Digital Dance: Birmingham Royal Ballet’s Home From Home

BIRMINGHAM ROYAL BALLET:  
HOME FROM HOME

IN PARTNERSHIP WITH BBC ARTS: ‘CULTURE IN QUARANTINE’, BIRMINGHAM ROYAL BALLET LAUNCHES NEW ONLINE CONTENT

BALLET CLASS: LIVE
FRIDAY 3 APRIL FROM 11.00 BST | BBC.CO.UK/ARTS

THE SWAN
WEDNESDAY 8 APRIL AT 15.00 BST BBC.CO.UK/ARTS & BRB.ORG.UK

Birmingham Royal Ballet is launching Home From Home, a new series of online content which will give an exclusive insight into the company’s daily routine and specially curated performances as they stay fit and creative whilst in isolation at their homes across the globe.

The Birmingham Royal Ballet: Home From Home series will open with Ballet Class Live, an exclusive live-streamed class led by Ballet Master Dominic Antonucci that company members will be dialling into voluntarily from wherever they live in the world.

Initial programming will also include a very special ‘living-room’ performance of The Swan, set to Camille Saint-Saëns’s Le Cygne from Le Carnaval des animaux, introduced by Birmingham Royal Ballet Director Carlos Acosta and performed at home by principal dancer Céline Gittens, accompanied by principal pianist Jonathan Higgins and cellist Antonio Novais from Birmingham Royal Ballet’s orchestra, the Royal Ballet Sinfonia.

Both projects have been created in partnership with BBC Culture in Quarantine. Launched by BBC Arts, Culture in Quarantine is a virtual festival of the arts rooted in the experience of national lockdown whereby UK Creative industries can come together to share content and ideas. Jonty Claypole, BBC Head of Arts, says:

“The mission of Culture in Quarantine is to support the arts and ensure the greatest possible access to culture in people’s homes.

We’re thrilled to be working with one of the greatest dance companies in the world, Birmingham Royal Ballet, on this unique project.

In Ballet Class Live, anyone at home can join Birmingham Royal Ballet in warm-ups and basic steps. And in a special performance, Céline Gittens will dance the iconic ‘The Swan’ solo, which has an added poignancy at this time of isolation and national lockdown.”

HOME FROM HOME: BALLET CLASS LIVE
Friday 3 April from 11.00 BST via BBC.CO.UK/ARTS

Tune in to watch (and participate) with the Birmingham Royal Ballet company as they dial in to a special ballet class live from their homes all over the world including Australia, France, Japan, New Zealand, the USA and UK.

Led by one of Birmingham Royal Ballet’s Ballet Masters Dominic Antonucci, the class will give access to the daily physical warm up routine of these world-class dancers, with online participants including Director of Birmingham Royal Ballet Carlos Acosta, who says:

“Every dancer needs to stay fit and flexible and maintain an active and healthy lifestyle. During this period of self-isolation and quarantine, it is vitally important that our company, based in their homes all over the world, continue to meet up online and take daily ballet class.

As part of the Birmingham Royal Ballet: Home From Home series, we will be giving exclusive ballet class access to BBC’s Culture in Quarantine from 11.00am GMT on Friday 3 April.

Why not tune in and watch our company of world-class performers in class, and why not even participate yourself from the comfort of your own home?” 

Birmingham Royal Ballet’s Home From Home: Ballet Class Live will be led by Ballet Master Dominic Antonucci and accompanied by pianist Ross Williams

HOME FROM HOME: THE SWAN
Wednesday 8 April at 15.00 BST via BBC.CO.UK/ARTS and BRB.ORG.UK

At 3pm on Wednesday 8 April, BBC’s Culture in Quarantine will make available a specially curated performance of The Swanintroduced by Carlos Acosta and performed by Birmingham Royal Ballet principal dancer Céline Gittens, accompanied by principal pianist Jonathan Higgins and cellist Antonio Novais from Birmingham Royal Ballet’s orchestra, the Royal Ballet Sinfonia.

