Author: FairyPoweredProductions

STARRING MICHAEL PRAED, NOEL SULLIVAN, CARLEY STENSON AND MARK BENTON

Direct from London’s West End, where it ran for a year to rave reviews, packed houses and was nominated for the Olivier Award for Best Choreography, the hit musical DIRTY ROTTEN SCOUNDRELS is coming to Leeds.

 

Based on the legendary 1988 film Dirty Rotten Scoundrels with Michael Caine and Steve Martin the comedy-musical is at Leeds Grand Theatre from Tuesday 30^th June to Saturday 4^th July.

Starring Michael Praed (Robin of Sherwood), Noel Sullivan (Hear’Say, We Will Rock You), Carly Stenson (Hollyoaks, Spamalot, Shrek) and Mark Benton (Waterloo Road, Doctor Who, Hairspray), audiences will be transported to the luxurious lap of the French Riviera where the decadent world of sophisticated conman Lawrence Jamieson (Praed) is set to come crashing down with the arrival of larger-than-life Freddy Benson (Sullivan) – a conman of an entirely different order. 

 

Soon realising the town ain’t big enough for the both of them, the two find themselves going head to head in the con of their lives, pulling out all of the stops in a bid for the affections of millionaire soap heiress Christine Colgate (Stenson).  Little do they know what they’ve let themselves in for.

 

Dirty Rotten Scoundrels is at Leeds Grand Theatre from Tuesday 30^th June to Saturday 4^th July

 

Tickets are on sale now at £25

 

Book online at leedsgrandtheatre.com or call Box Office on 0844 848 2700

 

Almost two thousand entries received before last Friday’s deadline

Theatre writers across Britain of all levels of experience submitted a total of 1,938 scripts for the 2015 Bruntwood Prize for Playwriting – the second highest tally in the Prize’s history. The judges will announce this year’s winner at an award ceremony at the Royal Exchange Theatre, Manchester, on 17 November 2015.

The deadline for entries to the 2015 Bruntwood Prize for Playwriting 10th anniversary competition passed on Friday 5 June. Writers of all levels of experience were invited to enter plays, which must be original, unperformed and unproduced. The winner will receive a prize of £16,000 and a full production of their play at the Royal Exchange Theatre, Manchester. The competition, which runs every two years, is a unique partnership between the Royal Exchange Theatre and property company Bruntwood.

Two of 2013’s winners – YEN by Anna Jordan, and THE ROLLING STONE by Chris Urch – received their critically acclaimed world premieres at the Royal Exchange this year.

The judging panel for this year’s prize is chaired by Nicholas Hytner, former Artistic Director of the National Theatre. The full judging panel is as follows:

• Nicholas Hytner (former Artistic Director, National Theatre)
• Sarah Frankcom (Artistic Director, Royal Exchange Theatre)
• Vivienne Franzmann (playwright and former Bruntwood winner)
• Ramin Gray (Artistic Director, Actors Touring Company)
• Bryony Lavery (playwright)
• Michael Oglesby CBE (Chairman, Bruntwood)
• Miranda Sawyer (writer and broadcaster)
• Meera Syal CBE (actor and writer).

The Bruntwood Prize for Playwriting is open to writers in the UK and Ireland aged 16 and over.

The Bruntwood Prize for Playwriting is Britain’s biggest playwriting competition.  This round marks the 10th anniversary of the Prize, which has supported the development and productions of a significant number of playwrights since its inception in 2005.  17 playwrights have been awarded a total of £160,000.  There have been fifteen critically acclaimed productions of winning entries, as well as a number of productions of plays elsewhere that were identified through the judging process.

Over 10,000 entries have been generated from across the United Kingdom and winning playwrights have gone on to have work produced at the Royal Court Theatre, Almeida Theatre, on Broadway and in the West End.  It is a significant investment in playwrights and support for new work on stage.  More information about the Prize can be found at www.writeaplay.co.uk/about.

By Lola Clark, Jared Blue Gale, Lily Habibyan, Zed Levy, Zoë Milne, Yaseen Mohamed, Daniel Santangelo and Maia Settecasi.

directed by Debbie Hannan
Jerwood Theatre Upstairs
Saturday 18 July – Saturday 25 July

The Royal Court Theatre will tour a series of short plays written by children between the ages of eight and eleven to 15 schools in London boroughs before being performed in the Royal Court’s Jerwood Theatre Upstairs, from 18 to 25 July.

