REVIEW: SUNNY AFTERNOON (Sunderland Empire) ★★★★★

October 5, 2016 

For: West End Wilma 

https://www.westendwilma.com/review-sunny-afternoon-sunderland-empire/

Olivier Award winning SUNNY AFTERNOON rocks into Sunderland this week. A jukebox musical based on the life and music of The Kinks. Like THE BUDDY HOLLY STORY and JERSEY BOYS before, it’s a tale of dreams and aspirations, complex contracts, volatile relationships and, ultimately, success in the face of adversity. Written by Ray Davies and Joe Penhall this show is far better than a mere tribute evening, though it includes lots of Kinks classic hits, songs like You Really Got Me, Lola, Waterloo Sunset and Dedicated Follower of Fashion, it gives you a strong sense of period and also well-drawn characters that evolve with the band.

The Kinks were certainly no strangers to drama; not only did they have the ultimate sibling rivalry but they also had the ‘distinction’ of being the first British band to be kicked out of America. We follow the boys from the brink of their discovery in 1964 through various trials and tribulations for the next 15 years or so. In the first half, the stage backdrop is covered in amplifiers — it is like being in a vast recording studio. Then comes their first visit to America and the back wall is covered in the Stars and Stripes. Ryan O’Donnell is exceptionally good in the central role of Ray Davies. Mark Newnham is suitably manic as Ray’s brother and bandmate Dave. Garmon Rhys plays shy bass guitarist Pete Quaife and Andrew Gallo plays drummer Mick Avery .

The music is clearly the strongest part of the production, not a surprise when there is such a brilliant back catalogue to choose from. However, it wasn’t just guitar heavy rock, there was some sweeter and subtler songs; an a capella version of Days had some beautiful harmonies, as did Too Much On My Mind, a touching duet between Ray and his wife Rosa. It was all backed up by a brilliant live band and some superb on-stage musical performances from the cast.

It’s easy to see why this swept the boards at the Oliviers, it’s not a typical fun and feel good show, there are dark parts and a sense of heavy realism but it’s that realism which makes the show what it is – a kind of triumph over adversity. In Sunderland until Saturday 8th it’s not just worth a trip to see the show it’s worth a repeat trip to see the show again because it truly is so good.

Empire Theatre, Sunderland – 4th to 8th October 2016

 

Olivier Award winning Sunny Afternoon rocks into Sunderland this week.  A jukebox musical based on the life and music of the Kinks.  Like The Buddy Holly Story and Jersey Boys before, it’s a tale of dreams and aspirations, complex contracts, volatile relationships and, ultimately, success in the face of adversity.  Written by Ray Davie and Joe Penhall this show is far better than a mere tribute evening, though it includes lots of Kinks classic hits, songs like You Really Got Me, Lola, Waterloo Sunset and Dedicated Follower of Fashion,  It gives you a strong sense of period and also well-drawn characters that evolve with the band.

The Kinks were certainly no strangers to drama; not only did they have the ultimate sibling rivalry but they also had the ‘distinction’ of being the first British band to be kicked out of America.  We follow the boys from the brink of their discovery in 1964 through various trials and tribulations for the next 15 years or so. In the first half, the stage backdrop is covered in amplifiers — it is like being in a vast recording studio. Then comes their first visit to America and the back wall is covered in the Stars and Stripes.Ryan O’Donnell is exceptionally good in the central role of Ray Davies.  Mark Newnham is suitably manic as Ray’s brother and bandmate Dave. Garmon Rhys plays shy bass guitarist Pete Quaife and Andrew Gallo plays drummer Mick Avery .

The music is clearly the strongest part of the production, not a surprise when there is such a brilliant back catalogue to choose from. However, it wasn’t just guitar heavy rock, there was some sweeter and subtler songs; an a capella version of Days had some beautiful harmonies, as did Too Much On My Mind, a touching duet between Ray and his wife Rosa. It was all backed up by a brilliant live band and some superb on-stage musical performances from the cast.  

It’s easy to see why this swept the boards at the Oliviers, it’s not a typical fun and feel good show, there are dark parts and a sense of heavy realism but it’s that realism which makes the show what it is – a kind of triumph over adversity.    In Sunderland until Saturday 8th it’s not just worth a trip to see the show it’s worth a repeat trip to see the show again because it truly is so good.

