Cambridge Arts Theatre, Cambridge – until Saturday 27th January 2024
Reviewed by Steph Lott
5*****
Somerset Maugham’s “The Circle” unfurls a captivating tale of love, regret, and the ever-turning wheel of time. Directed by Tom Littler and graced by a stellar cast, this production weaves a delicate tapestry of emotions against the backdrop of Louie Whitemore’s finely crafted sets and costumes.
Tom Littler’s direction expertly navigated the intricate social dynamics woven into Maugham’s narrative. The play’s central conflict revolves around the enduring impact of past choices, and Littler skilfully guides the actors through the delicate dance of emotions and consequences. The pacing is commendable, creating an engaging rhythm that keeps the audience invested in the characters’ unfolding destinies. There are silences, glances, all held with brilliant poise and timing.
Louie Whitemore’s set and costume designs are a visual feast, transporting the audience to the 1920s era. The elegantly furnished drawing-room, complete with period-appropriate furnishings, serves as a grand backdrop for the characters’ emotional upheavals. Whitemore’s costume choices further enhance the authenticity, capturing the essence and elegance of the era perfectly.
Pete Ashmore’s portrayal of Arnold Champion-Cheney is truly accomplished. Ashmore balances the character’s charm, and annoying pedantry, with underlying vulnerability, bringing depth to his portrayal of a man whose abandonment by his mother when a small boy, still haunts him. Olivia Vinall, as Elizabeth Champion-Cheney, complements Ashmore’s performance with a nuanced portrayal of a woman grappling with the complexities of love, betrayal, and societal expectations. Their on-stage chemistry is evident, capturing the audience’s empathy as they navigate the stormy waters of their marriage.
Clive Francis as Clive Champion-Cheney and Jane Asher as Kitty Champion-Cheney inject the production with delightful doses of skill and humour in equal measure. Francis embodies the eccentricities of Clive with comedic precision, while Asher’s performance as the witty and sassy Kitty adds a refreshing layer to the narrative. The duo’s impeccable timing and rapport contribute to the play’s lighter moments, providing relief from the overarching tension.
Nicholas Le Prevost’s portrayal of Hughie Porteous, and Robert Maskell’s turn as George the butler, add further layers to the ensemble cast. Le Prevost captures the essence of a grumpy old man who risked all for love in his youth, while Maskell’s butler exudes a quiet stubborn dignity that resonates throughout the play. Daniel Burke, in the role of Teddie Luton, creates a very credible romantic conundrum for Elizabeth. Will she choose him and risk all for love?
In conclusion, “The Circle” at the Cambridge Arts Theatre is a commendable production that weaves together a captivating narrative with strong performances and exquisite design. Tom Littler’s direction, coupled with the standout performances from the whole cast, makes this rendition of Maugham’s classic a worthwhile theatrical experience. The play successfully delves into the timeless themes of love, regret, and societal expectations, leaving the audience with much to ponder.