THE ARTS AT MARBLE ARCH POWERED BY TODAYTIX – FIRST DETAILS REVEALED OF NEW 594-SEAT WEST END VENUE

THE ARTS AT MARBLE ARCH | POWERED BY TODAYTIX – FIRST DETAILS REVEALED OF NEW 594-SEAT WEST END VENUE

COMMERCIAL PARTNERSHIPS ANNOUNCED WITH TODAYTIX AND MIROMA LEISURE

TICKETS ON SALE NOW FOR BE LIKE BLIPPI! AND BURLESQUE THE MUSICAL, WITH A MAJOR NEW SHOW ANNOUNCEMENT COMING SOON FOR OPENING IN JULY

https://www.artsatmarblearch.com

Producers Louis Hartshorn and Brian Hook today announce further details for The Arts at Marble Arch powered by TodayTix, a brand-new 594-seat theatre venue set beside the world-famous Marble Arch, between Oxford Street, Hyde Park and the West End.

HH Productions also today announces strategic partnerships with TodayTix and Miroma Leisure, both of whom will play integral roles in the future success and operation of the venue.

TodayTix will provide the box office and premium customer ticketing experience for the venue, alongside integrated marketing technology designed to enhance customer relationship management and audience communications.

Miroma Leisure joins the project as food and beverage consultants, with menu development and customer experience at the heart of their partnership with the venue.

Created by HH Productions, The Arts at Marble Arch powered by TodayTix is a fully accessible, 594-seat, fully air-conditioned theatre featuring a 17-metre-wide stage, two bars and a 14-seat hospitality box. The venue has been designed with sustainability at its core and is currently scheduled to occupy the Marble Arch site until 2028.

Using bespoke modular construction and innovative design, the theatre is fully portable and can be reconstructed in future locations, with an anticipated lifespan of more than 20 years. The structure has been designed to offer a long-term, sustainable model for commercial theatre presentation in high-footfall locations.

Powered by TodayTix, the new venue has been conceived as a major destination for commercial entertainment in central London, bringing ambitious cultural programming to one of the capital’s most prominent public spaces.

Brian Fenty, CEO of TodayTix Group adds, “London continues to set the pace for live entertainment globally, and we see The Arts at Marble Arch powered by TodayTix as an important investment in its future. It’s an opportunity to support bold programming, reach new audiences, and deepen the connection between fans and live theatre.”

As previously announced, the programme will begin this summer with a season of Be Like Blippi! From 5 – 23 August, before welcoming the previously announced West End premiere of Christina Aguilera’s Burlesque the Musical from 12 September, playing until 31 January 2027.

Further announcements will be made shortly, including the first production that will officially open the venue in July.

As the historic Arts Theatre reaches its centenary year and prepares for major redevelopment works at its original home on Great Newport Street, The Arts at Marble Arch will continue its legacy of presenting ambitious commercial entertainment in the heart of London.

Louis Hartshorn and Brian Hook of HH Productions said, “The Arts at Marble Arch powered by TodayTix represents an exciting new chapter both for the Arts Theatre and for commercial entertainment in London.

We wanted to create a future-facing venue in one of the capital’s most iconic locations — a theatre designed for audiences, producers and partners alike: accessible, adaptable, sustainable and capable of hosting world-class entertainment at scale.

We are hugely grateful to Westminster Council, Reed Watts, Osmo Projects, all of the subcontractors involved, and the entire HH Productions team for helping bring this ambitious project to life. This is only the beginning for The Arts at Marble Arch, and we are incredibly excited for audiences to discover the production that will officially open the venue in July – watch this space!”

Website: www.artsatmarblearts.com

Twitter & Instagram: @artsatmarblearch

The Arts at Marble Arch powered by TodayTix – images

Cast Announced for Summer Holiday the Musical

A Sheffield Theatres Production in association with Blackpool Grand Theatre

SHEFFIELD THEATRES ANNOUNCE CASTING FOR

SUMMER HOLIDAY THE MUSICAL
Stage adaptation by Michael Gyngell and Mark Haddigan
Based on the film directed by Peter Yates, screenplay by Ronald Cass and Peter Myers

Directed by Elizabeth Newman and Ben Occhipinti 

Sheffield Theatres in association with Blackpool Grand Theatre have today announced casting for their upcoming co-production of Summer Holiday The Musical directed by Sheffield Theatres Artistic Director, Elizabeth Newman and Ben Occhipinti (The Brenda Line, Gypsy, The Secret Garden).

The cast includes Fanta Barrie (The Ministry of Lesbian Affairs) as Barbara, Jim Duah (Good Golly Miss Molly) as Edwin, Ava Duncan (A Bit of Roll Play – Tramway)as Ensemble, Charlie Hale (Come From Away) as Swing, Nis Raza Hamiliton (The Railway Children) as Angie, Robin Harris (Much Ado About Nothing – Shakespeare North)as Steve, Matthew James Hinchliffe (The Lion, the Witch and the Wardrobe) as Al, Damian Humbley (Stephen Sondheim’s Old Friends) as Jerry, George Jones (Witness For The Prosecution) as Don, Elliot Mackenzie (The Curious Case Of Benjamin Button) as Cyril, Jane McCarry (Still Game – BBC)as Stella, Isaac Savage (SCOTS) as Ensemble, Tolia Uwalaka (Wham! The Show) as Swing and Trudy Ward (Gypsy – Pitlochry Festival Theatre) as Mimsie.

The iconic 1960s film is now the feel-good musical of the year!  Aboard a double decker bus, Don and his friends are on a fun-packed trip to Paris, The Alps, Italy and Greece, in search of a good time and a brilliant summer. On the way they encounter pop bands, runaway pop stars and of course holiday romance. Especially adapted for Sheffield and featuring classic hits such as Summer Holiday, The Young Ones and Living Doll, Summer Holiday really is the happiest of all the musicals. 

Sheffield Theatres Artistic Director and Co-Director of Summer HolidayElizabeth Newman and Co-director Ben Occhipinti said: “For us, Summer Holiday is pure joy – full of freedom, adventure, music and heart. We’re incredibly excited to bring a fresh new energy to this iconic musical and create a production that feels vibrant, uplifting and bursting with life.”

Adam Knight, Chief Executive of Blackpool Grand Theatre, said: “We’re thrilled to be partnering with Sheffield Theatres and look forward to welcoming Elizabeth Newman and Ben Occhipinti’s outstanding cast to Blackpool Grand from 29 July to 8 August. Summer Holiday is set to be the standout productions of our season, and we can’t wait for audiences to share in its joy, energy, and sheer feel-good spirit.”

