Author: FairyPoweredProductions

Ross is currently appearing as Roger in Rent at the St James Theatre until January 28th and then off on tour around the UK. Ross’s theatre credits include My Fair Lady Proms 2012 (Royal Albert Hall); Charlie And The Chocolate Factory (Workshop); Ensemble and understudy to Warner and UPS guy in Legally Blonde (Savoy Theatre); Drew in Rock of Ages (Shaftesbury Theatre) and Ensemble as well as understudying and playing the role of Galileo in We Will Rock You (Dominion Theatre). Ross chats to fairypoweredproductions…

 

 

• Tell me about your experience of Rent

 

• It’s amazing to be at the St James theatre, it’s very intimate with the audience.  The story and the music are great.  I’ve never been in it before but I am aware of the songs and I’m loving it

 

 

• Are you looking forward to touring?

 

• I’ve never toured before, I’ve mainly done West End so I’m looking forward to venturing out and seeing how Rent works slightly modified for touring.

 

 

• Are you looking forward to anywhere in particular?

 

• I’m looking forward to York as it’s close to home – just half an hour away on the train and I’ve got family and friends coming to see me.  And I’m looking forward to the Millennium Centre in Wales as it’s huge

 

 

• What is your favourite show?

 

• I would have to say We Will Rock You as it was my first part out of Drama School.  I was 21 and supposed to be second cover but I ended up playing Galileo (the lead male role) for 4 weeks due to circumstances.  I was in front of 2000 people every night at the Dominion and it was amazing.  

 

 

• What is your favourite role so far?

 

• I would have to say Drew from Rock of Ages, that was my first lead role in my own right and not an understudy.  It was a brilliant show and I sang around 14 songs every night so it was  knackering but I enjoyed it

 

 

• You appear as a vocalist on some CD’s, do you have any plans to produce your own CD?

 

• I’ve not got any plans but I do play guitar and write songs so you never know!

 

 

• Have you ever done a straight play with no singing?

 

• I’ve not yet but never say never, I’d love to do all kinds of different styles so plays, tv maybe films who knows

 

 

• What made you decide to become a performer?

 

• It got me a GCSE in Drama.  I did Performing Arts in year 7 and hated it but in year 10 it gave me the chance to play in band and get a qualification so I did.  I then got the opportunity to go to Stockton Riverside College which is a performing arts college and from there I went to Arts Ed and here I am

 

 

• So if you’d not been a performer what do you think you would have done?

 

• It sounds weird but I was obsessed with the weather when I was little so maybe a Weatherman or followed my dad into Engineering

 

 

• Have you had any weird or nice gifts from fans?

 

• I had a lovely Mulberry body wash once that smelt lush and a birthday cake with my head on.  I appreciate anyone who pays to see me and then cares enough to send me a gift

 

 

• Do you fancy branching out in Producing or Directing?

 

• Not really, I quite like standing on stage and performing – I think I’d rather be told what to do than tell someone else

 

 

• What are your plans for the future?

 

• Not sure.  I do gigs when I’m out of work, but I’d like to keep touring, maybe move out to Germany where they like Rock Musicals but just keep performing

 

With Thanks to Ross for speaking to fairypowered

 

Tour dates

 

31 January to 4 February 2017

Devonshire Park Theatre

Box Office: 01323 412 000

Website: www.eastbournetheatres.co.uk/venue/devonshire-park-theatre

 

6-11 February 2017

Churchill Theatre

Box Office: 020 3285 6000

Website: www.churchilltheatre.co.uk

 

14-18 February 2017

Festival Theatre

Box Office: 0131 529 6000

Website: www.edtheatres.com

 

28 March to 1 April 2017

Curve

Box Office: 0116 242 3595

Website: www.curveonline.co.uk

 

3-8 April 2017

Wales Millennium Centre

Box Office: 029 2063 6464

Website: www.wmc.org.uk

 

11-15 April 2017

Cheltenham Everyman Theatre

Box Office: 01242 572573

Website: www.everymantheatre.org.uk

 

