure and uncertainty.

Emma Maggs, Head of Development at Malvern Theatres, said: “Like all independent cinemas and venues, we lost our income overnight when we closed our doors in the face of the COVID-19 crisis.

“This contribution will help us survive these dark days and plan more confidently for the future. Film is at the heart of our artistic planning and we take pride in delivering an incredibly diverse programme.

“Malvern Theatres has built a loyal audience who like to watch films from every genre, and we look forward to welcoming everyone back to enjoy the best of British and world cinema as soon as we can.”

Ben Luxford, Head of UK Audiences, BFI, said: “Redirecting National Lottery and Mayor of London funding to make emergency grants to our independent exhibitors has proved to be a lifeline, enabling our fantastic venues, cinemas and festivals across the UK to remain in business in the immediate term.

“However, it is clear that these vital and unique organisations, which are crucial to the rich cultural fabric of their local communities, are still in crisis. When allowed to reopen, safely implementing social distancing guidance will not only be logistically impossible for some, but many are also unlikely to cover their costs when operating at reduced capacity.

“Losing these exhibitors would be a huge cultural loss for UK audiences, so I am pleased FAN has been able to help them keep the lights on while we all face the oncoming challenges.”

The Fund has supported 130 FAN Members across the UK with awards ranging from £415 to £23,000 each. The fund was administered through each of FAN’s regional and national based Film Hubs, working with the BFI, set up to support exhibitors and festivals which have faced unprecedented challenges, with many at risk of making staff redundant and permanent closure.

The Independent Cinema Office (ICO) conducted a survey – Reopening Cinemas the Independent Way – to understand the impact of the COVID-19 pandemic on the independent exhibition industry. It found only 59% of respondents considered they could reopen with social measures in place, with 63% stating they could survive for only three months. Almost half of the 59% believe they will be able to open in September at the earliest.

The Resilience Fund is part of a package of support with which the BFI has quickly responded, in order to support individuals, productions, organisations and businesses that have been hardest hit by COVID-19.

BFI FAN – a unique collaboration of eight Film Hubs managed by leading film organisations across the UK – targeted the fund to help small and medium sized audience-facing organisations with a particular focus on venue-based exhibitors. To donate to Malvern Theatres Covid-19 Appeal, please visit malvern-theatres.co.uk/support-us/

Spun Glass Theatre launch ‘Theatre Search’
in response to Covid-19

British Theatre is revered globally for its innovation and quality but stage doors are currently shut with no set date for reopening. Many may never reopen. The track and trace system suggests that local lockdowns may be needed in the future and it’s possible that some theatres may reopen only to close their doors again a few months later.

Even before Covid-19 hit, there was a growing sense that something needed to be done to help diminish the cracks that were appearing in the ecology of touring theatre. In order to support independent producers and develop a more sustainable sector, Spun Glass Theatre are developing ‘Theatre Search’ – a free, shared resource for independent producers and touring arts companies to help rebuild the industry. This exciting and vital project will be available from September and has been made possible by emergency funding from Arts Council England.

The innovative database will usefully show which UK theatres and venues are open, which have unfortunately closed and when some might be looking to programme work, helping new productions to be created and tours to be rebooked. ‘Theatre Search’ will include reopening dates and programming windows and will be updated on a regular basis to ensure it is as current as possible.

‘Theatre Search’ is supported by four project producers with regional responsibilities working with venues. These are Sarah Crompton-Howes, Senior Producer at New International Encounter and Executive Producer for Other Ways Productions; Steven Atkinson, Founder of Long Acre Arts, Roots and Co-Founder of HighTide; Sarah Sayeed, former Education and Outreach Director for Peshkar Productions and curator on Sound Travels for Google Curate; and Fleur Mellor, Co-Producer and Choreographer for Peter Corry Productions and board member for Theatre & Dance NI.

Artistic Director Jessica Cheetham comments: The task of rebuilding partnerships and rebooking tours that have been cancelled as a result of Covid-19 is mammoth and extremely overwhelming for many people, jeopardising their mental wellbeing. There will be a huge loss of high-quality productions and community projects as producers struggle to navigate the new landscape. At the moment, each producer and tour booker curates their own venue list for projects and sets up tours on the understanding that each venue is open and trading. As these lists will become obsolete as theatres close, this new resource will offer clear information to help producers as well as venues.