This poignant piece, set to Camille Saint-Saëns’s Le Cygne from Le Carnaval des animaux, was originally choreographed by Mikhail Fokine for legendary ballerina Anna Pavlova and is popularly known as The Dying Swan.

Director of Birmingham Royal Ballet, Carlos Acosta says:

“Welcome everybody in this moment of stillness.

We are going to try an experiment; I frankly don’t know how it’s going to turn out.  We are going to perform for you one of my favourite pieces, The Swan. I have purposely changed the end, so this is a dance about life, about hope.

This is a dance of promises, it represents the end of something and the beginning of something else, and in these crazy times that we are living we all need a new beginning.

This is a gift from Birmingham Royal Ballet to you, enjoy”

Hale Barns Carnival Organisers Announce ‘Party At Home’ Event

HALE BARNS CARNIVAL ANNOUNCES STAR LINE UP FOR NEW ‘PARTY AT HOME’ EVENT

       HOT CHOCOLATE, BROTHERS BEYOND, SCARLETT QUIGLEY AND DARREN PROCTOR AMONGST THE LINE UP OF ENTERTAINMENT

LIVE ON FACEBOOK FROM MONDAY 6 – SUNDAY 12 APRIL AT 8PM

Organisers of the annual Hale Barns Carnival have announced a new ‘Party At Home’ live streaming week-long festival on April 6th-12th, which sees a selection of star names and local acts performing a live concert from their homes each night. The event will be streamed for free to followers of the Hale Barns Carnival Facebook page.

Headlining the party at the home festival is 70s Disco Group, HOT CHOCOLATE with lead singer Kennie Simon performing a live set from his home featuring the bands biggest hits including ‘Every1s a Winner’ ‘You Sexy Thing’ and ‘So You Win Again’.

Nathan Moore of BROTHER BEYOND & WORLDS APART will be performing a live set featuring his 80s PWL hit ‘Harder I Try’. Nathan performed at last year’s Hale Barns Carnival supporting Martin Kemp and proved a big hit with audiences.

Local performers and acts will be joining the line up; including THE VOICE crossover Soprano star, SCARLETT QUIGLEY who will be performing a special ‘Proms at Home’ set, so be sure to wave your flags in the kitchen while watching.

Rat Pack Singer & Newspaper Columnist WAYNE DEVLIN will be performing a Sinatra inspired set for the live streaming event having regularly performed at The Trafford Centre and at various events in the area.

Greatest Hits Radio Presenter, DARREN PROCTOR will be streaming a live DJ set for the event and promises to play all your favourite tunes from the 70s, 80s and 90s to boogie at home, with fellow DJ sets from Pete ‘Toilet Roll Gun’ Scotson and Hale & Bowdon Magazine’s Salim Uddin Khandakar featuring in the week-long event!

The live streaming event on the Hale Barns Carnival Facebook page is completely free and will feature live performances from 8pm each night throughout the week of the 6th-12th April, there will be an option for viewers to donate with event organiser fundraising to help local community groups during this tough time with support for local food banks, Hospice care and local help the elderly projects.

Event organiser, Max Eden spoke if his excitement ahead of the event: “We really hope that this year’s Hale Barns Carnival can go ahead, we’ve put so much into this year’s event with a line up which includes Motown legend, Martha Reeves & The Vandellas and at this moment the event is still going ahead, but in these days of lockdown we wanted to bring the party to everybody at home, so I set to work to put together Hale Barn’s very own virtual festival and bring the community together with an experience everyone can share from their living rooms.

“We’ve got a few surprise names who will be popping up during the week-long live streaming event and I’m so grateful for the support from artists, sponsors, partners and the community to get this off the ground in such a short space of time, I hope we can bring one big party experience to everyone in Lockdown and raise vital funds for vital community projects in the process.”

The live streaming event is supported by sponsors, B&M Bargains & Benchmark Security and partners, Hale & Bowdon Magazine and WA15 Studios.

To watch the live streaming broadcast each night from 8pm from April 6th to April 12th – simply go to the Hale Barns Carnival Facebook page, like the page in advance to be notified when each night goes live.

