Leeds Playhouse – until 17 January 2026
Reviewed by Gretel Price
5*****
The Playhouse Theatre in Leeds has once again ignited the festive spirit with its enchanting adaptation of A Christmas Carol, skilfully composed by Deborah McAndrew and brought to life under the direction of Amy Leach. McAndrew’s adaptation shines in its clever weaving of humour and pathos, ensuring that the story resonates with both young and old. From the very beginning, the relocated bustling streets of Victorian Leeds are brought to vivid life through cohesive period costumes of the workers who sing a blend of carols and original composed music in unison to set the scene.
The cast were equally phenomenal; their energy and commitment never faded, ensuring that the audience remained attentive throughout. Reece Dinsdale was successful in his portrayal of a miserly yet comical Scrooge who was able to transform into a ‘merry schoolboy’ and spread Christmas cheer by the end of the play. Dinsdale delivered a remarkably accurate, yet surprisingly humorous performance of a northern Scrooge allowing the younger members of the audience to easily follow the narrative. Dinsdale’s bitterness was contrasted by the heart-warming Lucas Kerr (Tiny Tim) who brought an undeniable sweetness to the stage, alongside Stephen Collins and Nadia Nadarajah (Mr and Mrs Cratchit) who perfectly captured the essence of a loving and resilient couple.
The entrance of the outstanding Obioma Ugoala as Marley (and Fezziwig) was a particular favourite part of mine providing a visually stunning and unforgettable moment on stage. Aided by clever stagecraft and haunting lighting, the phantom didn’t just appear, but he marched through the stage from a swirling haze of smoke as his ghostly echo bellowed through the theatre. The scene was a perfect balance of ominous lighting, eerie visuals and an accurate reflection of Dicken’s novel.
Following this, both the wonderful Bea Glancy and Claudia Kariuki flawlessly executed the role of the Ghost of Christmas past and present. Through graceful movements, Glancy brought the past to life, embodying whimsy and enchantment to portray the luminous figure. It is also clear that Kariuiki the perfect and only choice for the Ghost of Christmas present as she instantly shone – bringing instant joy and life to the stage and the audience were in hysterics at what came to follow her entrance: the display of dancing baubles.
The ensemble wasn’t just a backdrop; they were a dynamic and comical force, masterfully used to both tease and haunt Scrooge but also embody the Christmas spirit when frolicking on stage as lively baubles. Due to the exceptional works of Hayley
Grindle’s costume designs, the cast were able to present themselves as fully believable characters and elevate their performances further. The Ghost of Christmas present’s beautiful dress was truly memorable, shimmering with every move.
However, the true standout of the evening was the Ghost of Christmas yet to come – a tall, ominous figure created from dark cloth ascended from beneath the stage. Rather than the traditional spectral figure cloaked in dark robes, this version of the ghost is made entirely of cloth and material, to create a larger impact on stage as audiences watch the figure tower above the characters. The haunting, deliberate way the fabric moves and undulates in the dim light lends an unsettling quality and is visually impressive for audience members.
The production of A Christmas Carol truly shines in its accessibility, welcoming all ages and audiences to be a part of Scrooge’s transformative journey. The timeless story is presented with clarity and heart, ensuring that even the youngest viewers can grasp the central themes of redemption and compassion. I would highly recommend A Christmas Carol as it was a thoroughly enjoyable experience which brought out the Christmas mood.