The full creative team are: Co-Directors Elizabeth Newman and Ben Occhipinti, Set and Costume Designer Amanda Stoodley, Musical Director Richard Reeday, Movement Director Lesley Hutchison, Lighting Designer Rory Beaton, Sound Designer Tom Marshall, Associate Director Eilidh Gibson, and Casting Director Arthur Carrington CDG. 

Stage adaptation by Michael Gyngell and Mark Haddigan. Based on the film Summer Holiday, directed by Peter Yates, screenplay by Ronald Cass and Peter Myers and by special arrangement with StudioCanal. Orchestrations by Keith Strachan. Presented by arrangement with Music Theatre International on behalf of Josef Weinberger Limited.

Summer Holiday opens at the Crucible, Sheffield from Saturday 20 June and runs until Saturday 18 July. The production then transfers to Blackpool Grand Theatre from Wednesday 29 July – Saturday 8 August

Awkward Prods’ Diana: The Untold and Untrue Story makes triumphant London and Edinburgh Fringe return!

Diana: The Untold and Untrue Story makes triumphant
London and Edinburgh Fringe return!

Awkward Prods’ royal hit is back both in London and at the Edinburgh Fringe due to diconic demand, following its sold out NYC run this year. The show, that sees Linus Karp as the People’s Princess, is heading to London’s Arcola Theatre 6-11th July, followed by its return to the Edinburgh Fringe where it plays at Underbelly George Square, for the final week of the festival 24-30th August.

Awkward Prods’ multiple award-winning, Edinburgh Fringe 2023 sell-out show Diana: The Untold and Untrue Story became an immediate cult hit with UK audiences for its unique audience participation and staggeringly camp portrayal of the royals. The show has won an OffFest Award for Best Play and the prestigious LAURA Award and has enjoyed four UK Tours, sell-out runs in London and New York, and a World Tour across four continents. The show features special multimedia appearances from a cast including Geri Allen (Oh Mary!), Zina Badran (Doctor Who), Jeanna de Waal (Diana: The Musical) and Rob Madge (My Son’s a Queer), the latter voicing Mother Teresa.

Through a comedic and unhinged lens, the show highlights Diana’s ground-breaking stances on social and queer issues and allows her to finally speak her (un)truth and break free from the monarchy. Told by Diana from heaven, Diana: The Untold and Untrue Story is “so much more than just a show. It’s an experience. It’s a lifestyle. It is the moment” (The Reviews Hub – ★★★★★)

Awkward Prods was created by Linus Karp and Joseph Martin to bring ridiculous genre-mixing comedy, niche pop culture references, audience participation and queer joy to the stage.

Diana is currently enjoying a UK and Ireland tour, alongside Awkward Prods’ latest show The Fit Prince (who gets switched on the square in the frosty castle the night before (insert public holiday here)). At the Edinburgh Fringe she will also be joined by a highly anticipated new show from Awkward Prods called Linus Karp Was Hit With An Umbrella, about the real life hate crime Linus was a victim of.

Their past shows include Gwyneth Goes Skiing and how to live a jellicle life: life lessons from the 2019 hit movie musical ‘Cats’. These shows have all achieved sold-out runs, toured the UK extensively, received international media coverage and won awards. An Awkward Prods shows isn’t performed for you, it’s performed with you – making each one unique.

Linus Karp, the show’s writer, director and Diana comments “I am Di-lighted that people love Diana and this show as much as I do. Looking forward to a diconic summer at Arcola and Underbelly.”

Social media @awkwardprods #UntrueDiana
https://www.awkwardprods.com

Praise for Diana: The Untold and Untrue Story:
Outrageous Triumph – Edgar Wright
An unhinged, gay fantasia – Playbill
★★★★★★ An endless amount of non-stop laughter – Jack The Lad
★★★★★ Serving c*** – Attitude
★★★★★ A masterclass – The Skinny
★★★★★ The most unhinged piece of theatre in existence – Broadway Baby
★★★★★ Perfectly imagined and brought to life on stage with vision and heaps of silliness – The National

Jesse North Is Broken Review

York Theatre Royal – until 14 May 2026

Reviewed By Sal E Marino

5*****

At York Theatre Royal, Jesse North is Broken proved to be an absorbing, emotionally raw and deeply compassionate piece of theatre, both written and performed by the exceptionally talented Martha Godber. Brilliantly directed by Millie Gaston (and produced by the John Godber company),  this powerful one-woman play introduces us to Jesse, a 25-year-old carer whose life on the surface appears to be fast-paced and fun as she and runs on the mantra “work hard, play harder”. However, under her show of bold bravado, within Jesse, we find a much more vulnerable and ‘broken’ soul than she first presents … 

From the opening moments, Jesse feels authentic – lively, a little chaotic and immediately likeable. She genuinely cares for her clients and approaches her work with tenderness, patience and humanity. Yet we start to learn that the emotional burden of caring takes its toll, and Jesse survives through the ritualistic escapism of nights out in Hull. Godber captures this world brilliantly — the “pres” (pre-drinks that is) with her best friend Jimmy, the careful selection of an outfit, the anticipation of the clubs, the determination to “pull” and find connection, validation or simply oblivion for a few hours.

What makes the writing so effective is the way these nights out are portrayed not as glamorous rebellion but as necessity. Jesse is almost programmed into the cycle, chasing release wherever she can find it. On this particular evening, despite it being Jimmy’s birthday, she leaves him behind after meeting someone early in the night, driven by that relentless need for escape. The evening then spirals into disaster, regret and the crushing reality of a hangover with a work shift beginning in just two hours.

Godber’s performance is extraordinary throughout. Alone on stage, she shifts seamlessly between humour, vulnerability, intoxication, shame and exhaustion. Her comic timing is sharp and natural, especially in the nightclub sequences, yet beneath the laughter there is an aching sadness. Jesse’s self-destructive behaviour is never judged by the play; instead, it is understood as the symptom of someone emotionally overwhelmed and desperately trying to cope.

The final section of the production is devastating in its simplicity. We watch Jesse visit an elderly client and suddenly the chaotic young woman from the night before becomes calm, attentive and full of warmth. Godber reveals Jesse’s innate kindness so beautifully that the audience cannot help but reassess any assumptions they may have formed about her. This is a young woman some may dismiss as irresponsible or reckless, yet in these moments she becomes exactly the person you would want caring for someone you love.

That contrast is what gives Jesse North is Broken its emotional force. The play asks us to look beyond easy judgement and recognise the pressures placed upon carers, especially young working-class women expected to endlessly give of themselves while receiving little care in return. By the end, the audience understands Jesse’s need for release completely — but also hopes she might one day learn to look after herself with the same compassion she offers others.

