Live Theatre, Newcastle – until Saturday 27th November 2021
Reviewed by Abigail Searcaigh
5*****
offing
noun
1. the more distant part of the sea in view.
Shortly after World War Two young Robert Appleyard decides to set off from his home in Durham on an adventure to ‘see the sea’ – but it doesn’t take long for him to be waylaid by the eccentric and enigmatic Dolce Piper at her home in Robin Hood’s Bay. There he slowly unravels the mystery of Dolce’s past, as well as discovering his own hidden potential. Set in the Northeast of England during a period of continuing rations and fear; The Offing is a charming, sad and, occasionally, terrifying tale that deals with themes of friendship, love, loss, and intolerance.
All three of the actors were phenomenal in their roles and it was impossible to identify one alone as a ‘show stealer’. James Gladdon had you believing that he was the earnest and sweet 16-year-old Robert searching for adventure; Cate Hamer’s portrayal of Dolce was both heart-warming and heart-breaking; and Ingvild Lakou’s Romy, the brilliant and troubled poet, was simultaneously tragic and frightening – ethereal and painfully human.
The simple, rustic set really does feel like an old home near the sea, and the actors’ use of mime and props help transport you to other areas along the Yorkshire coast. The set and the lighting are skilfully utilised in such a way to provide some genuinely spooky moments that would have made this a great Halloween show. If you dislike horror, don’t worry, the ‘fearsome’ moments are short, and this play is much more uplifting than any synopsis would make it appear (despite its tear-jerking moments). Ultimately it is a play of joy and laughter, with moments of fear and sadness for both its characters and for you, the audience.
If you like historical tales with a supernatural edge then The Offing is the play for you, and even if that doesn’t sound up your street I’d still give it a shot; I’m certain it’ll win you over with it’s charm and sincerity.