Website:         www.halebarnscarnival.co.uk

Facebook:       www.facebook.com/HaleBarnsCarnival/

Twitter:​           @HaleBarnsEvents #HBCarnival

The Pleasance Theatre Trust suspend planning for 2020 Edinburgh Festival Fringe

The Pleasance Theatre Trust suspend planning
for 2020 Edinburgh Festival Fringe

As part of a collective agreement with other venue operators and The Festival Fringe Society, it is with great sadness that The Pleasance Theatre Trust has taken the decision to suspend planning for the 2020 Edinburgh Festival Fringe season. This follows the suspension of operations at the Pleasance Theatre in London earlier this month. While the Pleasance remains hopeful that we will be through the worst of this crisis by August, public safety remains their top priority. It is clear that there are a great many uncertainties and this constantly evolving situation has the potential to create a great deal of personal risks for performing companies, artists and venues. The ‘unknown’ is undoubtedly one of the Fringe’s most exhilarating characteristics. However, in this instance, it is one that creates critical challenges. It is for these reasons that the decision to suspend has been made now.

The Pleasance has stood proudly at the centre of the Fringe community for 35 years and exists to champion great voices, ideas and experiences – an ethos that remains unchanged. Committed to supporting artists, the Pleasance will be refunding any deposits and marketing fees already paid by companies. As part of the communication with existing ticket holders, the Pleasance will be giving audiences the option to convert their tickets into donations that will be shared between the venue and performing company.

Anthony Alderson, Director of the Pleasance, says, Our primary concern is for public safety. In light of the current risk to public health, and with so much uncertainty about future risk, we firmly believe there is no alternative but to suspend any plans. We also want to avoid the significant financial liabilities that performers and visiting companies could have by going forward. I sincerely thank and congratulate all of those artists that have spent so long creating such incredible work. We truly hope that it has not been in vain. Our programme is curated with works that excite and challenge us – this remains the case. These artists continue to be part of the Pleasance family and, whether it is in London or Edinburgh, we would be delighted to continue discussing future opportunities. In time, when restrictions are lifted and life returns to a new kind of normality, we will reopen and once again capture that undefinable Fringe spirit that embodies all those who perform with us, work with us and visit us. Our London theatre’s doors will open as soon as we’re able and we will return to the Edinburgh Festival Fringe galvanised within a renewed purpose. We will establish new ways to support artists and even better routes to help audiences discover them. We will thrill, amaze, provoke and entertain. We will persevere. We hope we can do this together.

Edinburgh’s August Festivals Will Not Take Place in 2020

Edinburgh’s August Festivals Will Not Take Place in 2020

1 April 2020, Edinburgh: For the first time in over 70 years, the five festivals that transform Edinburgh into the world’s leading cultural destination every August are not going ahead this year due to concerns around the Covid-19 pandemic. Edinburgh Art FestivalThe Edinburgh Festival FringeEdinburgh International Book FestivalEdinburgh International Festival and The Royal Edinburgh Military Tattoo are not happening as planned in 2020. 

Together, the five August festivals comprise over 5,000 events across Scotland’s capital each summer, welcoming audiences of 4.4 million and over 25,000 artists, writers and performers from 70 countries, making them the second biggest cultural event in the world after the Olympics.

The festivals’ history stretches back to 1947, where in the aftermath of the Second World War the Edinburgh International Festival was founded to reconcile and reunite people and nations through art, in an event that transcended political and cultural boundaries. Many years later the International Festival continues to present the world’s leading theatre, dance and music artists in Edinburgh’s magnificent venues. The Fringe story began when eight theatre groups turned up uninvited to perform on the fringes of the very first International Festival. Since the dawn of this spontaneous artistic movement, millions have flocked to the Edinburgh Festival Fringe to produce, and to enjoy art of every genre. Conceived in 1950 the iconic major event, now known as The Royal Edinburgh Military Tattoo, brings together a huge cast of international military and folkloric performers to perform live to 220,000 visitors each August, with many millions seeing the show on BBC TV around the world.

