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ONLY A PLONKER WOULD MISS THIS!

Stick a pony in your pocket – The Trotters are back and they’re coming to Newcastle! Smash hit show, Only Fools and Horses The Musical – direct from a record-breaking, four-year sold-out run-in London’s West End – visits Newcastle Theatre Royal Mon 10 – Sat 22 Feb 2025.

As writers of the hit West-End musical, Only Fools and Horses, Paul Whitehouse and Jim Sullivan have taken John Sullivan’s 64 unforgettable television adventures of Del and Rodney and blended them into one perfect night out.

Did you start from scratch when you started your collaboration or is any of the musical based upon earlier developments?

Jim: When we began developing the idea back in 2015, the first thing I did was to search my dad’s notes. I knew from talking with him that he wanted to focus on the Dates episode (his personal favourite), where Del and Raquel first met. I also found a two-page opening scene, which our opening scene is based on.

I also came across an old audio cassette tape with the words “This Time Next Year” written on it. We played the tape and heard Chas and Dave (as Del and Rodney) singing “We’re gonna be alright, the good times are on their way!” So, we had the beginning of an opening scene and what I felt would make a great and uplifting final song. This was around about the time that Paul came on board, and it really took off from there.

Paul, how did you become involved with co-writing the musical?

Paul: I met Jim, and I was very conscious of how precious the legacy was to him and his family, and for me too as someone who loved the series. But the fact that Chas Hodges and John Sullivan had already written a song together for it struck me as a positive element!

Only Fools and Horses is such a cherished series, was it a little daunting to take characters and events that generations of viewers knew so well?

Jim: The story of the Trotters of Peckham spanned over two decades and included births, deaths and marriages. Our job was to boil that down into a single two-hour story… with songs! Ultimately, we are not trying to reinvent the series but rather to pay homage to it. We couldn’t include everyone, but we tried to give all the main characters a fair shout. What we’ve ended up with is something that captures and celebrates the heart and spirit of what the series was all about.

Was it ever tempting to go back to the beginning of the series or did you always want the musical to start with the Trotter’s world firmly established?

Jim: I followed my dad’s cue here. The series and the characters were developed over decades, and it was important to include all the key characters at key moments. We were focusing on the Dates episode, by which time a lot was changing in the lives of the Trotters. This timing also helped to inspire other ideas.

Paul: I thought that we shouldn’t just revisit Only Fools and Horses. It might sound a bit pretentious, but I thought one of the unsung stars of the show was London itself. I came up with the idea for a song called ‘Where Have All The Cockney’s Gone?’, a phrase I’d heard around, and it struck me as something that Grandad could empathise with and give voice to. I also had the idea that Trigger could look into the future in his Granny’s crystal ball and see the London we live in now.

Paul, did your paths ever cross with John, David, Nick and the gang?

Paul: I never met John, but I did meet David and Nick at a couple of BBC do’s and they were both lovely. Because The Fast Show was really at its height when I met them, and they really liked it, they were doing my characters back to me!

Finally, can we expect to see the old man of the sea and ancient mariner himself Uncle Albert make an appearance in the musical?!

Paul: Well, you never know, Uncle Albert might pop up in the show when things get tricky!

With musical contributions from the iconic Chas & Dave, the beloved theme tune as you have never heard it before, and an array of brand-new songs full of character and cockney charm, Only Fools and Horses The Musical is a feel-good family celebration of traditional working-class London life.

Only Fools and Horses plays Newcastle Theatre Royal Mon 10 – Sat 22 Feb 2025. Tickets can be purchased at www.theatreroyal.co.uk or from the Theatre Royal Box Office on 0191 232 7010.

CASTING ANNOUNCED FOR RSC’S EDWARD II

EDWARD II by Christopher Marlowe

Directed by Daniel Raggett

Swan Theatre, Stratford-upon-Avon

21 February – 5 April 2025

Press Night: Wednesday 5 March, 7pm

BOX OFFICE: rsc.org.uk, 01789 331111

Casting is announced for the RSC’s forthcoming production of Christopher Marlowe’s rarely performed tragedy, Edward II, which runs in the Swan Theatre, Stratford-upon-Avon between 21 February – 5 April 2025. This will be the first RSC production of the play since 1990.

Directed by Daniel Raggett, Marlowe’s tender, yet violent play about King Edward II and the man he loves features Daniel Evans – the RSC’s Co-Artistic Director and double Olivier Award-winner -in the title role. This will be the first time Daniel has appeared on stage in a full acting role for 14 years, since he played Bobby in Sondheim’s Company at The Crucible in Sheffield in 2011.

Daniel Evans’ work as an actor spans Shakespeare, Sondheim and Sarah Kane, at the RSC, National Theatre, Royal Court, Donmar Warehouse, Menier, Sheffield and on Broadway. He was Artistic Director of Sheffield Theatres between 2009-2016, and Chichester Festival Theatre between 2016-2023, and became the RSC Co-Artistic Director with Tamara Harvey in 2023.  Daniel last appeared on stage at the RSC in 2003; his acting credits for the Company include Measure for Measure, Cymbeline, A Midsummer’s Night’s Dream and Coriolanus. In June 2025 Daniel will re-unite with his fellow, original cast members for a major revival of Sarah Kane’s seminal play, 4.48 Psychosis in co-production with the Royal Court which will run in London and Stratford-upon-Avon.

Eloka Ivo makes his RSC debut as Gaveston, Edward’s lover.  Eloka’s previous theatre credits include Backstairs Billy (Duke of York’s), Black Superhero (Royal Court), The Glass Menagerie (Royal Exchange), The Gods Are Not to Blame (Almeida) and The End of Eddy (BAM New York).

Also making their RSC debuts are Ruta Gedmintas and Enzo Cilenti, as, respectively, Edward’s wife Queen Isabella, and Mortimer, who plots against the King.  Ruta’s work on screen credits includes His Dark Materials (HBO/BBC), Sandman (Netflix), The Strain (FX) and A Street Cat Named Bob (Sony). Theatre credits include Backbeat (Duke of York’s) and What Every Woman Knows (Royal Exchange). Enzo’s TV and film credits include: The Crown (Netflix), Luther, Wolf Hall (BBC), Bridget Jones’ Baby (Miramax) and In The Loop (BBC Films).  His stage credits include Present Laughter (Old Vic) and Berberian Sound Studio (Donmar).

