Here and Now, the Steps Musical Review

Manchester Opera House – until 13 September 2025 then continuing to tour the UK

Reviewed by Emily Smith

5*****

Trigger warning: Child loss and adoption.

Here and Now tells the story of four friends working at Better Best Bargains who are committed to their Summer of Love. It is, as you’d probably expect from a show based on the music of infamous pop group Steps, flamboyant, over-the-top and full of fun.

Step One for the show was a short run at The Alexandra in Birmingham last year (2024) after which a full UK tour starting in 2025 was announced. Fast forward to last night, Here and Now triumphantly returned with a gala night performance at the Manchester Opera House with Steps themselves(!) in attendance. The atmosphere was electric, and it was an evening full of happiness, sparkles and 90s nostalgia.

The staging, by Tom Rogers, was instantly impressive with floor to ceiling shelves of the bargain store illuminated by bright white lights with splashes of blue and pink. Moving set pieces and props completed the look and were used to a good effect, changing scene from the bargain store to an airport and a back alley.

Being a jukebox musical, all of the storylines are woven around Steps songs. This is always a careful balance to get right – focus too much on the music and the story falls flat and you don’t invest in the characters but focus too much on the story and you lose the music which is a big pull for many! Here and Now gets this balance bang-on in my opinion; Shaun Kitchener’s book perfectly blends Steps’ greatest hits with a story that will have you laughing and crying along with the characters and rooting for love.

Rebecca Lock (Caz) was the undisputed star of the show. Her powerful vocals shone through the entire evening and I cannot praise her performance highly enough! River Medway (Jem) also gave a fabulous rendition of Chain Reaction in full drag which was a real crowd pleaser. Jacqui Dubois (Vel), Rosie Singha (Neeta) and Blake Patrick Anderson (Robbie) all had a chance to shine during the show with their own storylines and songs. Blake’s vocals were most suited to slower numbers such as Say You’ll Be Mine, while Rosie’s stand-out number Scared of the Dark showcased her vocal ability. All of the cast played their roles brilliantly, they were committed and the audience were completely invested!

While most of the show is full of pop classics from the 90s such as Better Best Forgotten, 5, 6, 7, 8, Stomp and Love’s Got A Hold On My Heart, there are also several numbers from Steps’ more recent albums such as Neon Blue and Scared of the Dark. The show has some incredible arrangements of songs – some of which left me in tears – particularly Rebecca Lock’s version of Heartbeat, sung in honour of her character’s stillborn son. I also have to give credit to the band, led by musical director Georgia Rawlins, who brought the show to life, complimenting Adam Fisher’s sound design.

Matt Cole’s choreography was energetic and included some of the original Steps dance-moves we all know and love while remaining fresh and modern. Gabriella Slade’s costumes were bright and colourful and ranged from the Better Best Bargains store uniforms to air stewardesses and electricians. The ensemble did a great job throughout at maintaining the energy and making this production come to life.

For me, the jokes throughout were spot-on and I barely stopped laughing. The stand-out moments came from Patricia (Finty Williams), the store’s manager and Lesley (John Stacey), though the entire cast were fabulous. The humour was very ‘best of British’ (‘Cheryl from the Chippy!’) and at times a bit silly, but the audience were laughing along throughout! There were also multiple pop-culture references, like during the Half Price Hoedown (‘shantay you save’ – a nod to Ru Paul’s drag race), which further enhanced the show.

The storylines ranged across a variety of themes and while predominantly focussed on love and relationships (of all flavours!) there were also important topics such as child loss, adoption and female empowerment.

For Steps superfans there were plenty of little details that were fun to spot throughout alongside the more obvious choices such as the tills being numbered 5, 6, 7 and 8. To share just a few examples, the rubbish bins were ‘TRASH-EDDY’ (like ‘Tragedy’), there were jokes about ‘pasta a la Clara’ (which was a recipe Claire Richards shared over 20 years ago in Steps’ first video on VHS!) and the airline was called ‘Buzz Airlines’ (after the album ‘Buzz’).

To add a caveat to this review, not only have I been a huge fan of Steps since my childhood in the 90s, but I am also a sucker for a discount store (think B&M and Home Bargains) as well as the seaside. When you add these together to get Here and Now, set in Better Best Bargains by the sea, it’s unsurprising I fell head over heels in love.

Rachel Kavanaugh’s direction has made this show a complete hit in my view and one thing is for certain – this is not a jukebox musical that’s Better Best Forgotten – it truly is a steptacular (sorry, spectacular) show that will leave you feeling joyous inside, and perhaps, like me, a part of your inner child will heal too.

The UK tour of Here and Now continues across the UK through to 2026.

Bill Posley: The Day I Accidentally Went to War

Soho Theatre, Dean St, London W1 -until 13th September 2025

Reviewed by Phil Brown

4****

Bill Posley an American comedian originally from Springfield, Mass positively oozes charisma and performing talent.  He’s a natural raconteur with a delightful sense of fun and brilliant, slightly camp, punch line delivery.