This was an outstanding piece of contemporary theatre: funny, heartbreaking and fiercely humane. Martha Godber announces herself not only as a gifted performer but as a writer with tremendous empathy, insight and emotional intelligence. Jesse North is Broken lingers long after the curtain falls.

NATIONAL THEATRE LAUNCHES LANDMARK NATIONWIDE PARTNERSHIP TO BOOST ACCESS TO THEATRE ACROSS EVERY REGION OF ENGLAND

NATIONAL THEATRE LAUNCHES LANDMARK NATIONWIDE PARTNERSHIP TO BOOST ACCESS TO THEATRE ACROSS EVERY REGION OF ENGLAND

  • National Theatre Nationwide demonstrates significant commitment to touring, with investment from Arts Council England to fund major tours transferring directly from the National Theatre’s stages with their original cast
  • First tour under new partnership will be The Rise and Fall of Little Voice starring Francesca Mills, Jill Halfpenny and Paul Chuckle
  • Initiative described as “a real statement of intent” and  “shared mission to make outstanding theatre more accessible to audiences everywhere” by partners

The National Theatre today announcesNational Theatre Nationwide: a new landmark partnership with 12 leading theatres in all nine regions of England dedicated to ensuring parity of access to art and culture, enriching people’s lives – wherever they live.

The network is envisioned as a cornerstone for a more connected, resilient and accessible National Theatre that is present across the nation, with different facets of the scheme to be developed over time subject to funding, with a clear ambition to grow the impact of the model.

Today’s announcement, as the first initiative for the network, centres on the partners’ shared, deep commitment to boosting the touring ecology. This includes touring National Theatre productions direct from its London stages, with original cast, to venues in all English regions, supported by Arts Council England. In addition, there will be subsidised tickets and new schools touring productions around the country.

National Theatre Nationwide addresses one of the key challenges to achieving parity of access: the decline in the number of touring productions around the country. Recent research from Arts Council England shows that the number of plays touring England has fallen by 64% since 2019. 

The partnership proudly brings together the expertise and reach of theatres across England to address this. Belgrade Theatre in Coventry, Birmingham HippodromeLeeds Heritage TheatresCurve, Leicester, Lowry in Salford, Marlowe Theatre in Canterbury, Newcastle Theatre RoyalNorwich TheatreSheffield TheatresSouthampton Mayflower, Theatre Royal Plymouth and Theatre Royal, Nottingham join together to form a new network with the National Theatre.

The details include:

  • One major main stage production will now tour annually, directly from the National Theatre to partner venues: giving audiences immediate access to the shows with the original cast, backed by investment from Arts Council England over the next two years
  • Original and annual National Theatre-commissioned tours for schools, offering children and young people vital first encounters with curriculum-relevant theatre.
  • Targeted and subsidised ticket funding for tours to break down barriers to entry and build new audiences for theatre across the country.

The first main stage production to tour under National Theatre Nationwide with its original cast will be a new production of Jim Cartwright’s modern classic The Rise and Fall of Little Voice directed by Deputy Artistic Director, Robert HastieThe Rise and Fall of Little Voiceis a joyful, tender and bittersweet celebration of music, ambition and the courage it takes to be heard featuring iconic music from the likes of Judy Garland, Shirley Bassey, and more.

Following its run at the National Theatre from 2 December 2026 until 23 January 2027, the show will embark on a tour across England with the following partners in the Nationwide network: opening at Newcastle Theatre Royal (3-6 February 2027) and then touring to Sheffield Theatres (9–13 February 2027), Belgrade Theatre, Coventry (16-20 February 2027), Lowry, Salford (23-27 February 2027), Marlowe Theatre, Canterbury (2-6 March 2027), Theatre Royal Plymouth (16-20 March 2027). Additionally, The Rise and Fall of Little Voice will also tour to Wolverhampton Grand Theatre (9-13 March 2027).

Joining Francesca Mills (Silent Witness, BBC), who will play the title role of Little Voice, will be Olivier Award-winning actress, Jill Halfpenny (The Long Shadow, ITV) and BAFTA Award-winning actor, Paul Chuckle (The Madam Blanc Mysteries, Channel 5), who will play the roles of Mari Hoff and Mr Boo, respectively.  Further casting will be announced soon.

Director Robert Hastie is joined in the artistic team by set and costume designer Janet Bird, lighting designer Paul Pyant, sound designer Mike Walker, composer and music director David Shrubsole, voice coach Shereen Ibrahim with casting by Alastair Coomer CDG.

Tickets for The Rise and Fall of Little Voice will go on sale from midday on Thursday 21 May 2026 with some venues going on sale at a later date.  Please visit the NT’s website for further details: nationaltheatre.org.uk.

A different NT main stage show will be touring to the other members of the Nationwide network in late spring 2028. 

In addition, a new Nationwide schools touring programme will deliver original, curriculum-linked productions directly into a range of primary and secondary schools and local venues each year.

The first, in autumn 2026, sees writer Nima Taleghani join director Hannah Hauer-King to create anadapted version of a main stage production especially for schools,following  Bacchae’s debut at the National Theatre as part of Indhu Rubasingham’s inaugural season. This modern retelling of Euripides’ ancient Greek tragedy will be brought to life through rhythm, movement and music.

The tour will visit secondary schools and colleges across the country, working with the following partners in the Nationwide network throughout 2026: Marlowe Theatre in Canterbury (28 Sep – 2 October), Norwich Theatre (5-9 October), Birmingham Hippodrome (12-16 October), Wolverhampton Grand Theatre (19-21 October), Belgrade Theatre, Coventry (22-23 October), Newcastle Theatre Royal (2-6 November), Theatre Royal, Nottingham (9-13 November), Lowry in Salford (16-21 November) including public performances at the Quays Theatre on 20-21 November and Sheffield Theatres (23-27 November).

The second, in a co-production with the Unicorn Theatre, the UK’s leading theatre for young people, is The Last Wild – a new version for primary school and family audiences adapted by Jude Christian from the award-winning eco-thriller by Piers Torday. It will be directed by the Unicorn Theatre’s Artistic Director Rachel Bagshaw, opening at the Unicorn Theatre from 30 January – 7 March 2027. Packed with action, heart and humour, The Last Wild is an epic adventure about courage, friendship and fighting for a world worth saving. The production is creatively captioned and will go on a national tour with the following partners in the Nationwide network through 2027: Theatre Royal PlymouthMayflower Studios in Southampton, City Varieties Music Hall in Leeds, Lowry in Salford, Curve, LeicesterBelgrade Theatre, Coventry and Newcastle Theatre Royal. The primary touring performances are free for all schools thanks to Hearn funding.

