GROSVENOR PARK OPEN AIR THEATRE, CHESTER – UNTIL SUNDAY 1ST SEPTEMBER 2024
REVIEWED BY MIA BOWEN
5*****
In the early 1890s, Oscar Wilde created four society comedies, establishing himself as one of the most successful playwrights in late-Victorian London. “The Importance of Being Earnest” made its premiere on 14th February 1895 at London’s St James’s Theatre. This farcical comedy tells the story of characters who take on fake identities to escape their societal duties. It serves as a satire of Victorian social hypocrisy and is widely regarded as Wilde’s most significant theatrical work. Described by Wilde as a “trivial comedy for serious people,” the play has charmed audiences for 129 years. The reasons for its enduring popularity were clear from the amazing production I saw last night at Grosvenor Park Open Air Theatre.
The show’s sheer entertainment value, along with its wonderful tribute to the work of Oscar Wilde, is truly exemplified by the cast that Natasha Rickman has assembled. They are incredibly expressive, making them stand out as one of the most captivating casts I’ve had the pleasure of seeing. Their performances are so engaging that even in a larger venue, their expressions and mannerisms would not be lost to the distance. This ensemble is truly exceptional, with each member showing clear talent, preparation, and mastery in their portrayals.
The production takes place in a ‘theatre in the round’, allowing the audience to feel involved
in the show as characters move among them and interact. In the last night’s performance,
James Sheldon, playing Mr Worthing, attempted to elucidate his actions by discussing
‘repentance’. He locked eyes with a priest in the front row, hoping for his approval, which
then led to the audience erupting into laughter.
The highlight of this production is the use of ‘Wilde language’, overseen by Dialect Coach
Nick Trumble. Their work is truly praiseworthy, offering the audience some of the most
dazzling verbal wit ever witnessed. Joanne Howarth delivered a standout performance as
Lady Bracknell, drawing comparisons to characters like Moira Rose from Schitt’s Creek and
Violet Crawley, the Dowager Countess of Grantham from Downton Abbey.
This production is highly entertaining and wonderfully whimsical, making it near impossible
not to love. Simultaneously, it offers a reflective and meticulously crafted take on a well known classic.