Posley’s highly original, deeply personal 1½ hour one man show The Day I Accidentally Went to War (writer – Bill Posley, director Bente Engelstoft)takes you through his formative experiences growing up in a somewhat dysfunctional mixed race family onto his first real adult venture in the National Guard and his subsequent deployment and demobililization (with a z) issues.  It’s intensely honest, poignant and mostly riveting, taking you on an extreme roller coaster ride of emotions until veering occasionally into rather earnest #bekind, political territory before a very strong finish.  It’s intelligent, and witty, with moments of sublime humour but the occasional lull.  This could become a truly outstanding 1 hour show with some editing.

For a relatively slight guy, Posley has a powerful stage presence possibly helped by the camo fatigues.  He welcomes the audience in the guise of a drill sergeant about to take us through basic training.  And he adopts the demeanour of an instructor giving a presentation backed up by some very slick visual aids.   All in a well paced fun way!

To back up a bit – the key reason Posley ends up in the military in the first place comes down to his family’s bankruptcy and his decision to finance a post high school college education by joining the army.   His show is rich with relevant facts and statistics, one being there are three organisations in the US army – the regular army (full time), the reserves (federal controlled, part time) and the national guard (state controlled, part time).  Posley elects to join the National Guard as the least worst option.  But, all three units undergo the exact same basic training and that’s where we start…

Cue some light audience participation – we all get lapel stickers, a squad number to be barked on demand and a battle buddy, but not someone we arrived with.  He teaches us to say “hoo-rah” which is used to express enthusiasm, agreement, or camaraderie.  At one point, to illustrate real teamwork with a diverse collection of people and abilities, we are given 45 seconds to pass a quarter coin hand to hand through the entire audience.  We succeeded!

It turns out, despite the diet, Posley loved basic training which I suspect only someone aged 17 at the time can, although he puts it down to the fierce conditioning provided by a scary father.  His passing out parade then happens to be on the same day as 9/11 but he settles into college life believing there is little chance of being called up to fight in the subsequent Middle Eastern wars.   As Posley himself might say – wrong!

At around the age of 19 he is mobilized and prepared for desert warfare on the Canadian border in winter leading to the tragic death of a best buddy – an example of how the confusion of war extends beyond the battlefield.  

Astonishingly around 50% of US forces on duty overseas are from the reserves or national guard – part time soldiers.  Posley does a 15 month tour in a 12 man Reconnaissance Recovery team which he likens to the equivalent of the RAC in the apocalypse.  His recollections take a serious turn as he starts to question the basis of the war and his country’s actions there.  It gets darker when he talks about the psychological impact of war on his return – the lack of respect for vets and understanding of their needs.

One of the best moments of this show comes right at the end when Posley asks for a show of hands by anyone who is or has ever been…..an asshole!  Wow, we weren’t expecting that. The audience reacted with commendable honesty.  According to Posley, admitting being an asshole means you’re willing to admit you’re wrong.  “Why can’t we sit down across from each other as a couple of assholes.  That’s the country I want to live in…” 

By my maths, it is around 20 years since the Iraq war when Bill Posley was deployed.  Even though that’s a lot of personal development time, you would be forgiven for not recognising the man on stage as the individual he portrayed in this story.  How much of the apparent transformation is down to his experiences in the National Guard is clearly hard to tell but I have to say, he’s a very long way from the unfit, underachieving youth he once was.  

He is without question a very fine writer and performer and It would be fascinating to know how he has gone from war damaged veteran to finding his true calling on stage.

Recipient of a dozen major theatre awards including the Tony Award for Best Director of a Musical for La Cage Aux Folles TERRY JOHNSON will direct the new production of MUSIK by Jonathan Harvey and Pet Shop Boys

Recipient of a dozen major theatre awards including the Tony Award
for Best Director of a Musical for La Cage Aux Folles 

TERRY JOHNSON  will direct the new production of 

MUSIK

by Jonathan Harvey and Pet Shop Boys

starring Frances Barber

Wilton’s Music Hall, London 14th – 25th October

Six years after its sold out critically acclaimed world premiere at the Edinburgh Fringe and London transfer, outrageous MUSIK by writer Jonathan Harvey and Pet Shop Boys Neil Tennant and Chris Lowe, starring Frances Barber, is to return to London to Wilton’s Music Hall.

Today producers announce that the new production will be directed by internationally renowned director and playwright  Terry Johnson, the recipient of a dozen major theatre awards including the Tony Award for Best Director of a Musical 2010 for La Cage Aux Folles.

Terry said:
I am delighted to be joining the sterling team of creatives on this funny, tuneful, eccentric and startling joy-ride of a show in which Ms Barber, armed with the wit of Mr Harvey and the tune-smithery of Messrs Tennant and Lowe, will step onto the stage of the most prestigious Music Hall still standing, and stir its ghosts into a frenzy of alarm and admiration.”