The cast comprises: Jacob James Beswick (Lightborn), Enzo Cilenti (Mortimer), Michael Cusick (Ensemble), Stavros Demetraki (Spencer), Emilio Doorgasingh (Pembroke), Amy Dunn (Ensemble), Daniel Evans (Edward II), Ruta Gedmintas (Isabella), Eloka Ivo (Gaveston), Geoffrey Lumb (Warwick), Kwaku Mills (Baldock), Evan Milton (Lancaster), Christopher Patrick Nolan (Bishop of Coventry), Henry Pettigrew (Kent), Joseph Rowe (Ensemble) and Neil Sheffield (Ensemble). Full bios can be seen here.

Talking about the play director, Daniel Raggett said:

“I’m thrilled and deeply privileged to be working with this incredible cast on Edward II. This major Elizabethan drama hasn’t been seen at the RSC for over 30 years, and our production will breathe new life into it: honouring Marlowe’s razor-sharp writing whilst embodying everything that gives the original the propulsive energy of a thriller. 

“A love story with a political edge – this 400 year old play has plenty to say about the
supposedly liberal and progressive times in which we now live: when King Edward wants to rule alongside the man he loves, how much change can the establishment tolerate, and at what cost?”

Daniel Raggett was nominated for the Emerging Talent award at 2022 Evening Standard Theatre Awards. In 2025, besides directing Edward II for the RSC, he will direct The Estate, a new play by Shaan Sahota at the National Theatre.  His previous directing credits include Brace Brace (Royal Court), ANNA X (Harold Pinter Theatre, West End, Sky Arts), Accidental Death of an Anarchist (Sheffield Theatres, Lyric Hammersmith, Theatre Royal Haymarket, where it was nominated for an Olivier Award for Best New Entertainment or Comedy Play), The Vortex (Chichester Festival Theatre), and The Human Voice (which he also adapted, Gate Theatre, nominated for Best Director, Off West End Awards).

Joining Daniel Raggett on the creative team are: Leslie Travers (Set and Costume Designer); Tim Lutkin (Lighting Designer); Roddy Hart and Tommy Reilly (Composers); Tingying Dong (Sound Designer); Anthony and Kel Matsena (Movement Directors); Kev McCurdy (Fight Director); and Julia Horan CDG (Casting Director).

JASON DONOVAN

RETURNS TO

SOUTHAMPTON’S MAYFLOWER THEATRE, IN

He reprises his regal role as Pharaoh for one week only 13 – 18 May 2025

http://uktour.josephthemusical.com/

Michael Harrison is delighted to announce that Joseph and the Amazing Technicolor Dreamcoat favourite Jason Donovan will return to Southampton’s Mayflower Theatre this spring. For one week only, he will reprise his celebrated role as Pharaoh. Playing from 13 – 18 May 2025, these dates mark the only opportunity to see Jason on the 2025 UK tour. Tickets are on sale now and can be purchased from www.mayflower.org.uk.

Jason returns to this sensational production of Tim Rice and Andrew Lloyd Webber’s Joseph and the Amazing Technicolor Dreamcoat having most recently starred in two triumphant seasons of the new London Palladium production in the summers of 2019 and 2021. Swapping his loin cloth for gold leathers, his show-stopping rendition of ‘Song of the King’ raised the roof night after night, ahead of a major UK Tour in 2022 which included a rapturously received week at Mayflower Theatre, Southampton. Jason was last seen as The Evil Ringmaster at the venue in the 2022 pantomime season Goldilocks and the Three Bears.

Jason Donovan says of his return to Joseph and the Amazing Technicolor Dreamcoat: “Joseph will always hold a special place in my heart and to return to the show in the new Palladium production and later UK tour as Pharaoh was an incredible experience. Southampton’s audiences were electrifying and I can’t wait to revisit the city later this year when I play my only dates on the 2025 tour. Be sure you don’t miss out on your ‘dream’ ticket!”

Jason Donovan came into our lives in the late 1980s as Scott Robinson in the hit Australian series, Neighbours. Throughout the 1980s and early 1990s, he had several chart hits, and his album Ten Good Reasons was the best-selling UK album of 1989. His hits included ‘Too Many Broken Hearts’, ‘Especially For You’ (with Kylie Minogue), and of course, ‘Any Dream Will Do’. Since then, he has rarely been away from the stage or screen.

Jason’s record-breaking run in Joseph and the Amazing Technicolor Dreamcoat in the early 1990s preceded his performance as Frank N Furter in the 25th Anniversary Production of The Rocky Horror Show, then Chitty Chitty Bang Bang, Priscilla Queen of the Desert, The Sound of Music, Annie Get Your Gun, The King’s Speech, Million Dollar Quartet andJeff Wayne’s The War of The Worlds. In December 2019 he was called home to Australia to appear as the charismatic and cunning celebrity lawyer, Billy Flynn in Chicago. Jason’s recent TV credits also include ITV’s Dial M for Middlesbrough and Dave’s Meet the Richardsons.

In the spring of 2022, Jason performed ‘Any Dream Will Do’ outside the gates of Buckingham Palace as part of Her Majesty, Queen Elizabeth’s Platinum Jubilee celebrations. Over the summers of 2022 and 2023, he completed two consecutive runs as the Teen Angel in Greasein the West End.

In 2022, along with Kylie Minogue, he rejoined the cast of Neighbours one final time as Scott Robinson. In 2023, Jason donned his fishnets and heels to reprise his role as Frank N Furter for the 50th Anniversary of the production in Australia performing for audiences in both Sydney and Melbourne to critical acclaim. Starting February 2025, Jason will embark on his next solo music tour, the ‘DOIN’ FINE’ tour which will span locations across the UK and Ireland.

Christina Bianco stars as Narrator and Adam Filipe as Joseph. Christina Bianco is a two-time Drama Desk Award nominee, who made her West End debut starring in the Menier Chocolate Factory’s production of Forbidden Broadway at the Vaudeville Theatre. She captured international acclaim as a YouTube sensation with her ‘diva’ impression videos gainingover 25 million views and more recently delighted audiences as Glinda in The Wizard of Oz at The London Palladium. Adam Filipe’s credits include Titanic The Musical (UK Tour); Prince Of Egypt, Original West End Cast and Les Misérables (Queens Theatre). Concert Credits: vocalist for Lea Salonga: Stage, Screen & Everything In Between (UK Tour) and Houdini in Side Show: in Concert (London Palladium).