The Edinburgh International Book Festival began in 1983 and has grown rapidly in scope and size, welcoming writers from all over the world to exchange ideas on some of the world’s most pressing issues. The youngest of the August festivals, Edinburgh Art Festival was founded in 2004 to provide a platform for the visual arts, each year bringing together the capital’s leading galleries, museums and artist-run spaces to present work by international and UK artists.

Since their visionary beginnings the August festivals have presented the very best established and emerging artists from all corners of the globe and across all aspects of the performing, literary and visual arts in what has become the most significant and important celebration of culture anywhere in the world.

Said Sorcha Carey, Director, Edinburgh Art Festival
“It is with deep sadness that today we announce the cancellation of Edinburgh Art Festival 2020. Our decision is taken in response to the ongoing risks posed by the Covid-19 pandemic, and the need to prioritise the safety of our audiences, artists, participants, staff and indeed all those working to combat coronavirus

“While it has become impossible to deliver a festival this year, we remain fully committed to doing all we can to continue to support our visual arts community during what is going to be a hugely challenging time in the weeks and months to come.  

“We hope that it will be possible for galleries, museums and production spaces across the city to reopen their doors in the coming months; and in the meantime, we will work creatively to find alternative ways to share the work of artists with audiences. 

“We will be back next year – as always working closely with our partner galleries, and alongside our extended network of sister festivals, to celebrate the work of artists with audiences and communities across the city.”

Said Shona McCarthy, Chief Executive, Edinburgh Festival Fringe Society,

It’s heart-breaking that the Fringe and our sister August festivals will not take place as planned this summer. However, having taken advice and considered all the options, we collectively believe this is the only appropriate response.

“The safety of participants, audiences, local residents and indeed everyone connected to our festivals will always come first. Our thoughts today are with the doctors, nurses, health and social care professionals on the front line, as well as all those affected by this dreadful pandemic. Our sympathies too are with the thousands of artists and participants directly affected by today’s decision – we will do everything we can to support you over the coming months.

“Culture brings out the best in us. It gives the marginalised a voice, it shapes and reshapes how we think of ourselves and, crucially, it unites us. Since their inception in 1947 the Edinburgh festivals have existed to champion the flowering of the human spirit and, in the face of this truly unprecedented global emergency, we believe that this spirit is needed now more than ever.

Said Nick Barley, Director, Edinburgh International Book Festival,

“It is with great sadness that I can confirm that the Edinburgh International Book Festival will not take place as a physical entity in August of this year due to the risks surrounding the Covid-19 pandemic. This is not a decision we have taken lightly, however the safety of not only our authors, our audiences, our staff and our suppliers, but also that of the people who live and work in our wonderful city, is of paramount importance and we believe that planning to bring large numbers of people from all over the world together in Edinburgh in August is not appropriate this year. We hope to be able to programme a series of online events to take place in the summer.

“We will be back! The Edinburgh International Book Festival is an integral part of the Scottish cultural offering, and we will return next year. We are already looking forward to authors and audiences coming together to celebrate the written word in 2021. In the meantime, please keep reading and please keep supporting your local independent bookshops, many of whom are offering a mail order or door drop delivery service.”

Said Fergus Linehan, Festival Director, Edinburgh International Festival

“We are hugely disappointed to announce this cancellation but given the current outlook we believe it is the correct decision. We recognise that Edinburgh’s festivals play a very important role in the cultural, social and economic lives of our city and country, and this decision has not been taken lightly. Our thoughts are with all the country’s key workers and we hope that we can celebrate your heroic efforts when this awful pandemic has passed.

“The Edinburgh International Festival was born out of adversity – an urgent need to reconnect and rebuild. The current crisis presents all at the Festival with a similar sense of urgency. Work begins straight away on a 2021 Festival season that will boost both our spirits and our economy.

“As we observe our essential social distancing we can, I hope, look forward to being back together soon: sharing brilliant music, theatre, dance, literature and art from the greatest creative minds of our time. Until then, thank you for all your good wishes and keep safe in the coming months.