Billie Trix. Icon. Rock star. Screen goddess. Hedonist. Billie has lived a life of excess and shares it all in her one-woman show. Her journey takes us from post-war Berlin to the rock arenas of the world, via the Vietnam war, Andy Warhol’s Factory, and 10 years living in a Soho Square phone box.

A 60-minute, one-woman cabaret starring multi-award-winning actress Frances Barber reprising the role of Billie Trix she first created in the 2001 West End musical, Closer to Heaven, MUSIK will run at Wilton’s Music Hall from 14th – 25th October.

Frances Barber said:
“Of all the characters I’ve ever played, Billie Trix is the closest to my heart. A woman of a certain age (even she doesn’t know) who has lived a life that may or may not be entirely accurate, but what a ride! And she’s still here! Billie was born from the brilliant imagination of Jonathan Harvey & PSB  in Closer To Heaven over 20 years ago. When we embarked on her solo adventures PSB wrote six new songs for each chapter of her extraordinary experiences, woven into the magical narrative of Jonathan. She’s delusional, outrageous, accidentally hilarious and beyond loveable. I’m thrilled my journey with her is coming back.”

Jonathan Harvey said:
“It was such a treat reconnecting and working with Chris and Neil on this, over 20 years after our first foray into musical theatre writing. In MUSIK Billie, dried up, drug addled icon and rock star performs her self-penned self-directed one person art house extravaganza about her life, loves, and – amazingly – how she was present at every important moment in recent – and not so recent – world history. Is she telling the truth? Can she still nail a number after 10 lines of cocaine? Come and decide for yourselves!”

Pet Shop Boys said:
“When we wrote Closer to Heaven over 20 years ago, we loved the compelling outrageousness of the character Billie Trix as written by Jonathan and performed by Frances. We discussed for many years the idea of creating her own one-woman show which would give us the chance to write more songs for her as she looks back on her incredible career. It was thrilling when this show became a sold-out reality in Edinburgh a few years ago and we are delighted that it is returning to London in such a beautiful and historic venue. Frances Barber’s astonishing performance is not to be missed!”

Frances Barber
Frances Barber is an award-winning star of stage, screen and TV. Her extensive credits include the films Prick Up Your Ears, Sammy and Rosie Get Laid, Trick or Treat, King Lear, Hamlet and Film Stars Don’t Die in Liverpool. Her numerous TV credits include Silk, The Street, Beautiful People, guest starring episodes of Doctor Who as Madame Kovarian, Chelsea Detective and  three seasons of Whitstable Pearl.
Frances won WhatsonStage Best Actress in a Musical for Closer to Heaven and An Offie Award for Best Actress for MUSIK.

Pet Shop Boys
Pet Shop Boys have sold more than 50 million records worldwide and are listed as the most successful duo in UK music history by The Guinness Book of Records. Since 1985 they have achieved 42 Top 30 singles, 22 of them Top 10 hits in the UK Singles Chart, including four UK number ones and at the 2009 Brit Awards, they received an award for Outstanding Contribution to Music. They have also written a score for the classic silent film, Battleship Potemkin, a ballet, The Most Incredible Thing, and performed at the BBC Proms their musical work inspired by Alan Turing, A Man From The Future.

Jonathan Harvey
Jonathan Harvey is an acclaimed playwright, novelist and TV writer whose work has earned many awards. His plays include Beautiful Thing, for which he won the prestigious John Whiting Award and Babies (National Theatre Studio/Royal Court Theatre), winner George Devine Award and Evening Standard’s Most Promising Playwright Award. On TV he wrote the cult comedy series Gimme Gimme Gimme, starring Kathy Burke and James Dreyfus, Beautiful People and is a regular script writer on ]Coronation Street.

Terry Johnson
Terry Johnson is a playwright/director. West End directing credits include: Dead Funny, Mrs Henderson Presents, The Duck House, End of The Rainbow, The Libertine (with John Malkovitch), The Prisoner of Second Avenue (with Jeff Goldblum), The Rise and Fall of Little Voice, La Cage Aux Folles (With Kelsey Grammer and Harvey Fierstein), Rain Man (with Josh Hartnett), Whipping It Up, One Flew Over The Cuckoo’s Nest (with Christian Slater), Hitchcock Blonde (with Rosamund Pike), Entertaining Mr Sloane, The Graduate (with Kathleen Turner), Hysteria (with Sir Antony Sher), Elton John’s Glasses and The Memory of Water.  