Emerging producers will benefit from the elimination of some of the unpaid work needed to set up projects. ‘Theatre Search’ will also provide increased access to the industry for producers who cannot sustain working without getting paid.

Venues will also benefit from this new resource, receiving better, more targeted
communications from producers. This allows them to focus on connecting with their audiences and building confidence in returning to theatres, rather than taking time to explain the same programming slots to hundreds of independent companies.

Prior to Covid-19, Spun Glass Theatre were working on an ambitious plan for theatre and community arts projects for a mobile arts space in Hastings, East Sussex with theatre design consultants Studio Three Sixty. They were also mentoring emerging producer Lizzie Franks as they continued their long-term partnership with Living Record Productions on their award winning binaural sound projects.

Spun Glass Theatre aims to be part of the growing movement to change the balance of touring theatre and initiate positive change to benefit artists and venues alike. ‘Theatre Search’ can be used by the whole industry, during this crisis and for years to come.

CAMERON MACKINTOSH LIMITED

AND DELFONT MACKINTOSH THEATRES

In response to the continued uncertainty over when the government is going to completely withdraw social distancing measures and allow the safe return of theatre productions Cameron Mackintosh, his producing partners and Delfont Mackintosh Theatres have had to take the difficult decision of delaying the return of their productions of Les Misérables, Mary Poppins, Hamilton and The Phantom of the Opera until as early as practical in 2021. Consequently they are starting a process of consultation over potential redundancies for all employees on these productions.

Cameron Mackintosh said:

“This decision is heart-breaking for me, as I am sure it is for my employees, as everyone who has worked with me over the last 50 years, on or off the stage, knows how much I care about what I do and how I do it. 

Despite the government engaging with the desperate pleas from everyone in the theatre industry, so far there has been no tangible practical support beyond offers to go into debt which I don’t want to do. Their inability to say when the impossible constraints of social distancing will be lifted makes it equally impossible for us to properly plan for whatever the new future is. This has forced me to take drastic steps to ensure that I have the resources for my business to survive and enable my shows and theatres to reopen next year when we are permitted to. I have no investors or venture capital backing, everything is funded by me personally and already my companies’ considerable reserves have been massively reduced by the complete closure of our industry everywhere.

Everything I have made has come from the theatre and everything I have has gone back into these magnificent historic buildings that I have lovingly restored and the spectacular productions I have painstakingly insisted remain in tip top shape wherever they play in the world – resulting in my being one of the biggest employers in the theatre.  The commercial theatre provides billions of pounds of revenue to the Economy.  It is time this is recognised and the government takes action to ensure this priceless resource at which the British people excel is helped to survive. Without our theatres being ablaze with life, London cannot properly reopen as one of the World’s greatest cities.”

All customers who have booked to date will be contacted directly by the box office, or their original point of purchase, and offered a credit voucher which can be used for priority booking when new booking dates are announced, or a refund.

Return dates for the productions will be planned for as early as practical next year taking into consideration further advice and guidance from the Government including, and subject to, any social distancing requirements being completely removed for theatres. 

Once social distancing requirements have been lifted it is anticipated it will take several months of preparation for each of our productions to be remounted as well as time for audience confidence and advance sales to build. 

In the interim CML and DMT have now commenced a consultation period with their employees following the closure of DMT theatres due to the pandemic and are looking at any necessary re-structuring of their businesses.

Scottish stars of stage and screen,

including John Barrowman, Elaine C Smith and Alex Norton

and nearly thirty Scottish West End performers,

release Beautiful City – their moving tribute to NHS and key workers

Scottish stars of stage and screen, including John Barrowman, Elaine C Smith and Alex Nortonwith nearly thirty West End performers, have together recorded a spirit-lifting rendition of Beautiful City from Stephen Schwartz’s musical Godspell, interspersed with tribute messages to the NHS and key workers working across the UK. The video is produced by Scots in the City, and shared on their YouTube channel.