The Primetime plays were written by primary school children aged eight to 11 from Hammersmith & Fulham, Haringey, Kensington & Chelsea and Westminster.

The Primetime plays will tour to Alperton, Ealing, Walthamstow, Dagenham, Wembley, Beckton, Harlesden, Ilford, Crayford and Pinner.

They were developed in Autumn 2014 during a six-week playwriting workshop at the Royal Court led by playwrights Vivienne Franzman (Mogadishu, Pests, The Witness) and Nessah Muthy (Gastronauts, Beastie).

 

Primetime is designed by Ruta Irbite with sound by George Dennis.

 

The craziest plays written by the littlest writers are taking over the Royal Court this summer.

Get ready for intergalactic rap battles, time traveling Ninjas and shapeshifting cats in an explosion of adventure and fun for the whole family.

 

Primetime is directed by past trainee director for the Royal Court Debbie Hannan.

 

The Royal Court has also commissioned free family workshops to take place alongside the production with the aim of introducing young people to playwriting.

This is the third time the Royal Court has taken a production to schools. In 2013 with Suhayla El-Bushra’s play Pigeons and the last Primetime to 15 Primary Schools in 2014.

Primetime is supported by John Lyon’s Charity, The Mercers’ Company, The Haberdashers’ Company, Ernest Cook Trust, John Thaw Foundation, Royal Victoria Hall Foundation and The Austin and Hope Pilkington Trust.

The Primetime plays to be performed will be:

Chicken Wings in Space by Yaseen Mohamed (aged 11)

The Human Monster by Lola Clark (aged 9)

The Lady Bird by Daniel Santangelo (aged 10)

The Ice Cream That Never Melts by Zoë Milne (aged 9)

Lost by Zed Levy (aged 9)

Grampa Ninja and the Lost World by Jared Blue Gale (aged 10)

I Want Money!!!! By Maia Settecasi (aged 10)

The Adventures of Ms Vennily by Lily Habibyan (aged 9)

Family writing workshops are free but bookable in advance, available online www.royalcourttheatre.com or 0207 565 5000

Debbie Hannan was a previous trainee director at the Royal Court. For the Royal Court her directing credits include Who Cares (as Co-Director) and Peckham The Soap Opera. As Assistant Director for the Royal Court her credits include How To Hold Your Breath, Teh Internet is Serious Business, The Nether, Primetime 2014, Birdland and The Mistress Contract. Other directing credits include Notes from the Underground (Citizens Theatre), Panorama, Roses Are Dead, You Cannot Call it Love (The Arches), Yellow Pears (Swept Up) and Grimm Tales, Nights at the Circus (Theatre Paradok).

Listings Information:

Primetime

By Lola Clark, Jared Blue Gale, Lily Habibyan, Zed Levy, Zoë Milne, Yaseen Mohamed, Daniel Santangelo and Maia Settecasi.

directed by Debbie Hannan

Jerwood Theatre Upstairs
Sat 18 – Sat 25 Jul

Wednesday to Saturday 3pm

Friday & Saturday 6pm
Tickets £10 Adult, £5 Children, £10 Child ticket and meal deal

Age guidance 7+

Family writing workshops are free but bookable in advance, available online www.royalcourttheatre.com or 0207 565 5000

To commence the celebrations of its 21st anniversary Frantic Assembly announces its involvement in the new 8 part Channel 4 series Humans

Humans is set in a parallel present where the latest must-have gadget for any busy family is a ‘Synth’ – a highly-developed robotic servant eerily similar to its live counterpart. In the hope of transforming the way they live, one strained suburban family purchases a refurbished synth only to discover that sharing life with a machine has far-reaching and chilling consequences.

Artistic Director Scott Graham said: “I am absolutely thrilled to announce Frantic Assembly’s involvement in Humans. We were approached to develop and choreograph the movement of the many non human, synthetic characters throughout all 8 episodes of the series. It is so exciting to see our work and methods embraced by a new industry and used to tell a such a bold, modern story. Dan O’Neill has been the movement director for Frantic Assembly on this series and his meticulous eye for detail and choreographic excellence has proved invaluable.”

It is the first time Frantic Assembly has choreographed a primetime TV series

The show will premiere in the UK on Sunday 14th of June, at 9pm, on Channel 4. The cast includes: William Hurt (A History of Violence, Damages), Katherine Parkinson (The IT Crowd, The Honourable Woman), Tom Goodman-Hill (The Devil’s Whore, Mr Selfridge), Colin Morgan (Merlin, The Fall), Rebecca Front (The Thick Of It, Just William), Neil Maskell (Utopia, The Mimic) and Gemma Chan (Dates, Fresh Meat).