STOMP

AT LONDON’S AMBASSADORS THEATRE

BOOKING EXTENDED TO 7 JANUARY 2018

2016 marks the 25th anniversary for STOMP, which has now extended its booking period at London’s Ambassadors Theatre until 7 January 2018. During this new booking period, the show will celebrate its 15th birthday in London and its 10th birthday at the Ambassadors Theatre, where it has broken all previous box office records.

 

STOMP was created by Luke Cresswell and Steve McNicholas and was first performed in 1991 in Edinburgh. The show played Sadler’s Wells Theatre in January 1994 and won the Olivier Award for Best Choreography, before opening in New York in February of the same year. The European company was created in 1997 and began the show’s London run at the Vaudeville Theatre on 25 September 2002, transferring to the Ambassadors Theatre on 27 September 2007.

 

One of Britain’s greatest exports, STOMP has toured the globe for 25 years, playing to more than 12 million people in 53 countries across 6 continents. There are currently four STOMP companies performing worldwide, including New York, where the show has been running for over 22 years, London, now in its 15th year, a world tour and a North American tour. STOMP has just completed a very successful 10-week season in Beijing and will play India for the first time this year.

 

STOMP is presented in London by Yes/No Productions and Glynis Henderson Productions Limited.

LISTINGS INFORMATION

 

Ambassadors Theatre

West Street

London WC2H 9ND

 

Box Office: 020 7395 5405

 

Tickets from £26 + a £2.50 transaction fee

Performances: Monday, Thursday, Friday & Saturday at 8pm, Sunday at 6pm, with matinees Thursday, Saturday and Sunday at 3pm

Extra Performances at 3pm & 8pm on Wednesday 15 February, Wednesday 12 April, Wednesday 5 & 12 July, Wednesday 2 & 9 August, Wednesday 18 & 25 October 2017

N.B. No 3pm matinee on Thursday 7 & 14 September 2017

See website for Christmas/New Year booking period

 

Running Time: 100 minutes with no interval

 

Current Booking Period: to 7 January 2018

 

www.theambassadorstheatre.co.uk

www.stomplondon.com

@StompLDN

LAST CHANCE TO SEE SUNNY AFTERNOONIN LONDON

• Olivier Award-winning show runs for four more weeks
• Final performance on 29 October 2016
• First West End run will end after more than two years at the Harold Pinter Theatre
• Sunny Afternoon is currently on an extensive U.K. tour 

 

After almost 900 performances in London, and having been seen by over half a million people, audiences have just one month left to catch the multi-Olivier award-winning hit British musical, SUNNY AFTERNOON. The production will conclude its West End run on 29 October this year, after more than two years at the Harold Pinter Theatre.

SUNNY AFTERNOON began a national tour on 19 August and is currently playing at the Sunderland Empire.

The critically-acclaimed musical Sunny Afternoon tells the story of the early life of Ray Davies and the rise to stardom of The Kinks. It has established itself as a firm favourite with audiences and critics alike since it opened at the Harold Pinter Theatre in October 2014.

Sunny Afternoon was the best performing show at the 2015 Olivier Awards, winning four awards including Best New Musical. Ray Davies won for Outstanding Achievement in Music.

Danny Horn (Doctor Who; The Dead Dogs) plays Ray Davies, with Oliver Hoare (Antony and Cleopatra, Chichester) as Dave Davies, Tom Whitelock (Times Square Angel, Union) as bassist Pete Quaife and Damien Walsh (Dreamboats and Petticoats) as drummer Mick Avory.

Full cast: Niamh Bracken, Christopher Brandon, Ben Caplan, Alice Cardy, Lia Given, Oliver Hoare, Danny Horn, Gillian Kirkpatrick, Megan Leigh Mason, Stephen Pallister, Marvin Springer, Charlie Tighe, Gabriel Vick, Damien Walsh and Tom Whitelock. Understudies: Lloyd Gorman, Vicki Manser, Kay Milbourne, Nick Sayce, Robbie White.

