The Master of the House runs the local Mill. Currently the workers on strike and the Master is away negotiating with the Unions. The play is set in the kitchen of the manor. The 3 cast members play the Master’s daughter, the kitchen maid & the Master’s aid.
The story is of a scandalous love triangle. With emphasis on the forbidden love between the Master’s daughter and the Master’s favoured aid. This act is based on the book written by August Strindberg in the 1800’s. This adaptation by Zinnie Harris is based in Scotland in the 1920’s.
Lorn MacDonald as John left you feeling flabbergasted with his intensity and how easy he could convert between the two contrasting internal characters of this familiar role. In some of the raunchier scenes, you were left feeling like you should advert your eyes whilst simultaneously not being able to look away as the bubbling chemistry between Lorn and Hiftu Quasem as Miss Julie was palpable. Helen Mackay as Christina, her face is extremely expressive which is highly effective in portraying all the feelings that the jilted fiancé goes through whist maintaining her dignity.
The simple set design of the range, Belfast sink, a table with chairs left the floor open for the actors to take the centre stage whilst impeccably depicting the era in which the scene is set. The minimal yet effective score in line with the lighting techniques, only emphasised the crews acting ability.
I would highly recommend that you go see this play. You will not be disappointed.
SHIRLEY BALLAS TO STAR IN HIPPODROME’S JACK AND THE BEANSTALK
Shirley Ballas will be swapping the Strictly dancefloor for the Hippodrome stage later this year to star in the theatre’s annual pantomime.
Darlington Hippodrome are delighted to announce Shirley Ballas will star in the festive family pantomime Jack and the Beanstalk as Mother Nature, helping Jack outwit the evil giant and win fame, fortune and the hand of the girl he loves.
Having danced since the age of seven, Shirley has taken the dancing world by storm. She is 3 time ‘British Open to the World’ Latin American Champion, 10-time US Latin American Champion, and multiple-times British National Champion. By 21, Shirley had won nearly every major title she competed in worldwide. She is the only person to have ever won the ‘British Open to the World’ Latin American Championships in Blackpool with two different partners and reached the finals an impressive 17 times. Shirley still remains the youngest ever female to reach the ‘British Open to the World’ Dance Championship finals.
Since hanging up her competition heels twenty years ago, Shirley has gone on to forge a hugely successful career as one of the top Ballroom and Latin teachers and adjudicators in the world. She brings her immense expertise and experience to the judging panel of BBC’s primetime show Strictly Come Dancing, where she has been Head Judge since 2017. In addition to her role on Strictly, Shirley has been seen giving masterclasses and commentating on the American series Dancing with the Stars, is a frequent panellist on Loose Women, was the subject of BBC1’s Who Do You Think You Are?, joined ITV’s This Morning team presenting the feature Matchmaker Mountain, and climbed Kilimanjaro for Comic Relief’s Return to Kili. Last year Shirley made her pantomime debut for producers Qdos Entertainment in Liverpool, winning acclaim from audiences and critics alike.
Jack and the Beanstalk will be produced by Qdos Entertainment, the world’s biggest pantomime producer, and the team behind Darlington’s annual pantomime, who guarantee another must-see production packed with audience participation, sensational music and dancing, jaw-dropping special effects and fantastic festive entertainment suitable for all ages.
Jake Hine, Executive Producer for Qdos Entertainment, said: “I’m thrilled that we have managed to tempt Shirley out from behind the Strictly judging desk to show Darlington audiences just why she’s considered one of the world’s finest dancers. After her debut in pantomime for us last year I know Hippodrome audiences will enjoy yet another fantastic show this festive season.”
Darlington Hippodrome Director Lynda Winstanley said: “Strictly Come Dancing is one of the most popular programmes on television so who better to star in Darlington’s best pantomime than head judge Shirley Ballas. I’m sure Darlington audiences will be as excited as we are to see Shirley tripping the light fantastic on the Hippodrome stage.”
Jack and the Beanstalk runs at Darlington Hippodrome from Friday 6 December 2019 to Sunday 5 January 2020. For full details and to book visit www.darlingtonhippodrome.co.uk or call 01325 405405.
Wise Children, a novel by Angela Carter, follows the life’s of two showgirl twins Nora and Dora. An exiting journey into entertainment, family and all the bits in between. Directed by Emma Rice, we are given a performance with gender and race blind casting. Something that lends itself to the beauty of of the piece. A tale of twins from twins, two brother who couldn’t be more different and two sisters who dress and act very similar.
Gareth Snook plays the older version on Dora, on stage for most of the play with the sister Nora played by Etta Murfitt. The two take us down memory lane telling stories of their childhood and singing along the way. The story telling aspect of the play suits the aesthetic. Both Snook and Murfitt do a great job of working with each other to make a believable bond and characters that are entertaining. The highlight of the acting in the show was from both show girls Nora and Dora played by Omari Douglas and Melissa James, this is where we are given raunch and funny interaction between the twins. Douglas plays an adventurous Nora who is entertaining along side Dora who seems the more calmer of the two. The whole cast just jumps between playing characters at different points in their characters life, each actor does a great job of creating a character that fits in place and gives the show a vaudeville vibe from showgirls to catchy songs.
The set really appeals to me, there is no hiding the fact that they are on a stage, everything seems out in the open. However the centrepiece is this caravan on stage that is used throughout the play with cleaver hidden set changes behind the caravan. There is no denying that the set is visually appealing, something that follows with the costumes on stage, with the razzle and dazzle mirrored in the music and energy throughout the play.
I loved this show, the first act was much more entertaining, however the second act touches upon issues that aren’t always obvious in the first act. This tale of two daughters wanting to be recognised by their father is a true journey through the ages with styles in costumes and music. It asks the question on what is more important, family or fame. We see characters fail and we see characters rise but who are the happy ones.
A brand new mobile app provides background information, learning resources and even drama exercises based on Shakespeare’s language and stagecraft. The app runs alongside the current touring co-production of Much Ado About Nothing by Northern Broadsides and New Vic Theatre.
By scanning a map of Messina, where the action is based, students, audiences and lovers of the Bard can “lean in and listen” to the play’s back stories, immersing themselves in an interactive, augmented reality tour of key locations from the play.
As they move around the city through the screen of their mobile device, they can watch videos and listen to music, enhancing their understanding and enjoyment of the production, which is set in the 1940s after World War II.
The app, which is available at the App Store (Apple) and Google Play (Android), and augmented reality content are the result of a collaboration between Northern Broadsides, Filament Projects, Stute Theatre and augmented reality specialists ooh-AR.
Further to the new app, actress Sophia Hatfield, who is playing Margaret and a member of the Watch in the show, has written A Muddle In Messina, a new storytelling piece aimed at school children aged 4 – 11, which will play in libraries alongside the tour. The interactive map and performance work in tandem to create a world of music, language and so much more.