The 2025tour completing company are Hugh Cotton asReuben and Will Haswell as Simeon alongside Aaron Archer; Bella Baldock; Daniel Bowskill; Imogen Bowtell; Taylor Bridges; Joseph Brownlie-Johnson; Joseph Craig; Davide Fienauri; Ellie Greenway; Oliver Hawes; Kiera Haynes; Siobhan James; Ben Lancaster; Nicole Lupino; Bradley Perret; Harvey Shulver; Jessica Sutton; Charley Warburton; Jenna Warne and Alex Woodward.

The production’s children’s company consists ofLuke Beggs, Sofija Bele, Sidney Bond, Chloe Boyle, Coco Chapman, Charlie Cox, Max Crisp, Shae Marie David, Isabelle Chiara Dawodu, Josh Desai, Erin Donovan, Jasper Eglin, Safia Francis, Ernie Seiji Fransella, Marisia Georgiannaki, Poppy Graham, Coco-Lili Hodder, Poppy Kunorubwe, Eliott Marsden, Alex Neophytou, Shyanne Ononiwu, Rio-Blake Power, Leia O’Sullivan, Zachary Richardson, Daniel Rodriguez Castillo, Felix Schmitt, Dexter Seaton, Azalea-Belle Sharp, Arthur Tennant and Raine Williamson.

Released as a concept album in 1969, the stage version ofJoseph and the Amazing Technicolor Dreamcoathas become one of the world’s most belovedfamily musicals. The multi-award-winning show – which marked Tim Rice (Lyrics) and Andrew Lloyd Webber’s (Music) first major collaboration – has been performed hundreds of thousands of times including multiple runs in the West End and on Broadway, international tours in over 80 countries worldwide. Today, it is one of the world’s most beloved family musicals and features much-loved pop and musical theatre classics, including Any Dream Will Do, Close Every Door, There’s One More Angel In Heavenand Go, Go, Go, Joseph.

Joseph and the Amazing Technicolor Dreamcoat is directed by Laurence Connor. Laurence’s credits include the acclaimed London production of School of Rock and the Tony-Award nominated production on Broadway, the recent London productions of Miss Saigon, Chess and Cinderella, the international arena tour of Jesus Christ Superstar and he is also the Co-Director of the new version of Les Misérables which has enjoyed worldwide success including Broadway, UK and US tours.

JoAnn M Hunter (who has 20 Broadway shows to her credit, including School of Rock and On A Clear Day You Can See Forever) is the show’s choreographer, set and costume design are by the award-winning Morgan Large with Ben Cracknell as Lighting Designer and Gareth Owen as Sound Designer.

Joseph and the Amazing Technicolor Dreamcoat is produced by Michael Harrison.

For further information, please see http://uktour.josephthemusical.com/

JOSEPH AND THE AMAZING TECHNICOLOR DREAMCOAT

LISTINGS

Mayflower Theatre, Southampton

13 – 18 May 2025

www.mayflower.org.uk

Starring Jason Donovan as Pharaoh

Joseph and the Amazing Technicolor Dreamcoat

PRODUCTION INFORMATION

Tim Rice – Lyrics

Andrew Lloyd Webber – Music

Laurence Connor – Director

JoAnn M. Hunter – Choreographer

Morgan Large – Set & Costume Designer

Ben Cracknell – Lighting Designer

Gareth Owen – Sound Designer

Sam Cox – Wigs, Hair & Make Up Designer

John Cameron – Orchestrator

John Rigby – Musical Supervisor

Nikki Woollaston – Associate Director

Thalia Burt – Associate Choreographer

David Grindrod CDG – Casting Director

Amy Beadel – Children’s Casting Director

Westway Music present

HADLEY FRASER
‘THINGS THAT COME AND GO’

ALBUM TO BE RELEASED ON CD/DIGITAL 7 FEBRUARY 2025

Preorder/Presave now.

MD Neil O’Brien, and the whole team at Westway Music, are pleased to announce the full details of the upcoming release of Hadley Fraser’s album ‘Things That Come and Go’. The album is produced by Donald L Anderson for Palm Haven Studios and Hadley Fraser with arrangement and co-production by Sam Young, to be released on CD and digital platforms on 7 February 2025, pre-save here.

Hadley Fraser is an incredibly accomplished performer, having starred in some of the world’s most famous theatre productions including Les Misérables (West End; 25^th Anniversary Concert) and The Phantom of the Opera (25^th Anniversary Concert)as portraying ‘Anatoly’ in the West End Concert of Chess The Musical at the Theatre Royal, Drury Lane in 2022. Recently he was cast in The Lehman Trilogy and Opening Night, both on the West End. Fraser is also known for his recurring concerts with friend and co-star Ramin Karimloo (Phantom Of The Opera; Les Misérables), currently the pair are joined by a hugely talented cast of West End/Broadway Performers as they tour the world in The Reunion concert.  

The track list includes covers of world-renowned Frank Sinatra tracks ‘Fly Me to the Moon’ and ‘I’m A Fool To Want You’ alongside Jane Brown Thompson’s ‘I Get Along Without You Very Well’ that have been given a new life by Sam Young’s arrangement and Hadley Fraser’s signature vocals.

Audiences who pre-order the album will also be able to able to enjoy two preview songs in the lead up to the full album release; ‘Fly Me To The Moon’ and ‘Accustomed To Her Face’.

TRACK LISTING

1. In The Wee Small Hours
2. I Get Along Without You
3. World On A String
4. Accustomed To Her Face
5. Fly Me To The Moon
6. How Are You Fixed For Love (feat. Maiya Quansah-Breed)
7. How Glory Goes
8. Goodbye (feat. Maiya Quansah-Breed)
9. I’m A Fool To Want You
10. You Must Believe In Spring

Hadley Fraser said, “Having made a career  largely out of smashing music and speech together on stage and seeing what comes out, I had  gone a little further and experimented with music and poetry on my last album (Lights around the Shore with pianist Will Butterworth) and was keen to do so again. Things That Come And Go is  the result of my input into a larger project (called Odysseys) together with Don Anderson and the actor Jamie  Thomas King. Odysseys as a whole will emerge in time, but we felt that the music could stand on  its own two feet too. And so here it is, without the spoken word for now. 

I had worked with Sam Young before  – only briefly – but I knew he was the person I wanted above all else to arrange these songs. Sam has a ridiculous ear, prodigious talent and attention to detail. But all that aside, he also makes  songs feel like they were written yesterday. That’s not straightforward at all. He lifted the whole  project up and is wonderful human to boot.

I hope you enjoy listening to the record as much as we enjoyed making it.”

