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Hull Truck Theatre – until 4th January 2026

Reviewed by Dawn Bennett

5*****

Hull Truck Theatre presents Oliver Twist, based on the novel by Charles Dickens, adapted by Deborah McAndrew and directed by Mark Babych.

Hull Truck Theatre have yet again managed to produce a brilliant show as their festive production. It was a deliciously dark show, with fantastic acting, singing and dancing by all the cast.

The set (designed by Patrick Connellan) and costumes (Siân Thomas) really provided the atmosphere for the show; it was it really helped set the scene of Dickens time in history.

We first meet Oliver (Vivienne Rowland) at his birth in the workhouse when his mother dies in childbirth. The workhouse is run by Mr Bumble (Andrew Whitehead) and Widow Corney (Alison Fitzjohn) and they run it with a rod of iron. Oliver is left hungry, tired and badly treated so decides to leave the workhouse and walks the 70 miles to London. It’s there he meets Fagin’s (Lisa Howard) gang led by The Artful Dodger (Zak Robinson) and Charley (Aimee Brett), a group of child pickpockets preying on the richer member of society. Oliver isn’t treated any better by the group with the exception of Nancy (Alyce Liburd) and on the day he is let out to join the gang he gets arrested. He’s taken in front of the magistrate and it’s there he meets Mr Brownlow (William Relton) a kindly man who, along with his ward Rose (Jessica Jolleys) take Oliver into their home when he became ill. Now Fagin needs Oliver back with them, she’s scared that he will tell the powers that be about the gang and what they are up to. Nancy finds Oliver while he is running an errand for Mr Brownlow and takes him back to Fagin. Then Bill Sikes (Christopher D. Hunt) arrives, a scary and very violent character and he needs a boy to help him a robbery, and this causes Nancy to make a decision that will change her and the rest of the people involved lives.

This show is well worth watching, all the cast are so good, the music (under musical director and composer John Biddle) was from traditional carols to an original score with some of the cast playing instruments on stage. The young cast need a mention, from the main characters to the ensemble (Sophia Pike, Vivienne Rowland, Eve McDonald, Zak Robinson, Maia Lowthorpe, Remi Condette, Aimee Brett, Lydia Failey, Alexandra Spore, Ella McDonald, Felix Dunstan, Matthew Rodriques, Neve Mills-Ward, Ameila Ellerby, Edie Pyke, Edward Healey, Grace Ward, Jonah Smith and Matilda Burgess) they were excellent with clear singing and speaking voices. Definitely ones to watch.

It’s funny, poignant, covers some quite harrowing subjects sensitively and deserves every accolade it will no doubt get.

MISCHIEF MOVIE NIGHT (IN)

EIGHT EPISODES RELEASED FOR STREAMING WORLDWIDE OVER THE FESTIVE SEASON 

INCLUDING FOUR BRAND NEW EPISODES

www.MischiefMovieNight.co.uk

Mischief, ‘the funniest theatre troupe in Britain’ (The Telegraph) are releasing eight episodes of the hilarious improvised stage show Mischief Movie Night (In)over the festive season.  The episodes were filmed in front of a live audience at the Lilian Baylis Studio at Sadler’s Wells Theatre in London last year.

The first four episodes, Me and Zoo, The TurKEY to Christmas Joy and new episodes The Bourneville Identity and Cell Out! will be released on Monday 22 December for 1 week and Bread, Shop Till You Drop and new episodes The High Cs and Ghouls Aloud will be released on Monday 29 December for 1 week.

Henry Lewis and Jonathan Sayer, two of the creators of and performers in the award-winning The Play that Goes Wrong and Mischief Movie Night (In) said:

‘Improv is where it all started for Mischief and so we’re always thrilled when we get the chance to perform Mischief Movie Night again. The whole run at Sadler’s Wells last year was awesome, but we’ve picked out our absolute fave episodes (including some that have never been released before) for you to enjoy over the festive season. We hope you have as much fun watching them as we had recording them.’

No two shows are the same, as the audience suggests a genre, location and title, and Mischief hilariously bring the show to life, complete with rewinds, fast forwards, directors cuts and a thrilling live score to laugh along to.

Mischief Movie Night (In)is a guaranteed comedy blockbuster, and the perfect family treat this Christmas.

The hugely successful on stage run of Mischief Movie Night played to sell-out houses last year, and the last live-stream was enjoyed by over 250,000 people in over 70 countries around the world.