Said Brigadier David Allfrey MBE, Chief Executive, The Royal Edinburgh Military Tattoo

“Like most people, businesses and institutions, The Royal Edinburgh Military Tattoo has been working hard to adapt to the unprecedented conditions occasioned by the COVID-19 pandemic. 

“In the first instance, we have sought to comply carefully with Government advice and guidance in looking after our customers, staff, suppliers, stakeholders and all those who rely on our annual success and charity. In addition, we have been looking at how best to make a wider and constructive contribution to the national, regional, municipal and individual effort. 

“The pandemic is impacting across the world, the Tattoo – along with other major events and festivals – will need to carefully understand and adapt to whatever is our new normal. 

“We are keen to do this as a great many people have come to rely on our annual routines for their livelihood and their entertainment, with an associated benefit that stretches internationally and across Scottish and UK tourism. Now though, we judge it is impractical and undesirable to stage a Tattoo in anything like its normal form in August. 

“Accordingly, we have decided – for the first time in our 70-year history – to cancel our 25 shows set previously for the period 7–29 August 2020.”

Said Council Leader Adam McVey and Depute Cammy Day,

This was a profoundly difficult decision– leaving a massive gap in our Capital – but clearly it was the right one. Our thoughts are very much with all those fantastic artists, writers, performers and organisations who were working so hard to prepare for another busy festival season.

The most important consideration is the health of our residents and the safety of everyone in the City. We’re all working closely together as a city and internationally with the common purpose of protecting each other, whilst taking up our shared responsibility for planning towards our recovery. 

With that in mind, we’re looking at every feasible option to help to sustain our key sectors, including the festivals, and have committed to honouring all grant payments due to our cultural partners for the current year, and to the repurposing of these, as required. We’ll do everything we can to assist our world-renowned cultural sector to remain at the centre of the city’s identity going forward.

We’re incredibly proud to be known as the world’s Festival City and must never forget the positive contribution our festivals make to our lives, bringing art to Edinburgh in a way no other city enjoys. We’ll continue to work with all of our citizens, colleagues and stakeholders to do everything we can to make sure we come through 2020 and look forward to again bringing the world to Edinburgh and Edinburgh to the world for our summer festivals in 2021!

Creating entirely new Micro-Operitas online with #OperaHarmony

Creating entirely new Micro-Operitas online with

OperaHarmony

Spring 2020

Connecting creativity in the Coronavirus Crisis, #OperaHarmony looks to assemble teams from across the globe for all new homemade micro-operitas to be shared online. With ongoing support, composers will be paired with librettists to build the pieces on the themes of ‘distance’ or ‘community’ before being matched with directors and singers to record and turn their microopera into an online reality to share with the world.

This entirely innovative way of creating networks, at a distance, between all those invested in creating opera comes from the current Stage Director of the International Opera Awards, Ella Marchment. Ella has worked for world-renowned companies and conservatoires as a director and teacher including Guildhall School of Music and Drama, The Julliard School, Dutch National Opera, Wexford Festival Opera and The Royal College of Music. Additionally she has a track record of creating opportunities for artists and new commission and, through her organisation, Helios Collective, has engaged over 1,500 artists in making opera, and commissioned numerous new operas and plays many of which have been endorsed and hosted by English National Opera.

Ella Marchment, organiser, comments, The other day I was thinking about how we could still make art together even through these difficult circumstances, how we can use this forced separation to bring us closer. I am committed to giving as many people opportunities as possible – regardless of experience – to create art. My interest in commissioning originated from a desire to give artists a step onto the career ladder but, in this situation where we now have no apparent stage and are all in the same boat, the idea is to create networks between all those invested in creating opera and plant the seed for new professional relationships that have the potential to grow further once we are out of this situation. #OperaHarmony began with a Facebook post and I have been overwhelmed by the response of artists from around the world. I
now understand its potential to unite, connect and stimulate creativity across the entire opera industry.

In a time when so many of the world’s opera companies have shut and we are confined to the boundaries of our own four walls, it has become imperative to search for means in which creativity can still flourish. #OperaHarmony is an opportunity to make something beautiful together out of an incredibly dark time.

A Statement from Going Ape

A Statement from Going Ape

Dance Attic Studios was set to transfer its in-house produced show Going Ape!, written by Andrew Corbet Bucher, which challenges both religion and science by bringing together various “first” humans, to the Union Theatre in April 2020.

Going Ape has taken precautionary measures in line with current government advice. Given that the main risk is to those over 70 years old, and that not only are Adam and Eve both 300 and the leading lady is 3.5 million years old, the producers felt it was necessary for them to stay in the game until the show returns in September 2020 at the Union Theatre.

Darlington Hippodorme – Online Dance Sessions

OFFSTAGE BUT NOT OFFLINE

Darlington Hippodrome to offer free online dance classes for children and young people

Darlington Hippodrome, in association with the D Project, will run three free interactive online dance classes each week for the next three weeks, prior to the beginning of the summer term when the venue’s regular programme of Youth Theatre and Youth Dance classes will move online.

The first sessions will take place on Thursday 2 and Friday 3 April. The session at 10am on Thursday will be a Contemporary class – a mix of contemporary centre exercises (including floor work). You will learn phrases with restricted space in mind and also get creative with choreographic tasks.

On Friday 3 April there will be two sessions, At 10am, young people of all ages can join a Dance Fitness class – exercise to music with fun movement , that will keep spirits up and maintain stamina, strength and flexibility. At 2pm Debbie will teach the Mass Dance routine due to be performed at this year’s Darlington Dance Festival.

As well as being aimed at existing members of the Hippodrome’s Youth Dance, April’s free online classes are also open to new participants! If your child would like to give it a go, simply email [email protected] up to an hour before the start of each class and you’ll be sent a link to join the session on Zoom.

Chinese Arts Now and Yellow Earth Theatre launch Digital Theatre Commissioning Programme

Chinese Arts Now and Yellow Earth Theatre launch Digital Theatre Commissioning Programme

In response to the COVID-19 Coronavirus outbreak, Chinese Arts Now (CAN) and Yellow Earth Theatre today announce that they are accepting applications from artists who identify as having Chinese cultural heritage and/or who make work that incorporates contemporary Chinese perspectives for support to develop a new digital commission as part of the third CAN Festival.

The £4000 commission is offered during the time of the COVID-19 outbreak as an opportunity for artists to make work within the confines of our current lived context. It encourages work that can be shared digitally via online platforms, and allows audiences and participants to watch, listen or participate with their device remotely. The chosen commission also has the opportunity to be shared during CAN Festival’s Digital Programme in February 2021, with support from both companies during its development.

An-Ting Chang, CEO & Artistic Director of CAN, today said:

“’It is a very difficult time for all the performing arts sectors. CAN would like to use the commissions to support British East Asian artists, as well as to create opportunities for them to experiment with different digital artforms. It is great to partner with Yellow Earth Theatre and to create solidarity with the communities we both work with. We look forward to presenting a different CAN Festival in February 2021.”

Yellow Earth Artistic Director Kumiko Mendl added:

“I’m delighted that Yellow Earth Theatre is partnering with Chinese Arts Now to offer a new digital theatre commission for the next CAN festival. Being able to offer this creative opportunity and support to a BEA artist(s) during these difficult times feels so crucial right now as we steel ourselves for the coming weeks and months ahead.”

CAN will also release other digital commission opportunities in addition to the joint programme with Yellow Earth Theatre. More information can be found on the CAN Website (www.chineseartsnow.org.uk). The deadline for applications is 5pm on Thursday 30 April, with the successful awardee notified Tuesday 5th May. CAN will also release other digital commission opportunities in addition to the joint programme with Yellow Earth Theatre. 