8-22 April 2017

York Theatre Royal

Box Office: 01483 440000

Website: www.yorktheatreroyal.co.uk

 

1-6 May 2017

Lighthouse

Box Office: 01202 280000

Website: www.lighthousepoole.co.uk

 

9-13 May 2017

Belgrade Theatre

Box Office: 024 7655 3055

Website: www.belgrade.co.uk    

 

16-20 May 2017

Nottingham Playhouse

Box Office: 0115 941 9419

Website: www.nottinghamplayhouse.co.uk

 

23-27 May 2017

Assembly Hall Theatre

Box Office: 01892 530613

Website: www.assemblyhalltheatre.co.uk

STOMP

HAS TWO RECORD-BREAKING PERFORMANCES ON

WEDNESDAY 28 & THURSDAY 29 DECEMBER 2016

AT LONDON’S AMBASSADORS THEATRE

AND RECORDED THE HIGHEST EVER WEEKLY NET

IN THE HISTORY OF THE THEATRE

STOMP in London finished 2016 on a high with two consecutive record-breaking performances on Wednesday 28 and Thursday 29 December, when they posted the highest ever net box office figures for STOMP at the Ambassadors Theatre, beating the previous record set on Saturday 14 February 2015.  These two performances are also the highest netting performances of any production in the theatre’s 104-year history.  The show also recorded the highest ever weekly net in the history of the Ambassadors Theatre.

STOMP turned 25 in August 2016 and will celebrate its 15^th birthday in London and its 10^th birthday at the Ambassadors Theatre in September 2017.

 

STOMP was created by Luke Cresswell and Steve McNicholas and was first performed in 1991 in Edinburgh.  The show played Sadler’s Wells Theatre in January 1994 and won the Olivier Award for Best Choreography, before opening in New York in February of the same year.  The European company was created in 1997 and began the show’s London run at the Vaudeville Theatre on 25 September 2002, transferring to the Ambassadors Theatre on 27 September 2007.

One of Britain’s greatest exports, STOMP has toured the globe for 25 years, playing to more than 12 million people in 53 countries across 6 continents. There are currently four STOMP companies performing worldwide, including New York, where the show has been running for over 22 years, London, now in its 15th year, a world tour and a North American tour.  Last year, STOMP completed a very successful 10-week season in Beijing and visited India for the first time in December, playing a two-week sell-out run in Mumbai.

STOMP is presented in London by Yes/No Productions and Glynis Henderson Productions Limited.

LISTINGS INFORMATION

Ambassadors Theatre

West Street

London WC2H 9ND

Box Office: 020 7395 5405

Tickets from £26 + a £2.50 transaction fee

Performances: Monday, Thursday, Friday & Saturday at 8pm, Sunday at 6pm, with matinees Thursday, Saturday and Sunday at 3pm

Extra Performances at 3pm & 8pm on Wednesday 15 February, Wednesday 12 April, Wednesday 5 & 12 July, Wednesday 2 & 9 August, Wednesday 18 & 25 October 2017

N.B. No 3pm matinee on Thursday 7 & 14 September 2017

Running Time: 100 minutes with no interval

Current Booking Period: to 7 January 2018

www.theambassadorstheatre.co.uk

www.stomplondon.com

@StompLDN

The Bread & Roses Theatre announces its Winter Season 2017

 January – March 2017 – www.BreadandRosesTheatre.co.uk

68 Clapham Manor Street, SW4 6DZ Clapham, London

 

“This venue is quickly shaping up as one of the most exciting ones amongst the London pub theatres!”  – RemoteGoat

 

The Bread & Roses Theatre is entering its third year and we have another brimming season lined up, featuring revivals, new writing and many returning companies.