Streaming passes can be booked from www.MischiefMovieNight.co.uk.

Mischief Movie Night features Mischief original cast members and regulars including:  Bryony Corrigan as TBC, Dave Hearn as Piece of Cake,  Charlie Russell as What Not Me?, Ellie Morris as Surely Not Now, Harry Kershaw as Time, Gentlemen Please, Henry Lewis as Not Sure, Henry Shields as I Suppose We’ll Find Out, Jonathan Sayer as Wait and See, Josh Elliot as No Idea, Nancy Zamit as It’s a Slam Dunk, Niall Ransome as We’ll Never Know and Susan Harrison as Guess Who?  They are joined by musicians Chris Ash, Richard Baker, Yshani Perinpanayagam, and Ed Zanders.

The Mischief production Mischief Movie Night (In) was filmed at the Lilian Baylis Studio in 2024 by Human Eyes for Kenny Wax, Stage Presence and Mischief Theatre. The production management and set design is by Tom Nickson and lighting by David Howe. 

ASLAN ARRIVES IN SALFORD AS HIT WEST END SHOW THE LION, THE WITCH AND THE WARDROBE OPENS 5-WEEK FESTIVE RUN

LOWRY, SALFORD

Wednesday 3^rd December 2025 – Sunday 11^th Jan 2026

Aslan made a majestic arrival at the Lowry, Salford ahead of this evening’s first performance of a 5-week festive run of C.S. Lewis’ much-loved The Lion, the Witch and the Wardrobe.

The award-winning production runs at Lowry from Wednesday 3^rd December 2025 to Sunday 11^th January 2026.

C.S. Lewis’ book was first published in October 1950.  Since then, over 85 million copies in 60 languages have been sold. It is one of the top ten best-selling books of all time. The stage adaptation of Lewis’ iconic book enjoyed a hugely successful, critically-acclaimed London run in 2022/3.

Step through the wardrobe into the enchanted kingdom of Narnia. Join Lucy, Edmund, Susan and Peter as they wave goodbye to wartime Britain and embark on the most magical of adventures in a frozen, faraway land where they meet Mr Tumnus the faun, talking beavers, Aslan (the noble king of Narnia) and the coldest, most evil White Witch.

Award-winning  Katy Stephens plays The White Witch.  Katy’s extensive stage career includes leading roles at Shakespeare’s Globe and the Royal Shakespeare Company with whom she is an Associate Artist.  Katy was part of the team that won the Olivier Award for Best Ensemble Performance for the RSC’s Histories Cycle where her roles included Joan of Arc and Margaret of Anjou.  Katy will also play Mrs Macready.

Playing the Pevensie Children are: Joanna Adaran as Susan, Jesse Dunbar as Peter, Kudzai Mangombe as Lucy and Bunmi Osadolor as Edmund.

The cast is completed by:  Archie Combe (Mr Pope and Foxtrot), Andrew Davison (Mr Wilson Schroedinger, Jack Rabbit, Aslan Puppeteer and Head Cruel),  Anya de Villiers (Mrs Beaver), Molly Francis (Mrs Pevensie, Aslan Puppeteer and Robin) Ruby Greenwood (Onstage Swing) Ffion Haf (Miss Gumley-Warmley and Phoenix), Rhiannon Hopkins (Miss Chutney and Blue Badger), Joe Keenan (Mr Granville, Spirit of the Moon and Red Squirrel), Oliver Magor (Onstage Swing), JB Maya (Onstage Swing), Luca Moscardini (Onstage Swing), Alfie Richards (Mr Tumnus, White Mouse and Badger), Kraig Thornber (The Professor, Father Xmas and Wise Owl),  Ed Thorpe (Mr Beaver), Rhodri Watkins (Mr Brinkworth, March Hare and Aslan Puppeteer) and Shane Anthony Whiteley (Maugrim, Satyr and White Stag) and Stanton Wright as Aslan.

Producer Chris Harper said: “We are proud to be marking the 75^th anniversary of the publication of CS Lewis’ novel with this enchanting production of The Lion, the Witch and the Wardrobe – a production that wowed audiences when it played at the Lowry in 2021. It’s the perfect show for Christmas – and we are delighted to bring it back to Salford.”