Fifty years ago this year, The Kinks were sitting at Number One in the UK charts with their single ‘Sunny Afternoon’. The band’s popularity has not faded since the 1960s, with crowds of all ages filling the Harold Pinter Theatre night after night.

Featuring some of The Kinks’ best-loved songs, including ‘You Really Got Me’, ‘Waterloo Sunset’ and ‘Lola’, Sunny Afternoon shows the music of The Kinks is still as popular as ever, more than 50 years since the band’s rise to fame.

Following a sold-out run at Hampstead Theatre, this world premiere production, with music and lyrics by Ray Davies, new book by Joe Penhall, original story by Ray Davies, direction by Edward Hall, design by Miriam Buether and choreography by Adam Cooper, opened at the Harold Pinter theatre on 28 October 2014. Lighting is by Rick Fisher, sound by Matt McKenzie and the Musical Supervisor and Musical Director is Elliott Ware.

The official cast recording album, produced by Ray Davies at his Konk studios, is released on BMG Chrysalis and is available to buy at http://www.amazon.co.uk/Sunny-Afternoon-The-Kinks/dp/B00NH8O7LU.

Sonia Friedman Productions commissioned Joe Penhall in 2011 to write the book based on Ray Davies’s original story. The company developed the production over the next four years, assembling the creative team and cast that presented Sunny Afternoon in 2014 at Hampstead Theatre under the direction of Edward Hall, and now at the Harold Pinter Theatre.

Ray Davies is an influential and prolific rock musician and was co-founder and lead singer and songwriter for rock band The Kinks, and later a solo artist. He has an outstanding catalogue of hits from the earliest 1960s to the present day with estimated record sales in excess of 50 million. He has also acted, directed and produced shows for theatre and television.

Joe Penhall is an award winning playwright and screenwriter. Plays include Some Voices(Royal Court), Blue/Orange (National Theatre and West End), winner of Best New Play at the Evening Standard Awards, Olivier Awards and at the Critics Circle, and Dumb Show,Haunted Child and Birthday (all Royal Court). Screenplays include Enduring Love and The Road.

As Artistic Director of Hampstead Theatre, Edward Hall’s productions includeWonderland, Sunny Afternoon, Raving, Chariots of Fire, No Naughty Bits, Loyalty andEnlightenment. As Artistic Director of Propeller, his work has toured worldwide, played the West End and Broadway and has won numerous awards both in the UK and overseas. Other theatre work includes A Funny Thing Happened on the Way to the Forum (National Theatre), Edmond with Kenneth Branagh (National Theatre), Macbeth with Sean Bean (Albery), The Constant Wife (Apollo), Julius Caesar (RSC), Henry V (RSC) and The Deep Blue Sea (Vaudeville). Television work includes Downton Abbey, Spooks and Kingdom.  Edward is an Associate of the National Theatre and the Old Vic.

DANCE TOGETHER PROJECT OPENS BRAND NEW STRATHMORE SPECIAL NEEDS SCHOOL SITE 

• STUDENTS FROM ACROSS SOUTH LONDON TO DANCE TOGETHER WITH BALLETBOYZ AND DANCERS FROM THE ROYAL BALLET SCHOOL IN CELEBRATION OF STRATHMORE SPECIAL NEEDS SCHOOL’S NEW SITE

• DACEY BUSSELL TO OPEN THE NEW SITE ON WEDNESDAY 5 OCTOBER

Next week, on Wednesday 5 October, the Dance Together project will mark the opening of a brand new Strathmore Special Needs School site and a new, exciting partnership for Strathmore with Grey Court School, a mainstream school that invited Strathmore to share their site.  A one-off event, Dance Together will see invited students from White Lodgecome together with students from the two other schools in a celebratory afternoon of integrated and inclusive performances situated in and around the new site. BalletBoyzCompany dancers and dancers from the Royal Ballet School will support the performance and Darcey Bussell will be in attendance to officially declare the building open.

The dance piece, choreographed by Karl Morgan (Movement Warriors), focuses on dancing from the heart. Morgan said:  “Dance breaks down barriers – we can all dance. Dance Together is about why we all love to dance.”