Kate Varah, Executive Director & Co-Chief Executive of the National Theatre said:

“Today’s announcement is rooted in the National Theatre’s overarching commitment to ensure people across the nation can experience and benefit from our work and impact. Fresh analysis, supported by McKinsey, highlights that the National Theatre puts £241m back into the UK economy each year, £87m of which already flows into regional economies. This new Nationwide partnership will deepen and grow that contribution, not only ensuring the long-term resilience of theatre but crucially, supporting local communities and businesses, schools, teachers and their students, the growth of future audiences, and engendering pride in place.

“What better way to launch this partnership with 12 outstanding partners than with a strong commitment to touring between all of our venues, seeing modern classic The Rise and Fall of  Little Voice shared with audiences across England, alongside our schools productions of Bacchae and The Last Wild. Together with our new Nationwide partners, we are grateful to Arts Council England for this significant and timely investment in the touring ecology, recognising the vital role it plays in widening access to live performance; as well as the many existing National Theatre supporters  whose generosity makes the range and breadth of this work possible.”

Hannah Lake, DirectorTouring TransformationArts Council England said:

“Touring plays a crucial role in our cultural landscape, ensuring people can access the very best art and culture close to where they live. This innovative new partnership bringing work directly from the renowned National Theatre stages to major theatres across every English region, alongside an extensive programme engaging young people in theatre through schools productions does just that, which is why we are so pleased to be supporting it. Our research shows a decline in drama touring in recent years and we hope this significant investment, in addition to our own work of reimagining how best we can support touring, including the development of a new Touring Service, will work to combat that and grow audiences for the future”.

Supporting quotes from National Theatre Nationwide partners:

Emma FlatleyInterim CEOand Corey Campbell, Artistic Director at Belgrade Theatre said:

“It’s genuinely exciting to be one of the regional theatres working with the National Theatre. This partnership is perfectly aligned with our mission to bring shows of the highest quality to the Belgrade to sit alongside our varied programme of touring shows and the new productions we create with our communities here in Coventry. We’re delighted that our audiences will have the opportunity to see all this amazing work here at their local theatre.”

Jon GilchristArtistic Director & CEO of Birmingham Hippodrome,said:

“Establishing a regular schedule of world-class National Theatre productions will enable us to create a long-term plan for audience development, fully integrated with our learning and participatory programmes.

“We are deeply committed to the belief that people in our region deserve access to large-scale, world-class productions here in the West Midlands.  This partnership with the National Theatre is a vital step on that ongoing mission and fully respects the regional and organisational differences that each venue on the tour will have, thereby engaging with audiences in a more meaningful way.”

Vicky Cheetham, CEO at Leeds Heritage Theatres said:

“Leeds Heritage Theatres is excited to be part of National Theatre Nationwide, opening up opportunities for audiences across Leeds and West Yorkshire to experience work from our national stages closer to home. We are especially pleased to bring productions to both Leeds Grand Theatre and, through the schools tour, City Varieties Music Hall. This initiative helps us connect more people with great theatre – locally and nationally – ensuring that world-class work is accessible beyond London”.

Chris StaffordChief Executive of Curve said:

“We are delighted to be collaborating once again with the National Theatre to bring this new nationwide programme to Leicester, building on the success of Theatre Nation Partnerships. Together with theatres across the country, we share a mission to make outstanding theatre more accessible to audiences everywhere.

“At Curve, we are deeply committed to ensuring everyone can experience high-quality work, and we are grateful to Arts Council England for their support in helping make this programme possible.”

Julia Fawcett CBEChief Executive, Lowrysaid:

“We are delighted to continue our long-standing relationship with the National Theatre through this ambitious new Nationwide partnership. At a time when large-scale touring faces significant challenges, this investment in audiences and young people in our regions is both welcome and important.

At Lowry, we know there is a real appetite for bold, high-quality drama and for creative opportunities that inspire communities and open pathways into the arts. This partnership creates exciting opportunities not only to bring exceptional productions to Greater Manchester, but also to deepen engagement with schools, young people and audiences across our region.

“We look forward to working with the National Theatre and partners across England to help ensure great theatre can be experienced by more people, wherever they live.”

Deborah ShawChief ExecutiveMarlowe Theatre said:

“We’re thrilled to be part of the National Theatre’s major regional partnership. Kent audiences are hungry for great theatre and this new initiative gives them the exciting opportunity to see productions coming straight from the National Theatre’s stage to ours, on a regular basis. It is a brilliant reflection of the National Theatre’s commitment to being a company for the whole country. And for the next generation to have specially created work from the National performing in their schools and colleges will be a tremendous investment in the future as we champion bringing creativity back into the classroom.”

Marianne LocatoriChief Executive at Newcastle Theatre Royal said:

“We’re delighted that Newcastle Theatre Royal is an inaugural partner of the new National Theatre Nationwide, strengthening our role as a cultural hub for the North East, ensuring more people experience outstanding theatre close to where they live.

“Launching the national tour of The Rise and Fall of Little Voice direct from the National Theatre is a real statement of intent of our ambition for audiences in Newcastle and beyond, and we’re equally excited to take Bacchae and The Last Wild into local schools and community spaces to provide a shared theatre experience for students and families. Together, this partnership with the National Theatre connects world-class theatre productions with local learning, participation and opportunity, ensuring the benefits are felt right across our region.”

Wendy EllisCreative Programmes Director at Norwich Theatre said:

“We know that for some students, their first encounter with a live performance is at school, and it can be a defining moment that shapes their lifelong relationship with the arts. That is why our partnership with the National Theatre is so important to bring high-quality productions like Bacchae directly into schools in our region.”

Tom BirdChief Executive and Elizabeth Newman, Artistic Director at Sheffield Theatres said:

“We are thrilled to be a partner in the National Theatre’s Nationwide project. At Sheffield Theatres, we are passionate about our longstanding relationship with the National Theatre and the opportunities this collaboration creates for artists, participants, audiences and communities across the country. Being part of NT Nationwide celebrates the strength of national organisations working in partnership together and we cannot wait to create and share even more world-class theatre together here in Sheffield.”

Michael Ockwell, Chief Executive, Southampton Mayflower said:

“We are delighted to be partnering with the National Theatre on this new nationwide scheme which will ensure high quality theatre is accessible to the people of Southampton. As part of this scheme, we will first present The Last Wild at Mayflower Studios which will be ideal for family audiences and primary school-aged children. We look forward to working with the National Theatre and are excited by the opportunities that this partnership will offer.”