Lowry Head of Theatres Steve Cowton, said: “We are so excited to be welcoming back this fabulous production, which is a brilliant piece of imaginative story-telling theatre – with a real heart – and the perfect family production for Christmas. The show’s previous visit in 2021 was impacted by the pandemic so we are delighted to be able to welcome it, and audiences back, for what we know will be a hugely successful run this festive period.”

The Lion, the Witch and the Wardrobe is directed by Michael Fentiman based on the original production by Sally Cookson.  The  Set and Costume Designer is Tom Paris, Composers are Barnaby Race and Benji Bower, the Choreographer is  Shannelle ‘Tali’ Fergus, the Lighting Designer is Jack Knowles, the Sound Designer is Tom Marshall, the Puppetry Director is Toby Olié, the Puppetry Designer is Max Humphries, the Aerial Director is Gwen Hales,  the Illusionist is Chris Fisher, the Casting Director is  Will Burton CDG andtheWigs, Hair and Make-Up Designer is Susanna Peretz.  

The Lion, the Witch and the Wardrobe is produced by Chris Harper Productions and Catherine Schreiber and was first produced at the Leeds Playhouse.  

CHILDREN’S CASTING CALL

FOR FORTHCOMING RUN

OF

THE ORIGINAL PRODUCTION

OF

BILLY ELLIOT THE MUSICAL

The producers of the original production of Billy Elliot the Musical today announced the search for children to play the roles of Billy, Michael and Debbie in a forthcoming run of the multi award-winning hit show.

Dates, location and full details for the run of the production will be announced in due course.

Casting Director Jessica Ronane said today “We are delighted to be starting a new nationwide search to find our next generation of boys to play Billy Elliot. Following in the footsteps of some of the most beloved stars whose careers were launched by this extraordinary production.”

BILLY & MICHAEL

Boys aged 9 – 14 and under 5ft.

Tap and ballet experience are a bonus but not essential

Max height 5ft

Unchanged voices only

DEBBIE

Must be 9 to 12 years of age, under 4ft 8. Some ballet experience.

Girls applying for Debbie MUST be from the North East of England.

For Billy, Michael & Debbie – please get in touch with billy@jessicaronane.com which will take you to an application form to enter your details and pick a city near you to come and audition. 

If you have any questions or would like to apply for any of the other child roles which must be based in Greater London then please reach out to billy@jessicaronane.com.

Acclaimed by audiences and critics alike, this original production of Billy Elliot the Musical has been seen by over 10.5 million people across five continents and is the recipient of over 80 awards internationally, including ten Tony Awards and five Olivier Awards.

Based on the highly successful film, the show is set in a northern mining town against the background of the 1984/’85 miners’ strike and follows Billy’s journey from boxing to ballet class where he discovers a passion for dance that inspires his family and whole community and changes his life forever.

Billy Elliot the Musical is brought to life by the multiple award-winning creative team behind the film including writer Lee Hall (book and lyrics), director Stephen Daldry and choreographer, Peter Darling, joined by Elton John who composed the show’s score. The production features scenic design by Ian MacNeil, costume design is by Nicky Gillibrand, lighting design by Rick Fisher and sound design by Paul Arditti. Musical supervision and orchestrations are by Martin Koch.

Billingham Forum – until 4 January 2026

Reviewed by Andrew Bramfitt

4****

Billingham Forum’s festive offering, The Further Pantomime Adventures of Peter Pan – The Return of Captain Hook, is an energetic, good-hearted blast of family fun that grabs its audience from the first burst of fairy dust and doesn’t let go.

Set years after the classic tale, this new adventure finds everyone except Peter Pan all grown up. When Captain Hook resurfaces in Neverland, Tinkerbell (a vibrant Michelle Heaton) sets out to bring Wendy back to help—but instead recruits Wendy’s granddaughter Angela. From that moment, the show rockets forward with colourful chaos, sharp comedy and just the right dose of panto silliness.

Panto newcomer Jessie Williams is the standout of the night. Bursting with charm and confidence, she steals scenes effortlessly and feels like a natural fit for the genre. Ben-Ryan Davies brings playful charm to Peter Pan, and Michelle Heaton’s lively Tinkerbell keeps the story fizzing along.

