Tango Moderno Review

Mayflower Theatre, Southampton – until 17 February.  Reviewed by Karen Millington Burnet

5*****

Wow; high energy and intense. This is the story of growing up and finding love, fuelled by the cupid of Tango.  A dazzling performance by a young and incredibly athletic troupe who deserve a five star rating – the display of abdominal sculpting was almost intimidating; the dancers carried not an ounce of superfluous weight and the whole cast were models of athletic physique – the lifts appeared effortless and were just so impressive.  

The humour, dazzling musicianship (especially from Oliver Lewis on his violin), gymnastics on top of the balletic dancing, merging with a street feel made for a wonderful display.  I was slightly unnerved by the “John Wick” look-alike’s worldly wisdom; “ your future is behind you” and “you start life by living it”, but in fact Tom Parsons’ narrative and increasingly impressive singing gave structure to the unfolding story.  Together with Rebecca Lisweski, the singing got better as the evening progressed.

The same must be said for Vincent Simone and Flavia Cacace; my early sense was that they were a bit superfluous to the story, but as the performance progressed I came to appreciate their role more fully and by the last number I was simply blown away with their Tango.  Never be tempted to leave early after the final bow of the cast – these two delivered just the finest Tango routine it’s been my privilege ever to see; high octane, high precision and superbly executed – a true joy.   

I have to admit to being disappointed by an auditorium only half full and of the “older” demographic when this show really should appeal to a young set as well.

The evening was enhanced – thank you Mayflower – by a decent set of speakers so every word and note were decipherable; hallelujah! And full marks to the set designer and lighting team. A good solid performance from both which ably supported the cast.

All in all, we went into the evening not knowing what to expect and it only got better.

The Morning After Review

The Hen and Chickens Theatre – until 14 February.  Reviewed by Claire Roderick

4****

It’s the morning of the 15th February, and The Morning After Clinic has a long line of clients waiting to see the Love Doctor about their romantic troubles. The audience become students of Amorology, sitting in on the consultations as research assistant Aphrodite ushers the patients in and out.

The potential for comedy dynamite from romantic misadventures is endless, and Monorogue’s writers and performers have created some cracking losers in love. With both male and female writers, the show is well-balanced, with the male writers/performers creating the needier, less assured characters.

The parade of patients includes the delusional, the misunderstood and the desperate, riffing on the horrors of communicating by text, the difference between love and sex and other familiar cringeworthy situations. The most memorable patients are Angela Harvey dressed as a nun, living in constant dread of her husband’s next overly romantic movie-themed Valentine’s extravaganza and Kim Hardy as a young soon-to-be father who is experiencing some worrying symptoms. The standout monologue, full of filthy slang from across the centuries is Mike Elliston’s ghost, Lucie D’Charcoal, performed by Mary-Ann Cafferkey. There is barely room to catch your breath between the jokes as Cafferkey describes, in hysterically coarse detail, her time as King Louis’ mistress.

After each consultation, the Love Doctor’s sneering judgements are balanced by the compassionate wisdom of Aphrodite (Geraldine Brennan), which could have become a little corny, but is saved by Brennan’s spikiness and no-nonsense delivery. There are no weak links in this show, with all the monologues and performances delivering plenty of pathos alongside the big laughs.

The Morning After could quite possibly be the perfect Valentine’s night out. Let’s face it, whatever disasters happen on your date, they could never be as bad as what the twisted minds at Monorogue have dreamed up.

Showstoppers Review

Manchester Palace Theatre – 10 February 2018.  Reviewed by Andrew Bramfitt

5*****

Fans of musical theatre will always have their favourites, whether it is because of the story, or the songs, or perhaps a leading actor.  For many they will follow this show, seeking out new tours and reliving the known and expected enjoyment.

Imagine though, if you had never seen a musical before, never heard the songs, didn’t know the story and in fact, no one had, how would you feel about spending an evening ‘breaking new ground’?  Well, fear not, because Showstoppers, the brilliantly funny and super talented improv musical show gives you such an opportunity every time they take to the stage.

Couched in the premise that the ‘Producer’ needs a brand new smash hit musical in just one evening, the Director begins by engaging with the audience to find out their own preferences and ideas.  Encouraged to call out show titles, the audience offered favourite musicals on which the night’s show would be based – for this evening the consensus was Little Shop of Horrors, Rocky Horror Show, Wicked, Avenue Q and Joseph  . We then were asked for a venue / setting and, after an audience vote (by applause) we landed on the Winter Olympics In South Korea.  Finally, as all great shows do, we needed a catchy title and again, after many suggestions, Piste Off was the winner.