Donald L Anderson said, “I wanted to create an audio experience where the comforting, encouraging, wise and heartfelt words of the Ages were presented to tell the story of one’s shared life experiences and that these Works were paired with more familiar songs that also combine to guide us through the ‘Odysseys’ of life. A happy result, is the music-only version, presented here and known as “Things That Come and Go”. 

The Lyceum, Sheffield – until 11 January 2025

Review by Sharon Farley

4****

The combination of grace and movement, fairy tale sets, beautiful theatre architecture and a live orchestra works to transport you back in time to when Tchaikovsky’s now familiar classical score was first being heard. Then, the thud of strong ballet feet on stage boards brings you back to reality and the realisation of the incredibly hard work that a production of this standard demands.

Not only is the live orchestra practised to the point of perfection, the dancers’ movements synchronise with every note with precision timing. The sets are delicate and dreamy, but clearly deeply thought through to create depth as well as backdrops, with every element as functional as it is beautiful. The many varied costumes also help define the changing scenes, catching the light and delicately sparkling to complete this dazzling performance.

In a Netflix dominated culture that expects words to explain a story these cues are essential to help fill the gap, but despite the absence of dialogue it is easy to follow the themes of love, betrayal and forgiveness being narrated by movement alone. Even when the character of Prince Seigfried is tricked by the dastardly von Rothbart and his daughter, Odile, into believing he is presenting his beloved Odette as his intended bride to his mother, and winning her approval, the skilful depiction by the dancer playing the two contrasting characters – Odette and Odile – shows us they are not the same. Odette flutters and glides, while Odile is evidently more brazen and conflictive; one wonders how the lovestruck Prince could ever have confused the two? The image is the same, but the two characters illustrated by movement alone are worlds apart.

Accustomed as we are to being spoon fed our stories, it is good to challenge the senses to unravel what, for many, is now an alternative form of entertainment. Any classics buff will revel in the grace and strength of the talented array of international dancers brought together by the Mergaliyev Classical Ballet and their interpretation of this timeless piece; but this elegant production is easily accessible even to those of us less accustomed to the performances our grandparents – or even great, great grandparents – were once inspired by. Catch it while you can on this short UK tour.

THE ACCLAIMED AND MULTI-AWARD WINNING

HIT PLAY BY DAVID ADJMI

DIRECTED BY DANIEL AUKIN

WITH ORIGINAL SONGS BY ACADEMY AWARD® NOMINEE AND GRAMMY AWARD® WINNER

ARCADE FIRE’S WILL BUTLER

TRANSFERS TO THE WEST END

RUNNING AT THE DUKE OF YORK’S THEATRE

FROM MAY 2025

FOLLOWING A SMASH HIT EXTENDED RUN ON BROADWAY

“The play, Adjmi’s best so far, is as rich and lustrous as they come.

You could even call it platinum”

New York Times

Last year, Stereophonic became the most Tony Award-nominated play ever and the most Tony Award-winning show of 2024. It completes its Broadway run, after extending twice and after having recouped its investment, on 12 January 2025 before the play transfers to the West End, running at the Duke of York’s Theatre from May 2025.

Original cast members reprising their highly lauded performances from Broadway include Andrew R. Butler as Charlie, Eli Gelb as Grover and Chris Stack as Simon. Further casting to be announced in due course.

Stereophonic mines the agony and the ecstasy of creation as it zooms in on a music studio in 1976. Here, an up-and-coming rock band recording a new album finds itself suddenly on the cusp of superstardom. The ensuing pressures could spark their breakup — or their breakthrough.

In Stereophonic, Adjmi invites the audience to immerse themselves—with fly-on-the-wall intimacy—in the powder keg process of a band on the brink of blowing up.

Stereophonic became the most Tony-nominated play ever after receiving a record-breaking 13 nominations. The full list of nominations is:

Best Play – David Adjmi
Best Director – Daniel Aukin
Best Score – Will Butler
Best Orchestrations – Will Butler and Justin Craig

Best Featured Actor in a Play – Will Brill
Best Featured Actor in a Play – Eli Gelb
Best Featured Actor in a Play – Tom Pecinka
Best Featured Actress in Play – Juliana Canfield

Best Featured Actress in a Play – Sarah Pidgeon

Best Scenic Design of a Play – David Zinn

Best Costume Design of a Play – Enver Chakartash

Best Lighting Design of Play – Jiyoun Chang
Best Sound Design of a Play – Ryan Rumery

The play won five of these awards Best Play, Best Performance by a Featured Actor in a Play for Will Brill, Best Direction of a Play for Daniel Aukin, Best Scenic Design of a Play for David Zinn and Best Sound Design of a Play for Ryan Rumery.

Stereophonic originally had its World Premiere at Playwrights Horizon’s before transferring to Broadway on 3 April 2024. The hit play will also embark on a US tour from October 2025.

The Stereophonic creative team includes David Zinn (scenic designer), Enver Chakartash (costume designer), Jiyoun Chang (lighting designer), Will Butler and Justin Craig (Orchestrations), Ryan Rumery (sound designer), Justin Craig (music director) and Robert Pickens & Katie Gell (hair & wig design). UK Casting is by Julia Horan CDGwithUS Casting by Alaine Alldaffer CSA, Lisa Donadio CSA and Taylor Williams CSA.

Stereophonic is producedby Sonia Friedman Productions, Sue Wagner, John Johnson, Seaview, Linden Productions and Ashley Melone & Nick Mills, and Playwrights Horizons: Adam Greenfield, Leslie Marcus and Carol Fishman.

FULL CAST ANNOUNCED FOR

THE JAMIE LLOYD COMPANY’S

MUCH ADO ABOUT NOTHING

AT THEATRE ROYAL DRURY LANE

The Jamie Lloyd Company today announces the full cast for William Shakespeare’s Much Ado About Nothing at Theatre Royal Drury Lane. Directed by Jamie Lloyd, the production opens on Wednesday 19 February, with previews from 10 February, and runs until 5 April 2025.

Tom Hiddleston (Benedick) and Hayley Atwell (Beatrice) are joined by Mara Huf (Hero), Forbes Masson (Leonato), Phillip Olagoke (Friar Francis), Mason Alexander Park (Margaret), James Phoon (Claudio) and Tim Steed (Don John), currently starring in The Tempest, and Mika Onyx Johnson (Borachio) and Gerald Kyd (Don Pedro).

