An Aria Entertainment and Sheffield Theatres Production
· THE CRITICALLY ACCLAIMED WORLD PREMIERE OF KENREX FROM THE CREATOR OF THE OLIVIER NOMINATED CRUISE WILL TRANSFER TO SOUTHWARK PLAYHOUSE BOROUGH FROM 14 FEBRUARY – 16 MARCH 2025.
· PART TRUE CRIME, PART WESTERN, KENREX IS WRITTEN BY BOTH JACK HOLDEN (WHO ALSO PERFORMS) AND ED STAMBOLLOUIAN (WHO ALSO DIRECTS), WITH AN ORIGINAL SCORE PERFORMED LIVE BY JOHN PATRICK ELLIOTT.
· TICKETS ON SALE NOW FROM WWW.SOUTHWARKPLAYHOUSE.CO.UK/
Aria Entertainment and Sheffield Theatres are thrilled to announce that the world premiere of KENREX will transfer from Sheffield Theatres’ Tanya Moiseiwitsch Playhouse to Southwark Playhouse Borough from 14 February – 16 March 2025. Following a sold-out run in Sheffield where it garnered multiple five-star reviews, KENREX is part True Crime, part Western, with a foot-stomping live Americana soundtrack, devised by Jack Holden (Olivier-nominated Cruise) and Ed Stambollouian.
‘911, what’s your emergency?’
‘My husband… they shot him… they all did.’
July 10th 1981. Skidmore, Missouri. A man is shot dead in broad daylight. There are sixty witnesses — but no one saw a thing.
Jack Holden (Marriage, BBC; War Horse, National Theatre) performs the one-person show, jumping between characters in a high-octane blend of vocals, sound effects and song. He is accompanied on stage by composer and musician John Patrick Elliott (award-winning composer, recent album includes My Role in the Show), and directed by co-writer Ed Stambollouian (Animal Farm, Royal & Derngate; More More More Joe Lycett, UK Tour).
The full creative team includes co-writers Jack Holden and Ed Stambollouian, original music writer and performed by John Patrick Elliott, direction by Ed Stambollouian, design by Anisha Fields; lighting and video design by Joshua Pharo; sound design by Giles Thomas, movement direction by Sarah Golding and production management by James Anderton.
An album, KENREX Music from the Play by John Patrick Elliott via Carbon Moon Records is now available to stream. The album brings together Elliott’s songs and instrumental compositions that feature in the play, as well as additional bonus tracks from the development of the piece.