The video was the idea of Kieran Brown, a West End performer and co-founder of Scots in the City. When the pandemic hit, there were many stunning tributes from theatrical groups, shows and individuals, all keen to pay tribute to the hard-working NHS, including the Irish theatre community and the Welsh of the West End. As a way for Scottish West End performers to voice their appreciation too, Kieran called up many of his former cast mates to unite in singing Beautiful City from Wicked composer Stephen Schwartz’s 70’s musical, Godspell. The song talks of the hope for a new fairer society, emerging from the ruins and rubble, that we strive to build together – lyrics and a sentiment which seem more prophetic and pertinent than they were when work began on the project a few weeks ago. They recorded the song, or in some cases a tribute message, from home whilst in isolation – which was from as far afield as Broadway for Book of Mormon’s Stephen Ashfield. 

Alex Norton (Taggart/Two Doors Down) said: “As Joni Mitchell says in her song, Big Yellow Taxi, ‘Don’t it always seems to go, that you don’t know what you’ve got till it’s gone.’ It’s more important than ever that we protect our NHS. Stand up for the greatest monument to civilisation and humanity the world has ever known.”

Steven Cree (Outlander) said: “It was a privilege to be invited to take part in this tribute and thank you to the NHS. Their value and importance have never been more apparent in my lifetime than now, and I sincerely hope that people continue to show gratitude, support and respect to our fantastic health service. It must never be privatised.”

Kieran Brown, from Scots in the City said: “Whilst the NHS charity is highlighted, we would like to dedicate the video to every one of our key workers who have kept the country going – from delivery drivers, shop workers and postal staff, to bin men, lorry drivers and teachers … the list is endless. We owe all of you a huge debt and this is a thank you to each and every one of you.  Alongside our stars who have given their time and talent, I’d also like to thank James Doughty for creating the original track, Ben Dovey for his gorgeous orchestrations, Tom Crofton Green for violin skills, Chris Matanle for artwork, and Ben Hewis for stitching it all together and making it look and sound so moving.”

The full list of Scots taking part is Stephen Ashfield, John Barrowman, Kieran Brown, Ronan Burns,  Sabrina Carter, Elaine C. Smith, Steven Cree, Gillian Ford, Lyndsey Gardiner, James Gillan, Celia Graham, Alasdair Harvey, Jacqueline Hughes, Keith Jack, Adam Lake,Maggie Lynne, Mary Mac, Jai McDowell, Lisa Mathieson, Matt McKenna, John Mclarnon, Gavin Mitchell, Alex Norton, George Rae, Emma Ralston, Jennifer Tierney, George Ure, Shona White, Natalie Williams, Lisa Anne Wood and Jordan Young. 

Kieran Brown, who hails from Falkirk, set up Scots in the City with actress Shona White to promote the very best of Scottish culture outside the motherland, with a focus on Musical Theatre. Kieran studied at the Royal Scottish Academy of Music and Drama, graduating with an honours degree in Acting. As a seasoned West End professional, he has understudied and played the role of The Phantom in The Phantom of the Opera and recently performed in the UK and World tours of Titanic. Kieran is an original member of one of the UK’s most successful vocal groups, The Barricade Boys. His many screen credits include a role in the forthcoming TV drama, Traces.

Guildford Fringe announces LIVE ONLINE performances and full casting for 

Pinocchio Gets Wood the (late) Summer Adult Panto

10 – 12 September 2020

Fans of Guildford Fringe’s winter adult pantomime won’t need to wait long for their comedy fix as a brand-new show, Pinocchio Gets Wood the (late) Summer Adult Panto, will entertain audiences live and direct on their own sofas from 10 – 12 September 2020.  

Whilst Guildford Fringe regrettably cannot currently deliver the show to audiences in person at the scheduled venue The Back Room of the Star Inn, the cast will still perform there live each night and it will be streamed so people can safely watch at home. 

As well as announcing the live online shows, the producers are happy to share casting news:

Daniel Page, who plays Dame Ciabatta, has an extensive list of West End and touring credits including Billy Elliot The Musical, The Secret Garden (RSC), The Producers, Priscilla Queen of the Desert and La Cage Aux Folles. Daniel is much-loved as ‘Exeter’s Favourite Panto Dame’. 

