EMPIRE THEATRE, LIVERPOOL – UNTIL SATURDAY 26TH MARCH 2022
REVIEWED BY MIA BOWEN
5*****
Did you happen to notice how many yellow cars you passed on your way to work? What about the number of people on the number 1 bus? Those who are on the autistic spectrum will do. Based on the best selling novel by Mark Haddon and adapted for stage by Simon Stephens, this production lets the audience see how people with autism and neurodiversity, think and experience the world.
Christopher Boone (David Breeds) is presented as a mathematical genius who has trouble interpreting social situations and everyday life presents some barriers for him. He detests being touched and distrusts strangers, in his own words he has ‘some behaviour difficulties’. When his neighbour’s dog Wellington is killed, he sets out to solve the mystery. As he becomes more involved with the murder case, he ends up discovering the truth about his own life and family. His journey in looking for the dog’s murderer soon becomes a search for his mother Judy (Sophie Stone).
The wondrous strange workings of Christopher’s mind, is demonstrated through a mathematical grid set and versatile props by designer Bunny Christie. One particular beautiful moment, is when Christopher builds a toy train set which comes to life on stage. Paule Constable’s accent lighting and Adrian Sutton’s electronic score both contribute to providing the context and conditions of the action of the play.
The character with the most significance in the play is Siobhan (Rebecca Root), Christopher’s teacher. She brings a lovely soothing tone as the narrator to the production. Christopher seems really fond of her and their magical teacher-student relationship shines when Christopher celebrates his maths A level result which means the world to him. Although his father Ed (Tom Peters) understands him well, Siobhan is the only one who really speaks his language, she understands his needs and strengths.
This ingeniously staged production has been recognised for its beautiful portrayal of the unique perspective, children like Christopher have on the world. It is a play full of heart, warmth and emotion, tackling heavy themes including neurodiversity, family violence and mental health. It is a coming of age story about a boy who struggles to fit in but who pushes back at the world and believes he can do anything. You will think, laugh and most of all, look at the world around you in a different way. Be sure to stay right until the end!