All audience members for the event have been sent a small filmed section of basic choreography to learn in advance of the opening so that they too can perform as a collective on the day. Dance Together will feature integrated performances from all the schools involved and audience members will be taken on a journey around the spaces watching ‘dance installation’ type pieces as they go in each of the classrooms.

Strathmore Special Needs School is Richmond’s day special school for learners with complex learning difficulties. Many pupils have an additional diagnosis of Autistic Spectrum Disorders or have additional physical and sensory disabilities.

Ivan Pryce, head teacher at Strathmore School said: “Strathmore is forever grateful to the Headteacher, Governors and staff at Grey Court for inviting us to locate our new school building within their grounds and the enthusiasm with which they and the Grey Court students have welcomed our students. Dance Together is a perfect example of the partnership between Grey Court and Strathmore: groups of students from different schools with different talents coming together to work together on a shared interest. From each other our students will learn and with each other they will demonstrate how everyone can achieve”.

Maggie Bailey, head teacher at Grey Court School said: “Grey Court School is very excited to be involved in Dance Together. The partnership between Grey Court and Strathmore schools has become an integral feature of our learning community and we expect both our teachers and students to benefit from Strathmore’s knowledge, experience and perspective. This is a mutually beneficial partnership which will serve our community for generations to come. The students who are performing in this wonderful project with Balletboyz chose to participate themselves and their hard work in rehearsals has been a credit to our school.”

BalletBoyz Artistic Directors, Michael Nunn OBE and William Trevitt OBE said:“BalletBoyz has always been about introducing more people to dance and it’s brilliant to see our dancers inspiring other young people through this project. It’s great to be working with our local schools and the next step is to take this model out across London.”

Christopher Powney, Artistic Director of The Royal Ballet School, said: “Dance Togetherhas been an incredibly unique and enriching experience for our students. This opportunity has meant that we have had the privilege of working closely with Strathmore School, Grey Court School and our own alumni and BalletBoyz, on this very special collaborative project”.

DISNEY AND CAMERON MACKINTOSH

Coming to the Alhambra Theatre, Bradford Opens in 4 Weeks!

Alhambra Theatre, Bradford

Wednesday 2 November – Saturday 10 December 2016

Captioned performance: Wed 16 Nov, 7.30pm, Audio Described performance: Wed 23 Nov, 2pm

& Signed performance: Thu 24 Nov, 7.30pm

*Tickets: £61.50 – £21.50

Call the Box Office on 01274 432000 or visit bradford-theatres.co.uk

*All prices shown include booking fees but are subject to postage charge if applicable. Bradford Theatres usual terms and conditions apply.

The Disney and Cameron Mackintosh UK and Ireland tour of their multi award-winning musical MARY POPPINS arrives at the Alhambra Theatre, Bradford this November; this is the only Yorkshire date on the tour.

The magical story of the world’s favourite Nanny arriving on Cherry Tree Lane has been triumphantly and spectacularly brought to the stage with dazzling choreography, incredible effects and unforgettable songs. The stage version of MARY POPPINS is brilliantly adapted from the wonderful stories by PL Travers and the beloved Walt Disney film.

Starring Zizi Strallen as ‘Mary Poppins’ and Matt Lee as ‘Bert’, Neil Roberts as ‘George Banks’; Rebecca Lock as ‘Winifred Banks’; Penelope Woodman as ‘Miss Andrew’; Wendy Ferguson as ‘Mrs Brill’; Grainne Renihan as ‘Bird Woman’ and Blair Anderson as ‘Robertson Ay’. They are joined by Yves Adang; Abby Bebbington; Greg Bernstein; Jabari Braham; Matthew Caputo; Sophie Caton; Jennifer Davison; Lisa Dent; Joe Dockree; Maria Garrett; Hannah Grace; Graham Hoadly; Thomas-Lee Kidd; Antony Lawrence; Adam Margilewski; Anu Ogunmefun; Ben Oliver; Claire Parrish; Edwin Ray; Jo Lucy Rackham; Adam Rhys-Charles; Sam Salter; John Stacey; Christine Tucker; Alexandra Waite-Roberts; Wreh-Asha Walton and Scott Waugh.

