PLAYHOUSE THEATRE, LIVERPOOL – UNTIL SATURDAY 8TH FEBRUARY 2025
REVIEWED BY MIA BOWEN
4****
This production has recently concluded its run at the Trafalgar Theatre in the West End and launched its 2025 UK tour at the Playhouse Theatre in Liverpool last night, performing to a sold-out audience. “The Merchant of Venice 1936” is a fresh adaptation of Shakespeare’s controversial play, set in 1930s Britain. Brigid Larmour and Tracy-Ann Oberman, who also portrays Shylock, have reinterpreted this classic work into a compelling and refined adaptation.
Since its premier in 2023, the UK has experienced the sharpest rise in antisemitic attacks in decades. In this context, the play resonates on a deeply emotional level, making it all the more unsettling. “The Merchant of Venice 1936” goes beyond being a mere depiction of antisemitic tropes; it acts as a profound exploration of antisemitism itself. By placing the narrative within the historical framework of Britain’s Fascist movement in the 1930s, the audience is prompted to reflect on modern-day racism. This is no longer a story set in Italy, as Shakespeare originally intended.
From the very beginning, the audience becomes immersed in the performance, joining Russian Shylock, along with her family and companions, as they share a toast at the dining table. Tracy-Ann Oberman excels in her portrayal of the Jewish money lender, bringing the character to life. Oberman delivers a powerful performance as a woman who courageously confronts the daily assaults on her character. She asserts her identity while navigating persistent racism and the continual experience of being treated as an ‘alien’ in society.
The entire cast was exceptional, presenting a range of diverse characters and intertwining stories. Portia’s quest for a suitable suitor added numerous light-hearted and humorous moments for the audience, balancing the seriousness of the play beautifully.
The back wall was effectively utilised to project footage from the events of 1936, creating a chilling atmosphere as it depicted attacks on Jewish homes accompanied by a soundscape of breaking glass reminiscent of Kristallnacht. Additionally, Shylock’s residence was marked with antisemitic graffiti, which added to the unsettling imagery. Throughout the performance, the changes in scenery and backdrop, along with the introduction of propaganda, serve as poignant reminders of this troubling period in history, which, although not far removed, still resonates today.
With Hitler’s ascent to power aligning with the impending outbreak of World War Two, this contemporary retelling offers a thoughtful and engaging blend of uproarious comedy and poignant commentary on pressing issues such as antisemitism, war, and the struggle for power.