Our theatre year kicks off straight away with Between a Man and a Woman written & directed by Scott James (4^th to 14^th January). This new and harrowing drama focuses on the taboo subject of domestic violence and questions as to whether we can fully know what goes on behind closed doors and within the sanctity of marriage. Later in the month we then welcome a new musical one-woman-show about a perpetual millennial trying to find her way in the world, A Snap Musical written & performed by Lauren Stones (24^th to28th January). Taking is into February is Necessity written & directed by Paul Macauley (31^st January to 4^th February), a new play about our need to hold on to ideals and what we create in the world when our needs go unmet, coming to the Bread & Roses Theatre after a hugely successful sell-out run at Brighton Fringe. Brand new theatre company Bag of Beard also make their debut with Two Short Stories (6^th to 10^th March), featuring Torn Apart by Christopher Georgiou & Shauna McLean and Bath by Alexander Knott.

Furthermore, we will host a revival of Patrick Marber’s iconic Closer (19^th to 22^nd January), which looks unblinkingly at modern relationships, in which sex is the subject even when it’s not, honesty is not always the best policy, and people with choices seem to only be able to make the wrong one.  And the season features another revival, which will be Nick Payne’s Constellations (28^thFebruary to 4^th March), a play about free will and friendship; it’s about quantum multiverse theory, love and honey, and won the Evening Standard award for Best New Play in 2012. Later in the season we will welcome Purple Cast Productions with a double ‘Bill’ Shakespeare of Macbeth & Twelfth Night (21^st March to 1^st April).

 

Audley & Co. Productions return to our theatre with Sisters written & directed by Natalie Audley (7^th to 11^th February) as do our associate company Get Over It Productions with their acclaimed all-female production of Shakespeare’s The Taming of the Shrew (21^st to 25^th February), Free Rayne Artists with the third instalment of their new writing night Spiral (12^th to 14^th March), and Third Person with improvisational show Clowns Are Not Funny (5^th February, 5^th March & 7^th May). Also returning are Goblin Baby Theatre Co. with a series of shows, which are: Where do we go from here? (12^th & 13^th February), script-in-hand performances responding to Brexit & Trump; a V-Day benefit production of Eve Ensler’s iconic and award-winning The Vagina Monologues (16^th to 18^thFebruary); & Screw the Looking-Glass a work-in-progress showing of a new darkly-comic one-woman show written & performed by Tessa Hart.

Furthermore, the The Bread & Roses Theatre continues its support for playwrights and theatre-makers with several free events: Playwrights Circle (30^th January, 27^th February & 27^th March), a friendly and supportive group in which playwrights can share their work and work-in-progress, & Networking Event (20^th February), for those interested in bringing their own work to the venue.

End of last year Godiva Films also released a short documentary about The Bread & Roses Theatre’s journey up to its 2^nd year anniversary (www.youtube.com/watch?v=0DxL0Jkxldw) and the theatre was named as a recipient of the ICWP 50/50 Applause Award for the second year in a row.

For details on all listings and more head to www.breadandrosestheatre.co.uk.

Phone: 020 8050 3025

Thick & Thin Theatre present:

Following the sell-out shows Toxicity and Slight Delay in 2016, Thick & Thin Theatre present a brand new play about money, drugs and… zombies. WARNING: ‘BRAINS’ contains strong language, scenes of violence and drug use, awkward romantic encounters and the wrath of an undead scientist.

In the not so distant future humanity has fallen victim to a disease, turning people into flesh craving, drooling, rotting versions of themselves. However, the clichéd disease spells good news for one company – business is booming at MediBite Inc., where sales of their drugs and medical products have shot through the roof.

After waking himself up with his daily cocktail of drugs, Harry, the money obsessed manager, does his best to keep his terrifying CEO, Ursula, happy, while also keeping his eye on his niece and apathetic new intern, Tina. Meanwhile, accountant and hopeless romantic Jeff shows skeptical new salesman, Rosie, around the office…. However, everything changes when smug scientist Stuart finds a cure for the disease that has ravaged the world.

Thick & Thin Theatre are a young company based in London, founded in 2016 by Cameron Szerdy, Tom Spencer & Jack Dent.  They enjoy creating theatre that’s funny, fast paced and tinged with irony; taking everyday settings and injecting them with a generous helping of the absurd; and above everything else, they aim to make people laugh.