Everyone who attends A Muddle In Messina will receive a printed map so they can enjoy the Augmented Reality content on their very own devices.
A pdf of the map is also available at www.northern-broadsides.co.uk/education/. Download the Much Ado About Nothing AR app, print out the map and put it flat in front of you before scanning it.
Northern Broadsides Artistic Director Conrad Nelson said
This Spring we tour our critically acclaimed production of Shakespeare’s, Much Ado about Nothing. It’s been my desire to explore the effective marriage between digital content and the live theatre experience and I am delighted to be working with Filament Projects, Stute Theatre and Ooh-AR in launching our first interactive, augmented reality app. This will run in conjunction with the excellent Northern Broadsides on-line education pack written by award winning playwright, Deborah McAndrew and a new live show, Muddle in Messina, written by Sophia Hatfield. This production for 4-11 year olds will tour to libraries across the UK. It is an ambitious project that has received support from ACE and generous donations from trusts and individuals for which, many thanks.
The Northern Broadsides and New Vic Theatre co-production of Much Ado About Nothing will be touring nationally until May 25. For further information visit www.northern-broadsides.co.uk
The projects are supported by the Arts Council England and the Community Foundation for Calderdale.
Bradford Theatres are delighted to reveal a Summer season jam packed with new musicals, returning favourites, world-class dance, family shows and top names in comedy and entertainment.
The Alhambra Theatre welcomes brand new musicals Little Miss Sunshine and Amélie The Musical, the explosive rock musical American Idiot and the Yorkshire exclusive of the “stirring and stunning blockbuster” (Irish Mail on Sunday) Les Misérables.
St George’s Hall re-opened in February 2019 following major refurbishment and hosts a packed summer season including a Gala Celebration weekend in June. The weekend includes A Night of Variety headlined by multi-award-winning recording artist and musical theatre actress Beverley Knight and The People’s Music Hall event, which will celebrate Bradford’s unique home grown talent in a wonderful evening of music, dance and song.
There’s an exhilarating selection of comedy, music and other events at King’s Hall, Ilkley, including My Leonard Cohen with Stewart D’Arrietta and his band and comedian Tom Stade; plus there’s even more comedy to enjoy at The Studio in Bradford from Jerry Sadowitz and Adam Riches.
Adam Renton, General Manager Bradford Theatres says:“We hope you can join us for our forthcoming summer season. With an array of exciting shows taking place at all four of our venues, there’s something for everyone.
At the Alhambra Theatre Les Misérables will take up residency in July for five weeks – the only Yorkshire dates on the tour. We welcome back Matthew Bourne with his dance production of Romeo & Juliet and there’s drama with Willy Russell’s Educating Rita. Other personalities and performers at St George’s Hall and King’s Hall in Ilkley include Kate Rusby, PJ Proby, Reginald D Hunter, Billy Pearce, Danny Baker and James Acaster.
St George’s Hall has now reopened to the public, after extensive and transformational refurbishment.The restoration is truly first rate and it really does bring the facilities right up to date. We are so looking forward to the range of shows that are coming to the venue throughout the year, including our Gala re-opening weekend on 1 & 2 June.”
Still Booking Wet Wet Wet (Graeme Clark, Tommy Cunningham, Neil Mitchell and Kevin Simm) – Sunday 28 April 7.30pm, St George’s Hall
Ghost – Tuesday 30 April – Saturday 4 May – Alhambra Theatre Signed: Thur 2 May 7.30pm, Captioned: Fri 3 May 7.30pm. Audio Described: Sat 4 May 2.30pm The movie Ghost has proven to be one of cinema’s biggest all-time hits. Starring the late Patrick Swayze, Demi Moore and Whoopi Goldberg it was the highest grossing film of 1990 and won an Oscar for screenwriter Bruce Joel Rubin who has adapted his screenplay for this musical. The movie and the musical feature The Righteous Brothers’ Unchained Melody alongside many more terrific songs co-written by Eurythmics’ Dave Stewart.
May Menopause The Musical – Wednesday 1 – Friday 3 May 7.30pm, St George’s Hall An Evening with Julian Norton – Thursday 2 May 7.30pm, The Studio Barry Steele and Friends The Roy Orbison Story – Friday 3 May 7.30pm, King’s Hall, Ilkley Wannabe – The Spice Girls Show – Saturday 4 May 7.30pm, St George’s Hall Wannabe is a spectacular concert created to celebrate the career of the World’s biggest girl band, the Spice Girls. Wannabe is a touring musical celebration featuring the hits of the Spice Girls! This is not part of the Spice Girls tour.
Educating Rita – Monday 6 – Saturday 11 May, Alhambra Theatre Captioned: Fri 10 May 7.30pm Audio Described: Sat 11 May 2.30pm Written by one of our greatest ever playwrights Willy Russell and starring one of our best loved actors Stephen Tompkinson as Frank and introducing Jessica Johnson as Rita.
Whitney Queen of the Night – Friday 10 May 7.30pm, St George’s Hall Chris Norman – Saturday 11 May 7.30pm, St George’s Hall Famed for fronting huge 70s hit band Smokie, Chris Norman returns to Bradford to perform all his hits and some great new tracks.
Horrible Histories Terrible Tudors & Awful Egyptians – Wednesday 15 – Saturday 18 May, Alhambra Theatre Using actors and ground-breaking 3D special effects, these two astounding shows are guaranteed to thrill you and your children. Historical figures and events will come alive on stage and hover at your fingertips!
One Night of Queen – Performed by Gary Mullen and The Works – Saturday 18 May 7.30pm, St George’s Hall Tom Stade: I Swear To… Saturday 18 May 8pm, King’s Hall, Ilkley The West End Bhangra Musical – Sunday 19 May 7pm, St George’s Hall
Matthew Bourne’s Romeo and Juliet – Wednesday 22 – Saturday 25 May A passionate and contemporary re-imagining of Shakespeare’s classic love story. Bursting with youth, vitality and Matthew Bourne’s trademark storytelling, Yorkshire’s brightest young dance talent join the New Adventures company.
Kate Rusby – Thursday 23 May 7.30pm, St George’s Hall Russian Philharmonic (of Novosibirsk) – Friday 24 May 7.30pm, St George’s Hall Part of the 151st International Orchestral Concert Season Reginald D Hunter – Facing the Beast – Saturday 25 May 8pm, St George’s Hall. Age recommendation 18+ Danny Baker – Good Time Charlie’s Back – Tuesday 28 May 7.30pm, St George’s Hall. Age recommendation 14+ PJ Proby – The Farewell Tour with special guests Sounds of The Fortunes and The Revolvers – Thursday 30 May 7.30pm, King’s Hall, Ilkley The King is Back – Ben Portsmouth is Elvis – Friday 31 May 8pm, St George’s Hall Jerry Sadowitz – Make Comedy GRATE Again! Friday 31 May 7.30pm, The Studio. Adult content – age recommendation 18+
June Gala Reopening Celebration Weekend: Tickets on sale to Bradford Theatres Friends: Mon 11 March and to General Public Mon 18 March A Night of Variety with Beverley Knight, Sarah Millican, Collabro & Escala – Saturday 1 June 7.30pm, St George’s Hall. Age recommendation 16+ The People’s Music Hall – Sunday 2 June 6pm, St George’s Hall Featuring some of Bradford’s best local groups and performers, this event will showcase the city’s unique home grown talent in a wonderful evening of music, dance and song.
Let It Be – Monday 3 – Saturday 8 June, Alhambra Theatre Signed: Thur 6 June 7.30pm, Captioned: Fri 7 June 7.30pm, Audio Described: Sat 8 June 2.30pm Come Together and experience the iconic music of The Beatles with Let It Be, the spectacular concert jampacked with over 40 of The Beatles’ greatest hits! Direct from the West End, this international hit show celebrates the legacy of the world’s greatest rock ‘n’ roll band.
Adam Riches – The Adam Riches Experience – Friday 7 June 8pm, The Studio. Age recommendation 16+ My Leonard Cohen with Stewart D’Arrietta and his band – Saturday 8 June 7.30pm, King’s Hall, Ilkley
Green Day’s American Idiot – Monday 10 – Saturday 15 June, Alhambra Theatre Signed: Thur 13 June 7.30pm, Captioned: Fri 14 June 7.30pm, Audio Described: Sat 15 June 2.30pm Green Day’s explosive rock musical, American Idiot returns the UK to mark the show’s 10th anniversary and the 15th anniversary of the Grammy Award-winning original album. Starring singer-songwriter Luke Friend (X-Factor), Tom Milner (The Voice, Waterloo Road) and introducing Sam Lavery as Whatsername. Contains strong language and drug references – not suitable for under 14s.
Ashley Blaker & Imran Yusuf Prophet Sharing – Wednesday 12 June 7.30pm, The Studio Two great religions. Two great comedians. The pair is travelling the UK uniting people of every faith and none for an evening of laughter.
Little Miss Sunshine – Monday 17 – Saturday 22 June, Alhambra Theatre Captioned: Thur 20 June 7.30pm, Signed: Fri 21 June 7.30pm, Audio Described: Sat 22 June 2.30pm The road to happiness is a bumpy ride. Based on the Oscar-winning film, Little Miss Sunshine is a new musical comedy from Tony Award-winners James Lapine and William Finn. The Hoover family has more than a few troubles, but young Olive has her heart set on winning the Little Miss Sunshine beauty contest. Age recommendation 14+
The New Jersey Boys – Thursday 20 June 7.30pm, King’s Hall, Ilkley Luther – A Celebration – Thursday 20 June 7.30pm, St George’s Hall With international Luther Vandross tribute Harry Cambridge and his ten-piece band The Chef Show – Friday 21 June 7.30pm, The Studio Part comedy-play, part cookery demonstration, The Chef Show takes you behind the scenes on a busy Saturday night in the local curry house.
An Evening of Adult Comedy with Billy Pearce – Friday 21 June 7.30pm, St George’s Hall. Age recommendation 18+ Grimethorpe Colliery Band – Saturday 22 June 7.30pm, St George’s Hall Michael Palin Live on Stage 2019 – Erebus, Python and Other Stories – Thursday 27 June 7.30pm, Alhambra Theatre In the Night Garden Live – Saturday 29 and Sunday 30 June, Alhambra Theatre Igglepiggle, Upsy Daisy, Makka Pakka and friends are back in their brand new live show Igglepiggle’s Busy Day!
July Forever in Blue Jeans – Thursday 4 July 7.30pm, King’s Hall, Ilkley Here Come The Boys – Tuesday 9 July 7.30pm, St George’s Hall The show that everyone has been waiting for! Starring three of the biggest rock stars of dance, Aljaž Škorjanec, Giovanni Pernice and Gorka Marquez. Bowie Experience – Thursday 11 July 7.30pm, St George’s Hall
Amélie The Musical – Monday 1 – Saturday 6 July, Alhambra Theatre Signed: Thur 4 July 7.30pm, Captioned: Fri 5 July 7.30pm, Audio Described: Sat 6 July 2.30pm Amélie is a new musical based on the much loved five time Oscar®-nominated film. Come and be inspired by this imaginative dreamer who finds her voice, discovers the power of connection and sees possibilities around every corner. Age recommendation 12+
Les Misérables – Tuesday 9 July – Saturday 10 August, Alhambra Theatre Captioned: Wed 17 July 7.30pm, Audio Described: Wed 24 July 2pm, Signed: Thur 1 August 7.30pm This brilliant new staging has taken the world by storm and has been hailed ‘Les Mis for the 21st Century’. With scenery inspired by the paintings of Victor Hugo, the magnificent score of Les Misérables includes the songs I Dreamed a Dream, On My Own, Bring Him Home, One Day More, Master Of The House and many more.
The Simon & Garfunkel Story 50th Anniversary Tour – Tuesday 16 July 7.30pm, St George’s Hall James Acaster -Cold Lasagne Hate Myself 1999 – Thursday 25 July 7.30pm, St George’s Hall & Monday 29 July, King’s Hall, Ilkley – BOTH SELLING FAST! ZOG by Julia Donaldson & Axel Scheffler – Friday 26 – Saturday 27 July, St George’s Hall
To book for all of these shows please contact the Box Office on 01274 432000 or visit our website: bradford-theatres.co.uk Booking fees apply: Phone/Counter – £1 per ticket plus postage charge where applicable. Online – £1.50 per ticket plus £1 per transaction for postage.
Mayflower Theatre Southampton – until 10th March 2019.
Reviewed by Leanne Caplis
4****
Emma Reeves has worked her magic on the adaption of Jill Murphy’s Worst Witch to take it on a tour of the UK. Starting at the Lyceum Theatre in Sheffield on the 29th January it will run all the way through to the 1st June where it will finish at the Playhouse in Liverpool.
Mildred Hubble (Danielle Bird) who is not from a witching family finds herself at Miss Cackle’s (Polly Lister) Academy for Witches. Will she ever be able to learn to make a laughter potion? Can she master the flying of a broomstick with her beloved cat Tabby? Will the snobby with Ethel Hallow (Rosie Abraham) ever accept Mildred as a real witch?
It was nice to see the cast interacting with the audience prior to the show starting. The children, some who had dressed as little Witch’s themselves, loved getting their selfies with the stars of the show. There was a real buzz in the air right from the start.
Both the music and the voices of the whole cast throughout the production were top class. Especially clever was how the band was made up with characters from the story; Miss Drill (Megan Leigh Mason), Miss Bat (Molly-Grace Cutler) and Fenella (Meg Forgan).