The Jamie Lloyd Company also continues its commitment to accessibility, with 25,000 tickets offered at £25 across the season exclusively for under 30s, key workers and those receiving government benefits. These tickets are available across the first three levels of the theatre. For Much Ado About Nothing tickets will go on sale at a later date with further information to be announced.

Much Ado About Nothing is the second production in The Jamie Lloyd Company’s season of Shakespeare at Theatre Royal Drury Lane which opened with The Tempest starring Sigourney Weaver, currently running until 1 February 2025.

The Jamie Lloyd Company presents

MUCH ADO ABOUT NOTHING

By William Shakespeare

Directed by Jamie Lloyd

Set and Costume Designer:  Soutra Gilmour; Lighting Designer: Jon Clark; Sound Designers and Composers: Ben and Max Ringham; Movement Director: Fabian Aloise; Associate Director and Text Edited by Jonathan Glew; Casting Director: Stuart Burt CDG; Wigs, Hair and Make Up Designer: Carole Hancock; Intimacy Coordinator: Ingrid Mackinnon; Props Supervisor: Fahmida Bakht; Assistant Director: Cory Hippolyte

Monday 10 February – Saturday 5 April 2025

“I do love nothing in the world so well as you: is not that strange?”

Tom Hiddleston is Benedick and Hayley Atwell is Beatrice. Two of their generation’s finest actors collaborate with director Jamie Lloyd again in this savagely funny and beautifully tender battle of wits.

Produced by The Jamie Lloyd Company.

Tom Hiddleston plays Benedick. 

For The Jamie Lloyd Company: Betrayal (Harold Pinter Theatre/ Broadway/Bernard B. Jacobs Theater – Tony Award nominee for Best Performance by a Leading Actor in a Play, Evening Standard Theatre Award nominee for Best Actor).

Other theatre credits include: Hamlet (Kenneth Branagh Theatre Company), Coriolanus (Donmar Warehouse – Evening Standard Theatre Award for Best Actor), Ivanov and Othello (Donmar Warehouse), Cymbeline (Cheek by Jowl – Olivier Award for Best Newcomer) and The Changeling (Cheek by Jowl). 

Television credits include: Loki (Critics Choice’ Award Nomination, People’s Choice Award), The Essex Serpent, The Night Manager (Golden Globe Award for Best Performance by an Actor in a Limited Series or a Motion Picture Made for Television, Emmy Leading Actor Nomination), Henry IV Parts 1&2 and Henry V (South Bank Sky Arts Award for Breakthrough performance), Return to Cranford, Wallander, Miss Austen Regrets, The Gathering Storm, Conspiracy and Nicholas Nickleby.

Film credits include: Loki in Marvel’s Thor, The Avengers (MTV Movie Awards for Best Villain and Best Fight), Thor: The Dark World, Thor: Ragnorak, Avengers: Infinity War, Avengers: Endgame, Early Man, Kong: Skull Island, I Saw the Light, High-Rise, Crimson Peak, Tinker Bell and The Pirate Fairy, Muppets Most Wanted, Only Lovers Left Alive, Exhibition, The Deep Blue Sea, War Horse, Midnight In Paris, Archipelago and Unrelated. 

Forthcoming projects include: The Life of Chuck and The Night Manager 2.

Hayley Atwell plays Beatrice.

In 2018 Hayley was awarded the Guildhall Fellowship in recognition of her contribution to the arts.

For The Jamie Lloyd Company:The Pride (Trafalgar Studios – Olivier Award nomination for Best Actress, WhatsOnStage Award nomination for Best Actress in a Play).

Other theatre credits include: Rosmersholm (Duke of York’s Theatre – Olivier Award nomination for Best Actress), Measure for Measure  (Donmar Warehouse), Dry Powder (Hampstead Theatre), The Faith Machine (Royal Court Theatre – Directed by Jamie Lloyd), A View from the Bridge (Duke of York’s Theatre – Olivier Award nomination for Best Supporting Actress), The Man of Mode (National Theatre), Major Barbara (National Theatre – Ian Charleson Commendation), Women Beware Women (RSC) and Prometheus Bound (Sound Theatre).

Television credits include: Tomb Raider: The Legend of Lara Croft (voice), Heartstopper, Criminal, The Long Song, Howards End, Conviction, Agent Carter Series 1 & 2, Life of Crime, Black Mirror: Be Right Back series 2, Restless, Falcon: The Blindman of Seville, The Silent and the Dammed, Any Human Heart, Pillars of the Earth, The Prisoner, Mansfield Park, Ruby in the Smoke, Fear of Fanny and The Line of Beauty. 

Film credits include:Mission: Impossible – Dead Reckoning – Part One, Doctor Strange in the Multiverse of Madness, Blinded by the Light, Christopher Robin, The Complete Walk: Cymbeline, Ant Man, Cinderella, Testament of Youth, The Avengers: Age of Ultron,  Captain America -The Winter Soldier,  Jimi: All Is by My Side, The Man, The Sweeney, I, Anna, Captain America-The First Avenger, The Duchess, Brideshead Revisited, How About You and Cassandra’s Dream. 

Forthcoming projects include: Mission: Impossible – Dead Reckoning – Part Two and Rogue Trooper.

Mara Huf plays Hero.

For The Jamie Lloyd Company: The Tempest (Theatre Royal Drury Lane), The Effect (National Theatre)

Theatre credits include: Childminder (Traverse Theatre), The True History of Bonnie and Clyde (Birmingham Repertory), Electra, Closer, Holy Day, La Ronde, Lord of the Flies, Pygmalion and Othello (Birmingham Conservatoire).

Film credits include: Death Do Us Part (Play Entertainment), The People We Hate at the Wedding (Amazon) and Tetris (Apple TV).

Television credits include: Toast of Tinseltown (Objective Media), Avenue 5 (HBO) and Storm (Treasure Hunt).

Training: Birmingham Conservatoire

Mika Onyx Johnson plays Borachio.

For The Jamie Lloyd Company: The Seagull (Harold Pinter); Cyrano de Bergerac (Playhouse/ Harold Pinter/ Glasgow Theatre Royal/ BAM, NYC).

Theatre credits include: Pink Lemonade (Gate/ Edinburgh Fringe Festival/ Bush Theatre); As You Like It (Shakespeare’s Globe); Dear Elizabeth (Gate); Michael X (Almeida).

Film credits include: Dismantle Me (Spinster Films).

Television credits include: What It Feels Like For A Girl (BBC Three); Newark, Newark (Balloon Entertainment); Screw (Channel 4); The Girlfriend Experience (Transactional Pictures).