James Mackenzie-Blackman, Chief Executive and Artistic Director at Theatre Royal Plymouth said:

“The National Theatre Nationwide partnership is truly just that, because we have built it together. Over the course of the last 12 months the team at the NT have invited their regional partners alongside them, to firstly listen to the challenges and opportunities of better collaboration in touring, and then to support the co-design of what now becomes NT Nationwide. 

“All of us at TRP look forward to welcoming The Rise and Fall of Little Voice and The Last Wild to the South West peninsula and collaborating with the National Theatre to deepen our engagement with new and established audiences and with schools and families. The ambitions of this programme are not insignificant but I’m confident that together we can achieve a major step-change in how touring in England is developed and celebrated.”

Rebecca Morris, Heritage & Learning Partnerships Manager at the Theatre Royal & Royal Concert Hall Nottingham said:

“At the Theatre Royal & Royal Concert Hall, we’re delighted to be part of the National Theatre’s Nationwide partnership programme and proud to be bringing this work to schools across Nottingham and the wider region. Our recent collaboration on Dear England benefited multiple schools and demonstrated the impact of connecting young people with nationally significant theatre, archives and NT practitioners, enriching curriculum learning and ensuring that young people from across the region encountered nationally significant theatre as part of their education.

“Building on this work, welcoming the Bacchae schools tour to Nottingham feels like an exciting next step in enabling even more students to engage with ambitious, highquality theatre where they learn and live, and reflecting our excitement at being part of a placerooted National Theatre partnership.”

Andrew Lloyd Webber’s STARLIGHT EXPRESS to embark on major tour

START YOUR ENGINES!

HIGHLY ANTICIPATED WORLD TOUR ANNOUNCED

FOR THE CRITICALLY ACCLAIMED NEW PRODUCTION OF

INITIAL VENUES CONFIRMED

OPENING IN LEICESTER IN MAY 2027

tour.starlightexpress.com

★★★★★
“Lloyd Webber’s Blockbuster is out of this world.” 
“Jaw dropping.”

The Daily Telegraph 

“A neon fever dream you’ll watch with your mouth open. Extraordinary.”
Independent

Michael Harrison for Lloyd Webber Harrison Musicals today confirms initial dates and venues for the highly anticipated world tour of Andrew Lloyd Webber’s STARLIGHT EXPRESS.

The beloved musical made a triumphant return to London when the new production opened to widespread critical acclaim at Troubadour Wembley Park Theatre in June 2024. It went on to win multiple awards, including an Olivier Award and a record-breaking seven WhatsOnStage Awards, and became London’s longest running revival of an Andrew Lloyd Webber musical in 20 years.

This thrilling new production has been redesigned for theatres across the UK and beyond, bringing all the spectacle and high-speed energy of the London production to your doorstep. Opening in Leicester at Curve from 9 – 22 May 2027, the world tour of STARLIGHT EXPRESS will then tour to Liverpool, Glasgow, Sunderland, Birmingham and Southampton, with many more cities still to be confirmed and further information on dates in Canada and Australia to be announced soon.

For more details on tour venues and tickets, please visit tour.starlightexpress.com

Michael Harrison said: “We are absolutely thrilled to be launching this major new tour of STARLIGHT EXPRESS. Andrew Lloyd Webber’s extraordinary score, combined with the show’s unique sense of spectacle, exhilaration and heart, continues to captivate audiences across generations. This exciting new production builds on everything people love about the show, featuring a dynamic new set design by Tim Hatley. It’s going to be an unmissable theatrical event, pulling into a station near you.”

Seen by over 30 million people across the world, STARLIGHT EXPRESS is an electrifying experience for all ages. Feel the rush as an incredible cast whizzes by performing some of musical theatre’s most beloved songs, including AC/DC, Make Up My Heart, Light at the End of the Tunnel and the iconic Starlight Express.

As a child’s train set magically comes to life and the engines race to become the fastest in the world, Rusty the steam train has little hope of winning until he is inspired by the legend of the ‘Starlight Express’.

Casting is still to be announced for the world tour ofSTARLIGHT EXPRESS,which has music by Andrew Lloyd Webber and lyrics by Richard Stilgoe. This new production is directed by Luke Sheppard, with set designs by Tim Hatley, costume designs by Gabriella Slade, lighting designs by Howard Hudson, sound designs by Gareth Owen, new orchestrations by Matthew Brind with Andrew Lloyd Webber, and music supervision by Matthew Brind and David Andrew Wilson. Choreography is by Ashley Nottingham and Arlene Phillips is creative dramaturg for the production.

Rufus Hound and Susie Blake will star in the premiere of Torben Bett’s The Other Side of Murder, presented by Original Theatre and Theatr Clwyd

Original Theatre in association with Theatr Clwyd presents

The Other Side of Murder 

starring Rufus Hound and Susie Blake

written by Torben Betts and directed by Philip Franks

The producers of Torben Betts’ smash-hit plays Murder at Midnight and Murder in the Dark, present a wickedly entertaining new thriller The Other Side of Murderon tour from Autumn 2026, with a star cast including Rufus Hound (One Man, Two Guvnors, Wind in the Willows) and Susie Blake (Victoria Wood, Coronation Street). 

When celebrated TV medium Darius Divine, host of hit light-entertainment show The Other Side, plans a cosy family dinner, he expects awkward small talk. He doesn’t expect his pregnant lover, his Gilbert and Sullivan obsessed mother-in-law, or a night of ghostly visitations and explosive revelations. As dinner burns and tensions rise, the line between performance and reality begins to shatter. Secrets surface. Jealousies ignite. And a final twist lands that no one will see coming.

Funny, shocking and deliciously unsettling, this is a wild theatrical ride that will have audiences laughing one minute and gasping the next. 

The Other Side of Murder is presented by the award-winning producers Original Theatre (BirdsongART, Being Mr Wickham) in association with Theatr Clwyd.

The creative team includes Director Philip Franks, Writer Torben Betts, Designer Colin Falconer, Lighting Designer Jason Taylor, Sound Designer and Composer Max Pappenheim and Casting Director Emma Sylvester. 

The Other Side of Murder will play the following 2026/27 tour dates: Theatr Clwyd, Mold (4-12 Sept); Yvonne Arnaud Theatre, Guildford (15-19 Sept); New Theatre, Cardiff (22-26 Sept); Devonshire Park Theatre, Eastbourne (5-10 Oct); The Gaiety Theatre, Dublin (13-17 Oct); Churchill Theatre, Bromley (2-7 Nov); Palace Theatre, Southend (9-14 Nov); Mayflower Studios, Southampton (16-21 Nov); Wycombe Swan, High Wycombe (19-23 Jan); Derby Theatre (26-30 Jan); Royal & Derngate, Northampton (8-13 Feb); Darlington Hippodrome (16-20 Feb). More venues are to be announced.