Connor McIntyre returns as a gleefully menacing Captain Hook—exactly the sort of villain the audience loves to boo. Liam Mellor, as ever, is a whirlwind as Mr Smee. His comic timing is impeccable, and considering he also wrote and directed the show, his fingerprints are everywhere: warm humour, snappy pacing and big-hearted family focus. Robert Squire’s Mrs Hook is outrageous in all the best ways, with costumes that raise laughs the moment they appear (the Baywatch bikini is unforgettable).

The production is slicker than many regional pantos, thanks in no small part to Jen Cassidy’s standout choreography—some of the best this season. Add impressive flying effects, polished sound and music from John Hudson, and you’ve got a show that looks and feels joyfully full.

And the finale? Completely wild—and wonderfully so. Kids and grown-ups alike become part of the action in one of the most interactive endings you’ll see.

Fun, friendly and full of festive sparkle, this panto cements Liam Mellor as one of the region’s leading panto creatives. A brilliant night out for families.

The Further Pantomime Adventures of Peter Pan (produced by Derek Cooper for DCC Ltd) runs until January 4^th – tickets from https://www.forumtheatrebillingham.co.uk/pantomime/

THE WEST END UNITES AGAINST CANCER

A LANDMARK CONCERT FEATURING STARS  OF THE WEST END 

LOVE LIFE, LONDON

THEATRE ROYAL DRURY LANE

1 FEBRUARY 2026 

TICKETS ON SALE 10AM FRIDAY 5 DECEMBER VIA LW TICKETS.

WITH A PRE-SALE FROM 10AM THURSDAY 4 DECEMBER

This February, the West End theatre community will come together for Love Life: West End Unites Against Cancer, a major one-night-only concert at Theatre Royal Drury Lane in support of One For The Boys, the men’s health charity working to break the silence around male cancer.

Taking place on Sunday 1 February 2026, just ahead of World Cancer Day on 4 February, this special event will unite performers, creatives, musicians and supporters for an evening of music, solidarity and storytelling.

The concert will be led by musical director Alan Williams (Evita, Sunset Boulevard, Funny Girl, Crazy For You) and directed by Rupert Hands (Evita, Sunset Boulevard, Roam), bringing together a world-class creative team for the event. The creative team also includes lighting design by Peter Small, sound design by Sound Quiet Time (Rob Bettle and Sam Clarkson), and production management by Jack Boissieux.

The concert will feature performances and exclusive collaborations from West End theatre royalty, including Olivier Award Winners; Giles Terera MBE (Passing Strange, The Young Vic; Hamilton, Victoria Palace Theatre), Tom Francis (Sunset Boulevard, Savoy Theatre & St. James Theatre NYC; &Juliet, Shaftesbury Theatre), David Thaxton (Roam, The Shaftesbury Theatre; Sunset Boulevard, Savoy Theatre & St. James Theatre NYC).

Performing after their sell-out summer in Evita are Diego Andrés Rodriguez (Roam; The Shaftesbury Theatre; Evita, The London Palladium; Sunset Boulevard, St. James Theatre NYC), Bella Brown (Into The Woods, The Bridge Theatre; Evita, The London Palladium) and James Olivas (Evita, The London Palladium; American Idiot, Deaf West Los Angeles).

They are joined by West End stars Ramin Karimloo (Roam, The Shaftesbury Theatre; Pirates! The Penzance Musical, Todd Haimes Theatre NYC; Dirty Rotten Scoundrels; The London Palladium), Jordan Luke Gage (Titanique, Criterion Theatre; Bonnie & Clyde, The Arts Theatre & Garrick Theatre), Lucie Jones (Wicked, The Victoria Apollo, 13 Going on 30, Manchester Opera House), Ben Joyce (Shucked, Regent’s Park Open Air Theatre; Back to the Future, The Adelphi Theatre) and Melanie La Barrie (Hadestown, The Lyric Theatre; &Juliet, Manchester Opera House; The Shaftesbury Theatre; Princess of Wales Toronto & Stephen Sondheim Theatre NYC) and Christina Bennington (Heathers, Theatre Royal Haymarket; Bat Out Of Hell, Manchester Opera House, The Dominion Theatre, Ed Mirvish Theatre Toronto & New York City Centre NYC). 

The star-studded cast will be joined onstage by a live orchestra as they perform a variety of exclusive collaborations and performances, including an exclusive preview of Redcliffe from Jordan Luke Gage, with further special performances to be announced.

Further names and special guests to be announced in the coming weeks.

Their involvement reflects the extraordinary commitment of the West End community to stand together in support of a charity whose work has resonated across the country and around the world. One For The Boys has a long history of drawing remarkable talent to its cause, with previous supporters including Sia, Nicole Scherzinger, Kylie Minogue, Adam Lambert, Paloma Faith and Mark Ronson, as well as global cultural figures such as Samuel L. Jackson, Stanley Tucci, Lewis Hamilton, Colin Firth and Margot Robbie.

This event follows the success of Love Life: Broadway Unites Against Cancer in New York this autumn, which saw the Broadway community rally behind One For The Boys’ mission.

When the concert concludes at Drury Lane, the celebration will continue with an exclusive After Party for VIP and premium ticket holders. Guests will be welcomed into a vibrant late-night setting featuring live DJ sets and appearances from performers, creating a rare opportunity for artists, supporters and industry colleagues to come together in a shared expression of solidarity, joy and purpose.

The night will raise vital funds and awareness for early detection, for open and honest conversations around health, and for the mental and emotional support needed by those living with or affected by cancer.

One For The Boys is a men’s health charity tackling one of the biggest killers of men: silence. The organisation works to encourage people to speak up at the earliest sign that something might be wrong, placing early detection, open communication and emotional support at the heart of its mission. Too many men delay seeking help due to fear, stigma or the pressure to appear strong. One For The Boys seeks to change this culture by creating spaces for honest conversation and providing clear, accessible pathways to support.

Founded in the UK, the charity has produced some of the most high-profile awareness events of the last decade, from the Fashion Ball at the V&A to the Masked Rave at Troxy, and most recently Love Life: Broadway Unites Against Cancer at Cipriani 42nd Street. Its supporters include globally recognised artists and influential figures who have helped amplify its message, contributing to a growing international movement for earlier diagnosis, better awareness and compassionate support. Across all its work, the charity’s goal remains unwavering: to turn a frightening diagnosis into a hopeful journey, one conversation at a time.

Sofia Davis, Founder & CEO, One For The Boys, said, “The silence around male cancer is costing lives. By uniting the West End for this special event, we hope to break down stigma, empower people to speak up early, and support those navigating the mental and emotional impact of cancer. The West End’s support means the world, and together we can help save lives.”

Actor Mikko Juan sat down with fairypowered to answer 20 questions. Mikko is currently playing Thuy in Miss Saigon.  Currently on tour around the UK, you can catch it at Leeds Grand until 13 December – get tickets here

Let’s start with a few favourites

Favourite show (whether you have been in it or not)? 

I’m going to cheat and give two answers: Phantom of the Opera because it got me into musical theatre in the first place, and Les Miserables because I love that score and to this day it still makes me weep every time I watch/listen to it.

Favourite book? 

Tomorrow and Tomorrow and Tomorrow by Gabrielle Zevin

Favourite theatre? Shakespeare’s 

I really love the Bridge Theatre – it’s close to where I live and it’s such a beautiful venue

Favourite song? 

Right now it’s The Road to Find Out by Cat Stevens/Yusef

Favourite music? 

I grew up with my dad playing classic American rock/folk music. Basically, anything with a guitar. I also love listening to film soundtracks and classical music

Favourite food? 

My parents’ pork adobo, a classic FIlipino dish

Favourite drink? 

I love a bubble tea!

What is your favourite role? 

Playing Thuy has been so artistically fulfilling. I also loved playing Bobby Strong in Urinetown!

What was your first role? 

The Tin Man in my high school’s production of The Wizard of Oz. I owe a great deal to Mr. Klem

And what role would you really like to play? 

Enjolras in Les Mis

If you weren’t a performer , what would you be? 

I probably would have continued down the computer science path, being a programmer or a designer for video games

What made you decide to be a performer? 

Initially it was for the spotlight and my love for playing pretend as a kid… As I grew older, it became more about the craft, discipline, and the connections I made through the projects I’ve done over the years – both on stage and off

Do you enjoy touring? 

It’s honestly difficult being away from my wife and cat – but I’ve also been enjoying seeing and experiencing different parts of the country

What advice would you give the 16-year-old you?

Don’t let other people’s opinions/viewpoints affect the way you want to move through the world

Do you fancy branching out in Producing or Directing? 

I’ve dipped my toes into producing through the theatre company that my wife and I co-founded (Halfpace Theatre, if you fancy checking us out!) I can’t say that I’m very good at it – luckily my wife is and she loves doing it!

