HOPE MILL THEATRE, MANCHESTER – UNTIL 17TH DECEMBER 2023
REVIEWED BY MIA BOWEN
5*****
Growing up, the movie “To Wong Foo Thanks for Everything, Julie Newmar” was always a beloved and frequently watched film in my house. So, I was thrilled to hear that this cult classic has been adapted into a musical and its World Premiere was taking place here in Manchester at the independent and beautiful Hope Mill Theatre. It is also directed by the same creative mind behind the original film and multi–Tony Award nominee, Douglas Carter Beane, with songs by his frequent collaborator and husband Lewis Flinn.
The 1995 film is a groundbreaking gem that celebrates the beauty and art of drag culture. It strikes a perfect balance between campy fun and heartfelt moments, while also addressing important issues like domestic abuse and humanizing its LGBTQ+ characters. The film boasts an all-star cast, including Patrick Swayze, Wesley Snipes and Stockard Channing. Additionally, RuPaul has a small part and Robin Williams makes a cameo appearance.
The musical starts in the lively 1990s New York and follows the story of three drag Queens – chic and classy Vida Boheme (Peter Caulfield), smart and sassy Noxeema Jackson (Gregory Haney) and ‘Little Latin Boy in a dress’, drag novice Chi Chi Rodriguez (Pablo Goméz Jones). Together they set off on a zany road trip, in a stylish convertible 1967 Cadillac DeVille, across America to attend the Drag Queen of the Year Finals in Hollywood. However, chaos ensues, throwing not only the lives of the three protagonists, but also those of the residents of the small town of Snydersville, in the heart of middle America, into disarray, when their car unexpectedly breaks down. This musical spectacular is a joyous and heartfelt celebration of the live changing power of three drag queens. Throughout the show, they leave a lasting impact on the people they encounter, making it an extraordinary experience.
The production is visually stunning, filled with captivating costumes by Gregory Gale and striking colourful make up by Andrew Sotomayor. The musical numbers, choreographed by Jane McMurtrie, are executed with meticulous and sassy movements.
The success of this production undoubtedly lies in the strong performances from the steller cast. The leading cast members brilliantly embody their characters, capturing the essence of their inner divas with panache. Special mention must go to Carolyn Maitland whose vocals were euphonious.
I highly recommend watching this particular musical theatre production this year. It’s absolutely captivating, and I guarantee you’ll be eager to experience it again and again.