So, onto the show – the cast began to create a story around the Olympic athletes, their passions, loves, fears and history, all interspersed by some mind blowing improvised show tunes and rib-breakingly funny jokes.  Every now & then the director would freeze the show and interject with a shift in style, a plot twist or a revelation but on the whole he was just as much in awe of the spontaneity of the creations as the audience were.  We had a unique take on the Time Warp, some Wicked style downhill luge and a wonderfully naughty set of makeshift puppets doing their own snow based Avenue Q.

At the interval, the audience were asked to proffer their ideas for how the 2nd act would commence, all via Twitter, with many suggestions actually making it into the show (including some rather bizarre love triangles and an appearance by a WADA official).  The 2nd act continued with the cast maintaining their foray into satire, pastiche, homage and just plain old micky taking – the rap battle a la Hamilton was the highlight for most people.  Ending the show with some Scooby Doo-esque flashback/jump forwards time travelling, you were left in no doubt that you have just witnessed brilliance.  The only sadness felt was that, as everything was improvised on the day, no one would ever get to see Piste Off again.

If you ever get the chance to see one of The Showstoppers performances, grab it with both hands, brush up on your knowledge of musical theatre and strap your ribs up very tightly.

 

LEEDS GRAND THEATRE TO FEATURE IN TOWN HALL EXHIBITION

LEEDS GRAND THEATRE TO FEATURE IN TOWN HALL EXHIBITION

Famed for its sumptuous interior, plasterwork and decorative features, images of Leeds Grand Theatre are set to feature in the latest Leeds Town Hall exhibition that showcases cultural institutions in Leeds.

More than 20 archive and contemporary images that celebrate the opulence of the magnificent Grade II* listed building, will be on display from Monday 12 February until the end of June 2018 in the ‘staircase gallery’. The exhibition is open to all.

Built in 1878 in an intriguing mix of Romanesque and Victorian Gothic styles, Leeds Grand Theatre was a major milestone in Victorian design and was once described as ‘probably the finest of its size in Britain’; its stage being on a par with the leading London Theatres. It also led the way in technical innovation behind the scenes. Star performers to have tread the famous boards include Julie Andrews, Ken Dodd, Margot Fonteyn, Bruce Forsyth, Alec Guinness, Elton John, Marie Lloyd, Morecombe and Wise, Laurence Olivier, Cliff Richard and Tommy Trinder.

“We should all be so very proud of the Grand Theatre, right through the country, the world and of course here in Yorkshire.” Dickie Bird.

Since its ‘transformation’ in 2006, the theatre has hosted the best of the West End and other touring productions, including large musicals, drama from the National Theatre, comedians and music, as well as continuing to provide a home venue for Opera North and Northern Ballet.

Productions and artists set to perform at the Grand in 2018 include Take That’s new musical The Band and Yorkshire favourite, Calendar Girls The Musical, the premiere of Sting’s The Last Ship, Wicked, Motown, Jersey Boys, Art, The Comedy About A Bank Robbery, Northern Ballet’s Jane Eyre and The Nutcracker, and Dara Ó Briain and Jane McDonald.

Other Leeds institutions that have featured in the Town Hall exhibition include the Hyde Park Picture House and Opera North.

The Band featuring the music of Take That comes to Hull

Get Ready For It! The Band Comes to the City

The record-breaking musical featuring the hits of Take That makes its Hull debut

Hull New Theatre takes a step back in time to 1992 next month, to a time when flannel shirts, ripped jeans and heavy boots were the height of fashion, as The Band featuring the music of Take That hits the stage.

The Band, starring Five To Five (winners of BBC talent contest Let It Shine) is a new musical about what it’s like to grow up with a boyband. For five 16 year-old friends in 1992, ‘the band’ is everything. A quarter of a century later, we are reunited with the friends, now 40-something women, as they try once more to fulfil their dream of meeting their heroes.

Twenty two years ago millions of teenage girls were left heartbroken when the British boyband split up. More than two decades later David Pugh, Daffyd Rogers and Take That’s brand new musical smashed all box office records, taking £2 million within the first two hours of going on sale making it the fastest selling theatre tour ever. And now it’s Hull’s turn.