What was the last stage show you saw and really enjoyed? 

What If They Ate The Baby by a duo called Xhloe and Natasha at the Edinburgh Fringe. It reminded me of the experimental physical work I love doing and want to do more of!

Favourite line from any show? 

From The Man of La Mancha: 

“This is my quest, to follow that star

No matter how hopeless, no matter how far

To fight for the right without question or pause

To be willing to march into hell for a heavenly cause”

There’s something about this verse that gives me goosebumps any time I hear it.

If you could be anyone else for the day, who would it be? 

Aaron Tveit or Ramin Karimloo – just because I want to know what it’s like to have that much talent! Also, their career trajectories are something I aspire to have one day.

What are the nicest/weirdest things you have ever received from fans? 

When I did Jane Eyre: The Musical in Seattle, we had someone who came to the show multiple times, and on closing night, gave each of us paper roses made from pages of the book – corresponding to our characters!

Can you tell us what you will be up to next? 

I don’t have anything lined up, so after this tour I’ll be taking a long break. After that, however, I foresee lots more happening with Halfpace Theatre Company. Find us on Instagram or check us out at halfpacetheatre.com and sign up for our mailing list!

Mikko Juan plays Thuy in Miss Saigon, currently in Leeds,  and then on tour until August 2026 – more details here 

Theatre Royal, Nottingham – until Sunday 4th January 2026

Reviewed by Chris Jarvis

5*****

“The Fairy Godmother of all Pantos!”

And what an amazing Fairy Godmother Christina Bianco was tonight!! Sensational, glamorous with an exceptional voice. She arrived on stage in a puff of fairy dust to welcome her audience and set the scene of the story we all know and love.

Making his Nottingham pantomime debut was the renowned Strictly Come Dancing judge, Craig Revel Horwood; hated and loved in equal measure for his sharp tongue, droll manner. He is the perfect choice to play the wicked stepmother Baroness Demonica Hardup. He makes his flamboyant entrance on stage in a chauffeur driven limousine to the theme from ‘Strictly’ and a cheer from the audience – not usually shown to the villain of the panto world, though likely from the many ‘Strictly’ fans in the audience.

However, Buttons soon converts us to the expected ‘Boo’s & Hisses’ whenever Demonica appears on stage. Neil Hurst playing Buttons isn’t new to pantomime but like Craig Revel Horwood, this is also his first time in Nottingham’s Panto. It’s virtually impossible not to smile when Buttons is on stage as his whole demeanor is fun and cheeky interaction with the audience but remind me not to buy tickets for the front row of the stalls!!!

Buttons and Baroness Demonica bounce off each other so well, and on numerous occasions both come close to losing control and dissolving into laughter. It is often impossible to know whether they are following script, making mistakes or just ad libbing, but this all adds to the spontaneity and hilarity. Very early on Demonica finds herself on the floor and requires a couple of the dancing ensemble to hoist him back to the vertical – scripted or not the audience loved seeing the always impeccable Craig Revel Horwood flat on his back with legs akimbo.

As might be expected, there are many references to ‘Strictly’ with the theme tune often heard, Craig’s well-known A-MAY-ZING and FAB-U-LOUS frequently used, dance references and even naming the Wicked Stepsisters Tess (May Tether) and Claudia (Brit Lenting). Possibly too many for those in the audience who don’t watch Strictly Come Dancing, though seemed to be enjoyed by many.

Cinderella is played by the lovely Elly Jay and she projected a perfect image of the sweet stepsister treated like a servant by her stepmother and stepsisters. She portrayed a gentleness that made her best friend Buttons fall helplessly in love with her. Her relationship with

Stephenson Ardern-Sodje as Prince Charming and his manservant Dandini (Daniel Norford) was just that – charming!

The set was beautiful and one of the most colourful I’ve seen in pantomimes. It welcomed you in as soon as you entered the auditorium. The music provided by a live 5-part orchestra enhanced the performance. Act 1 ends with Cinderella going to the ball in a magnificent carriage and horses – a real spectacle! Choreography was brilliant and dancers all fantastic. Make-up and costumes were colourful with the usual extravagant costumes worn with flair by Craig Revel Horwood. He was certainly a star of the show, flouncing around the stage with a glint in his eye, evil expressions and an amazing voice that I hadn’t expected. He took me by surprise from the start when he blasted out Queen’s ‘Don’t Stop Me Now’ and later crooned Frank Sinatra’s ‘My Way’. He can certainly sing!