Other credits include:
Royal Court Theatre: Insignificance, Cries From The Mammal House, Hysteria, Hitchcock Blonde and Piano/Forte (With Kelly Reilly and Alicia Witt). Royal National Theatre: Cleo, Camping, Emmanuelle and Dick, The London Cuckolds and Sparkelshark Hampstead Theatre: To Have and to Hold, Uncle Vanya, Prism, Hysteria, Race, Old Money, Seminar, Ken.
Theatre Royal Stratford East: Oh What a Lovely War and Fings Ain’t What They Used T’Be.
Bath Theatre Royal: Charlotte and Theodore, The Dresser. Steppenwolf Theatre, Chicago: Lost Land and The Libertine (with John Malkovitch). Edinburgh Festival: Ken, Our of My Head.

Work for television includes: The Man Who Lost His Head, Cor, Blimey! (ITV) , and Not Only But Always (CH4), which won five International Award nominations, Best Film at Banff and the Best Actor Bafta for Rhys Ifans. He also wrote The Bite (BBC and ABC Australia). His film Way Upstream was chosen for the London Film Festival and Insignificance was an official British Entry at Cannes.

He is a former Literary Associate at the Royal Court Theatre where he has had five of his own plays; Insignificance, Cries From The Mammal House, Hysteria, Hitchcock Blonde and Piano/Forte produced, and has directed two further premieres, including Joe Penhall’s Dumb Show. 

LISTINGS INFO

MUSIK
by Jonathan Harvey
& Pet Shop Boys

Songs by Pet Shop Boys

Starring Frances Barber

Directed by Terry Johnson

Wilton’s Music Hall
Graces Alley,
London E1 8JB

Tuesday 14 – Saturday 25 October

Tuesday – Saturday at 7 30pm
Saturday at 2.30pm

Running time:
60 mins (no interval)

Venue Website  
https://wiltons.org.uk/whats-on/musik/

Box Office: 020 7702 2789

Tickets: from £12.50

Age recommendation
16+

Social media

Twitter:
@petshopboys
@cahootstc

Facebook:
petshopboys
cahootstheatreco

website
www.cahootstheatrecompany.com

Music Hall legends come together in unique celebration at five venues only – Don’t Dilly Dally October — November 2025

Music Hall legends come together in unique
celebration at five venues only – Don’t Dilly Dally
October — November 2025

Don’t Dilly Dally as the UK’s best Music Hall acts come to theatres for a unique and entertaining show full of songs and laughter.

Starting at Lyric Hammersmith Theatre in celebration of the theatre’s 130th birthday week, the show will take Lyric audiences back to its origins as a music hall and vaudeville house for one special night on Tuesday 14th October. The show then tours to Norwich Playhouse (27th October), Mercury Theatre, Colchester (29th October), The Radlett Centre (1st November) and Theatre Royal Windsor (11th November).

Among the cast across the tour are: Music Hall legends Anita Harris (recording artist and star of the much-loved Carry On films) and Jan Hunt (BBC’s Crackerjack and The Good Old Days); Claire Moore, pantomime legend and star of The Last Laugh; international musical virtuoso Damian Williams; Big Band legend Georgina Jackson; breathtaking Vaudevillian speciality act Ian Marchant; Music Hall and pantomime favourite Ben Stock. They will be accompanied by piano and singalong master Tom Carradine, alongside newcomers Toby Brewer, Isabella Mason and Kane Verrall. Check individual theatres for the line-up at each venue.

Made popular in the early Victorian period, Music Hall involved true entertainment with popular songs, comedy, speciality acts and variety shows. In 1878, London proudly hosted 78 large music halls in the metropolis and 300 smaller venues. So, jump onto your Bicycle Made for Two and Let’s All Go Down The Strand to the Old Bull & Bush for a fun, nostalgic show that will have audiences singing along.

Don’t Dilly Dally is produced by Green Room Ents Ltd.

BARNUM EXTENDS ITS UK TOUR INTO THE AUTUMN OF 2026 DUE TO HUGE DEMAND WITH MATT RAWLE TAKING ON THE ROLE OF THE WORLD’S GREATEST SHOWMAN FROM 12 AUGUST

BARNUM EXTENDS ITS UK TOUR INTO

THE AUTUMN OF 2026 DUE TO HUGE DEMAND

WITH MATT RAWLE TAKING ON THE ROLE OF

THE WORLD’S GREATEST SHOWMAN FROM 12 AUGUST

Roll up, roll up for the greatest show on earth!

Earlier this year, Bill Kenwright Ltd announced that it is presenting a major UK tour of the hit Broadway and West End musical Barnum, starring Lee Mead (Joseph and the Amazing Technicolor Dreamcoat; Wicked; Legally Blonde) as the legendary showman P.T. Barnum. The tour opens at the Theatre Royal Windsor on 3 February 2026 (previews from 30 January) and the full list of venues from January – July is released today.

Bill Kenwright Ltd is now delighted to announce that, due to huge demand, the tour will be extending into the autumn of next year, with Matt Rawle (Cabaret; Evita; Les Misérables) reprising his critically acclaimed performance in the title role, first seen at the Watermill Theatre in 2024. The autumn leg of the tour will open at Newcastle Theatre Royal on Tuesday 12 August, with further venues through to the end of November.