Writing credits include: What It Feels Like For A Girl (BBC); My White Best Friend (Bunker); Pink Lemonade (Bush); Queer Upstairs (Royal Court); I’m Here (Pentabus).

Gerald Kyd plays Don Pedro.

For The Jamie Lloyd Company: The Seagull (Harold Pinter).

Theatre credits include: Further than The Furthest Thing (Young Vic); The Deep Blue Sea and The Meeting (Chichester Festival); Cherry Orchard, Children of The Sun, Three Winter, Blood and Gifts (National).

Film credits include: And Mrs (Netflix); Tyger (Stave Hill Films); Muse (Fancy A Jam Pictures).

Television credits include: The Assassin (Amazon); The Choice (Netflix); Love Rat (Channel 5); Malory Towers, The Split, The Swarm, Ridley, Dr Who, Cold Feet, Harlots, Britannia, Unforgotten, Deep Water (BBC).

Video game credits: Necromunda: Hired Gun; Call of Cthulhu; Battlefleet Gothic 2; Assassin’s Creed, Ryse: Son of Rome; Grey Goo.

Training: LAMDA

Forbes Masson plays Leonato.

For The Jamie Lloyd Company: The Tempest (Theatre Royal Drury Lane), Macbeth, Richard III, The Ruling Class (Trafalgar Studios) and Dr Faustus (Duke of York’s).

Theatre credits include: Farm Hall (Theatre Royal Haymarket), Laughing Boy (Jermyn Street), Jekyll and Hyde (Lyceum), Boy in the Dress, Macbeth, Hamlet, Comedy of Errors, Twelfth Night, The Histories, As You Like It, Romeo & Juliet and Taming of the Shrew (Royal Shakespeare Company), Summer and Smoke (Almeida), Travesties (Menier Chocolate Factory), King Lear (Headlong).

Film credits include: The Road Dance (BBC).

Television credits include: The Crown (Netflix); As You Like It (CBeebies); Crime, EastEnders, Red Dwarf and The High Life (BBC), Catastrophe (Avalon Television), Young Person’s Guide to Becoming a Rock Star (Ch4).

Other credits include: Associate Artist at Royal Shakespeare Company and National Theatre Scotland, and co-writer of Victor and Barry’s Kelvinside Compendium (404ink).

Phillip Olagoke plays Friar Francis.

For The Jamie Lloyd Company: The Tempest (Theatre Royal Drury Lane) and Romeo & Juliet (Duke of York’s)

Theatre credits include: OKLAHOMA! (Wyndham’s); The Glass Menagerie (Duke of York’s); A Number (Old Vic); David Copperfield (Barn); Farewell Leicester Square (Townsend Productions); Hansel & Gretel (Shakespeare’s Globe).

Training: The Royal Central School of Speech and Drama.

Mason Alexander Park plays Margaret.

For The Jamie Lloyd Company: The Tempest (Theatre Royal Drury Lane).

Theatre credits include: American Idiot (Deaf West, USA), Cabaret (Playhouse Theatre), I am Your Own Wife (Long Wharf) and Hedwig and the Angry Inch (US Tour).

Film credits include: National Anthem (LD Entertainment).

Television credits include: Quantum Leap (NBC), The Sandman (Netflix), Cowboy Bebop (Netflix) and iCarly (Nickelodeon).

James Phoon plays Claudio.

For The Jamie Lloyd Company: The Tempest (Theatre Royal Drury Lane).

Theatre credits include: Harry Potter and The Cursed Child (Palace Theatre) and Underdog: The Other Other Bronte (National Theatre).

Television credits include: Bridgerton (Netflix) and Wreck (BBC Three).

Training: Guildford School of Acting

Tim Steed plays Don John.

For The Jamie Lloyd Company: The Tempest (Theatre Royal Drury Lane).

Theatre credits include: Jack Absolute Flies Again (National Theatre), Ink (Almeida & Duke of York’s) The Pride (Royal Court) and Salome (Headlong).

Film credits include: One Life (See-Saw Films), The Phantom of the Open (Sony Pictures), Star Wars- The Last Jedi (Lucasfilm) Cruella (Disney Studios) and The Death of Stalin (Main Journey).

Television credits include: Breeders (Sky), The Nevers (HBO), The Crown (Left Blank Pictures & Sony Pictures), A Very British Scandal (BBC One & Amazon) and Brexit: The Uncivil War (Channel 4).

Jamie Lloyd directs. His credits for The Jamie Lloyd Company include The Tempest (Theatre Royal Drury Lane), Romeo & Juliet (Duke of York’s Theatre), Sunset Blvd. (Savoy Theatre – winner of seven Olivier Awards including Best Director and Best Musical Revival; Evening Standard Theatre Award for Best Director), The Effect (National Theatre/The Shed, New York), A Doll’s House (Hudson Theatre, New York – nominated for six 2023 Tony Awards including Best Direction of a Play and Best Revival of a Play), The Seagull (Harold Pinter Theatre), Cyrano de Bergerac (Playhouse Theatre/Harold Pinter Theatre/Brooklyn Academy of Music, New York – Olivier Award for Best Revival; Critics’ Circle Theatre Award for Best Director), Betrayal (Harold Pinter Theatre/Bernard B. Jacobs Theatre – nominated for four 2021 Tony Awards including Best Direction of a Play and Best Revival of a Play; Critics’ Circle Theatre Award for Best Director), Pinter at the Pinter (Harold Pinter Theatre), The Maids, The Homecoming, The Ruling Class, Richard III, The Pride, The Hothouse and Macbeth (Trafalgar Studios).

LISTINGS

Theatre Royal Drury Lane

Box Office: lwtheatres.co.uk / 020 3925 2998

MUCH ADO ABOUT NOTHING

Monday 10 February – Saturday 5 April 2025

Access performances:

BSL Interpreted: Saturday 15 March, 2.30pm

Captioned: Saturday 22 March, 2.30pm

Audio Described: Saturday 29 March, 2.30pm

Please email [email protected] to discuss your booking requirements.

THE TEMPEST

Until Saturday 1 February 2025

Access Performances:

BSL Interpreted: Saturday 11 January, 2.30pm

Audio Described: Saturday 18January, 2.30pm  

Captioned: Saturday 25 January, 2.30pm        

Please email [email protected] to discuss your booking requirements.