Tamsin Lynes, who plays Pinocchio, trained at the Royal Central School of Speech and Drama. Her many theatre credits include ​Aladdin ​(UK Tour), ​Much Ado About Nothing ​(The Cockpit), Othello ​(Brunel Museum/The Cockpit) and ​The Soldier’s Tale (Clapham Omnibus Theatre).  

Rachel Warrick-Clarke, who plays Juliet, trained at the London School of Musical Theatre, graduating in 2018. She recently appeared as Jill in Godalming’s first professional family pantomime, Jack and the Beanstalk, which is also produced by Guildford Fringe.

Andrew Franklin, who plays the evil baddy, trained at Mountview Academy of Theatre Arts. He is delighted to be making his professional debut in Pinocchio Gets Wood the (late) Summer Adult Panto.

Pinocchio Gets Wood has the same creative team which brought last year’s Sinders the Adult Panto to the stage, with production and direction by Nick Wyschna and Charlotte Bateup, script by James Chalmers and songs by Nick Wyschna, Charlotte Bateup and James Chalmers. 

Managing Director Nick Wyschna said: “Well, who’d have thought we’d be doing one of our popular adult panto’s in this way?! This is going to be so different from what we are all used to, but it is going to be equally brilliant and hilarious. The cast is just incredible, each of the performers blew us away during our online auditions. This is not a Zoom show where we’ll all be jumping from one bad WiFi connection to the next. It is a full-out piece of naughty, musical, silly and smutty theatre with the wonderful songs and dances that our audiences are used to. Those who book for the show will be sent a short questionnaire so we can include some of their answers in the show, keeping it interactive and very much in the adult panto theme!”

Book tickets for this September’s filthy frolics – strictly for the grown-ups – before they sell out!  Tickets are now on sale from GuildfordFringe.com. Tickets are £14 per device and the producers ask that no more than 2 people watch on each device. Tickets are limited so get booking!

Invisible Music: an immersive and contemporary
digital meditation on disability
World Premiere: Wednesday 15th July, 8pm

Platform 4’s acclaimed and unforgettable live event, Invisible Music, has been transformed into a new digital piece of work, blending film and soundscape to create an immersive and intimate meditation on hearing loss. Revitalising their gig-theatre roots in an all-encompassing aural headphone experience, this digital world premiere hopes to raise awareness for the 12 million individuals in the UK with hearing difficulties by exploring the sensation of having the frequency
of your life’s soundtrack altered. Invisible Music will be available to stream online from Wednesday 15th July at 8pm.

This insightful collection of moving stories forms a loose narrative guided through enchanting musical moments and verbatim audio, drawn from the personal experiences of Platform 4’s Artistic Director, Catherine Church, her mother and others at her local lip-reading group. With striking projections by digital artist Barret Hodgson (Fatboy Slim; Motionhouse; Tom Dale Company) and the acoustic delights of Musical Director Pete Flood (Bellowhead; Marc Almond; Lol Coxhill) and Sound Designer Jules Bushell (Walk the Plank; Kneehigh; BBC), the film seeks to describe the array of emotions that come with hearing loss, from anger to loneliness, as well as the unexpected comforts in what we often take for granted – feelings which many will resonate
with from their own experiences in lockdown.

Mixing a variety of musical instruments and sampled voices the company has created 15 short musically diverse moments, each examining a unique and often unexplored perspective. With a routine trip to Sainsbury’s becoming an exercise in the surreal, and everyday experiences proving abnormal and out of your control, participants can journey across the mesmerising soundscape and experience life behind the impairment.