THEATRE TOGETHER ANNOUNCE CHARITABLE ORGANISATIONS SUPPORTED BY FOR ALL THE WEB’S A STAGE – ALSO FURTHER LINE-UP ANNOUNCED INCLUDING JOANNE CLIFTON, DAVID HUNTER AND MARISHA WALLACE

THEATRE TOGETHER ANNOUNCE CHARITABLE ORGANISATIONS SUPPORTED BY FOR ALL THE WEB’S A STAGE –

ALSO FURTHER LINE-UP ANNOUNCED INCLUDING

JOANNE CLIFTON, DAVID HUNTER AND MARISHA WALLACE

Theatre Together, a new collective of over 60 artists and professionals, today announce the charitable organisations being supported by All the Web’s a Stagean online event featuring a variety of live performances. The funds raised will go towards Acting for Others and Help Musicians to support those in the arts facing hardship now as a result of the Coronavirus (COVID-19) pandemic, as well as to The Golsoncott Foundation, supporting individuals or organisations who have been impacted by the crisis to return with a piece of work once the industry begins to recover. Performances will be streamed live on Shakespeare Day, 23 April, a date marked to celebrate the Bard and the performing arts.

In addition, Theatre Together today announce Gemma BarnettTom BraceJoanne CliftonOscar Conlon-MorreyEvangeline DicksonRebecca GillilandDavid HunterCaroline KayEvie Rose LaneLuke McCallJames McDermottTamaryn PayneRobert RhodesOliver SavileCleve SeptemberNoah ThomasDylan TurnerMarisha WallaceDaisy Wood-DavisLuke WrightAl and Roddy and Vocal Xtr3me, joining the previously announced Danny MacTom MilnerJodie Prenger and La Voix. Further line-up and full programme to be announced.

Audiences will be able to watch for free on www.theatretogether.co.uk

To donate please visit: www.justgiving.com/crowdfunding/theatre-together

Sofi Berenger, co-producer of All the Web’s a Stage, said today, While we’ve welcomed the government’s support for the self-employed and the arts in this emergency, it’s clear that many of our industry colleagues will not be eligible for this support. And as many have highlighted, the performing arts are going to take sometime to recover from this extended period of closure. The response to All the Web’s a Stage has been completely overwhelming and we couldn’t be more thankful to those in our industry coming together to raise funds to support each other in this time of need.”

Joel Marvin, Fundraising Coordinator at Acting for Others, said, “We are very much looking forward to All the Web’s a Stage on 23 April. Thank you to all the amazing performers that are streaming live online in aid of Acting for Others. We are excited to see some familiar faces along with all the talented emerging artists!”

Emma Jones, Community and Appeals Manager at Help Musicians, also said, “Help Musicians is very pleased to be the recipient of the funds that Theatre Together will be raising for our Coronavirus Financial Hardship Fund. The impact of the Coronavirus on musicians’ lives and careers is unprecedented, and the newly launched £5m Coronavirus Financial Hardship Fund has been set up to help alleviate some of the immediate financial pressures that many professional musicians may be facing. Since the fund launched on Wednesday 25 March, we have received thousands of applications and there is a vital need to offer even more musicians emergency financial support.

“There has never been a more important time to support our work, and on behalf of the team at Help Musicians, we are very grateful in advance for all donations raised on the day of the live stream fundraiser.” 

www.theatretogether.co.uk

Twitter:                @TheatreTogether

Facebook:           /TheatreTogether

Instagram:          @Theatre.Together

#TheatreTogether

Cast Recording of The Prince of Egypt Available from Friday 3 April

GHOSTLIGHT RECORDS

PRESENTS

“THE PRINCE OF EGYPT”

ORIGINAL CAST RECORDING

INCLUDING THE ACADEMY AWARD®-WINNING ‘WHEN YOU BELIEVE’

OUT ON DIGITAL AND STREAMING FORMATS FRIDAY 3 APRIL 2020

THE PRINCE OF EGYPT, the new musical based on the acclaimed DreamWorks Animation film, is pleased to announce that Ghostlight Records will release its original cast recording on digital and streaming formats on Friday 3 April 2020.A physical CD will be available later this year. Featuring the “miraculous music” (Time Out London) of Stephen Schwartz, the album is produced by Dominick Amendum and Stephen Schwartz, with Kurt Deutsch serving as Executive Producer.