Zizi Strallen most recently starred as ‘Lana’ in Matthew Bourne’s The Car Man. Her previous West End credits include: Cats; the multi award-winning Merrily We Roll Along; Rock of Ages; Dirty Dancing; Chitty Chitty Bang Bang and Matthew Bourne’s Cinderella at Sadler’s Wells. She has also appeared in The Music Man at Chichester Festival Theatre and as ‘Penny Pingleton’ in Hairspray at Leicester Curve.

Matt Lee, one of Australia’s premier “song and dance men”, played the role of ‘Bert’ in Mary Poppins in the hugely successful Australian production of the show, his portrayal winning him the prestigious Helpmann Award for Best Actor in a Musical. His other theatre credits in Australia include Miss Saigon, The Witches of Eastwick, Rent, Grease and The Boy from Oz. Matt was also a permanent member of the judging panel for Australia’s So You Think You Can Dance.

Neil Roberts most recently appeared as Harry in Mamma Mia! at both the Prince of Wales and Novello Theatres in the West End. His other theatre credits include Love for Love and The Prisoners of War at Hampstead Theatre and The Jungle Book at the Other Place, Stratford-Upon-Avon. His many TV credits include ‘Mike Leydon’ in Coronation Street, ‘DS Jason Wise’ in Emmerdale and ‘Richard’ in Disney’s Life Bites.

Rebecca Lock has most recently appeared as ‘Rosie’ in Mamma Mia! at the Novello Theatre. Her other theatre credits include Oliver! at Sheffield Crucible; The Tempest at Theatre Royal Bath; The Phantom of The Opera at Her Majesty’s Theatre and Avenue Q at the Noel Coward Theatre.

Penelope Woodman’s recent theatre credits include: Sons of the Desert at the Royal Court Theatre Liverpool; the UK tour of Birds of a Feather; Mamma Mia! both at the Prince of Wales Theatre and on international tour, and the UK tour of Never Forget.

Wendy Ferguson most recently played the role of ‘Madame Thenardier’ in Les Misérables at the Queens Theatre. Her other theatre credits include: ‘Carlotta’ in The Phantom of The Opera both at Her Majesty’s Theatre and at the 25th Anniversary Concert at the Royal Albert Hall, and ‘Widow Corney’ in Oliver! at Theatre Royal Drury Lane.

Grainne Renihan’s theatre credits include: ‘Grizabella’ in Cats on UK Tour and in Hamburg; ‘Fantine’ in Les Misérables at the Palace Theatre; ‘Florence’ in Chess at the Prince Edward Theatre; ‘Guilietta’ in Aspects of Love at the Prince of Wales Theatre; ‘Ellen’ in Miss Saigon at the Theatre Royal Drury Lane and ‘Mary Magdalene’ in the European tour of Jesus Christ Superstar.

Blair Anderson’s recent theatre credits include If the Lights Are Too Bright at the Ovalhouse Theatre; In Lambeth at the Southwark Playhouse, the Singapore tour of Seussical and the UK tour of Blockbuster The Musical.

The stage production of MARY POPPINS is co-created by Cameron Mackintosh and has a book by Oscar-winning screenwriter and Downton Abbey creator, Julian Fellowes. It has a timeless score by Richard M Sherman and Robert B Sherman including the songs Jolly Holiday, Step in Time,

Supercalifragilisticexpialidocious and Feed the Birds with new songs and additional music and lyrics by the Olivier award-winning British team of George Stiles and Anthony Drewe. The producer for Disney Theatrical Productions is Thomas Schumacher.

The internationally renowned and multi award-winning creative team assembled for MARY POPPINS is led by stage and film director Richard Eyre. Co-direction and Choreography is by Matthew Bourne, with Co-choreography by Stephen Mear. Set and Costume Design is by Bob Crowley with Lighting Design by Natasha Katz, Sound Design by Paul Groothuis and Orchestrations by William David Brohn. The International Tour of MARY POPPINS is Directed by James Powell with Original Choreography adapted by Geoffrey Garratt. Musical Supervision is by Stephen Brooker.