Step right up and enter the dazzling world of P.T. Barnum, where imagination and ambition know no bounds. Hand in hand with wife Charity, Barnum’s life and career twists and turns as he schemes and dreams his way to headier heights. 

Barnum first took the UK by storm when it played the London Palladium, with Michael Crawford making theatrical history with a death-defying nightly tightrope walk across the stage. And now, Lee and Matt step into Barnum’s shoes and on to the tightrope! This spectacular new staging will feature an extraordinary ensemble cast of over 20 actor-musicians playing 150 instruments, acrobats and amazing international circus acts.

With direction by Jonathan O’Boyle (Picture You Dead; The Last Five Years) andchoreography by Oti Mabuse (Strictly Come Dancing), The Observer called this production a “dazzling all-singing, all-juggling musical tribute to the 19th-century circus showman” in their five-star review when it premiered at the Watermill Theatre last year.

With the glorious music of multi-award-winner Cy ColemanMichael Stewart’s lyrics and Mark Bramble’s book, Barnum features a whole host of classic show tunes including Join the Circus, Colours of My Life, Come Follow the Band and Love Makes Such Fools of Us All.

The creative team also includes Lee Newby (Set & Costume Designer), Matt Nicholson

(Co-Choreographer), Jai Morjaria (Lighting Designer), Tom Marshall (Sound Designer), George Dyer (Musical Supervisor, Arrangements & Orchestrations) and Amy Panter (Circus Director).

Barnum was originally produced on the Broadway stage by Judy GordonCy ColemanMaurice and Lois F. Rosenfield in association with Irwin Feld and Kenneth Feld.

LISTINGS

Bill Kenwright Ltd presents the Watermill Theatre production of

BARNUM
MUSIC BY CY COLEMAN
LYRICS BY MICHAEL STEWART
BOOK BY MARK BRAMBLE

Website: www.kenwright.com

TOUR SCHEDULE 2026

STARRING LEE MEAD:

30 Jan – 7 Feb                  Windsor Theatre Royal                              

10 – 14 Feb                       Manchester Palace Theatre                    

24 – 28 Feb                       York Grand Opera House                          

3 – 7 Mar                             Brighton Theatre Royal
10 – 14 Mar                       Portsmouth Kings Theatre                       

17 – 21 Mar                       Cardiff Wales Millennium Centre         

24 – 28 Mar                       Aylesbury Waterside Theatre                 
31 Mar – 4 Apr                  Bradford The Alhambra Theatre
7 – 11 Apr                           Cheltenham Everyman Theatre

14 – 18 April                     Dublin Bord Gáis Energy Theatre

21 – 25 Apr                        Birmingham Hippodrome
28 Apr – 2 May                 Sheffield Lyceum Theatre                

5 – 9 May                            Swindon Wyvern Theatre

19 – 23 May                      Woking New Victoria Theatre

26 – 30 May                       Nottingham Playhouse

2 – 6 Jun                              Hull New Theatre

9 – 13 Jun                           Blackpool Opera House

16 – 20 Jun                        Bournemouth Pavilion Theatre

23 – 27 Jun                        Richmond Theatre (Tickets will be on sale soon)

30 Jun – 4 Jul                    Southend Cliffs Pavilion  

STARRING MATT RAWLE:

12 – 15 Aug                       Newcastle Theatre Royal

Further dates through to November 2026 and full casting to be announced

NEW CAST ALBUM OF TIM RICE AND ANDREW LLOYD WEBBER’S EVITA STARRING RACHEL ZEGLER TO BE RELEASED WITH “RAINBOW HIGH” OUT TODAY

NEW CAST ALBUM OF

TIM RICE AND ANDREW LLOYD WEBBER’S

EVITA

STARRING RACHEL ZEGLER

TO BE RELEASED

WITH “RAINBOW HIGH” OUT TODAY – LISTEN HERE

As Jamie Lloyd’s critically acclaimed production of Tim Rice and Andrew Lloyd Webber’s EVITA starring Rachel Zegler concludes its sold out run at The London Palladium, it is announced that a new cast album will be released, with the highly anticipated track, Rainbow High out today – listen here.

The 10-track album will be released on The Other Songs label, and includes: Oh What A Circus, Buenos Aires, I’d be Surprisingly Good for YouAnother Suitcase in Another Hall, A New Argentina, Don’t Cry For Me Argentina, High Flying Adored, Rainbow High, And The Money Kept Rollin In (And Out) and You Must Love Me.

The album will be available digitally, on white and blue marble vinyl and CD. Pre-order now via: dcfma.com. Release date to be announced.

This recording of the critically acclaimed production of EVITA, directed by multiple Olivier Award and Tony Award winner Jamie Lloyd, was captured live at The London Palladium in summer 2025, featuring Rachel ZeglerDiego Andres RodriguezJames OlivasAaron Lee Lambert and Bella Brown.