With a cast and orchestra of almost 60 artists, “this truly phenomenal production” (BBC London) has music and lyrics by GRAMMY® and Academy Award®-winner Stephen Schwartz (WickedPippinGodspell), a book by Philip LaZebnik (MulanPocahontas) and features 10 brand new songs written by Stephen Schwartz, together with 5 of his acclaimed songs from the DreamWorks Animation film (Deliver UsAll I Ever WantedThrough Heaven’s Eyes, The Plagues and the Academy Award®-winning When You Believe, which was a global hit for Whitney Houston and Mariah Carey as well as a UK and Ireland chart-topping winner’s single for The X-Factor). “Brought to life in truly epic fashion” (Mirror Online),THE PRINCE OF EGYPT premiered at London’s Dominion Theatre on 25 February 2020.

An utterly stand-out cast” (WhatsOnStage) of 43 features Luke Brady (Moses), Liam Tamne (Ramses), Christine Allado (Tzipporah), Alexia Khadime (Miriam), Joe Dixon (Seti), Debbie Kurup (Queen Tuya), Gary Wilmot (Jethro), Mercedesz Csampai (Yocheved), Adam Pearce (Hotep), Tanisha Spring (Nefertari), Silas Wyatt-Barke (Aaron), Simbi AkandeCasey Al-ShaqsyJoe AtkinsonDanny Becker, Felipe BejaranoPàje CampbellAdam FilipeSoophia ForoughiNatalie GreenJack Harrison-CooperRachael IresonKalene JeansChristian Alexander KnightJessica LeeOliver LidertJay MarshScott MauriceCarly MilesSam OladeindeAlice ReadieChristopher ShortMolly SmithRicardo WalkerDanny WilliamsNiko Wirachman and Sasha Woodward together with young performers Leo BabetJonah CollierTaylor JenkinsMia LakhaIman Pabani and Hannah Selk.

Journey through the wonders of Ancient Egypt as two young men, raised together as brothers in a kingdom of privilege, find themselves suddenly divided by a secret past. One must rule as Pharaoh, the other must rise up and free his true people; both face a destiny that will change history forever.

This lavish stage production” (The Guardian) is directed by Scott Schwartz with choreography by Sean Cheesman; set designs by Kevin Depinet; costume designs by Ann Hould-Ward; lighting design by Mike Billings; sound design by Gareth Owen; projection designs by Jon Driscoll; illusions by Chris Fisher; wigs, hair and makeup design by Campbell Young Associates; orchestrations by August Eriksmoen; musical supervision and arrangements by Dominick Amendum; musical direction by Dave Rose, casting by Jim Arnold CDG and children’s casting by Verity Naughton CDG.

THE PRINCE OF EGYPT is produced by DreamWorks Theatricals (a division of Universal Theatrical Group), Michael McCabe and Neil Laidlaw together with John Gore, Tom Smedes and Peter Stern, Ramin SabiThe Araca Group, James L. Nederlander and Michael Park.

A milestone in cinematic achievement and first released in 1998, DreamWorks’ The Prince of Egypt captivated audiences across the world and has been hailed as “one of the greatest animated films of all time” (Evening Standard) and “a stunning film” (The Guardian).

THE PRINCE OF EGYPT – TRACK LIST

1. Deliver Us

2. Faster

3. One Weak Link

4. Footprints on the Sand

5. Seti’s Return

6. Dance to the Day

7. All I Ever Wanted

8. Make it Right

9. Moses in the Desert

10. Through Heaven’s Eyes

11. Faster (Reprise)

12. Never in a Million Years

13. Act I Finale

14. Return to Egypt

15. Always on Your Side

16. Simcha

17. Deliver Us (Reprise)

18. The Plagues

19. For the Rest of My Life

20. Heartless

21. When You Believe

22. Never in a Million Years (Reprise)

23. Act II Finale