Frantic Assembly has created the Synth movement for the show under Movement Director Dan O’Neill. He commented: “Something particularly special about the show and what makes it different to other stories about artificial intelligence is that we didn’t use special effects to create the synths. Their eye colour has been changed, but all of the other synth aesthetics are created through precise movement work.”

The series is produced by Kudos (Utopia, Broadchurch, The Hour) in association with Matador Films (Real Humans). Executive producers are Jane Featherstone (Broadchurch, Utopia, The Hour) and Derek Wax (The Hour, Occupation, Lip Service) for Kudos with Chris Fry (The Smoke) for Kudos, and Henrik Widman and Lars Lundström for Matador Films. Commissioned for Channel 4 by Piers Wenger, Beth Willis and Simon Maxwell and Kristin Jones and Joel Stillerman for AMC and distribution will be handled by Shine International.

Joel Stillerman, Executive Vice President, programming, production and digital content for AMC said:“Humans is that rare sci-fi series that puts the emphasis squarely on the character aspect of the story, and explores the emotional impact that will come with an increasingly blurry line between human and machine.” 

Frantic Assembly created the movement direction for the National Theatre Production of The Curious Incident of the Dog in the Night-Time which last night picked up five awards at the 2015 TONY Awards in New York.

 

Regent’s Park Open Air Theatre has announced full casting for Seven Brides for Seven Brothers, which begins rehearsals today, Monday 8 June. The production will run at the theatre from 16 July – 29 August with performance for press on 23 July.

Led by Alex Gaumond as Adam and Laura Pitt-Pulford as Milly, the full cast of Seven Brides for Seven Brothers will include Rosanna Bates, David Burrows, Angela Caesar, Matthew Clark, Leon Cooke, Eammon Cox, Jacob Fisher, Charlene Ford, Steve Fortune, Trevor Michael Georges, Bob Harms, Bethany Huckle, Frankie Jenna, James Leece, Phillip Marriot, Dylan Mason, Natasha Mould, Peter Nash, Sam O’Rourke, Ryan Pidgen, Adam Rhys-Charles, Karli Vale, Annie Wensak, Ed White andEmma Woods.

Seven Brides for Seven Brothers is directed by Rachel Kavanaugh who reunites the creative team behind Regent’s Park Open Air Theatre’s award-winning production of The Sound of Music.

To coincide with the opening in mid-July at Regent’s Park Open Air Theatre, JAY Records have today announced that they will be releasing a new recording of songs from Seven Brides for Seven Brothersfeaturing Laura Pitt-Pulford, Alex Gaumond and Sam O’Rourke.

From the Golden Age of the movie musical, this much-loved score includes Bless Your Beautiful Hide, Goin’ Courtin’, Wonderful Wonderful Day, and the dance spectacular, Barn Dance. Based on the 1954 MGM film of the same name, Seven Brides for Seven Brothers was adapted for stage in 1978 with a book by Lawrence Kasha and David Landay, and new songs by Academy Award-winning Joel Hirschhorn and Al Kasha.

Alex Gaumond recently played Beadle Bamford in Sweeney Todd for the ENO, opposite Robert Lindsay in Dirty Rotten Scoundrels (Savoy), and played Miss Trunchbull in Matilda The Musical (Cambridge Theatre). Previous credits include Top Hat We Will Rock You and Legally Blonde.

Laura Pitt-Pulford played Maria in The Sound of Music at the Curve, Leicester and also appeared at the Curve in Piaf and Hello, Dolly!, with further theatre credits including Follies at Royal Albert Hall andThe Light Princess at the National Theatre.

Seven Brides for Seven Brothers will have set and costume design by Peter McKintosh, choreography by Alistair David, musical supervision and dance arrangements by Gareth Valentine, musical direction by Stephen Ridley, lighting design by Tim Mitchell, orchestrations by Larry Blank, sound design by Nick Lidster for Autograph, casting by James Orange CDG, associate direction by Tom Attenborough and fight direction by Kate Waters.