Lots of cackles from the audience, both big and small, throughout the show. For me the cats were hilarious as were some of the movements of Miss Cackle. One of my favourite parts of the show was Polly Lister playing both Miss Cackle and her wicked witch sister Agatha in unison. The way Polly seamlessly moved between the two characters during one of her songs had me in stitches and was great to watch.
I thought the magic in the second half of the show better than the first although I’m sure the young audience members enjoyed it all. I’m still left wondering how Agatha became Miss Cackle without me noticing…real Witch magic right in front of your eyes does happen!
Rosie Abraham who played Ethel Hallow was the stand out character for me. She played the snobby Witch, with excellent facial expressions and nose in the air attitude, extremely well. Mildred was great and, although an adult, she managed to pull off being a child without difficulty. I’d have liked to have seen more of Enid (Consuela Rolle) who has a great singing voice, a real stage presence but unfortunately not enough lines.
The audience participation in the second half had the younger audience bouncing in their seats with excitement. The excellence of this play could be observed as the children were able to sit for over two hours without getting restless.
The staging was good with some excellent props with the magic mirror leaving me believing magic really could be real! I did think it a shame to see members of the backstage crew occasionally and this could quite easily be rectified for future shows by having the cast move the props. I’m sure, however, that most did not even notice. Be aware there are occasional loud bangs and flashing lights.
This is a superb show and a worthy watch. It will have adults cackling in delight and children wanting to join Miss Cackle’s Academy for sure!
Photo Credit: Women of Waitress on stage at the Adelphi Theatre, featuring creative team members Sara Bareilles (Music and Lyrics), Jessie Nelson (Book), Diane Paulus (Director); cast members Laura Baldwin (Dawn), Katharine McPhee (Jenna), Marisha Wallace (Becky) and ensemble members Kelly Agbowu, Nicole Raquel Dennis, Olivia Moore, Sarah O’Connor, Leanne Pinder, Charlotte Riby; LW Theatre’sRebecca Kane Burton (Chief Executive Officer) and Jules Arnott (Chief Commercial Officer).
Ahead of tonight’s official opening and International Women’s Day tomorrow an image celebrating the women of waitress has been released.
Now booking to 19 October due to popular demand ahead of the show’s London premiereon 7 March at London’s Adelphi Theatre
To celebrate International Women’s Day tomorrow, an image of the women of Waitress has been released featuring the cast, creatives, front-of-house staff as well as the production, theatre management, marketing and PR teams.
The Tony-nominated musical by Sara Bareilles has also recently extended its booking period to 19 October at the Adelphi Theatre.
Based on the 2007 motion picture written by Adrienne Shelly, Waitress is the first Broadway and West End musical in history to have four women in the four top creative team spots. The show features original music and lyrics by 7-time Grammy® nominee Sara Bareilles (“Love Song”, “Brave”), a book by acclaimed screenwriter Jessie Nelson (I Am Sam), direction by Tony Award winner Diane Paulus (Pippin, Finding Neverland) and choreography by Lorin Latarro.Waitressopened on 24 April 2016 at Broadway’s Brooks Atkinson Theater, is currently touring the US and has also announced it will have its Australian premiere in 2020 at the Sydney Lyric Theatre.
Waitress stars Katharine McPhee (Smash) as Jenna, Emmy-nominee Jack McBrayer (30 Rock) as Ogie, Marisha Wallace as Becky, Laura Baldwin as Dawn, Peter Hannah as Earl, David Hunter as Dr. Pomatter and Shaun Prendergast as Old Joe.
Meet Jenna, a waitress and expert pie-maker who dreams of a way out of her small town and rocky marriage. Pouring her heart into her pies, she crafts desserts that mirror her topsy-turvy life such as “The Key (Lime) to Happiness Pie” and “Betrayed By My Eggs Pie.” When a baking contest in a nearby county — and a satisfying run-in with someone new — show Jenna a chance at a fresh start, she must find the courage to seize it. Change is on the menu, as long as Jenna can write her own perfectly personal recipe for happiness.
Waitress also recently held the first of its “Cast Album Karaoke” nights in London, at which theatre lovers who have always dreamt of singing on the West End stage can make their dream a reality. The next karaoke night will be held post-show on Monday 18 March. For the chance to sing one minute of any song from the show – live on stage and accompanied by the show’s musical director Katharine Woolley – interested audience members just need to sign up in the theatre before the performance.
On its Broadway opening, Waitress was nominated for four Outer Critics’ Circle Awards, including Outstanding New Broadway Musical; two Drama League Award Nominations, including Outstanding Production of a Broadway or Off-Broadway Musical; six Drama Desk Nominations, including Outstanding Musical; and four Tony Award Nominations, including Best Musical.
ACCLAIMED MUSICAL COMES TO GREENWICH THEATRE AS PART OF UK TOUR
A dance marathon in a northern town forms the backdrop for a foot-stomping and thought-provoking new musical that promises to have audiences on their feet across the UK.
No Miracles Here is set to embark on a 15-date national tour in spring 2019, opening at Northern Stage in Newcastle on February 15 and visiting Greenwich Theatre on Thu 14 – Sat 16 March.
The Letter Room presents a sweat-soaked marathon with a northern soul – a tale of resilience, strength and the need to stay on your feet.
Ray is young man with a big night ahead of him. The music has started, and he can’t leave the floor. He just has to keep going.
Follow the journey of Ray and his band The Raylettes in what is an uplifting and joyful look at how you can overcome depression through dancing.
Packed with live music and dance, No Miracles Here is an anthem to feeling alive and keeping the faith.
The raw and vibrant musical production was made in association with the charity Mind, and developed through support from the RSC, Northern Stage, Shoreditch Town Hall and The New Wolsey Theatre. It is brought to the stage on this new tour by producer Max Emmerson.
Stan Hodgson, co-artistic director of The Letter Room, said: “We’re delighted to be performing No Miracles Here, our music-filled story of resilience and hope set in a dance marathon.
“The show had a wonderful reception when it was initially staged in Edinburgh, Salford and London. We tried to tell a personal story of human struggle, but fill it with music, movement and humour. And we can’t wait to pick up our instruments, get our sweatbands on and bring it to new audiences across the country in 2019!”
MANCHESTER INTERNATIONAL FESTIVAL ANNOUNCES 2019 THEATRE AND PERFORMANCE HIGHLIGHTS
Manchester International Festival, the world’s first festival of original, new work and special events, today unveils its 2019 programme, which will take place across 18 days (4-21 July 2019). An array of internationally-acclaimed artists from all over the world will present UK and world premieres at the cross-art form biennial festival, the second with John McGrath as Artistic Director.