Theatre N16 is a trailblazing theatre company, dedicated to creating a creative hub where new and existing works can be explored and pushed into new realms. Theatre N16 is proud of their commitment to the welfare of creatives, operating under an Equity Fringe Agreement. This promoting and nurturing of talent means that Theatre N16 is a bastion for development within the context of a society in which the arts are increasingly struggling to stay afloat.

BILL KENWRIGHT

BY SPECIAL ARRANGEMENT WITH THE REALLY USEFUL GROUP
PRESENTS

WEST END LEADING LADY EMMA HATTON AS EVA PERÓN 

LEADING ITALIAN ACTOR GIAN MARCO SCHIARETTI AS CHE

IN

EVITA

Lyrics by TIM RICE Music by ANDREW LLOYD WEBBER

Following its smash hit run at London’s Dominion Theatre, Bill Kenwright’s production of the extraordinary musical, Tim Rice and Andrew Lloyd Webber’s Evita, is set to thrill audiences once again across the UK, opening in Bromley on Thursday 12 January.

Taking on the iconic role of Eva Perón will be one of musical theatre’s most exciting leading ladies today, Emma Hatton. She recently finished wowing audiences in the lead role of Elphaba in the West End’s production of Wicked. Prior to this she performed the principle roles of Scaramouche and Meatloaf in We Will Rock You at the Dominion Theatre, and Donna in the West End production of Dreamboats and Petticoats.

 

In addition to her success in musical theatre, Emma continues to perform regularly as a jazz and blues singer to much critical acclaim, with previous residencies and appearances including The Savoy Hotel, and Ronnie Scott’s. Her one-woman show, Songbird, sold out at the Live at Zedel’s season for Crazy Coqs and was followed by Unforgettable at the Jazz Café for the London Jazz Festival. In 2015, Emma recorded her first EP with Anthony Strong entitled Merry Christmas, Darling which went straight to Number 1 in the iTunes Jazz charts and she is currently working with Anthony on her next EP.

Making his UK debut is leading Italian performer Gian Marco Schiaretti who will be taking on the role of Che, a character who reflects the voice of the Argentine people – linked to Eva by destiny; he brings conflict to the story of Eva’s rise to fame. Gian Marco Schiaretti most recently played the title role of Tarzan in Disney’s Musical Tarzan, in Stuttgart. Prior to this he played Mercutio in Romeo and Juliet across Italy.

Joining them will be Kevin Stephen-Jones, set to play Argentine President Juan Perón. He has performed extensively across the UK and Europe in over 20 different operas. His musical theatre credits include Cats, Dirty Rotten Scoundrels and Love Beyond.

The cast is completed by Oscar Balmaseda, Sarah O’Connor, Natalie Langston, George Arvidson, Lewis Barnshaw, Jessica Ellen, Callum Fitzgerald, Kellie Gnauck, Dominic Adam Griffin, Kate Leiper, Joe McCourt, Jude Neill, Chrissie Perkins, Oliver Slade, Matias Stegmann and Yuval Zoref.

Telling the story of Eva Perón, wife of former Argentine dictator Juan Perón, Evita follows Eva’s journey from humble beginnings through to extraordinary wealth, power and iconic status which ultimately lead her to be heralded as the ‘spiritual leader of the nation’ by the Argentine people.

With more than 20 major awards to its credit, and an Oscar winning film version starring Madonna and Antonio Banderas, Tim Rice and Andrew Lloyd Webber’s Evita is iconic. Featuring some of the best loved songs in musical theatre, including Don’t Cry for Me Argentina, On This Night of a Thousand Stars, You Must Love Me, and Another Suitcase in Another Hall, this spectacular production promises once again to be the theatrical event of the year. Don’t miss the 2017 UK tour of Tim Rice and Andrew Lloyd Webber’s extraordinary musical Evita.

www.kenwright.com

Regional Reviewers needed for fairypowered.