Church comments, This is my most personal piece to date, inspired by my mother and her own experiences of gradually losing her hearing. Attending her lip-reading classes was quite a
revelation, I hadn’t realised how much she was lip reading. I was also struck by how many of
these seemingly ‘proper’ people were having quite a hallucinogenic experience of the world day
to day! Living through the last few weeks of coronavirus has made me think about how the
gradual isolation that hearing loss brings is similar to the gradual losses we have all noticed in
our lives in quarantine

Keeping accessibility at the forefront, this digital experience will be captioned, enabling the message at the heart of the piece to be shared by a broader audience. The project has been supported by emergency funding from Arts Council England

Numerous arts venues have come together in support of Invisible Music and will also broadcast the video on their own channels. These include Theatre Royal Winchester; Jacksons Lane; Southbank Centre; Lighthouse Poole; Colchester Arts Centre; Pound Arts Centre; Turner Sims Southampton; The Hot Tin, Faversham; West End Centre; The Stables, Milton Keynes; The Point
Theatre; The Spring Arts & Heritage Centre; City Eye, Southampton; Cambridge Junction; EM Forster Theatre, Tonbridge; Lakeside Arts, University of Nottingham; Gulbenkian Theatre, Canterbury; Exeter Phoenix; The North Wall; Marine Theatre; Quay Arts; and Norwich Arts Centre.

OVER £600,000 RAISED FOR ACTING FOR OTHERS COVID-19 FUND

Theatrical charity, Acting For Others will distribute funds raised across its 14 member charities to support theatre workers affected by the Covid-19 pandemic. The money has been raised by over 120 extraordinary organisations and initiatives including All The Web’s A Stage, Fleabag For Charity, Les Misérables -The Staged Concert Charity Download, Noël Coward Foundation, Theatre Support Fund – The Show Must Go On, Ross Noble Live and Spotlight among many others.

There will be a distribution of £290,000 next week, with an even larger amount from the continuing fund-raising activities to follow very shortly. 

Sir Stephen Waley Cohen, co-chair of Acting For Others, today said, “This is a wonderful amount to be able to pass to our member charities, and through them to those of our fellow theatre workers in need. We have been overwhelmed by the ingenuity of our fundraisers and the generosity of their donations during this unprecedented time of need; the way the community has come together to support each other has been outstanding.

“It continues to be a very uncertain time for the industry, and the money raised from the Covid-19 funds will support theatre workers emotionally and financially as we navigate this phase of lockdown. We can’t wait for the moment that we can all safely return to the studios and theatres across the UK for live theatre, but for now we are very grateful for everyone who is able to support the charity through any means.”

Acting For Others was able to distribute £275,000 to the member charities earlier this year as a result of the pre-closure and 2019 activities, including bucket collections in theatres, One Night Only at The Ivy, and the West End Flea Market.

Theatre Together presented All the Web’s a Stage an online event on Shakespeare Day, featuring a variety of live performances from Joanne Clifton, Danny Mac, Marisha Wallace and A4O Ambassadors, Jodie Prenger, Cleve September and La Voix. Performances can still be viewed here, and are free to access with all donations distributed to several arts charities and funds including Acting for Others.

Phoebe Waller-Bridge, DryWrite, Soho Theatre and Annapurna Theatre, in partnership with National Theatre Live in London and Amazon Prime Video present the smash-hit Fleabag available until 28 June, via Soho Theatre on Demand and Amazon Prime Video. Proceeds will be donated to a variety of charities and funds including Acting for Others.

The 2013 West End cast of From Here To Eternity reunites for a one time event on Monday 22 June. Stuart Bryson, Tim Rice, Darius Campbell, Siubhan Harrison, Rebecca Thornhill and Robert Lonsdale will join Simon Grieff for the event. Proceeds with be donated to Acting For Others.

From 22 April for every digital download of Les Misérables -The Staged Concert Charity Download

The Mackintosh Foundation is separately donating £5.00 to be shared amongst the charity Acting for Others, the Musicians Union Coronavirus Hardship Fund and Captain Tom Moore’s Walk for the NHS fund. www.lesmis.com/concert

Noël Coward Foundation marked the centenary of the playwright’s first produced play with a £50,000 donation to Acting For Others in response to the extraordinarily difficult circumstances that the theatre profession is currently in.

Theatre Support Fund have produced The Show Must Go On range of merchandise and has currently raised over £125,000 in aid of Acting for Others, Fleabag Support Fund and NHS Charities.

A series of six films from Ross Noble’s Brain Dump Tour are available via Soho Theatre On Demand with proceeds going towards Acting For Others.

Spotlight has also donated £50,000 to Acting For Others.