THEATRE COMMISSIONS FOR THE 2019 FESTIVAL INCLUDE:
IN A MAJOR NEW COLLABORATIVE PARTNERSHIP TWO WORLD CLASS ARTISTS, IDRIS ELBA AND KWAME KWEI-ARMAH, COME TOGETHER TO PRESENT THE WORLD PREMIERE OF TREE
WORLD PREMIERE OF INVISIBLE CITIES FROM DIRECTOR LEO WARNER, CO-DIRECTOR AND CHOREOGRAPHER SIDI LARBI CHERKAOUI AND PERFORMED BY RAMBERT
THE FOUNTAINHEAD BASED ON AYN RANDS’ NOVEL AND DIRECTED BY IVO VAN HOVE RECEIVES ITS UK PREMIERE
JULIET STEVENSON TO FEATURE IN RE:CREATING EUROPE, AN EVENING OF TEXTS AND SPEECHES THAT HAVE SHAPED THE CONTINENT
MAGGIE THE CAT, A NEW WORK BY CHOREOGRAPHER TRAJAL HARRELL TO HAVE ITS WORLD PREMIERE AT MIF19
MAXINE PEAKE AND SARAH FRANKCOM PRESENT THE NICO PROJECT
THANK YOU VERY MUCH, A NEW DANCE WORK FROM CLAIRE CUNNINGHAM LOOKING AT IDENTITY THROUGH THE PRISM OF THE ELVIS TRIBUTE ARTIST
A UNIQUE COLLABORATION BETWEEN PHILIP GLASS AND IMPROBABLE’S PHELIM MCDERMOTT, TAO OF GLASS RECEIVES WORLD PREMIERE
THOMAS MORE’S UTOPIA, THE MANCHESTER CHOLERA EPIDEMIC OF THE 1830s AND THE 200th ANNIVERSARY OF THE PETERLOO MASSACRE ARE THE INSPIRATIONS FOR THREE NEW SITE-SPECIFIC COMMISSIONS FOR MIF19
John McGrath, MIF Artistic Director and Chief Executive says: “At MIF19 we see a whole host of artists looking to the future – some with hope, some with imagination and some with concern. We never impose themes on the artists we work with, but it’s striking how this year’s programme reflects our complicated times in often surprisingly joyous and unexpected ways. Featuring artists from more than 20 countries, the Festival also has strong local roots, with several commissions featuring the people of Manchester as participants. MIF19 will be a feast of energy, which I hope will inspire debate and delight for the festival’s 18 days and far beyond.”
For the full festival programme, please visit mif.co.uk
TREE
MIF, Young Vic and Green Door Productions today announce that Alfred Enoch (Harry Potter film series, How to Get Away with Murder) will star in the production and the first images of rehearsals have been released. Created by Idris Elba and Kwame Kwei-Armah, this musical collaboration is an electrifying new blend of drama, music and dance as it follows one man’s journey into the heart and soul of contemporary South Africa – with the audience at the centre of the action. Directed by Kwei-Armah, Artistic Director of London’s Young Vic, with music inspired by Elba’s album Mi Mandela, Tree is an exhilarating show about identity, family and belonging, seen through the eyes of one man on the toughest journey of his life. Elba will produce along with his Green Door Productions. Tree will premiere this summer at Manchester International Festival, before transferring to London’s Young Vic.
It’s just 12 hours from London to his parents’ homeland, but to Kaleo (Alfred Enoch), South Africa is another world. A family tragedy finally forces him to visit for the first time – and as he takes his journey of healing, Kaleo must confront hidden histories and right the wrongs of the past. But first he must face the present: a shattered family, fighting to hold on to what they believe is theirs, in a nation haunted by the ghosts of its own turbulent past.
Creative Team
Created by Idris Elba and Kwame Kwei-Armah Kwame Kwei-Armah Director Jon Bausor Set & Costume Designer Gregory Maqoma Choreography Jon Clark Lighting Designer Paul Arditti Sound Designer Duncan McLean Video Designer Michael Asante Music Supervisor/Composer Mongi Mthombeni Dramaturg Pippa Ailion CDG Casting Director
A Manchester International Festival, Young Vic and Green Door Pictures co-production. In association with Eleanor Lloyd Productions, Bob Benton for Anthology Theatre and Eilene Davidson.
INVISIBLE CITIES
Lolita Chakrabarti adapts the renowned novel for major new production starring Danny Sapani as Kublai Khan and Matthew Leonhart as Marco Polo
MIF19 commission interweaves dance, theatre, music, plus architectural design and projections by 59 Productions, to conjure up magical worlds
Manchester International Festival 2019 (MIF19) presents the world premiere of Invisible Cities, inspired by the renowned 1972 novel, which centres on the relationship between Kublai Khan, the volatile head of a vast empire, and explorer Marco Polo, who must transcend the barriers of language to describe it for him.
Director Leo Warner, choreographer Sidi Larbi Cherkaoui, writer Lolita Chakrabarti, architects and artists 59 Productions and contemporary dance company Rambert have come together for the first time to create this extraordinary new, site-specific work, which reimagines the possibilities of live performance.
Conceived by 59 Productions, Invisible Cities will see Manchester’s atmospheric venue the Mayfield, a vast disused train depot, transformed through a spellbinding mix of theatre, choreography, music, architectural design and projection mapping.
Zenobia, a city of joy. Beersheba, a celestial city of gold. Isadora, a city of promise, seduction and desire. City by unseen city, the young explorer conjures from the ether a vast and spectacular empire – and all for the benefit of an emperor, his master, who may never get to see it for himself.
Performed by Rambert, with Danny Sapani as Kublai Khan and Matthew Leonhart as Marco Polo, Invisible Citiesfeatures design and projection by 59 Productions’ Olivier and Tony Award-winning team of architects, designers and animators. With a score by Dustin O’Halloran and Adam Wiltzie of the ambient music duo A Winged Victory for the Sullen, soundscapes by award-winning Gareth Fry, Invisible Cities will transport audiences through time and space.
Creative Team Leo Warner Director Sidi Larbi Cherkaoui Co-Director and Choreographer Lolita Chakrabarti Adaptor Dustin O’Halloran and Adam Wiltzie Composers Jenny Melville Set Designer Laura Hopkins Costume Designer Fabiana Piccioli Lighting Designer Gareth Fry Sound Designer Nicol Scott Video Designer Sam Jones CDG Casting Director Benoit Swan Pouffer Creative Advisor
Produced by Manchester International Festival, 59 Productions, Rambert and Karl Sydow.
Commissioned by Manchester International Festival, Brisbane Festival, Hong Kong New Vision Arts Festival, Sadler’s Wells, SMG Live, Sheikh Jaber Al-Ahmed Cultural Centre (JACC) and Karl Sydow
THE FOUNTAINHEAD & RE:CREATING EUROPE
Ivo van Hove brings his Internationaal Theater Amsterdam to the Lowry to perform his most controversial work.
Juliet Stevenson to feature in Re:creating Europe an evening of texts and speeches that have shaped the continent taking place on 12 July
One of the world’s most acclaimed directors, Ivo van Hove, will bring this gripping adaptation of Ayn Rand’s uncompromising 20th-century classic, a major inspiration for libertarian politicians on both sides of the Atlantic.
The Fountainhead is a portrait of Howard Roark, a brilliant young architect who rejects easy routes to commercial success in favour of innovation and independence. Van Hove describes the novel as “a war of ideas”, encompassing art and architecture, commerce and capitalism, coupled with a passionate hymn to individualism and a dark, violent love story.
Published in 1943, Ayn Rand’s 700-page canonical novel has a long-established cult following. Donald Trump referenced ‘The Fountainhead’ as one of the only books he ever liked whilst Sajid Javid claims to read certain passages twice a year. Ivo van Hove first adapted and staged the novel in 2014 Internationaal Theater Amsterdam (ITA) and it received its American premiere at Brooklyn Academy of Music last year.
On 12 July, ITA and De Balie, a leading venue for cutting-edge debates and art projects in the Netherlands, present Re:Creating Europe, an exploration of Europe through the literature that has defined its history. Featuring Juliet Stevenson and directed by Ivo van Hove, the performance forces you to reflect on what Europe is, and what it could be. In a year when a deeply divided Britain is set to leave the European Union, this production uses the words of artists, thinkers and political leaders – from Shakespeare to Goethe, Churchill to Obama – to evoke the very notion of Europe, forcing us to reflect on what it is, what it was and what it could become, performed here by members of his Internationaal Theater Amsterdam ensemble with further guest performers to be announced.
Creative Team for The Fountainhead
Ivo van Hove Director Janni Goslinga Performers Aus Greidanus jr. Maarten Heijmans Hans Kesting Hugo Koolschijn Ramsey Nasr Frieda Pittoors Halina Reijn Bart Slegers Jan van Rheenen, Erica van Rijsewijk Translators Koen Tachelet Adaptor Peter van Kraaij Dramaturg Jan Versweyveld Scenography & Lighting Designer Eric Sleichim Composer An D’Huys Costume Designer Tal Yarden Video Designer Bl!ndman (drums): Yves Goemaere Musicians Hannes Nieuwlaet Christiaan Saris
Emmerique Grandpré Moliere Private Producer
Presented as a pre-Factory event, The Fountainhead receives its UK premiere at MIF19.
Re:Creating Europe is produced by Manchester International Festival, De Balie and Internationaal Theater Amsterdam.
MAGGIE THE CAT
The acclaimed American choreographer Trajal Harrell comes to Manchester International Festival (MIF19) for the world premiere of Maggie the Cat, a new dance work inspired by one of Tennessee Williams’ most well-known characters, from the classic play Cat on a Hot Tin Roof.
Focused on the inhabitants of a house, including Big Mama played by Harrell, Maggie the Cat is a provocative fusion of high art and pop culture, with multiple influences, ranging from ancient Greek theatre to the Harlem voguing underground, and a soundtrack that crosses genres, from electro and pop to classical music.
Directed and choreographed by Harrell, Maggie the Cat is the first part of a trilogy inspired by women who had to navigate treacherous waters to gain or retain their power. It addresses power, gender, rejection and inclusion through the prism of one of modern theatre’s most celebrated characters and asks questions about how we can represent powerful women without tearing them down to make room for powerful men.
Produced by MIF and presented at Manchester’s Dancehouse, the audience will be taken on a journey that, whilst tragic and thought-provoking, will also be entertaining and joyous.
Produced by Manchester International Festival, Maggie the Cat forms one part of a trilogy, Porca Miseria, commissioned by Manchester International Festival, Schauspielhaus Zürich, ONASSIS STEGI, Kampnagel (Hamburg), Holland Festival, the Barbican and Dance Umbrella, NYU Skirball, Berliner Festspiele and The Arts Centre at NYU Abu Dhabi.
THE NICO PROJECT
Survivor. Muse. Creator. Destroyer. From her 1967 debut with The Velvet Underground to her premature death just two decades later, Nico was one of pop culture’s most enigmatic figures. Now, long time admirers Maxine Peake(performer) and SarahFrankcom (director) are conjuring the visionary artist up from the shadows with a stirring theatrical immersion into her sound, her identity and the world in which she fought to be heard.
The Nico Project is inspired by the icon’s stark, bleak and beautiful 1968 album The Marble Index. Ignored on its original release, the album is now rightly regarded as one of the defining masterpieces of 1960s counterculture. With text by award-winning playwright EV Crowe and music by acclaimed composer Anna Clyne, The Nico Projectbrings us closer to the ghosts that haunted Nico and the devastating past that shaped her, and celebrates the potency of female creativity in a field dominated by men.
The piece marks a lesser known Manchester music scene story. Nico moved to the city in 1982, having performed a gig there. Finding herself with nowhere to go afterwards she was found a room by a promoter and subsequently made Manchester her home and the base from which she toured Europe and played the live music circuit in the North until her death at the age of 48 in 1988.
Creative Team
Co-created by Maxine Peake and Sarah Frankcom Anna Clyne Music EV Crowe Text Imogen Knight Movement Lizzie Clachan Design Paule Constable Lighting Design Helen Atkinson Sound Design With musicians from the Royal Northern College of Music
Commissioned and produced by Manchester International Festival and the Royal Court Theatre.
THANK YOU VERY MUCH
Created with an international team of leading performers, Claire Cunningham’s new dance work troubles notions of being told who or what we should be and explores the idea of self-tribute.
‘There are impersonators or tribute artists of every colour, sex, size, culture, age… What am I missing?’ Patty Carroll, Living the Life’: The World of Elvis Tribute Artists
Down at the end of Lonely Street – or Smedley Lane, as they call it in North Manchester – choreographer Claire Cunningham and her ensemble of leading disabled performers will invite audiences to join them for a drink at a Cheetham Hill social club as they pull back the curtain on the glittering world of the Elvis tribute artist.
Fresh from a crash course in Elvis-ing and intimate conversations with a range of tribute artists, Thank You Very Much takes to the floor in witty and revealing fashion. The company will pull on their rhinestone-studded jumpsuits to ask: are we caught in a trap? Who have we been trying to be all our lives? Has it ever been our choice? And is anyone ever truly incomparable?
Creative Team
Claire Cunningham Concept & Choreography Dan Watson Associate Director Bethany Wells Designer Chris Copland Lighting Designer Matthias Herrmann Sound Designer & Composer Shanti Freed Costume Designer Luke Pell Dramaturg
Commissioned by Manchester International Festival, National Theatre of Scotland and Perth Festival in association with tanzhaus nrw and Dance Umbrella. Produced by Manchester International Festival andNational Theatre of Scotland.
TAO OF GLASS
Part-concert, part-performance Tao of Glass presents ten new pieces of music exploring life, loss and inspiration.
Created in the round for the Royal Exchange Theatre.
Following their acclaimed opera productions across the globe, world renowned composer PhiIip Glass and Obie and Olivier-Award winning performer-director Phelim McDermott reunite to create Tao of Glass with an ensemble of musicians and puppeteers.