For more information, and to book tickets, visit murderplay.co.uk.  Age guidance 14+ 

LISTINGS – 2026/27 TOUR DATES

Theatr Clwyd, Mold (4-12 Sept)

www.theatrclwyd.com/event/the-other-side-of-murder

Yvonne Arnaud Theatre, Guildford (15-19 Sept)

www.yvonne-arnaud.co.uk/whats-on/other-side-murder

New Theatre, Cardiff (22-26 Sept)

trafalgartickets.com/new-theatre-cardiff/en-GB/event/play/the-other-side-of-murder-tickets

Devonshire Park Theatre, Eastbourne (5-10 Oct)

ON SALE SOON

The Gaiety Theatre, Dublin (13-17 Oct)

ON SALE 29 MAY

Churchill Theatre, Bromley (2-7 Nov)

https://trafalgartickets.com/churchill-theatre-bromley/en-GB/event/play/the-other-side-of-murder-tickets

Palace Theatre, Southend (9-14 Nov)

https://trafalgartickets.com/palace-theatre-southend/en-GB/event/play/the-other-side-of-murder-tickets

Mayflower Studios, Southampton (16-21 Nov) 

ON SALE SOON

Wycombe Swan, High Wycombe (19-23 Jan)

ON SALE SOON

Derby Theatre (26-30 Jan)

ON SALE SOON

Royal & Derngate, Northampton (8-13 Feb)

ON SALE SOON

Darlington Hippodrome (16-20 Feb)

ON SALE SOON

Further dates to be announced

2:22 A Ghost Story Review

Leeds Grand Theatre – until Saturday 16th May 2026

Reviewed by Adam Craddock

4****

On Monday Evening I had the pleasure of being invited along to the wonderful Leeds Grand Theatre to review the latest UK Tour of “2:22 – A Ghost Story”. I have never seen this play before and have done well to avoid any spoilers despite how well hyped and respected it is so needless to say I was very excited to see what this spooky night had in store for us all. The plot follows Sam, Lauren, Ben and Jenny, two couples having a dinner party for the first time in a new house. Sam and Jenny have recently had a baby but something is spooking Jenny and well… I’ll leave the rest for you to see yourself. No spoilers here!

James Bye plays Sam, the know it all and paranormal skeptic father of the baby. Bye really portrayed his character’s ark well, starting the show as the person I myself most resonated with but slowly spiralling into being more and more needlessly skeptic, almost making himself somewhat of an antagonist at times. Shvorne Marks plays Jenny, the wife of Sam and mother of his child. Marks really shone for me, with a lovely realism to her portrayal and you really felt for her through all the twists and turns. Natalie Casey plays Lauren, the borderline alcoholic old university friend of Sam come to visit him in his new home. Casey really brought some humour to an otherwise dark show, with her inebriated performance eliciting a chuckle on a few occasions but with a sense of trauma underneath. Finally, Grant Kilburn plays Ben, the new boyfriend of Lauren who has come to meet Sam and Jenny for the first time. I loved Kilburn’s portrayal which was grounded in real working class grit and his through line as a character was possibly my favourite. The overall direction and staging of the show was top notch. Bravo!

In terms of the set I really liked what they did but (without spoiling anything) I feel like more could be done with this, although it is hard to fully elaborate without spoiling the story. The sound design was great, building tension brilliantly however I feel that more variety could be done with the actual scares, by the fourth or fifth loud noise making you jump it starts to have a diminishing effect. The lighting design was great as well, my only note being that if possible the blackout could do with being slightly darker as seeing the flood of stagehands come on stage after a big scare slightly ruined the immersion, both myself and my partner commented on this afterwards.

Overall I had a brilliant night and I was thoroughly on the edge of my seat throughout. The story definitely did not go where I thought it would and I am very intrigued to watch it again now knowing the outcome. Get down to Leeds Grand Theatre before the tour departs this Saturday.

PRETTY WOMAN: THE MUSICAL Returns for a New UK Tour in 2027

THE RECORD-BREAKING BOX OFFICE

SMASH HIT

RETURNS

FOR A NEW UK TOUR

OPENING AT THE

NEW WIMBLEDON THEATRE

ON 10 MARCH 2027

Big night out. Big. HUGE. PRETTY WOMAN: THE MUSICAL returns for a major UK Tour. It’s time to head to Beverly Hills and experience one of Hollywood’s most iconic romantic comedies of all time as the production takes to the road again in 2027 following a record-breaking run in the West End and a sell-out first UK tour in 2023.

The tour will open at the New Wimbledon Theatre on 10 March 2027, before visiting Manchester, Milton Keynes, York, Birmingham, Glasgow, Edinburgh, Cardiff, Sunderland, Southampton, Hull, Stoke-on-Trent, Leeds, Oxford, Bristol, Liverpool, Nottingham, Woking and Aberdeen, with further venues and casting to be announced.

Vivian and Edward are unlikely soulmates who overcome all odds to find each other… and themselves. Experience the moments you love from the movie – and get to know these iconic characters in a whole new way – in this dazzlingly joyous love story for the ages.

Brought to life by a powerhouse creative team representing the best of music, Hollywood and Broadway, PRETTY WOMAN: THE MUSICAL features direction and choreography by two-time Tony Award® winner Jerry Mitchell (Kinky Boots, Legally Blonde, Hairspray), an original ‘blazing rock score’ (Daily Mail) score by Grammy® winner Bryan Adams and Jim Vallance (‘Summer of ’69’, ‘Heaven’) and a book by the movie’s legendary director Garry Marshall and screenwriter J.F. Lawton.

Featured in the musical is Roy Orbison and Bill Dee’s international smash hit song ‘Oh, Pretty Woman’ which inspired one of the most beloved romantic comedy films of all time. PRETTY WOMAN the film (produced by Arnon Milchan – New Regency Productions) was an international smash hit when it was released in 1990.

PRETTY WOMAN: THE MUSICAL has scenic design by David Rockwell, costumes by Tom Rogers from the original Broadway designs by Gregg Barnes, lighting design by Kenneth Posner and Philip S. Rosenberg, sound design by John Shivers, hair design by Josh Marquette, and music supervision, arrangements and orchestrations by Will Van Dyke101 Productions, Ltd/Kathy Kim are the Global General Management Consultant. Direction recreated by Dominic Shaw.

PRETTY WOMAN: THE MUSICAL had its world premiere at Chicago’s Oriental Theatre in March 2018 before transferring to Broadway where it ran at the Nederlander Theatre. The German production opened in Hamburg at the Stage Theater an der Elbe in September 2019 to rave reviews, and a US Tour of the show opened in October 2021. The production opened in the West End at the Piccadilly Theatre on 13 February 2020, before relocating to the Savoy Theatre from 8 July 2021, where it played its final performance on 18 June 2023, ahead of embarking on its first sell-out UK and Ireland tour in October 2023.