The stage production of MARY POPPINS originally opened in 2004 and ran in the West End for three years and over 1,250 performances. During this time it won the Olivier Award for Best Theatre Choreography and Best Set Design as well as the Evening Standard Award for Best Set Design and the Variety Club Award for Best Musical. The Broadway production ran for over six years where it won the Tony Award for Best Set Design. The show has subsequently played to great success in Holland and Mexico. It has toured Australia, New Zealand, the U.S, the UK, has been seen by over 11 million people and is currently breaking box office records in Vienna.

 

Jest End returns to Waterloo East Theatre after its sell-out season in 2015

29 Nov – 18 Dec

Garry Lake in association with Waterloo East Theatre present

Jest End

By Garry Lake

The hit comedy musical show exploring and ‘exposing’ the hits, flops and gossip of Theatreland, returns to Waterloo East Theatre after its sell-out season in 2015.

Labelled as London’s answer to Forbidden Broadway, Jest End has been going from strength to strength since the birth of the show at Jermyn Street Theatre 2007.

The comedy show provides audiences with a take on the latest and most popular musicals in the West End including Hamilton, Groundhog Day, School Of Rock, Funny Girl, Matilda, Guys and Dolls, Wicked, The Phantom of the Opera and Les Miserables to name but a few!

Created and directed by Garry Lake, Jest End continues to provide London audiences with a fresh up to date comedy, one that is proven to be a smash hit for musical theatre fans of all ages.

So, if you’re torn on what show to take in, why not visit Waterloo East Theatre and watch them all at once!

Cast: TBC

Choreographed by Rebecca Howell

Musical Direction by James Doughty

The 2015 season of Jest End has been nominated for the Best Comedy at the West End Wilma 2016 Awards which will be announced on November 4th.

Review Quotes:

‘Satire in glorious abundance’ Daily Telegraph

‘It’s like a marathon of good humour’ Mark Shenton

‘Wickedly Witty’ Whatsonstage.com

 

AFTER NINE GLORIOUS YEARS IN LONDON’S WEST END

THE SMASH HIT MUSICAL “JERSEY BOYS”

MUST END 26 MARCH 2017 AT THE PICCADILLY THEATRE

SECOND NATIONAL TOUR TO OPEN DECEMBER 2017                                     

 

 

One of London’s best loved musicals, JERSEY BOYS, will close at the Piccadilly Theatre on Sunday 26 March 2017 following nine amazing years in London.  JERSEY BOYS is currently the sixth longest musical running in the West End.  The producers are very proud that London has taken the show to its heart and they are equally delighted to announce that a second national tour of JERSEY BOYS will open in December 2017.

 

Producer Michael David said, “When we brought JERSEY BOYS here nine years ago, we hoped it was a good idea and that West End audiences would embrace it, but you never imagine it’ll multiply and resonate as much as it has.  We couldn’t be more proud of the cast and crew who gave their all every night, and are profoundly grateful to the audiences who returned that energy without fail.  Our time in London has been extraordinary, and we hope audiences around the UK will continue to embrace JERSEY BOYS as we bring the show to their hometowns.”

JERSEY BOYS first opened in London at the Prince Edward Theatre on 18 March 2008 and moved to the Piccadilly Theatre in March 2014.  The first UK and Irish Tour of JERSEY BOYS was a record-breaking success and ran for 18 months, from 4 September 2014 to 5 March 2016. The second national tour will open at the New Alexandra Theatre, Birmingham in December 2017.

The London cast of JERSEY BOYS is led by Matt Corner as Frankie Valli, Simon Bailey as Tommy DeVito, Declan Egan as Bob Gaudio and Matt Hunt as Nick Massi.  Dayle Hodge plays the role of Frankie Valli at certain performances.  Also in the cast are Nicola Brazil, Stuart Dawes, Willemijn de Vries, Mark Dugdale, Leanne Garretty, Lucinda Gill, Nicky Griffiths, Will Haswell, Mark Heenehan, Mark Isherwood, Ben Jennings, Joe Maxwell, Nathaniel Morrison, Dan O’Brien, Chris Stoddart, Helen Ternent and Ben Wheeler.