Don’t Cry For Me Argentina performed by Rachel Zegler, was the first track to be unveiled from the new recording, reaching number 1 on the Official UK Vinyl Singles Chart on three occasions.

The album is produced by Andrew Lloyd WebberJamie LloydAdam Fisher and Alan Williams. Executive Producers are Tim Rice and Andrew Lloyd Webber.

EVITA

Lyrics by Tim Rice; Music by Andrew Lloyd Webber

Directed by Jamie Lloyd

“The truth is I never left you”

Tim Rice and Andrew Lloyd Webber’s legendary Evita, reimagined by the visionary award-winning director Jamie Lloyd.

Featuring an iconic score including Don’t Cry For Me Argentina, Oh What A Circus, Another Suitcase in Another Hall, and the Oscar-winning You Must Love Me.

Fuelled by ambition and passion, Eva Perón rose from poverty to become the most powerful woman in Latin America. A symbol of hope to many Argentines, her star shone brightly as she captured the nation’s heart and divided its soul. 

Evita at The London Palladium was produced by Michael Harrison for Lloyd Webber Harrison Musicals and Jamie Lloyd for The Jamie Lloyd Company by arrangement with LW Entertainment (formerly The Really Useful Group).

www.evitathemusical.com

Instagram:          @OfficialEvita

Facebook:           /EvitaTheMusical

TikTok:                 @EvitaMusical

COME JOIN US IN THE UNDERWORLD… HALLOWEEN COMES TO DISNEY’S HERCULES AT THEATRE ROYAL DRURY LANE WITH A SPECIAL SURPRISE ‘THIRD ACT’

COME JOIN US IN THE UNDERWORLD…

HALLOWEEN COMES TO DISNEY’S HERCULES

AT THEATRE ROYAL DRURY LANE

WITH A SPECIAL SURPRISE ‘THIRD ACT’

For one night only this Halloween at Disney’s Hercules, Hades will take over Theatre Royal Drury Lane’s front of house with a trail of music, mayhem, photo opportunities before curtain-up and a surprise third-act.

Starting at 8pm on the 31 October, audiences are invited to come dressed in their best spooky seasonal looks or costumes– extra kudos for being Disney Villain-inspired, but don’t let your horns blocks the view!

The bar will also be taken over by the spirits with special themed cocktails for this one-off event.

Lorcana, the Disney trading card game produced by Ravensburger, will be supporting the evening with giveaways and special prizes.

To round off the evening in a uniquely special way, there will be a surprise third-act performance. We would tell you more, but Hades says we can’t share just yet…

Tickets for the Halloween performance can be purchased via: https://www.herculesthemusical.co.uk/

Facebook /HerculesOnStage

Instagram @herculesonstage

www.herculesthemusical.co.uk  

DISNEY’S

HERCULES

Music by Alan Menken

Lyrics by David Zippel

Book by Robert Horn and Kwame Kwei-Armah

Cast: Luke Brady (Hercules), as the Muses, Candace Furbert (Thalia), Sharlene Hector (Clio), Brianna Ogunbawo (Melpomene), Malinda Parris (Calliope), Robyn Rose-Li (Terpsichore), and Kimmy Edwards and Kamilla Fernandes (Standby Muses); Mae Ann Jorolan (Meg), Trevor Dion Nicholas (Phil), Stephen Carlile (Hades), and Craig Gallivan and Lee Zarrett (in the roles of Bob and Charles), with Rhianne AlleyneLana AntoniouDaisy BarnettFelipe BejaranoSarah BenbelaidJoel BenjaminJack ButcherNicole Carlisle, Francessca Daniella-Baker, Marie FinlaysonRyesha HiggsCruz-Troy HunterTravis KerryStefan LagoulisJason Leigh WinterJordan LiveseyHarriet Millier, Ellie Mitchell, Saffi Needham, Ben NicholasIngrid OliviaMatt Overfield, Patrick John Robinson, Ope Sowande and Rhys West

Director and Choreographer: Casey Nicholaw; Co-Choreographer: Tanisha Scott;

Scenic and Additional Video Design: Dane Laffrey; Costume Design: Gregg BarnesSky Switser;

Lighting Design: Jeff Croiter; Sound Design: Adam Fisher; Video Design: George Reeve;

Special Effects Design: Jeremy Chernick; Dance Music Arrangements: David Chase;

Hair and Wig Design: Mia M. Neal; Make-Up Design: Kirk Cambridge- Del Pesche;

Music supervisor and Arranger: Michael Kosarin; Orchestrations: Danny Troob and Joseph Joubert;

Dance Arrangements: David Chase; Casting: Natalie Gallacher CDG for Pippa Ailion and Natalie Gallacher Casting

The musical, inspired by the animated film, based on the ancient myth.

It’s what classical civilisation would have wanted.

Ancient Greece. A time of gods, mortals… and Hercules, who isn’t quite either. But if he’s not a god, how can he possibly save the world from Hades? It’s one thing flexing those pecs, but going from zero to hero requires a different kind of strength. 

Get ready for a wise-cracking, column-shaking, underworld-rocking ride of adventure, self-discovery, and love. In tunics. 

LISTINGS

HERCULES

Theatre Royal Drury Lane

Catherine Street, Covent Garden, London WC2B 5JF

www.herculesthemusical.co.uk  

Previews sold out – from £29.50 post press night

Group rates and education rates are available – please see the website

PERFORMANCES:

POST PRESS NIGHT:

Monday to Saturday 7:30pm

Thursday and Saturday matinees 2:30pm 

ACCESS PERFORMANCES: 020 3925 2998 or access@lwtheatres.co.uk

Captioned performance                 7.30pm on 15 September

Signed performance                       7.30pm on 23 September

Relaxed performance                     1.30pm on 15 November

Audio Described performance     2.30pm on 29 November

Further Cast Announced for Cinderella at Richmond Theatre

FURTHER CASTING ANNOUNCED FOR CINDERELLA AT RICHMOND THEATRE STARRING HELEN GEORGE, CHARLIE STEMP AND BASIL BRUSH

SAT 6 DEC 2025 – SUN 4 JAN 2026

Richmond Theatre has announced further casting for their upcoming production of Cinderella, playing from Saturday 6 December 2025 – Sunday 4 January 2026.

The theatre previously announced Helen George as The Fairy Godmother, Charlie Stemp as Buttons and Basil Brush as Baron Basil as the stars of this year’s magical family pantomime. They will be joined by musical theatre performers Michael Lin as Dandini, Tom Major as Prince Charming, and Hope Dawe as Cinderella, who returns to Richmond Theatre after starring in last year’s production of Beauty and the Beast.

Helen Georgeis an acclaimed actress, best known for her regular role of Trixie Franklin in the BAFTA award-winning drama call The Midwife for BBC One. Helen has played leading roles in The King and I (Dominion Theatre), My Cousin Rachel (Theatre Royal Bath and UK tour), Love in Idleness (Menier Chocolate Factory) and After Miss Julie (UK tour).

Charlie Stemp returns to pantomime following his acclaimed performances in Dick WhittingtonSnow WhitePantoland and Robin Hood at The London Palladium. A celebrated musical theatre performer, his credits include Crazy For You (Chichester Festival Theatre and Gillian Lynne Theatre), Mary Poppins (Prince Edward Theatre), Kiss Me, Kate (Barbican), and his breakout role in Half A Sixpence – for which he won a WhatsOnStage Award and received multiple Olivier nominations. Charlie made his Broadway debut opposite Bette Midler and Bernadette Peters in Hello, Dolly!

A mischievous and much-loved figure in British television, Basil Brush has entertained generations with his irrepressible humour and trademark “Boom! Boom!” catchphrase. From his debut in 1963 to The Basil Brush Show and beyond, he remains one of the nation’s most recognisable and best-loved entertainers.

Michael Lin has built an extensive career with theatre credits including Evita (The London Palladium), Sunset Boulevard (Savoy Theatre), Anything Goes (Barbican and UK tour), and 42nd Street (Théâtre du Châtelet). Hope Dawe made her professional debut as Sandy in Grease (UK and Ireland tour) and her West End debut as Alternate Ali Rose in Burlesque The Musical (Savoy Theatre). Tom Major recently made his professional debut as Rodney in the first UK & Ireland tour of Only Fools and Horses: The Musical.

Packed with all the traditional pantomime ingredients Richmond audiences know and love, Cinderella promises laugh-out-loud comedy, spectacular special effects, stunning scenery and beautiful costumes – not to mention plenty of boos and hisses!

The clock is ticking! Don’t miss your chance to go to the ball – book now for the ultimate festive treat.

Storyhouse Chester Seeks New Trustees To Help Shape Its Future

STORYHOUSE SEEKS NEW TRUSTEES TO HELP SHAPE ITS FUTURE

Storyhouse is looking for three new trustees to join its board and play a vital role in shaping the future of the much-loved Chester charity.

Being a trustee at Storyhouse offers the chance to support one of the UK’s most exciting cultural organisations — home to a theatre, library, cinema, festivals and community programmes that together welcome more than 850,000 visits every year.

Chair of the Board, David Watson, said: “At Storyhouse, we’re on the lookout for passionate, committed people to join our Board of Trustees. We’re especially keen to hear from those in our priority areas who are looking not only to give back but to gain from the experience too.

Join our talented trustees in helping to lead the strategic future of Storyhouse, working alongside a brilliant company at the cutting edge of creativity and storytelling.

It’s a true privilege to be Chair – the work is fulfilling, impactful and a chance to be part of something bigger. This is your opportunity to help shape our next exciting chapter.”

The charity is seeking new Trustees from a wide variety of backgrounds who can bring fresh perspectives, lived experiences, and specialist skills to its Board. No previous board experience is required and full training and support are provided. Storyhouse is particularly keen to hear from people under the age of 25, as well as those living or working in Chester who have strong local networks. Alongside this, the organisation is interested in candidates with knowledge or experience in areas such as commercial enterprises like food and beverage or retail; estates and operations including security, facilities management and capital projects; digital and technology innovation from AI to product development; and libraries and archives, whether through service management, heritage collections or archival presentation.

The scale and impact of Storyhouse is significant. In the last year alone, it supported more than 6,000 young people, created over 400 performances both indoors and outdoors and sold nearly 188,000 theatre tickets. Each month, more than 40 community groups use the building. Its Grosvenor Park Open Air Theatre is recognised as one of the country’s leading open-air theatres, attracting 28,000 visitors every summer.

Two informal drop-in sessions will be held on Saturday 13 September at Storyhouse in Hunter Street for anyone who would like to find out more about the role. The closing date for applications is 10am on Monday 29 September, with interviews taking place in October

For more information on becoming a trustee and to register to attend the drop in sessions, click the following link www.storyhouse.com/jobs/#join-the-board-of-trustees

For more details on Storyhouse and its activities visit www.storyhouse.com

Follow Storyhouse on social media channels: 

Facebook:       https://www.facebook.com/storyhouselive/

X:                      @StoryhouseLive

Instagram:      @StoryhouseLive

The Book of Mormon Review

His Majesty’s Theatre, Aberdeen – until Saturday 20th September 2025

Reviewed by Fiona Leyman

5*****

The Book of Mormon is a vibrant, satirical musical that follows two young missionaries from Salt Lake City as they finish their training and embark on their first mission. The story centres on ‘Golden Boy’ Elder Price, who harbours dreams of travelling to his favourite destination, Orlando, and making a grand spiritual impact. His Brother, Elder Cunningham, is everything Price is not: socially awkward, awkwardly enthusiastic, and academically less than stellar. Their contrasting personalities set the stage for a compelling narrative filled with humour, challenges, and unexpected growth.

Trey Parker and Matt Stone, known for their comedy on South Park, have teamed up with Robert Lopez, a multi-award-winning lyricist known for his work on Avenue Q and Disney’s Frozen. The musical, which is all-singing, all-dancing, is a unique blend of satire, humour, and emotional depth. The opening number, “Hello,” sets the stage for a performance that balances the comedy with a touching narrative. The musical transcends conventional comedy or typical stage productions, offering a richly layered entertainment experience. The musical is a testament to the creative possibilities when diverse talents come together, with inventive lyrics, memorable tunes, and Parker and Stone’s comedic edge. The performance promises to leave audiences laughing from start to finish, proving that the magic of collaboration knows no bounds.

Taking centre stage is Adam Bailey, reprising his role as Elder Kevin Price with a charisma and vocal prowess that elevates the entire production. Having previously witnessed Bailey’s captivating presence in the West End’s acclaimed Jersey Boys, expectations were high—and he did not disappoint.

Bailey embodies Elder Kevin Price with a remarkable blend of camp charm and vocal versatility. Though the role demands consistently high notes, it’s Bailey’s resonant low tones that truly showcase his impressive range and control. His rich, powerful voice is complemented by flawless dance moves and an undeniable stage presence.

Complementing Bailey is Sam Glen as Elder Arnold Cunningham, whose comic timing infuses the show with delightful humour. Glen perfectly captures the awkward yet endearing nature of his character, delivering spontaneous ad-libs that light up the stage—particularly in moments grappling with the pronunciation of Nyah Nich’s character, Nabulungi.

Rounding out the standout performances is Tom Bales, as Elder McKinley (La Cage aux Folles) with glittering enthusiasm. Bales brings a show-stopping flair to “Turn It Off”, a number dripping with razzle-dazzle and sharp choreography.

At its core, The Book of Mormon tells a story that blends irreverent comedy with heartfelt moments, exposing human foibles and challenging social norms. However, the humour is edgy, laden with colourful language and touching on sensitive topics — ranging from religion and poverty to cultural misunderstandings and taboo subjects.

Despite these provocative elements, The Book of Mormon’s brilliance lies in its clever storytelling and infectious energy. The humour is sharp and may at times make you question whether you should be laughing. For audiences with an open mind and a strong sense of humour, it’s a theatrical experience that delights and surprises.

The Book of Mormon is a remarkable piece of musical theatre whose high-energy satire and memorable score have earned it legendary status. However, it demands a mature audience ready for its daring content and layered commentary. Far from a harmless or gentle tale, it’s a vibrant, challenging show that rewards those willing to embrace its bold spirit and laugh at the edge.