CLUELESS, THE MUSICAL

CELEBRATING 30 YEARS SINCE THE ORIGINAL FILM RELEASE, AND 250 YEARS OF JANE AUSTEN

ANNOUNCES FULL CAST AND CREATIVE TEAM

Book and original film written by AMY HECKERLING

‘THE MOST HOTLY ANTICIPATED MUSICAL OF 2025’

Music by KT TUNSTALL

Lyrics by GLENN SLATER

Choreography by KELLY DEVINE

Directed by RACHEL KAVANAUGH

Based on the Paramount Pictures film, inspired by Jane Austen’s Emma

TICKETS FROM CLUELESSONSTAGE.COM

‘The most hotly anticipated musical of 2025’ CLUELESS, The Musical today announces its full cast and creative team. Bringing together some of the best talent London has to offer, this eagerly anticipated reimagining for the stage will begin performances at London’s Trafalgar Theatre on 15 February as part of both the 30th Anniversary of the original film’s release and 250-year Anniversary of Jane Austen’s birth. Tickets are available to buy from CluelessOnStage.com with early performances selling out.

Original Writer-Director of the beloved film, Amy Heckerling who is also writing the book for the new musical said: “I couldn’t be more excited about CLUELESS, the Musical opening next month. I am totally in love with the brilliant new talent we have been working with, and can’t wait for audiences to be thrilled with their singing, dancing, their heart and humour. What better way to kick off this year’s 30th anniversary of the Clueless movie than to share the love and laughter of Cher’s world with fans old and new.”

Joining the previously announced Emma Flynn (Cher) and Keelan McAuley (Josh), the much-loved characters will be brought to life on stage by the stellar cast: Dionne played by Chyna-Rose Frederick, Tai by Romona Lewis-Malley, Murray by Rabi Kondé and Christian by Isaac J Lewis. Travis will be played by Blake Jordan, Elton by Max Mirza, Mel / Mr Hall / Driving Instructor by Ryan O’Donnell, Miss G / Ms S / Lucy / Heather by Imelda Warren-Green and Amber by Emily Florence.

The full ensemble comprises Sophie Elmes, Jacob Fisher, Aoife Kenny, Josh Latunji, James Lim, Ernest Stroud and Grace Eleanor Thomas. Swings are Dylan Gordon-Jones, Lucas Lluna, Lucy Rice and Rachel Seirian.

Where Clueless led, a generation followed – and the film’s legions of fans have been crying out for a musical ever since. Clueless isn’t just a Hollywood classic — it’s a story that has lived with generations, thanks to its heart, humour, and undeniable charm as well as original source material – Jane Austen’s Emma. It’s a story with a ‘heart of gold and a card made of platinum’, proving that popularity may come and go, but some things never go out of fashion. From West Hollywood to the West End, this musical reimagining takes everything fans love about the film and brings it to life in a fresh, vibrant way.

CLUELESS, a new musical comedy based on the Paramount Pictures film, inspired by Jane Austen’s Emma is an exciting musical collaboration from an acclaimed creative team, featuring a book by the iconic voice of a generation, Amy Heckerling (writer-director of Clueless, director of Fast Times at Ridgemont High). Amy was pivotal in shaping the coming-of-age film genre, capturing the essence of teenage life with humour and authenticity.

The original score is by the multi-platinum Brit Award winning singer-songwriter KT Tunstall (writer and performer of such celebrated hits as “Suddenly I See” and “Black Horse and The Cherry Tree”) and the lyrics are by GRAMMY Award® winner and three-time Tony Award® nominee Glenn Slater (The Little Mermaid, Sister Act). Together they bring a modern, musical vibe to the score blending the spirit of the 90s with a fresh contemporary sound.

CLUELESS makes its West End premiere under the direction of Rachel Kavanaugh (Chichester Festival Theatre and Regent’s Park Open Air), with choreography by Olivier Award® winner, Kelly Devine (Come From Away).

CLUELESS also features music supervision and arrangements by Carmel Dean, scenic design by Mikiko Suzuki MacAdams, costumes by Tony Award® winner Paloma Young (Peter and the Starcatcher), lighting by Ben Cracknell and sound by Rob Battle & Sam Clarkson for Sound Quiet Time.

Cher Horowitz is the most popular student at Beverly Hills High, renowned for her unique talent at finding love for others. She’s about to embark on her biggest project yet – making over her awkward new friend, Tai, and setting her up with the most handsome boy in school. But what happens to Cher when, for the first time, everything is not perfect? This fresh musical comedy is fun, fashionable, and, like, so way cool.

CLUELESS, The Musical is produced by the Dodgers and Trafalgar Entertainment.

LISTINGS INFORMATION

Trafalgar Theatre, 14 Whitehall. London, SW1A 2DY

First Performance: 15 February 2025

Booking Until: 14 June 2025

Performances: Monday – Saturday at 7.30pm & Thursday and Saturday at 2.30pm

Tickets from £25 Trafalgar Theatre: trafalgartheatre.com or 020 7321 5400

Tiny Fragments of Beautiful Light presents a
heartfelt tale of autism and authenticity
UK Tour 2025:
Thursday 6th February – Thursday 6th March 2025

After an acclaimed premiere at Newcastle’s Alphabetti Theatre in 2023, Tiny Fragments of Beautiful Light is set to hit the road on a UK tour. An immersive, interactive exploration of one woman’s confusing journey of self-discovery, Tiny Fragments of Beautiful Life explores the under-represented female experience of autism through heartfelt storytelling and comedy.

Tiny Fragments of Beautiful Light follows Elsa, a kind, funny and quirky girl whose life has never been mundane or short of struggles. Throughout her adolescent years, school was always a nightmare, and romance a mystery, until now. Elsa meets Carmen, who seems to hold the key to unlocking Elsa’s authentic self. This comedy drama is a celebration of the joy and freedom that comes when we live as we truly are, and not as the world thinks we should.

Whilst attitudes towards autism are changing, with more guidance around autism diagnoses for men and boys, many autistic women and girls still struggle to receive the support they need. Tiny Fragments of Beautiful Light is Davies’s response to this lack of visibility, in which she shifts the focus to highlight the intricacies of living with autism as a woman. Informed by her own lived experience of being diagnosed with autism, she creates an important platform for female neurodiversity.

Writer Allison Davies comments, As the saying goes, if you’ve met a neurodivergent person, you’ve met one neurodivergent person. So, while it might represent a group of people, at its heart Tiny Fragments of Beautiful Light is a human story about an autistic woman who’s as strong and as flawed, as funny and as irritating as the next person. When I began writing the show during the doldrum days of lockdown I had no idea if it was a story people might want to engage with. I gave myself permission to write with the brakes off, with the result that the story is closer to my heart than anything I’ve presented up to now. It’s been an absolute joy and a privilege to work on it with such a talented and dynamic creative team. Thanks to their input I’m proud of where Tiny Fragments of Beautiful Light is today, with all its party quirks, and I hope people enjoy it and find it relatable.