 

JERSEY BOYS is the remarkable true story of Frankie Valli and the Four Seasons and their rise to stardom from the wrong side of the tracks.  These four boys from New Jersey became one of the most successful bands in pop history, were inducted into the Rock & Roll Hall of Fame and sold 175 million records worldwide, all before they turned 30.  The show is packed with their hits, includingBeggin’, Sherry, Walk Like A Man, December, 1963 (Oh What a Night), Big Girls Don’t Cry, My Eyes Adored You, Let’s Hang On (To What We’ve Got), Bye Bye Baby, Can’t Take My Eyes Off You,Working My Way Back to You, Fallen Angel, Rag Doll and Who Loves You.

 

Winner of Broadway’s Tony, London’s Olivier and Australia’s Helpmann Awards for Best New Musical, JERSEY BOYS is the winner of 57 major awards worldwide and has been seen by over 23 million people worldwide.  As well as still running on Broadway and in the West End, JERSEY BOYS can be seen across the United States on its US National Tour and has just completed a record-breaking run in Las Vegas.

JERSEY BOYS is written by Marshall Brickman and Rick Elice, with music by Bob Gaudio and lyrics by Bob Crewe.  The London production is staged by the entire original Broadway creative team, led by director Des McAnuff and choreographer Sergio Trujillo, with scenic design by Klara Zieglerova, costume design by Jess Goldstein, lighting by Howell Binkley, sound by Steve Canyon Kennedy and projection design by Michael Clark.  The orchestrations are by Steve Orich and the music supervision and vocal arrangements by Ron Melrose. 

 

JERSEY BOYS is produced in London by the Dodgers, with Joseph J. Grano, Tamara and Kevin Kinsella, Pelican Group, in association with Latitude Link, Rick Steiner, and a small clutch of UK colleagues.

LISTINGS INFORMATION

 

Piccadilly Theatre

16 Denman Street

London W1D 7DY

 

Booking until Sunday 26 March 2017

 

Performances:  Tuesdays – Saturdays at 7.30pm, Tuesday & Saturday matinees at 3.00pm, Sundays at 5.00pm

 

2016-17 CHRISTMAS AND NEW YEAR PERFORMANCE SCHEDULE

 

Monday 19 December             No Performance

Tuesday 20 December            3.00pm & 7.30pm

Wednesday 21 December       7.30pm

Thursday 22 December           7.30pm

Friday 23 December                7.30pm

Saturday 24 December            3.00pm

Sunday 25 December              No performance

Monday 26 December             No performance

Tuesday 27 December            3.00pm & 7.30pm

Wednesday 28 December       3.00pm & 7.30pm

Thursday 29 December           3.00pm & 7.30pm

Friday 30 December                7.30pm

Saturday 31 December            3.00pm & 7.30pm

Sunday 1 January                    5.00pm

Tickets from £24.50

Box Office:  0844 871 7630

 

Website:  www.jerseyboyslondon.com

Facebook:  http://www.facebook.com/JerseyBoysLondon

Twitter:  http://twitter.com/JerseyBoysUK

Gilbert O’Sullivan LIVE in Concert

at The Alhambra Theatre, Bradford

Alhambra Theatre,

Thursday 20 October 2016 *Tickets: £31

Call the Box Office on 01274 432000 or visit bradford-theatres.co.uk

*All prices shown include booking fees but are subject to postage charge if applicable.

Bradford Theatres usual terms and conditions apply.

A global superstar who topped the UK and US charts with the likes of Alone Again (Naturally) and Get Down, Gilbert O’Sullivan is an artist who has never rested on his laurels.

Today, British singer-songwriter Gilbert O’Sullivan continues to be regarded with tremendous affection and his songs remain well-loved around the world.

His lasting influence can be heard in the music of Ben Folds and Ron Sexsmith – while his songs have been covered by Neil Diamond, Rumer and Sarah Vaughan amongst others.

Gilbert is still writing, recording, performing and touring with success. His lasts concerts received rave reviews for his undiminished voice and “…the enduring quality of his work – the sheer tunefulness, lyrical gymnastics and wit” (Daily Post, March 2012).

His most recent albums include Latin Ala G exploring a Latin influence and Gilbert O’Sullivan – The Essential Collection which includes 43 classic songs.

See Gilbert O’Sullivan with a ten piece band live at the Alhambra Theatre, Bradford on Thursday 20 October. Don’t miss this acclaimed live show.

Riot Act presents: