Southwark Playhouse – until 27 November 2021
Reviewed by Claire Roderick
2**
Atlantic City always appears to be a sadder, less impressive version of Las Vegas in films, and this musical set in Atlantic City has the same disappointing aura. Based on Jack Engelhard’s novel rather than the tweaks made in the movie screenplay, the characters and plot are one dimensional and unengaging.
Married couple Jonny (Norman Bowman) and Rebecca (Lizzy Connolly) are both working multiple jobs to get by in Atlantic City. Rebecca catches the eye of millionaire Larry (Ako Mitchell) who offers the couple one million dollars to spend one night with Rebecca. Act two shows the effects of their decision on their relationship, but the shouty songs begin to grate. Perhaps the arguments should have been spoken.
There is so much that could be said about capitalism, sex workers, and a multitude of other problematic issues the characters deal with. But Michael Conley’s book and lyrics just brush over everything and move the plot along with clunky dialogue and repetitive lyrics that add nothing to the story or character development. Dylan Schlosberg’s music is catchy with a few standout numbers, but nothing very memorable, despite the musicians’ talent and energy.
Bowman and Connolly do the best they can with the dull script, and both have great voices, but there is nothing they can do to make you care about these characters. The only truly memorable moments come from Jacqueline Dankworth as lounge singer Annie. She has most of the funny lines and gets to work the audience in character and nails the two best songs in the show – exuding melancholy singing Atlantic City, and sublime singing Will You Remember.
A talented cast wasted in a musical that doesn’t find it’s voice – a proposal that is easy to turn down.