Please get in touch if you love theatre and can write a coherent sentence. Manchester and Scotland reviewers would be especially welcome.
Please contact lindsay@fairypoweredproductions.com for further details

Awards to take place on Tuesday 31 January 2017

Renowned industry figure Terri Paddock to produce ceremony at Prince of Wales Theatre

FOOTLOOSE: THE MUSICAL

THE SMASH HIT PRODUCTION RETURNS IN 2017

LAUNCHING A NEW UK TOUR AT NEW WIMBLEDON THEATRE ON FRIDAY 21 APRIL 2017

WITH A STRICTLY LIMITED WEST END SEASON AT THE PEACOCK THEATRE

FROM TUESDAY 12 TO SATURDAY 30 SEPTEMBER 2017

 

 

Following a smash-hit 2016 tour which saw over 160,000 people cut loose across the UK, Footloose: The Musical will burst back onto the stage in 2017 when an International Tour launches from New Wimbledon Theatre on Friday 21 April. The tour will include a strictly limited West End season at the Peacock Theatre, playing for three weeks from Tuesday 12 September 2017.  Full tour schedule attached.

 

Based on the 1984 screen sensation starring Kevin Bacon, Footloose: The Musical tells the story of city boy Ren, who has to move to a rural backwater in America where dancing is banned. All hell breaks out as Ren breaks loose and soon has the whole town up on its feet. Featuring classic 80s hits including Holding Out for a Hero, Almost Paradise, Let’s Hear it for the Boy and the unforgettable title track, Footloose: The Musical is set to take the world by storm once again, bursting with youthful spirit, dazzling dance and electrifying music.

 

When the film was released in 1984, it became the highest-grossing February release in US film history.  The soundtrack album ended the year-long reign of Michael Jackson’s Thriller at number one and went on to top album charts all over the world, eventually selling in excess of 17 million copies.  Footloose was nominated for a Golden Globe, and both the title song and Let’s Hear It for the Boy received Academy Award nominations.Footloose: The Musical first opened on Broadway in 1998 where it ran for 709 performances, with a London production following in 2006.

 

Gareth Gates and Maureen Nolan will reprise their roles as Willard and Vi Moore.

 

Gareth Gates rose to fame through the inaugural series of Pop Idol in 2001, going on to sell over 5 million records worldwide and have hits across the globe. His version of Unchained Melody sold over a million copies in the UK and is the 3rd best-selling single of the Noughties. Gareth is also the youngest ever-male solo artist to debut at number 1.  More recently Gareth has enjoyed a successful career on stage, with credits including Les Misérables, Legally Blonde and Joseph and the Amazing Technicolour Dreamcoat. In 2014 Gareth appeared in the final series of Dancing on Ice, and joined boyband 5^th Story as part of ITV’s second series of The Big Reunion, touring arenas with bands including Blue and Five.

Gareth will not appear in Wimbledon and Chester.

Maureen Nolan has been singing with her sisters since she was nine years old, when they became one of Europe’s first girl bands, The Nolans. Best known for their smash hit single I’m in the Mood for Dancing, The Nolans enjoyed phenomenal record sales worldwide, and worked with some of the world’s most respected artists including Frank Sinatra. On stage, Maureen has played Mrs Johnstone in Blood Brothers in the West End and on tour to critical acclaim. She was the fourth Nolan sister to play the role, earning them entry into the Guinness Book of World Records. Other credits include Sadie in Girl’s Behind, Jill in Mum’s the Word and Sarah in The Naked Truth.

Further casting is to be announced.

 

Footloose: The Musical has music by Tom Snow and lyrics by Dean Pitchford, and is adapted for the stage by Dean Pitchford and Walter Bobbie. It is based on the original screenplay by Dean Pitchford. It is directed by Racky Plews (American Idiot, West End) with choreography by Matthew Cole, design by Sara Perks and musical supervision by Mark Crossland. It is produced by David Hutchinson and Phillip Rowntree for Selladoor Productions, Tristan Baker and Charlie Parsons for Runaway Entertainment, Jason Haigh-Ellery and Stephen McGill Productions. It is presented by arrangement with R&H Theatricals Europe.