Prior to Seven Brides for Seven Brothers at Regent’s Park Open Air Theatre (16 July – 29 August), the critically acclaimed production of J.M Barrie’s Peter Pan runs until 14 June followed by The Seagullstarring Janie Dee, Sabrina Bartlett and Matthew Tennyson from 19 June – 11 July. Lord of the Flieswill then bring this year’s season to a close from 3 – 12 September before embarking on a nationwide tour.

Seven Brides for Seven Brothers was originally produced on Broadway by Kaslan Productions Inc and directed by Lawrence Kasha with dance and music arrangements by Sam Davis. The production at Regents Park Open Air Theatre is presented by arrangement with Josef Weinberger Limited on behalf of Music Theatre International of New York.

 

 

Grand Theatre, Leeds – 8 June 2015

The musical version of Mel Brooks film The Producers arrives in Leeds this week.  Its sheer wonderful lunacy.  Irreverently disrespectful, it’s also incredibly funny

Telling the story of Max Bialystock (Cory English) and Leo Bloom (Jason Manford)  who set out to produce a sure fire flop on Broadway and they hope “Springtime for Hitler” is the show to do it for them.

I’m not a fan of ‘stunt’ casting for the sake of it but doubters need not worry that this has been ‘star’ casting for easy ticket sales –  Manford has a background in musical theatre, and treads the boards like seasoned pro. His vocal ability was extremely admirable, pleasing vibrato and with a range not often heard in untrained singers. He can sing, he can dance, he can act and his American accent was flawless.

Ross Noble’s mad-as-a fish portrayal of Franz Liebkind is a comedy billiance. His derranged eyes, love of pigeons, adoration of Hitler and maniacal disposition are hilarious.  Threatening to shoot the Musical Director (Andrew Hilton) whilst showing the correct way to perform Haben Sie Gehört Das Deutsche Band is sheer genius

But its not just the ‘names’ who shine in this show.  Cory English is the undisputed star of the show.  He wrings every considerable comic moment out of Max Bialystock, the sly old producer with a gift for romancing pensioners.  In an energy-filled tour de force performance Betrayed, in the second Act, is quite superb.

Roger De Bris, is The Worst Director in Town and playing him superbly was David Bedella. Appearing on stage for the first time looking like Shirley Bassey, camp and entertaining, David really came into his own during the second half showstopper Springtime For Hitler where he strutted, pouted and minced his way through World War 2, fantastic.

Stephane Anelli as Carmen Ghia was outrageous and Tiffany Graves as Ulla almost stole the show with her performance of If You’ve Got It Flaunt It where she managed to change bikini apparently hands free, in full view yet out of site whilst still singing!

Lee Proud’s dance routines are excellent as the cast goose-stepped and danced in their jackboots while four massive ‘sieg heil’ saluting arms being raised from the wings was ingenius.

Featuring a riotous mix of eccentric characters and the all-time classic song Springtime For Hitler, The Producers is not just a camp extravaganza but is a huge musical triumph.

In Leeds until Saturday 13th June and on tour around the UK

 

 

**** Q

**** The Times

**** Evening Standard

***** Timeout

“a joyful return” 8/10 NME

“Florence’s finest hour of all” **** DIY

“Florence is clearly ready to soar once again” **** MOJO

‘How Big How Blue How Beautiful’, Florence’s third critically acclaimed album was released this week to top the UK album chart, selling more than the rest of the top 5 combined, topping the charts in 24 other countries and are currently on course to have their first Number One album in the USA.

Now Florence + the Machine announce their return to the stage with their first full UK tour since March 2012. September will see them embark on a 12 strong string of dates which will take them across the country including one night in Newcastle at the Metro Radio Arena on Tuesday 15th September 2015. The tour will follow a big festival season for Florence + the Machine who are set to play big slots at Glastonbury, Splendour In The Grass, Electric Picnic amongst others.

Tickets priced from £35 subject to service and processing fee are on sale Friday 12th June from 9am & available from:-

Credit Card Booking and Information Line 0844 493 6666

The Metro Radio Arena Newcastle Box Office (Mon – Fri: 10.00am – 4.00pm, Sat: 11.00am – 2.30pm)

Internet Site:- www.metroradioarena.co.uk / www.eventim.co.uk

Group Bookers should call (0191) 260 6006

Accessibility bookings should call (0191) 260 6066 for further details.

 

Following a sell-out UK and Ireland tour and two hugely successful runs at Regent’s Park Open Air Theatre, To Kill a Mockingbird returns to London from 24 June until 25 July 2015 at the Barbican.Robert Sean Leonard will be reprising the role of Atticus Finch exclusively at the Barbican.