Donations to Acting for Otherscan be made here: www.justgiving.com/ctcafo

www.actingforothers.co.uk       

Twitter: @ActingForOthers

CANOLFAN MILENIWM CYMRU YN CAU TAN FIS IONAWR 2021, GAN EFFEITHIO AR HYD AT 250 O SWYDDI

Mae Canolfan Mileniwm Cymru wedi cyhoeddi y bydd yn aros ar gau tan o leiaf fis Ionawr 2021, yn sgil effaith ddinistriol pandemig y Coronafeirws ar y diwydiant theatr.

Ymhlith y cynyrchiadau sydd wedi’u canslo neu eu gohirio mae The Lion King, tymor hydref Opera Cenedlaethol Cymru, The Book of Mormon a The Phantom of the Opera, a oedd i gyd i fod i gael eu dangos yn theatr 1,850 sedd y Ganolfan, Theatr Donald Gordon. Fydd gŵyl ryngwladol flynyddol Canolfan Mileniwm Cymru, Gŵyl y Llais, ddim yn mynd yn ei blaen chwaith fel y bwriadwyd rhwng 29 Hydref ac 1 Tachwedd 2020.

Fe allai hyn effeithio ar hyd at 250 o swyddi i gyd, ac mae 85 o staff parhaol mewn perygl o gael eu diswyddo. Bydd y cau hefyd yn cael effaith ar waith y 300 o wirfoddolwyr sydd gan y Ganolfan ac yn effeithio ar artistiaid lleol a llawrydd y mae eu gwaith yn cael ei gyflwyno yng ngofodau perfformio’r Ganolfan, gan gynnwys lleoliad 250 sedd Stiwdio Weston a’r lolfa cabaret sy’n dal 160 o bobl, sef Ffresh.

Caeodd Canolfan Mileniwm Cymru ei drysau ar 17 Mawrth 2020 pan gyhoeddodd Llywodraeth y Deyrnas Unedig gyngor ar gadw pellter cymdeithasol ac ymgynnull mewn torf. Rhagwelir y bydd rhaid i’r Ganolfan aros ar gau am hyd yn oed yn hirach o bosib, a bydd penderfyniad ar gau tan fis Ebrill 2021 yn cael ei wneud ym mis Medi. Os bydd y Ganolfan yn aros ar gau am flwyddyn, rhagwelir y bydd y sefydliad yn colli gwerth tua £20 miliwn o refeniw.

Meddai Rheolwr Gyfarwyddwr Canolfan Mileniwm Cymru, Mathew Milsom: “Mae’n ofid mawr i ni ein bod wedi gorfod gwneud y penderfyniad anodd i gau Canolfan Mileniwm Cymru tan fis Ionawr 2021. Mae pandemig y Coronafeirws wedi cael effaith ddinistriol ar theatrau ledled Prydain ac, fel llawer un arall, rydyn ni wedi dod i’r casgliad na fyddwn ni’n gallu dangos perfformiadau ar ein llwyfannau eto tra bod mesurau cadw pellter cymdeithasol ar waith. O dan yr amgylchiadau yma, allwn ni ddim agor y theatr mewn ffordd sy’n darparu profiad da i’r gynulleidfa ac sy’n hyfyw yn economaidd i’r Ganolfan a’r cynhyrchwyr sy’n cyflwyno’u gwaith yma.

“Mae diogelwch ein cynulleidfa, ein staff a’n perfformwyr yn fater o’r pwys mwyaf, ac felly mae’n bosib y bydd rhaid i ni ystyried ymestyn y cyfnod cau wrth i gyngor y llywodraeth ar ymgynnull mewn torf ddod yn gliriach yn ystod yr wythnosau a’r misoedd nesaf. Rydyn ni hefyd yn disgwyl y bydd tarfu sylweddol o ran y sioeau teithiol fydd ar gael am sawl blwyddyn i ddod, wrth i gynyrchiadau gael eu canslo heb i ddim sioeau newydd gael eu creu chwaith.