PRETTY WOMAN: THE MUSICAL is produced by ATG Productions, Paula Wagner, Nice Productions, LPO & Gavin Kalin Productions.

PRETTY WOMAN: THE MUSICAL

UK TOUR LISTINGS

WEDNESDAY 10 MARCH – SATURDAY 20 MARCH 2027

NEW WIMBLEDON THEATRE

www.atgtickets.com/new-wimbledon-theatre

ON SALE 13 MAY 2026

TUESDAY 23 MARCH – SATURDAY 3 APRIL 2027

MANCHESTER PALACE THEATRE

www.atgtickets.com/opera-house-manchester

ON SALE 13 MAY 2026

TUESDAY 6 – SATURDAY 17 APRIL 2027

MILTON KEYNES THEATRE  

www.atgtickets.com/miltonkeynes

ON SALE 13 MAY 2026

TUESDAY 20 APRIL – SATURDAY 1 MAY 2027

YORK, GRAND OPERA HOUSE

www.atgtickets.com/grand-opera-house-york

ON SALE 13 MAY 2026

TUESDAY 4 – SATURDAY 15 MAY 2027

BIRMINGHAM, THE ALEXANDRA

www.atgtickets.com/the-alexandra-theatre-birmingham

ON SALE 13 MAY 2026

TUESDAY 18 – SATURDAY 29 MAY 2027

GLASGOW, KING’S THEATRE

www.atgtickets.com/theatre-royal-glasgow

ON SALE 13 MAY 2026

TUESDAY  1 – SATURDAY 5 JUNE 2027

EDINBURGH PLAYHOUSE

www.atgtickets.com/edinburghplayhouse  

ON SALE 13 MAY 2026

TUESDAY  8 – SATURDAY 12 JUNE 2027

CARDIFF, WALES MILLENNIUM CENTRE

www.wmc.org.uk

ON SALE NOW

TUESDAY 29 JUNE – SATURDAY 3 JULY 2027

SUNDERLAND EMPIRE

www.atgtickets.com/sunderland-empire

ON SALE 13 MAY 2026

TUESDAY 6 – SATURDAY 10 JULY 2027

SOUTHAMPTON MAYFLOWER THEATRE

www.mayflower.org.uk

ON SALE 13 MAY 2026

TUESDAY 13 – SATURDAY 17 JULY 2027

HULL NEW THEATRE

www.hulltheatres.co.uk

ON SALE 14 MAY 2026

TUESDAY 20 – SATURDAY 24 JULY 2027

STOKE REGENT THEATRE

www.atgtickets.com/regent-theatre

ON SALE 13 MAY 2026

TUESDAY 27 – SATURDAY 31 JULY 2027

LEEDS GRAND THEATRE

www.leedsheritagetheatres.com

ON SALE SOON

TUESDAY 10 – SATURDAY 14 AUGUST 2027

OXFORD, NEW THEATRE

www.atgtickets.com/new-theatre-oxford

ON SALE 13 MAY 2026

TUESDAY 17 – SATURDAY 28 AUGUST 2027

BRISTOL HIPPODROME

www.atgtickets.com/bristol-hippodrome

ON SALE 13 MAY 2026

TUESDAY 31 AUGUST – SATURDAY 11 SEPTEMBER 2027

LIVERPOOL EMPIRE

www.atgtickets.com/liverpool-empire

ON SALE 13 MAY 2026

TUESDAY 21 SEPTEMBER – SATURDAY 2 OCTOBER 2027

NOTTINGHAM, THEATRE ROYAL

www.trch.co.uk

ON SALE NOW

TUESDAY 5 – SATURDAY 9 OCTOBER 2027

WOKING, NEW VICTORIA THEATRE

www.atgtickets.com/new-victoria-theatre

ON SALE 13 MAY 2026

TUESDAY 12 – SATURDAY 16 OCTOBER 2027

ABERDEEN, HIS MAJESTY’S THEATRE

https://www.aberdeenperformingarts.com

ON SALE 21 MAY 2026


FURTHER VENUES TO BE ANNOUNCED

FULL CAST ANNOUNCED FOR 20th ANNIVERSARY TOUR OF TONY & OLIVIER AWARD-WINNING SMASH-HIT MUSICAL JERSEY BOYS

FULL CAST

ANNOUNCED FOR

20th ANNIVERSARY TOUR OF

TONY & OLIVIER AWARD-WINNING

SMASH-HIT MUSICAL

JERSEY BOYS

The boys are back! The original Tony®-winning musical sensation JERSEY BOYS returns to the UK and Ireland for its 20th Anniversary tour. The tour will open at New Wimbledon Theatre on 17 June 2026 and is booking through 2027, with further dates to be announced.

JERSEY BOYS is written byMarshall Brickman & Rick Elice, with music by Bob Gaudio and lyrics by Bob Crewe.

The tour boasts a richly international cast lead by Luke Baker (Everybody’s Talking About Jamie, Sheffield/West End; Billy Elliot, Curve Leicester) as Frankie Valli, Carlo Boumouglbay (Muriel’s Wedding, Curve Leicester; Miss Saigon, international tour) as Tommy DeVito, Lewis Kennedy (All male Pirates of Penzance, Wilton’s Music Hall) as Nick Massi, Toby Miles (Les Misérables, West End; School of Rock, international tour) as Bob Gaudio and Ellis Kirk (Dear Evan Hansen, West End/Asia tour) as Alternate Frankie Valli.

Also joining the 20th Anniversary tour cast will be Aiden Carson (Stiletto, Charing Cross Theatre; Peter Pan, Nottingham Theatre Royal) as Joey, Artemis Chrisoulakis (SIX The Musical; Jersey Boys, NCL) as Francine, Sydnie Hocknell (Pretty Woman, UK & Ireland tour; Bonnie & Clyde, West End) as Mary Delgado, Michael Levi (Jersey Boys, UK tour; Kinky Boots, NCL) as Bob Crewe, Olivia Mitchell (Waitress, UK & International tour; Jersey Boys, NCL) as Lorraine, Jarryd Nurden (The Rocky Horror Show, UK tour; We Will Rock You, London Coliseum) as Hank Majewski, Oliver Tester (Jersey Boys, West End; Evita, Regent’s Park Open Air Theatre) as Norm Waxman, Damien Winchester (Titanique, West End; Aladdin, UK tour) as Barry Belson and Fed Zanni (A View From The Bridge, West End; MAMMA MIA! The Party, London O2) as Gyp DeCarlo. The cast is completed by swings Scott Goncalves (Jersey Boys, NCL; The Legend of King Arthur, York Theatre Royal), Melissa Potts (Blood Brothers, UK tour; Wannabe, Edinburgh Fringe/UK tour), Zach Sorrow (The Sound of Music, Lyric Opera of Chicago; The Who’s Tommy, Goodman Theatre Chicago) and Joshua Spencer-Pepper (La Bayadere, WA Ballet Company; Jersey Boys, NCL).

