St Helens Theatre Royal – until 21 April 2025
Reviewed by Charlotte McWilliam
4★★★★
Flamboyant, funny, and full of sparkle
This Easter, Cinderella at St Helens Theatre Royal delivers a spectacular and thoroughly entertaining panto bursting with colour, comedy, and heart. Directed by Chantelle Joseph, with musical direction from Callum Clarke and choreography by Nazene Langfield, this production is as polished as it is playful.
Lewis Devine returns as the lovable Buttons and absolutely steals the show. His quick wit, boundless energy, and warm connection with the audience make him the standout of the night. Kimberly Hart-Simpson brings charm and sincerity to the title role, while Ben Keith is every inch the dashing Prince Charming. Conor Barrie adds great comic flair as Dandini, bouncing off the others with ease.
Rachael Wood shines as the Fairy Godmother, especially during a stunning duet of Love Lift Us Up Where We Belong with Buttons. Their powerhouse vocals brought the house down and proved one of the evening’s true highlights.
Shania Pain and Richard Aucott are hilariously grotesque as the Ugly Sisters, hilariously named Ozempic and Mounjaro. Their Lidl and Aldi-inspired costumes were an audience favourite, and their outrageous antics delivered constant laughs. The script is peppered with adult innuendo, but remains entirely suitable for kids, striking the perfect panto balance.
Most of the cast are familiar faces to the St Helens stage, and their chemistry is evident. The show feels like a homecoming, with a comfort and confidence that only comes from a well-loved team. The production values are impressively high: slick set changes, colourful lighting, and well-timed pyrotechnics all elevate the spectacle.
The ensemble, featuring talented performers from Dynamix Performing Arts College and the Nazene Danielle School of Performing Arts, dazzled in every number. A wide range of dance styles was showcased, with Owen Doolan excelling as dance captain. Their precision and energy added depth and dynamism to every scene.
Nazene Langfield’s choreography is sharp and varied, matching the pace of the show perfectly. Whether it’s high-energy group routines or more emotional moments, the dance work throughout was strong, stylish, and engaging.
Visually, the production delivers classic panto magic, with standout moments including a glittering transformation scene and clever use of special effects. The balance of tradition and modern humour keeps things fresh, and there’s a real community feel that sets this panto apart.
Cinderella at St Helens Theatre Royal is a joyous Easter treat — flamboyant, funny, and packed with heart. With a talented cast, high production values, and plenty of laughs, it’s a show that delights all ages. Get your tickets and don’t miss out on this heartwarming Easter treat.