“Rydyn ni’n gwneud y penderfyniadau yma nawr er mwyn sicrhau dyfodol y Ganolfan – cartref celfyddydau Cymru – sy’n denu dros 1.6m o ymwelwyr bob blwyddyn ac yn cyfrannu £70m at economi Cymru. Rydyn ni wedi colli 85% o’n hincwm dros nos ac rydyn ni’n ceisio cael cyllid ar gyfer y tymor byr a’r tymor hwy. Tra byddwn ni ar gau, fe wnawn ni bopeth allwn ni i gadw’n gwaith artistig ac elusennol i fynd, ac i sicrhau ein bod ni’n barod ar gyfer ailagor cyn gynted ag y bydd hynny’n ymarferol bosib.

Mae Canolfan Mileniwm Cymru yn gampws diwylliannol ac mae’n gartref i wyth sefydliad diwylliannol, gan gynnwys Opera Cenedlaethol Cymru; Cwmni Dawns Cenedlaethol Cymru; a Cherddorfa Genedlaethol Gymreig y BBC a’i neuadd gyngerdd 350 sedd, Neuadd Hoddinott. Cefnogir hyd at 1,200 o swyddi ar safle Canolfan Mileniwm Cymru.

Mae’r Ganolfan wrthi’n cysylltu â phobl sydd wedi prynu tocynnau ar gyfer sioeau yr effeithiwyd arnynt er mwyn trefnu ad-daliadau a/neu aildrefnu ar gyfer dyddiadau yn y dyfodol. Mae newidiadau i berfformiadau wedi’u hadlewyrchu ar y wefan – www.yganolfan.org.uk.

WALES MILLENNIUM CENTRE ANNOUNCES CLOSURE UNTIL JANUARY 2021, AFFECTING UP TO 250 ROLES

Wales Millennium Centre has announced that the venue will remain closed until at least January 2021, due to the devastating impact of the Coronavirus pandemic on the theatre industry.

Productions that have been cancelled or postponed include The Lion King, Welsh National Opera’s autumn season, The Book of Mormon and The Phantom of the Opera, which were all due to take place in the Centre’s 1,850 seat Donald Gordon Theatre. Wales Millennium Centre’s annual international festival, Festival of Voice, will also not go ahead as planned from 29 October – 1 November 2020.

Up to 250 roles could be affected and 85 permanent staff are at risk of redundancy. The closure will also affect the Centre’s 300 volunteers’ roles and will impact freelance and local artists whose work is performed in the Centre’s performing spaces, including the 250-seat Weston Studio and 160-capacity Ffresh Cabaret venue.

Wales Millennium Centre shut its doors on 17 March 2020 when social distancing advice around mass gatherings was announced by the UK Government. It is anticipated that the Centre may have to remain shut for even longer and a decision on closure up to April 2021 will be made in September. If the Centre remains shut for a year, it is anticipated that the organisation will lose around £20 million in revenue.

Wales Millennium Centre’s Managing Director, Mathew Milsom said: “It is with deep regret that we have made the difficult decision to close Wales Millennium Centre until January 2021. The Coronavirus pandemic has had a devastating effect on theatres across the UK and, like many others, we have concluded that we won’t be able to put performances on our stages again while social distancing measures are in place. Under these circumstances we can’t open the theatre in a way that provides a good audience experience and that is economically viable for the Centre and the producers who present their work here.

“The safety of our audience, staff and performers is of paramount importance and, therefore, we may have to consider extending the period of closure as government advice on mass gatherings becomes clearer over the coming weeks and months. We are also expecting significant disruption to the availability of touring shows for years to come, as productions are being cancelled and no new shows are being created.

“We are making these decisions now to secure the future of the Centre – home for the arts in Wales – which over 1.6m people visit each year and which contributes £70m to the Welsh economy. We have lost 85% of our income overnight and are seeking funding for both the short and longer term. Whilst we are closed, we will do everything we can to keep our artistic and charitable work going, and to ensure that we are ready to reopen as soon as is practically possible”.

Wales Millennium Centre is a cultural campus and is home to eight cultural organisations, including Welsh National Opera; National Dance Company Wales; and the BBC National Orchestra of Wales and its 350-seat Hoddinott Hall. Up to 1,200 jobs are supported on the Wales Millennium Centre site.

Ticket holders for affected shows are currently being contacted to arrange refunds and/or to rearrange for future dates. Changes to performances are reflected on the website – www.wmc.org.uk