Previous comments for Tiny Fragments of Beautiful Light,

Davies’s funny and heartfelt writing sweeps us into Elsa’s mind and shows us the alienation felt by someone with undiagnosed…But importantly, its wondrousness, too, with quietly distilled moments when the octopus brings inner enrichment – ★★★★ The Guardian

A unique and interesting show which gives audiences a view into the world of neurodivergence, but also goes far beyond that – ★★★★★ Stage Side UK

GORDON GREENBERG AND STEVE ROSEN’S

DRACULA, A COMEDY OF TERRORS

TO MAKE UK PREMIERE AT THE MENIER CHOCOLATE FACTORY

With its critically acclaimed smash-hit production of The Producers currently running, the Menier Chocolate Factory today announces the UK premiere of Dracula, A Comedy of Terrors by Gordon Greenberg and Steve Rosen. Greenberg also directs, returning to the Menier having previously directed The Baker’s Wife and Barnum.

The production opens on 17 March, with previews from 8 March, and runs until 3 May. Priority booking opens today, with public booking opening on 14 January.

The Menier Chocolate Factory

in association with Drew & Dane Productions

presents

THE UK PREMIERE OF

DRACULA, A COMEDY OF TERRORS

by Gordon Greenberg and Steve Rosen

8 March – 3 May

Director: Gordon Greenberg; Set Design: Tijana Bjelajac; Costume Design: Tristan Raines;

Lighting Design: Ben Cracknell; Sound Design: Yvonne Gilbert

Dracula, A Comedy of Terrors gives Bram Stoker’s horror classic a comic makeover in this lightning-fast gender-bending reimagining that features a Gen Z pansexual Count Dracula in the midst of an existential crisis. With a cast of five switching costumes and roles at the drop of a hat, this 90-minute freewheeling send-up plays with sexuality and gender norms in the spirit of comedy legends Charles Ludlam, Monty Python and Mel Brooks – and celebrates goth, camp, and the magic of live theatre itself. 

In the treacherous mountains of Transylvania, Jonathan Harker, a meek English estate agent, takes a harrowing journey to meet a new and mysterious client, who happens to be the most terrifying(ly narcissistic) monster the world has ever known: Count Dracula! When the Count sets his sights on Harker’s fiancé, the brilliant young earth scientist Lucy Westfeldt, he meets his match for the first time – as well as a slew of other colorful characters including vampire hunter Jean Van Helsing, insect connoisseur Renfield and behavioral psychiatrist Wallace Westfeldt, whose British country estate doubles as a free-range mental asylum.

Gordon Greenberg returns to the Menier Chocolate Factory to direct, having previously directed The Baker’s Wife and Barnum. HIs recent directing credits include The Heart of Rock and Roll (James Earl Jones Theatre, Broadway) and Dracula, A Comedy of Terrors (Old Globe in San Diego and New World Stages in New York).  His other projects include a new musical about Picasso (director & co-writer with Stephen Schwartz & Caridad Svich), the NBC television series Most Talkative (co-executive producer/writer),  Crime and Punishment, A Comedy (director & co-writer with Steve Rosen; The Old Globe), Single White Female (A.T.G.), The Wedding Banquet (Ang Lee, Hua Musicals, Taiwan), Ghost Tour, The Play, and the new comedy podcast series Rolling Calls starring Julie Halston & Richard Kind (co-writer with Steve Rosen). He co-wrote and directed the Broadway stage adaptation of Irving Berlin’s Holiday Inn (Studio 54 for Roundabout Theatre Company and Universal Pictures Stage Productions) and directed  Guys And Dolls (Chichester Festival Theatre/Savoy Theatre/Phoenix Theatre), Working (59 E 59 in New York – also adapted), Jacques Brel Is Alive And Well… (Drama Desk, Drama League, Outer Critics Award nominations – also adapted), Johnny Baseball (Williamstown), Tangled (Disney), Blue Sky Boys (Capital Rep), Luck Be A Lady  (Asolo), Pirates! Or Gilbert and Sullivan Plunder’d (co-creator; Huntington/Paper Mill/Goodspeed/MUNY), Band Geeks! (also co-writer; Goodspeed), The Baker’s Wife (Paper Mill/Goodspeed), 1776 (Paper Mill), Floyd Collins (Signature), Yentl (Asolo) and Half A Sixpence (Goodspeed).

Steve Rosen (co-author) has previously collaborated with Greenberg on the musical The Secret of My Success (co-book, Joseph Jefferson nomination, Chicago), the plays Crime and Punishment, A Comedy, and Ebenezer Scrooge’s BIG San Diego Christmas Show, as well as the podcasts “Dracula: A Comedy of Terrors” and “Rolling Calls” (Broadway Podcast Network). He has also co-written (with David Rossmer) the book, music and lyrics of Griswolds’ Broadway Vacation (Seattle’s 5th Ave) and The Other Josh Cohen, which was nominated for six Drama Desk Awards, as well as the Lucille Lortel and Off-Broadway Alliance Awards for Best New Musical. He co-wrote the 2024 Drama Desk Awards show and also co-created (with Dan Lipton, Rossmer and Sarah Saltzberg) the long-running Broadway improv/variety show Don’t Quit Your Night Job, devising original comedic material for artists like Sting, Hank Azaria, Sutton Foster, Lin-Manuel Miranda and Ariana Grande. Education: The Tisch School of the Arts at New York University. As an actor, his credits include creating the roles of Dennis’ Mother, Sir Bedevere and Concorde in the original Broadway production of Monty Python’s Spamalot.

LISTINGS INFORMATION

MENIER CHOCOLATE FACTORY

THE PRODUCERS

Until 1 March 2025

DRACULA, A COMEDY OF TERRORS

8 March – 3 May

Box Office:                         020 7378 1713 (75p per ticket fee)

Website:                             www.menierchocolatefactory.com (75p per ticket fee)

Tickets: Prices vary, as below from discounted preview tickets to premier seats. With the emphasis on ‘the sooner you book, the better the price’:

Please note at this time the restaurant is unable to open due to circumstances beyond the company’s control.

www.menierchocolatefactory.com

Social handles: @MenChocFactory