Cambridge Arts Theatre, Cambridge – until Saturday 11th May 2024
Reviewed by Steph Lott
5*****
Tuesday night’s performance of “The 39 Steps” at the Cambridge Arts Theatre was a riotous romp through Hitchcock’s classic. Patrick Barlow’s adaptation is a side-splitting, fast-paced comedy that pays loving homage to the 1935 film. Directed with finesse by Maria Aitken, with movement direction by Toby Sedgewick, this production is a masterclass in timing, choreography, and comedic brilliance.
This is a very talented cast. 3 of them take on multiple roles, with the clowns in particular seamlessly transitioning between characters, at times with lightning-quick costume changes and split-second precision. Tom Byrne shines as a suave but rather manic Richard Hannay, effortlessly navigating the twists and turns of the spy thriller plot. Safeena Ladha is equally impressive in her portrayal of three distinct characters: the mysterious Annabella, the feisty Pamela, and the crofter’s wife, Margaret. Her versatility and comedic talents are on full display, earning well-deserved laughs from the audience.
However, it is the dynamic duo of Eugene McCoy and Maddie Rice, playing Clown 1 and Clown 2 respectively, who steal the show. Their portrayal of a myriad of characters, from policemen to train passengers, is a tour de force of physical comedy and vocal acrobatics. The pair’s choreography and synchronization are a joy to behold, as they effortlessly switch accents, mannerisms, and costumes, often within the same scene. Their performances are a testament to the power of ensemble acting and the art of comedic timing. I also particularly enjoyed Mr McCoy’s gurning! Splendid.
Aitken’s direction is a triumph, keeping the pace brisk and the laughs coming. The staging is inventive and witty, with a minimalist set that transforms into various locations with the help of clever, simple props and the cast’s physicality. The production is peppered with loving references to Hitchcock’s films. The set design, by Peter McKintosh, is a character in itself, with doors, windows, and furniture pieces that become trains, cars, and even the Forth Bridge.
“The 39 Steps” is a testament to our enduring affection for Hitchcock’s films and the ingenuity of modern theatre adaptations. The play’s humour and fast-paced action make it accessible to audiences of all ages, while the clever references to the original film provide an extra layer of enjoyment for Hitchcock aficionados.
In conclusion, the Cambridge Arts Theatre’s production of “The 39 Steps” is a must-see for anyone who loves a good laugh, appreciates the art of theatre, or simply wants to experience the magic of Hitchcock’s classic in a new light. With its stellar cast, inventive staging, and razor-sharp wit, this production is a riotous romp that will have you guffawing with laughter.