Commissioned by MIF and Improbable, Tao of Glass is scored with ten pieces of Glass’ mesmerising music, all in response to provocations on life, death and wisdom, shot with Improbable’s trademark theatricality. In a rare opportunity to experience the legendary American composer in a setting completely contrasting to his signature larger scale productions, this world premiere will give audiences a rare chance to experience the personal and experimental process shared by these two collaborators.
Using a series of fragments from their own lives as artistic provocations, the artists – who have previously worked together on Akhnaten, Satyagraha and The Perfect American – have embarked on a playful creative journey, investigating ‘big questions’ in an intimate conversation with music, poetry and puppetry. Weaving evocative visual vocabulary, memoir and personal obsessions, the chamber-scale piece is reminiscent of Glass’ early experimental work.
An exploration of life, loss and a single question: Where does true inspiration come from? Tao of Glass is a storytelling tapestry.
Creative Team
Philip Glass Composer Phelim McDermott Writer, Performer & Co-Director Kirsty Housley Co-Director Fly Davis Designer Colin Grenfell Lighting Designer Giles Thomas Sound Designer Ragnar Freidank Documentary Maker & Collaborator
Commissioned by Manchester International Festival, Improbable, Perth Festival and Ruhrfestspiele Recklinghausen.
Produced by Manchester International Festival, Improbable and the Royal Exchange Theatre.
UTOPOLIS MANCHESTER – Rimini Protokoll Can a group of disparate individuals come together to create a utopian state? And how big can this system become before it falls apart?
Author-directors Helgard Haug, Stefan Kaegi and Daniel Wetzel, have been developing complex immersive formats for interacting audiences under the Berlin-based collective label Rimini Protokoll since 2002. Utopolis Manchester is a visionary new work that transforms people’s view of the city as they discover the people and places that create Manchester’s daily life.
Gathering in dozens of small groups, in many different locations, audiences will head out to explore the city and its citizens and discover the many different ways in which people in the city create society, communities, and democracy.
Created by Rimini Protokoll and inspired by Thomas More’s Utopia, Utopolis Manchester asks whether another society might exist, if only for a utopian moment.
Utopolis Manchester is commissioned by Manchester International Festival and Schauspiel Köln.
A DRUNK PANDEMIC – Chim↑Pom The Manchester cholera epidemic of the 1830s is the unlikely inspiration for the first major UK project by one of the world’s most playful and provocative art collectives, Tokyo’s Chim↑Pom – invited to MIF19 by Contact Young Curators, five emerging local artists brought together by MIF and Contact.
Cholera swept through Manchester almost 200 years ago. Tens of thousands of people were buried in cholera pits in the streets around modern-day Victoria Station and Angel Meadow – and thousands of others only survived because they drank beer instead of water. Chim↑Pom’s A Drunk Pandemic takes place in a temporary brewery, built for the purpose in a secret city-centre location. Audiences are invited to tour the brewery, try the beer, check out the special events – and expect the unexpected.
A Drunk Pandemic is commissioned and produced by Manchester International Festival and Contact Theatre.
THE ANVIL: AN ELEGY FOR PETERLOO
On 16 August 1819, more than 60,000 people flooded into St Peter’s Field from all over Manchester. They came in peace, united in their passion for the right to vote, but as the speeches began, armed troops on horseback charged into the crowd, killing 15 and injuring more than 600. The Peterloo Massacre was a pivotal moment in British history, a landmark on our road to democracy.
MIF is marking its 200th anniversary with an extraordinary day of performance, poetry and music as part of a two-part commission. ANU, one of Europe’s most daring theatre companies, are taking to the streets for a day-long series of immersive performances, all completely free. Inspired by the lives and stories of those who died at Peterloo, the company are collaborating with people from all over Greater Manchester to explore what Peterloo meant then and what it means today – reflecting on the events of 1819 while forging a vital new connection with our 21st-century city.
The evening sees the world premiere of a major new piece of music, by composer Emily Howard, one of our most original musical voices, and poet Michael Symmons Roberts, winner of the Costa Poetry Award. Both an elegy to the fallen and a celebration of our city, the work will be performed at The Bridgewater Hall by the BBC Philharmonic and a massed chorus featuring the BBC Singers and three Hallé choirs – with all tickets priced at just £10.
Commissioned by Manchester International Festival.
Tickets £35 / £30 previews & concessions / £10 for Greater Manchester residents on a lower wage Recommended 14+ / under-18s must be accompanied by an adult mif.co.uk / +44 (0)333 320 2890
Invisible Cities Mayfield, Baring Street, M1 2PZ Friday 5 July – Sat 13 July, 8pm Saturday 13 & Sunday 14 July, also 2.30pm Previews Tuesday 2 – Thursday 4 July, 8pm BSL performance: Thursday 11 July Captioned performances: Wednesday 10 & Sunday 14 July Tickets £35 / £30 previews & concessions / £10 Greater Manchester residents on a lower wage mif.co.uk / +44 (0)333 320 2890
The Fountainhead The Lowry Pier 8, The Quays, Salford M50 3AZ Wednesday 10 & Thursday 11 July, 6.30pm Saturday 13 July, 2pm Tickets £18–£35 / £13-£30 concessions / £10 for Greater Manchester residents on a lower wage Presented in Dutch with English surtitles mif.co.uk / +44 (0)333 320 2890
Re:Creating Europe The Lowry Pier 8, The Quays, Salford M50 3AZ Friday 12 July, 8pm Tickets £18–£35 / £13–£30 concessions / £10 Greater Manchester residents on a lower wage mif.co.uk / +44 (0)333 320 2890
Maggie the Cat Trajal Harrell The Dancehouse, 10 Oxford Road, M1 5QA Thursday 11 July, 7.30pm Friday 12 & Saturday 13 July, 7.30pm & 10pm Sunday 14 July, 6pm Tickets £20 / £15 concessions / £10 Greater Manchester residents on a lower wage mif.co.uk / +44 (0)333 320 2890
The Nico Project Maxine Peake & Sarah Frankcom The Stoller Hall, Chetham’s School of Music, Hunts Bank, M3 1DA Friday 12, Saturday 13, Tuesday 16, Thursday 18 & Saturday 20, 7.30pm Saturday 13 & Saturday 20 July, also 3pm Wednesday 17 & Friday 19 July, 6pm & 9pm Previews Wednesday 10 July & Thursday 11 July, 7.30pm Press night: Friday 12 July, 7.30pm BSL performance: Tuesday 16 July, 7.30pm AD performance: Wednesday 17 July, 6pm Tickets £35 / £30 concessions / £10 Greater Manchester residents on a lower wage mif.co.uk / +44 (0)333 320 2890
Thank You Very Much Claire Cunningham Ukrainian Cultural Centre, 31 Smedley Lane, M8 8XB Wed 17 – Sat 20 July, 7.30pm Press night: Wed 17 July Tickets £20 / £15 concessions / £10 Greater Manchester residents on a lower wage mif.co.uk / +44 (0)333 320 2890
