Theatre Royal Windsor – until 14 March 2026
Reviewed by Marcia Spiers
4****
“A thoroughly entertaining evening with excellent music and dance. This show as a real feel-good factor”
Written by Gary Kupper, Larry Marshak and Rose Caiola, with original music and Lyrics by Gary Kupper and Directed by Randal Myler, this show tells the story of Alan Freed, an American disc jokey who helped coin the term “rock and roll” and propelled a musical revolution across America.
Before seeing this production, I knew little about Alan Freed. Yet the performance inspired me to learn more about this person whose passion for music brough white and black teenagers together in the 1950s. His success made him a target for conservative forces determined to preserve the status quo, and his eventual downfall was shaped by outside pressures as well as his own self-destructive behaviour. Despite this Freed was inducted into the Rock and Roll Hall of Fame in 1986 for breaking down racial barriers and transforming popular culture.
This cast are all extremely talented with many taking on multiple roles with impressive versatility. Constantine Maroulis portrays Alan’s maverick nature, his determination to enact change, and his more vulnerable side very well. Joe Bence gives an excellent performance as a young Buddy Holly. Marquie Hairston, Joey James, Jairus McClanahan and Anton Stephans shine not only as a quartet but also in their portrayals of Jay Hawkins, Frankie Lymon, Chuck Berry, Little Richard and Bo Diddley. Joey James emanating the mannerisms of Chuck Berry and Jairus McClanahan in his portrayal of the flamboyant Little Richard are highlights.
Cherece Richards gives a strong, polished performance of singer LaVern Baker, a woman with a powerful voice. Dominque Scott is a whirlwind of energy playing Jerry Lee Lewis, Pat Boone and others while serving as the show’s Musical Director and a musician. Gary Turner gives a wonderful performance as Leo Mintz, Alan’s record store confidant and as the scheming Morris Levy, nothing more than a gangster out for his own gain. Shelby Speed is an amazing dancer leading many of the dance numbers and brings authenticity to supporting roles including Jackie, Alan’s Mother and his daughter. Mark Pearce moves effortlessly between J Edgar Hoover and the various figures of the 1950s conservative majority both in comedic and dramatic moments.
The staging is simple but effective, making creative use of TV interludes and phone calls. It provides plenty of space for the performers to take centre stage and the music and choreography to shine. Choreographer Stephanie Klemons and her team deserve praise for the wonderful dance numbers that help tell the story. I must also highly commend the musicians because they are fantastic.
Overall, Rock & Roll Man is a celebration of a turbulent but transformative chapter in music history. I enjoyed it. Please go watch!