Robert Sean Leonard is a Tony award-winning American actor and is best known for playing Dr. James Wilson in the Fox television series House and Neil Perry in the 1989 movie Dead Poets Society. Having frequently performed on and off Broadway since 1986, To Kill a Mockingbird at Regent’s Park Open Air Theatre in 2013 marked Robert’s critically acclaimed return to the London stage for the first time in 22 years.

The full cast of To Kill A Mockingbird includes Christopher Akrill (Boo Radley), Geoff Aymer (Reverend Sykes), Victoria Bewick (Mayella Ewell), David Carlyle (Nathan Radley/Mr Gilmer), Natalie Grady(Maudie Atkinson), Jamie Kenna (Heck Tate), Susan Lawson Reynolds (Calpurnia), Zackary Momoh(Tom Robinson), Ryan Pope (Bob Ewell), Christopher Saul (Walter Cunningham/Judge Taylor) andConnie Walker (Stephanie Crawford/Mrs Dubose). Jemima Bennett, Ava Potter and Rosie Boore will share the role of Scout whilst Harry Bennett, Tommy Rodger and Billy Price will share the role of Jem. The role of Dill Harris will be shared by Leo Heller, Connor Brundish and Milo Panni.

Directed by Timothy Sheader, To Kill a Mockingbird originally opened Regent’s Park Open Air Theatre’s 2013 season to critical acclaim and sell-out performances. Due to popular demand, the production then returned for two weeks to conclude the 2014 season at the Open Air Theatre before embarking on a highly successful UK and Ireland tour in 2014/15. Proving its success across every art form, the 1960 novel was awarded the Pulitzer Prize, followed by the film adaptation in 1962 which won three Oscars out of the eight it was nominated for. Harper Lee’s much anticipated second novel Go Set a Watchmanwill be released in July 2015.

To Kill a Mockingbird is produced by Regent’s Park Theatre Ltd, Fiery Angel, Adam Spiegel and William Village.

 

LISTINGS INFORMATION

24 June – 25 July 2015
Barbican Theatre

Regent’s Park Theatre Ltd, Fiery Angel, Adam Spiegel, William Village present
the Regent’s Park Open Air Theatre production of
To Kill a Mockingbird
Adapted for the stage by Christopher Sergel
Based on the novel by Harper Lee

Press night: Thursday 2 July 2015
Monday – Saturday 7.30pm
Matinee performances (Thurs & Sat) 2.30pm

Tickets £19-45
Premium seats £60
Schools £16 plus 1 free teacher with every 10 pupils, Monday to Thursday
Young people £15 ticket to 18-25 year olds who are members of the Barbican’s scheme
Groups £10 off top price for groups of 10 or more, Monday to Thursday

Box Office: 020 7638 8891
Online Booking: www.barbican.org.uk

Director Timothy Sheader
Designer Jon Bausor
Composer Phil King
Original Movement Naomi Said
Movement Director Polly Bennett
Lighting Designer Oliver Fenwick
Sound Designer Ian Dickinson for Autograph
Casting Director Lucy Jenkins CDG and Sooki McShane CDG
Casting Director (children) Jessica Ronane CDG
Dialect Coach Majella Hurley
Resident Director Paul Foster
Assistant Designer Rebecca Brower

THE NATIONAL THEATRE’S PRODUCTION OF

THE CURIOUS INCIDENT OF THE DOG IN THE NIGHT–TIME

WINS FIVE TONY AWARDS ON BROADWAY

 

CATCH IT AT LEEDS GRAND THEATRE THIS SUMMER

 

 

The National Theatre’s production of The Curious Incident of the Dog in the Night-Time was one of the big winners at last night’s prestigious Tony Awards® held at the Radio City Music Hall in New York (7 June 2015), winning five awards – Best Play – Simon Stephens, Best Direction of a Play – Marianne Elliott, Best Performance by a leading Actor in a Play – Alex Sharp as Christopher Boone, Best Lighting Design of a Play  – Paule Constable and Best Scenic Design of a Play  – Bunny Christie and Finn Ross.

 

The Curious Incident of the Dog in the Night-Time started life at the National Theatre’s Cottesloe Theatre in 2012, transferred to the West End in 2013 (winning seven Olivier Awards) and is now simultaneously running at the Gielgud Theatre in London’s West End, on Broadway at the Ethel Barrymore Theatre and is on a major tour of the UK and Ireland coming to Leeds from Tuesday 25^th to Saturday 29^th August.