Tao of Glass Philip Glass & Phelim McDermott Royal Exchange Theatre, St Ann’s Square, M2 7DH Thursday 11 – Saturday 20 July, 7.30pm 13, 18 & 20 July, 2.30pm Tickets £18–£41 / £13–£30 concessions / £13–£33 previews £10 Greater Manchester residents on a lower wage mif.co.uk / +44 (0)333 320 2890
Utopolis Manchester Rimini Protokoll Multiple locations, Manchester city centre Wednesday 10 – Saturday 13 July, 6–10.30pm Tickets £20 / £15 concessions / £10 for Greater Manchester residents on a lower wage Recommended 12+ / under-16s must be accompanied by an adult mif.co.uk / +44 (0)333 320 2890
A Drunk Pandemic Chim↑Pom & Contact Young Curators Friday 5 – Sunday 21 July A secret location Times and ticket information to be announced Age 18+ mif.co.uk
The Anvil: An Elegy for Peterloo Emily Howard, Michael Symmons Roberts, BBC Philharmonic The Bridgewater Hall, Lower Mosley Street, M2 3WS Sunday 7 July, 6pm Tickets £10 mif.co.uk / +44 (0) 333 320 2890
BALLETBOYZ ARE BACK WITH INNOVATIVE NEW PRODUCTION
THEM/US
FROM AWARD-WINNING CHOEROGRAPHER CHIRSTOPHER WHEELDON AND SCORE BY ENGLISH FOLK ROCK MUSICIAN KEATON HENSON
This spring, the internationally lauded dance troupe BalletBoyz will present the premiere of THEM/US, an innovative double bill and a brand new collaboration from the company’s own critically acclaimed dancers and the Olivier Award-winning choreographerChristopher Wheeldon. A co-production with Sadler’s Wells, Them/Us will arrive at Richmond Theatre Sat 6 – Sun 7 Apr. Press are invited to attend for review on Saturday 6th April at 7.30pm.
With their home studio located in Kingston upon Thames, BalletBoyz are known worldwide for their ground-breaking live performances, films and TV appearances. The new productions are both set to original scores by world-class composers and asks where we see ourselves in relation to the “other”.
Marking a first for BalletBoyz, Them is the work of the company’s very own in-house talent, and set to a score by emerging composer Charlotte Harding. Us is inspired by the critically acclaimed Christopher Wheeldon duet featured in the company’s last show at Richmond, Fourteen Days. With an extended score by cult singer/songwriter, Keaton Henson, Wheeldon develops this new work which explores the possibilities of before, during and after.
Christopher Wheeldon, choreographer for Us, said: “I’m relishing the opportunity to work with BalletBoyz again to create a new work that expands on my previous work with the company, Us. It’s a pleasure to be working with Keaton Henson once again after his music for Us inspired me to investigate a new style of movement.” Wheeldon is a British choreographer who trained at The Royal Ballet School and danced with the Company between 1991 and 1993. With the New York City Ballet he performed as a soloist and became the company’s first-ever artist in residence and first resident choreographer. Christopher has created productions for all the world’s major ballet companies, and in 2007 he founded Morphoses/The Wheeldon Company and became the first British choreographer to create a new work for the Bolshoi Ballet. His awards include the Tony Award for Best Choreography for An American in Paris, and he was made an OBE in 2016. Christopher has worked with BalletBoyz on numerous occasions in the past, including Mesmerics.
Charlotte Harding recently composed for Craig Revel Horwood’s The Indicator Line in BalletBoyz’ Fourteen Days. She graduated from the Royal College of Music, London with a first-class honours degree and won the prestigious Queen Elizabeth, The Queen Mother Rosebowl, presented by HRH Prince Charles. Charlotte is passionate about the role music can play in both health and education. She is also an accompanist with BalletBoyz, working for the Parkinson’s CAN Dance classes. Charlotte has also been involved in leading and assisting educational workshops for BBC Symphony Orchestra and Teenage Cancer Trust.
Keaton Henson is an English folk rock musician, visual artist and poet from London. Henson has released six studio albums. His music video for “Charon” was shortlisted for a UK MVA award in Best Budget Indie/Rock Category. “Small Hands” won Best Music Video at the Rushes Soho Shorts Film Festival in 2012. In November 2012, Henson designed a t-shirt for the Yellow Bird Project to raise money for the Teenage Cancer Trust. Henson also composed the score for the multiple Award-nominated film Young Men by BalletBoyz and BBC 2.
The current BalletBoyz Company includes: Sean Flanagan, Benjamin Knapper, Harry Price, Liam Riddick, Matthew Sandiford and Bradley Waller.
Sean Flanagan trained with The Royal Ballet School in London and has performed works by esteemed choreographers including Kenneth MacMillan, Frederick Ashton, Ohad Naharin and Liam Scarlett. He joined BalletBoyz in 2017 and has toured the UK, Italy, Florida and China with the company.
Benjamin Knapper recently graduated from Rambert School of Ballet & Contemporary Dance and has worked with choreographers including Richard Alston, Mark Baldwin and Ashley Page. Ben has also performed with Rambert Dance Company on their spring and autumn tours performing A Linha Curva choreographed by Itzik Galilli.
Harry Price has previously performed in the international tour of Matthew Bourne’s Swan Lake across Asia, Australia and Europe. He joined BalletBoyz in 2015, has toured globally with the company and has been involved in various film and TV projects. This will mark his fifth season with the company. Harry trained with Italia Conti Theatre Arts, Elmhurst Ballet School and the English National Ballet School. He has performed with the Baltic Dance Theatre and in national tours with English National Ballet and ENBII.
Liam Riddick is BalletBoyz’ newest member, joining this month. He trained with London Contemporary Dance School and has toured nationally and internationally with the Richard Alston Dance Company for eight years. He received 7 nominations for the Critics Circle National Dance Awards, and in February 2018 won Best Male Dancer. He has also danced for James Cousins Dance, and featured in Rick Guest’s exhibition and book What Lies Beneath.
Matthew Sandiford joined BalletBoyz in September 2012 and will now make his seventh season with the company. As part of BalletBoyz, he has toured the UK, Europe, the USA and Australia, performing work by Kristen McNally, Christopher Wheeldon and Alexander Whitley amongst others. Matthew has also danced with Charlie Dixon Dance Company and was a featured dancer in the London 2012 Closing Ceremony.
Bradley Waller trained at the NECB School and Rambert School for Ballet and Contemporary Dance. Originally joining as an apprentice, Bradley became a full-time member of BalletBoyz in three months and is now also one of the directors of the Dancer’s Course. He has toured nationally and internationally and will make his fifth season with the company.
