THE LOWRY THEATRE, SALFORD – SATURDAY 16TH NOVEMBER 2024
REVIEWED BY MIA BOWEN
5*****
Wolfgang Amadeus Mozart’s opera, Die Zauberflöte (The Magic Flute), premiered in 1791 and tells a magical story in two acts. It is a cherished opera known for its enchanting elements, profound themes, and beautiful melodies. The libretto, written by Emmanuel Schikaneder, is being presented in English through Jeremy Sams’ adaptation. Opera North’s revival of their 1978 production offers a dynamic and refreshing interpretation of Mozart’s timeless opera. The use of English and subtitles displayed on screens, both sides of the stage, makes it easier to follow. The opera combines elements of a modern musical with spoken dialogue and engaging musical numbers, alongside traditional singing. This combination makes it an inviting and delightful experience for both opera enthusiasts and newcomers alike.
Last night’s performance featured integrated British Sign Language (BSL) interpreters, Sarah Cox and Richard Jackson. It was truly an experience to witness them not only interpreting the dialogue and singing but also conveying the music itself!
Director James Brining allows the audience to experience the opera from a child’s perspective. We first and last see a little girl, which beautifully frames the enchanting chaos that unfolds throughout the performance.
The stage design by Colin Richmond showcases striking, angular shapes that help create a captivating environment. The set moves seamlessly between fantastical and more stark elements, reflecting the contrasting themes of light and darkness within the opera. Richmond also designed the costumes, which offer a lively mix of classical and creative styles. Characters wear outfits that represent different roles; from the grand priest Sarastro, who appears to lead a group of devoted followers dressed in robes reminiscent of the TV version of Margaret Atwood’s The Handmaid’s Tale, to a Maleficent-meets-Elizabeth Taylor glamour for the Queen of the Night. This unique and thoughtful appearance effectively links the opera’s imaginative narrative to its deeper emotional themes.
Chris Davey’s stunning lighting, along with Douglas O’Connell’s video designs, produces engaging on-stage effects through projections. These features, including creative props like lightsabres, work together to enrich the storytelling. Opera North’s rendition of The Magic Flute provides a visual experience that encourages interaction and enjoyment for everyone involved.
The evening featured outstanding performances, with the Three Ladies contributing enjoyable comedy amidst beautiful harmonies. However, it is Emyr Wyn Jones who truly enhances the show. His comedic skills, excellent timing, and unique physical portrayal of the character Papageno make each of his scenes a pleasure to watch, engaging the audience throughout the performance.
The performance that garnered a strong ‘Bravo’ and applause was Anna Dennis’s rendition of ‘Der Hölle Rache‘ from The Queen of the Night’s Act Two. This aria, one of Mozart’s most famous pieces, is particularly notable for its rapid high C repetitions and numerous high F notes. It presents a significant challenge for many sopranos, showcasing remarkable vocal skills.
You’ll get another chance to see this exciting opera at The Lowry next March!