Buttons was equally amazing with the usual panto jokes both corny, funny and local, with much innuendo and up to date references such as his brilliant portrayal of Liam Gallager.

The Fairy Godmother was also exceptional with a fantastic voice. Christina Blanco is a brilliant impressionist, and this is showcased in her brilliant rendition of ‘The Sun will Come Out Tomorrow’ from ‘Annie’, seemingly sung by artists from Adele, Christine Aguilera to Barbara Streisand. The audience loved it!

If I had to choose my favourite bit, the hilarious act with Demonica, Buttons, Tess and Claudia singing to Pantomime’s slapstick ‘If I Were Not in Pantomime…….’ reworded to ‘If I Were Not At Hardup Manor’ was one of the funniest I’ve ever seen.

All in all an A-MAY-ZING and FAB-U-LOUS production that gets a 10 from me!

I’M EVERY WOMAN

THE CHAKA KHAN MUSICAL

TO PLAY COVENTRY & EASTBOURNE IN APRIL 2026

STARRING

ALEXANDRA BURKE

AS CHAKA KHAN

Producer Adrian Grant, in association with Chaka Khan, is thrilled to announce that I’M EVERY WOMAN THE MUSICAL will play Belgrade Theatre, Coventry from 1 – 4 April and Congress Theatre, Eastbourne from 7 – 11 April 2026 following a limited run at The Peacock Theatre from 5 – 28 March 2026 with an official opening night on 11 March. Multi-platinum recording artist and award-winning actress Alexandra Burke* (The X Factor, Sister Act, The Bodyguard, Curfew) will play Chaka at all venues. *

Other cast members to be announced in due course.

I’M EVERY WOMAN THE MUSICAL is the powerful and inspiring life story of the award-winning, multi-platinum selling, global icon herself. The musical will open in London for a strictly limited engagement

The new musical which reveals the woman behind the diva, and her rise to stardom has a book by Nia T. Hill, direction by Racky Plews, musical supervision by Mark Crossland, choreography by Ebony Clarke, set design by Sara Perks, sound design by Chris Whybrow , costume design by Natalie Pryce, Hair & Makeup design by JJ Wigs, casting by Debbie O’Brien, associate direction by Oliver Lidert, production management by Toby P Darvill, and general management by Emily Obasohan.

Alexandra Burke is truly one of the UK’s most distinguishable powerhouse voices, having sold over 5 million records in the UK. Her number 1 chart-toppers include million-selling Bad Boys, Start Without You and two million-selling Hallelujah. Her double-platinum selling debut album Overcome has sold over 870,000 copies. Alexandra can be seen on Paramount+ starring in the six-part crime-drama series Curfew, for which she received a National Film Award for the role of schoolteacher Helen. Alexandra received a BIFA nomination for her debut movie role as Candice May in Pretty Red Dress, currently available on BBC iPlayer.

Over the last decade Alexandra has established herself as one of the UK’s most sought-after West End leading ladies, starring in The Bodyguard, Sister Act, Joseph and the Amazing Technicolor Dreamcoat, Chess, Chicago and The Addams Family (UK tour).

Alexandra first rose to fame over sixteen years ago, winning The X Factor in 2008, duetting with Beyonce to an audience of over 10 million. This iconic performance has been viewed over 40 million times on YouTube. Double platinum debut album Overcome featured three #1 singles, spent a year on the UK Album chart and earned three BRIT Award nominations.

A firm favourite across both stage and screen, Alexandra reached the final of BBC One’s Strictly Come Dancing in 2017. In 2021 she was crowned ‘Star Baker’ on The Great Celebrity Bake Off for Stand Up To Cancer and was the only remaining woman to win Channel 4’s SAS: Who Dares Wins.

The fame, the fire, the fight – this is her story. I’m Every Woman: The Musical brings to life the untold story of Chaka Khan, one of the most influential voices of our time. Unapologetically bold and deeply human, the production explores her unwavering passion for civil rights, her defiance in the face of a toxic music industry, the harrowing road through addiction, and the unrelenting pressure of being a working mother. At its core, it’s a story of resilience, purpose, and power – a celebration of the woman behind the legend.      