 

Marianne Elliot, who won the award for Best Direction of a Play said:

 

‘I’m absolutely thrilled and honoured that we have won  five Tony Awards, and that our show has been as embraced by audiences in New York, as it has been in London and on this amazing tour of the UK and Ireland, which has been thrilling audiences since it began late last year. When we first started working on this show we had no idea whether there would be an audience for it.  We were all working outside our comfort zones,  all trying to do something we believed in utterly but which meant taking risks. It was incredible to see the audience at the National Theatre, then for that to grow in to the West End.  To have even the slightest idea that it would go to Broadway, let alone to win these awards is incredible”

Simon Stephens, who accepted the award for Best Play alongside the entire producing team added: ‘It’s been an incredible collaboration and the fact the show has been received this well in New York means the world to me.’

Paule Constable, who won the award for Best Lighting Design of a Play commented:   ‘Winning the Tony for Best Lighting for Curious is completely overwhelming.  Curious is a celebration of collaboration – between all of us as a creative team – and with the audiences and community of Broadway.  The way they have taken this show to their hearts is life-affirming.  I am so proud of what we all achieved – of the whole company – and of all the people who convinced us that this could work and help to steer us.  We had no idea we would end up here!’

 

Bunny Christie, who received the award for Best Scenic Design for a play, alongside fellow Scott Finn Ross said: ‘The success of this show could never have happened without the teams at The National Theatre and I am really proud of this big wonderful company.’   Finn Ross added: ‘For the show to be taken on board like this is an incredible honour and I am deeply touched.’

The production has been hugely successful during this year’s Broadway theatre awards season in New York, also winning 5 Outer Critics Circle Awards, including Outstanding New Broadway Play and 6 Drama Desk Awardsincluding Outstanding Play. 

Christopher, fifteen years old, stands beside Mrs Shears’ dead dog.  It has been speared with a garden fork, it is seven minutes after midnight and Christopher is under suspicion. He records each fact in a book he is writing to solve the mystery of who murdered Wellington.  He has an extraordinary brain, and is exceptional at maths while ill-equipped to interpret everyday life.  He has never ventured alone beyond the end of his road; he detests being touched and distrusts strangers.  But his detective work, forbidden by his father, takes him on a frightening journey that upturns his world.

The Curious Incident of the Dog in the Night-time comes to Leeds Grand Theatre from Tuesday 25^th to Saturday 29^th August

Tickets are on sale now priced from £18.50 to £35.

Book on-line at leedsgrandtheatre.com or call box Office on 0844 848 2700

 

ROSS NOBLE AND JASON MANFORD HEAD TO LEEDS WITH THE MEL BROOKS SMASH HIT MUSICAL

THE PRODUCERS

Based on Mel Brooks’ beloved Academy Award winning movie, The Producers is a hilarious musical comedy that has taken Broadway and the West End by storm, winning a record-breaking 12 Tony Awards and 3 Olivier Awards; it comes to Leeds Grand Theatre bringing with it two great Northern comedians.

Ross Noble joins forces with fellow comedian Jason Manford and a sterling cast including Cory English, David Bedella, Tiffany Graves and Stephane Anelli.

Impoverished by a string of flops, New York producer Max Bialystock (Cory English) recruits downtrodden accountant Leo Bloom (Jason Manford) to help him pull off Broadway’s greatest scam. Together they aim to produce the worst show ever and run away to Rio with millions, but they learn that Show Business can always find a way to kick you in the teeth.

Ross said of his role; “I am very excited about appearing in The Producers. I am a huge fan of the show and for anyone who loves comedy, the chance to perform the work of Mel Brooks is amazing!”

Jason said; “I’m so thrilled to be starring in my favourite musical of all time. Mel Brooks is a genius and I’m so excited to be playing the iconic role he created. The show is a riot of laughs from start to finish.”

Featuring a riotous mix of eccentric characters and the all-time classic song ‘Springtime For Hitler’, The Producers is the funniest Broadway musical of all time.

Mel Brooks said; “It’s brilliant to see ‘The Producers’ being brought to life again with this new production.”

The Producers is at Leeds Grand Theatre from Monday 8th to Saturday 13th June 2015.

Tickets are on sale now priced from £18.50 to £40.

Book online at leedsgrandtheatre.com or call box Office on 0844 848 2700.