Blackpool Grand Theatre – until 15th June 2025
Reviewed by Charlotte McWilliam
4****
“A Fresh, Feel-Good Twist on a Classic”
Presented by Pitlochry Festival Theatre Directed by Sam Hardie
Blackpool Grand Theatre was alive with electric anticipation as an excited, leather-jacket clad audience, dotted with pink polka dots, gathered to be whisked away to Rydell High. From the moment the lights dimmed, the energy was infectious – clapping, cheering, and whooping set the tone for an immersive and vibrant evening.
This actor-musician adaptation of Grease The Musical is no ordinary tribute to the 1978 cult classic. With the cast doubling as the on-stage band, this production delivers an imaginative and musically rich reimagining. Alexander Service’s (Danny) impressive guitar skills and Leah Jamieson’s (Jan) lively saxophone playing brought a fresh dynamism to the performance, showing off the cast’s quadruple-threat talents.
The cast brought their own flair to iconic characters, Leah Jamieson (Jan) was a comedic joy throughout, fully embracing her quirky character with charm and energy whilst bold hair choices – Sandy’s sleek dark locks and Rizzo’s vibrant red added a touch of modern edge. While this Danny Zuko may not have radiated traditional teen-idol allure, he charmed with musical prowess during “Stranded at the Drive In”. Blythe Jandoo’s (Sandy) vocals were clear, confident, and tinged with an American twang—soaring beautifully in “Summer Nights,” more than holding her own in comparison to Olivia Newton-John’s iconic interpretation.
Despite a few minor technical hitches with sound levels, particularly during group numbers, the vocal talent shone through. The Pink Ladies occasionally overpowered the T-Birds due to their positioning on stage, but the musicality remained strong throughout.
The set design by Nick Trueman, though modest, was cleverly used, and standout lighting effects designed by Rory Beaton, especially during the “Grease Lightning” number, added dramatic flair with claps of lightning surging through the auditorium—eliciting genuine gasps of delight from the crowd. While the choreography took a backseat, the actor-musicianship more than made up for it, delivering a musical experience rich in talent and heart.
There were a few unconventional choices in the song lineup – Freddy My Love”, and “Mooning” made appearances, offering fans of the original film a rare treat. “Beauty School Dropout” was a visual highlight, enhanced by creative lighting.
Doody played by David Rankine emerged as a real star, seamlessly shifting between character and drummer, bringing charisma and humour in every moment. His energy and presence made him an unexpected standout and a firm audience favourite. His John Travolta like looks hit well too!
While the narrative was at times non-linear, something that could confuse Grease newcomers, it was ultimately the cast’s enthusiasm, commitment, and musical talent that anchored the show. Fiona Wood’s (Rizzo) “There Are Worse Things I Could Do” was sung with poise and depth, though a touch more grit and vulnerability may have made it truly unforgettable.
The final scene in the diner, reworking “You’re the One That I Want,” may have lacked a little of the usual fire, but the rousing encore of “We’ll Always Be Together” brought everyone to their feet, the entire theatre clapping and swaying with joy.
This Grease may not follow the classic formula to the letter, but it pulses with originality, heart, and live musical talent. It’s a bold and refreshing take, and with just a touch more polish in choreography and tech, it could be a truly unmissable hit.
A feel-good, foot-tapping night at the theatre that dares to do things differently – and does so with real charm