Go behind the music and inside the story of Frankie Valli and The Four Seasons in the true-life phenomenon, JERSEY BOYS. From the streets of New Jersey to the Rock and Roll Hall of Fame, this is the musical that’s too good to be true.

They were just four guys from Jersey, until they sang their very first note. They had a sound nobody had ever heard… and the radio just couldn’t get enough of. But while their harmonies were perfect on stage, off stage it was a very different story — a story that has made them an international sensation all over again. The show features all their hits, including Sherry, Big Girls Don’t Cry, Walk Like A Man, Can’t Take My Eyes Off You, Beggin’, Oh What a Night and more.

Recipient of Broadway’s Tony, London’s Olivier and Australia’s Helpmann Awards for Best New Musical, JERSEY BOYS is the winner of 65 major awards and has been seen by over 30 million people worldwide. 

JERSEY BOYS originally opened in New York on 6 November 2005 and, by the time it closed on 15 January 2017, it was the 12th longest running show in Broadway history.  It returned to New York with a new production from November 2017 to May 2022. JERSEY BOYS has also had multiple record-breaking US National Tours.

JERSEY BOYS first ran in London’s West End from 18 March 2008 to 26 March 2017 – nine amazing years – and, at the time, was the 6th longest musical running in the West End. The musical returned to the West End as the first show to play the reinstated Trafalgar Theatre from 14 April 2021 to 4 January 2024. JERSEY BOYS previously played three record-breaking UK and Ireland tours from 2014 to 2016, 2017 to 2019 and 2021 to 2022.

The JERSEY BOYS 20th Anniversary UK and Ireland tour is staged by the original Broadway creative team, led by the Tony Award-winning team of director Des McAnuff and choreographer Sergio Trujillo, with musical supervision, vocal arrangements & incidental music by Ron MelroseDanny Austin is the associate director & choreographer, with scenic design by Klara Zieglerova, costume design by Jess Goldstein, lighting by Howell Binkley, sound by Steve Canyon Kennedy and projection design by Michael Clark. The orchestrations are by Steve Orich and casting is by Jill Green CDG. The associate UK musical supervisor is Ed Bussey, the musical director is Lauren Ronan, the resident director is Luke Zammit, and general management is by Dodgers UK Productions.

Website: JerseyBoysMusical.co.uk

Instagram: @JerseyBoysUK

TikTok: @JerseyBoysUK

Facebook: @JerseyBoysUK

2026/27 TOUR LISTINGS INFORMATION

17 – 27 June 2026                                 New Wimbledon Theatre

                                                            atgtickets.com/Wimbledon                    

30 June – 4 July2026                            Nottingham Royal Concert Hall             0115 989 5555

                                                            trch.co.uk                                            

6 – 11 July 2026                                    Bristol Hippodrome

                                                            atgtickets.com/bristol                           

20 July – 1 August 2026                         AlhambraTheatre Bradford

                                                            bradford-theatres.co.uk                        

3 – 8 August 2026                                 Llandudno Venue Cymru

                                                            venuecymru.co.uk                                

11 – 22 August 2026                              Cardiff Wales Millennium Centre

                                                            wmc.org.uk                                          

24 – 29 August 2026                              High Wycombe Swan Theatre

                                                            wycombeswan.co.uk                            

7 – 19 September 2026                          Manchester Palace Theatre

                                                            atgtickets.com/Manchester                   

28 September – 3 October 2026             Hull New Theatre                                   01482 300 306

                                                            hulltheatres.co.uk                                 

6 – 10 October 2026                              Aberdeen His Majesty’s Theatre

                                                            aberdeenperformingarts.com                

12 – 17 October 2026                            Edinburgh Playhouse

                                                            atgtickets.com/Edinburgh                     

26 – 31 October 2026                            Stoke Regent Theatre

                                                            atgtickets.com/stoke                            

2 – 21 November 2026                           Birmingham The Alexandra

                                                            atgtickets.com/Birmingham                   

23 – 28 November 2026                         Southampton Mayflower Theatre                      

                                                            mayflower.org.uk                                 

30 November – 5 December 2026          Eastbourne Congress Theatre

                                                            eastbournetheatres.co.uk                      

26 – 30 January 2027                            Oxford New Theatre

                                                            atgtickets.com/Oxford                          

2 – 13 February 2027                             Belfast Grand Opera House

                                                            goh.co.uk                                            

16 – 27 February 2027                           Glasgow King’s Theatre

                                                            atgtickets.com/Glasgow                       

15 – 27 March   2027                             Wolverhampton Grand                         01902 42 92 12

                                                            grandtheatre.co.uk                               

30 March – 3 April 2027                         Norwich Theatre Royal                         01603 630 000

                                                            norwichtheatre.org                                

5 – 10 April 2027                                   Canterbury Marlowe Theatre                 01227 787 787

                                                            marlowetheatre.com

13 – 24 April 2027                                 Leicester Curve                                    0116 242 3595

                                                            curveonline.co.uk                                 

26 April – 1 May 2027                            Woking New Victoria Theatre

                                                            atgtickets.com/new-victoria-theatre        

4 – 8 May 2027                                      Hall for Cornwall Truro                          01872 262 466

hallforcornwall.co.uk                                      

11 – 15 May 2027                                  Southend Cliffs Pavilion                       0343 310 0030

                                                            thecliffspavilion.co.uk                           

17 – 22 May 2027                                  Blackpool Opera House

                                                            wintergardensblackpool.co.uk               

25 May – 5 June 2027                            Sunderland Empire

                                                            atgtickets.com/sunderland-empire         

7 – 19 June 2027                                   Leeds Grand Theatre                             0113 243 0808

leedsheritagetheatres.com                    

22 June – 3 July 2027                            Sheffield Lyceum                                  0114 249 6000

sheffieldtheatres.co.uk                          On Sale Soon

5 – 17 July 2027                                    Milton Keynes Theatre

                                                            atgtickets.com/miltonkeynes                 

19 – 24 July 2027                                  Liverpool Empire Theatre

                                                            atgtickets.com/liverpool                        

Further dates to be announced