 

www.footloose-musical.com

@FootlooseTour

 

2017 UK TOUR

Friday 21 – Saturday 22 April 2017

NEW WIMBLEDON THEATRE

Box Office www.atgtickets.com/venues/new-wimbledon-theatre | 020 8545 7900

Gareth Gates will not appear in Wimbledon

Tuesday 2 – Saturday 6 May 2017

YORK GRAND OPERA HOUSE

Box Office www.atgtickets.com/venues/grand-opera-house-york | 0844 871 3024

Monday 8 – Saturday 13 May 2017

WYCOMBE SWAN THEATRE

Box Office www.wycombeswan.co.uk | 01494 512 000

Monday 15 – Saturday 20 May 2017

RICHMOND THEATRE

Box Office www.atgtickets.com/richmond | 0844 871 7651

Monday 22 – Saturday 27 May 2017

QUEEN’S THEATRE, HORNCHURCH

Box Office www.queens-theatre.co.uk | 01708 443333

Tuesday 30 May – Saturday 3 June 2017

BUXTON OPERA HOUSE

Box Office www.buxtonoperahouse.org.uk | 01298 72190

Monday 5 – Saturday 10 June 2017

VENUE CYMRU, LLANDUDNO

Box Office www.venuecymru.co.uk | 01492 872000

Tuesday 13 – Saturday 17 June 2017

COVENTRY BELGRADE THEATRE

Box Office www.belgrade.co.uk | 024 7655 3055

Monday 19 – Saturday 25 June 2017

SWANSEA GRAND THEATRE

Box Office www.swansea.gov.uk/swanseagrandtheatre | 01792 475715

 

Monday 10 – Saturday 15 July 2017

GUILDFORD G LIVE

Box Office www.glive.co.uk | 0844 7701 797

Wednesday 19 – Saturday 22 July 2017

CHURCHILL THEATRE, BROMLEY

Box Office www.churchilltheatre.co.uk | 020 3285 6000

Wednesday 26 July – Sunday 6 August 2017

KURSAAL OOSTENDE, BELGIUM

 

Tuesday 15 – Saturday 19 August 2017

DEVONSHIRE PARK THEATRE, EASTBOURNE

Box Office www.eastbournetheatres.co.uk | 01323 412 000

Monday 21 – Saturday 26 August 2017

THE TOWNGATE THEATRE, BASILDON

Box Office www.towngatetheatre.co.uk | 01268 465 465

 

Tuesday 5 – Saturday 9 September 2017

STORYHOUSE THEATRE, CHESTER

Box Office www.storyhouse.com | 0845 241 7868 

Gareth Gates will not appear in Chester

Tuesday 12 – Saturday 30 September 2017

THE PEACOCK THEATRE, LONDON

Performances Tue-Sat 7.30pm, Sat 2.30pm, Sun 4.00pm

Box Office www.peacocktheatre.com | 020 7863 8222

ON SALE FRIDAY 30 DECEMBER

This Must Be The Place

by Brad Birch and Kenneth Emson

Vault Festival, The Vaults, Leake Street, London SE1 7NN

Wednesday 8 th February – Sunday 12th February 2017

In an exhilarating first time collaboration between Pinter Commission winning Brad Birch and BAFTA-nominated Kenneth Emson, This Must Be The Place makes its London premiere at Vault following an acclaimed debut performance at Latitude Festival 2016. The production is staged by Poleroid Theatre – the company behind triple Off West End Award nominated Free Fall by Vinay Patel and the nationwide new writing platform Write It: Mic It.

Adam, a young Londoner in the midst of crisis, desperately tries for a clean break from technology, love, connectivity and the pressures of city life in an attempt to find home. A million miles away, or perhaps not so far, two friends try to start again in the big smoke as fugitives from their problems, but find they are still waiting on the margins.

Two short ballads about being alive and not… This Must Be The Place is a story about migration, missed connections and life on the edge of respectability. It’s about where we are now and whether we are really living. It is both frantic and funny, quiet and thoughtful, sometimes bleak, but never without a sense of hope.

