Curve Theatre Leicester – until 17th February 2024
Reviewed by Amarjeet Singh
4****
The story of Jesus Christ Superstar is pretty straightforward, it’s the story of Jesus last days before he is crucified, not the kind of material you would think would lend itself to a rock opera, but when did that stop the mavericks Webber and Rice. Thrilling audiences over the years you would have thought it difficult to put a new spin on things, but tonight’s performance proved otherwise. It was a truly tremendous performance.
Under the explosive direction of Timothy Sheader, this production gripped you from the off. Don’t be fooled by the predominantly static, industrial set. Strewn with girders and an off-kilter crucifix you might think the simplicity spells sedentary storytelling, not a chance. The set, designed by Tom Scutt, transforms with shadow and smoke and every inch of the stage was utilised to perfection, illuminated by stunningly lit moments from lighting designer Lee Curran. The combined skills of the design and direction artist bought this production to life, creating scenes which had depth, emotion, and pure drama. Tom Scutt costumes contributed to the wonderful old meets new feel of this production, trainers and sandals, swathes of materials flowed greys, whites and browns which added to Drew McOnie’s contemporary choreography, pulsating with passion and dynamism portraying every emotion of each character. The choreography and direction were sensational, attention to detail was paid to every moment. Dancers displaying inner turmoil, formation pieces and Judas literally dropping the mike was quite the heart stopper. There were stand out moments where the action stopped and you felt as if you were looking at a renaissance painting, The Last Supper, Mary, and Peter watching Jesus receive his lashes. Ladened with symbolism, delicious with darkness, Judas with his hands slick with the silver of his misdeeds, haunted like Lady Macbeth was an amazing touch.
The cast are incredible. Ian McIntosh as Jesus was spellbinding. He commanded the stage with aplomb even during his quiet moments. His voice was exquisite, and he delivered pure emotion though every note, facial expression, movement with his rendition of “Gethsemane” captivating the audience. Shem Omari James was wonderful as Judas, bringing on big notes and even bigger battles with inner turmoil. Hannah Richardson was an absolute delight to watch as Mary, her version of ‘Everything’s Alright’ was lovely, but it was her rendition of “I Don’t Know How to Love Him” that absolutely blew me away, stunning vocals and performance. The cast as a whole were superb as were the ensemble.
It might seem redundant of me to mention the soundtrack here for those who are familiar with it, but for those who are not, it’s incredible. With an array of exceptional talent behind this production of Jesus Christ Superstar, how could it not be an outstanding offering. Glitter gripping until its bitter end, an absolute triumph.