I’M EVERY WOMAN THE MUSICAL will feature Chaka Khan’s much-loved songs released as a solo artist and lead singer of the band ‘Rufus’ such as I Feel For You, Tell Me Something Good, Ain’t Nobody, Sweet Thing, Higher Love and Through The Fire. The show, which is a journey of music, love and betrayal has a book that includes an array of Chaka’s famous friends from Joni Mitchell and Prince, to Stevie Wonder and Steve Winwood.

Chaka Khan is a global music icon whose influence spans generations of singers, songwriters, musicians, and storytellers. With a career defined by innovation and resilience, she has redefined the sound of pop, soul, jazz, and funk -helping to shape the contemporary music landscape into what it is today. Inducted into the Rock and Roll Hall of Fame’s Class of 2023, Khan is not only a trailblazer but also a symbol of strength, creativity, and longevity. She has developed a vast and loyal global fan base, having performed on six continents. With over 100 million records sold, streamed, and downloaded worldwide, her legacy includes 10 Grammy Awards and 22 nominations – three of which she earned as a member of the groundbreaking band Rufus. Beyond her extraordinary voice, Chaka Khan is also a gifted songwriter, producer, visual artist, author, actress, humanitarian, activist, mother, and grandmother.                   

I’M EVERY WOMAN THE MUSICAL is produced by Adrian Grant Productions in association with Chaka Khan. Co-producers are Willette Klausner Murphy for WMK Productions, Tammy Michelle, Mahben Quddus, and Dave Lumby.

*Please note, Alexandra will perform on Thursday 2, Friday 3 and Saturday 4 (evening only) April in Coventry and all shows apart from matinees in Eastbourne.

In London, Jordan Frazier will play Chaka on Thursday 12, Wednesday 18 and Wednesday 25 March.

Website: www.imeverywomanthemusical.com

Instagram: @imeverywomanthemusical

TikTok: @imeverywomanthemusical

Facebook: @imeverywomanthemusical

2026 LISTINGS INFORMATION

I’M EVERY WOMAN THE MUSICAL

Running time: 2 hours 20 minutes plus an interval

5 – 28 March 2026

Peacock Theatre
Portugal Street
London
WC2A 2HT

Box office: 020 7863 8222  

tickets@sadlerswells.com

Performances:

Mondays, Tuesdays, Wednesdays, Thursdays, Fridays & Saturdays at 7:30pm

Wednesday & Saturday matinees at 2:30pm**

**N.B there will be no matinee performance on Wednesday 11 March, and no show on Monday 23 March

1 – 4 April 2026

Belgrade Theatre, Coventry

Belgrade Square,

Corporation St,

Coventry CV1 1GS

Website: www.belgrade.co.uk

7 – 11 April 2026

Congress Theatre, Eastbourne

Carlisle Rd,

Eastbourne

BN21 4BP

Website: trafalgartickets.com/eastbourne-theatres-eastbourne/en-GB

Watermill Theatre, Newbury – until 4 January 2026

Reviewed by Joanna Huggett

5*****

We arrived at the Watermill Theatre about fifteen minutes before the show began and immediately remembered why we love this venue so much. The remote, picturesque mill buildings, the warm welcome from staff, and the cosy, intimate atmosphere all contributed to the sense of returning somewhere special. Inside the theatre, that closeness is even more pronounced, and from our seats in the front row at the side of the stage, we had an excellent view throughout the performance.

From the moment the show started, we were completely drawn in. Set in Cornwall, the story felt both familiar and fresh, and the cast’s wonderful Cornish accents added an unexpected charm. Every performer impressed us with their talent and versatility, both musically and dramatically.

We were especially captivated by Annabelle Aquino’s portrayal of Merryn, The Little Mermaid. Her voice was stunning, and she brought warmth and sincerity to the role, making her performance unforgettable. Tom Babbage’s portrayal of Cadan was another highlight; the chemistry between him and Merryn’s character felt natural and heartfelt, making their scenes together particularly engaging. The entire cast worked beautifully as an ensemble, supporting one another with energy and skill.

This production is a brilliant adaptation of Hans Christian Andersen’s classic tale, brilliantly directed by Elgiva Field, with a thoughtful script by Lara Barbier and evocative music and lyrics by Amie Parsons. The audience ranged in age from young children to older theatregoers, and judging by the smiles as everyone left, the show resonated with all. A truly delightful experience—highly recommended and an absolute must-see!