This Must Be The Place expertly interweaves these two stories together but director Justin Audibert also leaves audiences to make their own connections between the plays and character’s stories – are they intertwined or aren’t they? The stories are brought to life by a talented ensemble of four actors using Poleroid’s trademark theatre combined with live gig.

Kenneth Emson and Brad Birch put the financial and emotional stress of young adults in the UK today in the spotlight. This Must Be The Place seeks to explore whether we can truly cope with the pressure of expectation, success, forced connectivity and an overload of information in our technological age, or if this is significantly contributing to mental instability and displacement.

Director Justin Audibert comments, Kenneth and Brad are two of the most urgent yet humane playwrights working today. Their work explores the dark undercurrents of life in the 21st century but does so from the perspective of those on the margins whose stories we rarely get to hear. They are also artists whose work challenges the boundaries of what the live experience of theatre can be.

Four outstanding performances from Mike Noble, Feliks Mathur, Molly Roberts and Hamish Rush … This Must Be The Place is a masterful look at life’s transitions and the connections that make us who we are (A Younger Theatre).

Title This Must Be The Place by Brad Birch and Kenneth Emson

Performance Dates Wednesday 8 th – Sunday 12th February 2017, 7:45pm

Running time 60 minutes

Twitter @PoleroidTheatre, @VaultFestival, #ThisMustBeThePlace

Website http://www.poleroidtheatre.co.uk/

Writers Brad Birch and Kenneth Emson

Director Justin Audibert

Producer Poleroid Theatre

Assistant Producer Corinne Salisbury

Location VAULT Festival, The Vaults, Leake Street, London SE1 7NN

 

A Year From Now

VAULT Festival, The Vaults, Leake Street, London SE1 7NN

Wednesday 25th January – Sunday 29th January 2017

14 VOICES. 5 ACTORS. ONE YEAR.

This new production from RedBellyBlack Theatre is a fascinating combination of verbatim and physical theatre, using movement and audio narrative, that asks 14 people ‘where do you see yourself a year from now?’. Children, nonagenarians, new parents and trauma survivors talk to the audience about their perspective on the passing of time.

Following a successful run at Tristan Bates Theatre, A Year From Now returns to the stage with new answers to some seemingly simple questions. What do you make time for? What has been the time of your life? Are you where you thought you’d be a year ago?

From the four year-old who already knows that he is destined to be a racing car driver to the ninety-four year-old who is still driving, every story told in this show is moving, exciting, hilarious and disturbing. Follow the fears of new parents. Be blown away by the fifteen year-old who understands why bullying happens. Fall in love with the comedian who finds joy in all things, even after losing a close family member. Have your eyes opened by a young woman with a lifethreatening condition who risks everything to become a mother.

A Year From Now is about the importance and power of positivity. These raw, real-life stories encourage us to take ownership of our time and savour every minute. Five actors from various creative backgrounds guide us through these answers in a visually stunning verbatim performance.

…we have been presented with a playful and unfetishized look into the very unexceptional world we so regularly seek to leave behind… This is Alecky Blythe stripped bare, and it is all the more refreshing for it (LondonTheatre1).

A Year From Now was co-created by RedBellyBlack’s Artistic Director Kate Goodfellow (Winner of Best Female Performer, Brighton Fringe) and Director Vicki Baron.

The production is in partnership with mental health charity MIND, who are changing the national perspective on mental health. RedBellyBlack will be collecting donations and promoting the incredible work of this charity.

Title A Year From Now

Performance Dates Wednesday 25th – Sunday 29th January 2017, 6.10pm

Running time 60 minutes

Twitter @Red_Belly_Black, @VaultFestival, #AYearFromNow

Trailer https://youtu.be/GcCRKmTQSpM

Kate Goodfellow Choreographer/Producer/Co-Creator

Vicki Baron Director/ Co-Creator

Peter Collington Assistant Producer

Abi Toghill Lighting Designer and Operator

Cast

Kate Goodfellow

Clementine Mills

Christopher Montague

Oscar Scott-White

Jessica Warshaw

Location VAULT Festival, The Vaults, Leake Street, London SE1 7NN