Written by Tim Firth, directed by Kim Gavin and Jack Ryder (EastEnders) with set design by Jon Bausor and choreography by Kim Gavin, The Band has had audiences up and down the country dancing in the aisles with its infectious brand of upbeat camaraderie.

The Band takes to the Hull New Theatre stage from 6-17 March 2018. Tickets, priced from £19.50 are on sale now from the Hull City Hall box office or by calling 01482 300 306. Visit our new website www.hulltheatres.co.uk to book online.

Run Extended For Award-Winning TEDDY at The Vaults, London

RUN EXTENDED FOR AWARD-WINNING

1950s ROCK’N’ROLL MUSICAL

 

TEDDY

 

BY TRISTAN BERNAYS

MUSIC BY DOUGAL IRVINE

DIRECTED BY ELEANOR RHODE

AT THE VAULTS

29 MARCH TO 3 JUNE 2018

 

OFFICIAL ALBUM ‘SONGS FROM TEDDY THE MUSICAL BY JOHNNY VALENTINE AND THE BROKEN HEARTS’ ALSO NOW AVAILABLE

 

Snapdragon Productions is delighted to announce that the run of the award-winning 1950’s rock’n’roll musical TEDDY at The Vaults, London has been extended by four weeks. TEDDY will now play from 29 March to 3 June 2018. Snapdragon Productions is also delighted to announce the release of the official album Songs from Teddy the Musical by Johnny Valentine and the Broken Hearts which is now available via iTunes and Spotify.

Produced by Sarah Loader for Snapdragon Productions in association with The Watermill Theatrethe cast for TEDDY includes, Molly Chesworth as ‘Josie’, Andrew Gallo ‘Sammy ‘The Sticks’ Smith’, George Parker‘Teddy’, Freya Parks ‘Jenny O’Malley’, Harrison White ‘Buster Watson’ and Dylan Wood ‘Johnny Valentine’.

The critically acclaimed, 1950’s rock ‘n’ roll musical reunites Tristan Bernays with director Eleanor Rhode and choreographer Tom Jackson Greaves, following the recent success of their hit production Boudica at The Globe and Frankenstein at The Watermill Theatre and Wilton’s Music Hall.

Set in the aftermath of the Blitz against a backdrop of austerity, it tells the story of Teddy and Josie, all dressed up and ready to hit the streets of London for an unforgettable night out, no matter how dangerous the consequences. TEDDY is the ultimate story of teenage rebellion and the birth of a new musical era. Music includes electrifying original songs plus well-known hits from the 1950s performed live by the on-stage band Johnny Valentine and the Broken Hearts.

 

First seen at the Southwark Playhouse in 2015, TEDDY has music by Dougal Irvine with musical direction by Harrison White, set design by Max Dorey, lighting design by Christopher Nairne, sound design by Max Pappenheim, costume design by Holly Rose Henshaw and casting by Natalie Gallacher for Pippa Ailion Casting.

LISTINGS

Thursday 29 March – Sunday 3 June 2018

The Vaults Theatre

Launcelot Street

SE1 7AD

https://www.thevaults.london/teddy

Twitter: @teddyuktour

Instagram: @teddyuktour

Announcing a new Strictly UK Tour: Strictly Come Dancing – The Professionals

STRICTLY COME DANCING – THE PROFESSIONALS

UK TOUR 2019

Tickets go on sale Thursday 15 February at 10am

 

Strictly Come Dancing – The Professionals is returning to venues across the country from May 2019 for a 35 date UK tour. Kicking off at The Lowry Theatre in Salford on 3 May, the tour will then dance its way around the country culminating at the Sunderland Empire on 2 June.  Tickets for this dance spectacular will go on sale on Thursday 15th February at 10am.

Direct from BBC One’s award-winning prime time TV show Strictly Come Dancing, this glamorous production will bring together some of our much-loved Strictly Professional dancers as they take to the stage to dazzle with their dance prowess.

Audiences will enjoy the incredible talent of these world-class dancers as they perform exquisitely choreographed Ballroom and Latin routines with all the sequins, sparkle and stunning production values we have come to know and love!

Don’t miss this unique opportunity to see Strictly Come Dancing – The Professionals as it returns to a venue near you for a Strictly limited engagement!

 

Strictly Come Dancing – The Professionals UK Tour Dates

3/5/19             Salford Lowry, 7.30pm

4/5/19             Salford Lowry, 2.30pm & 7.30pm

5/5/19             Bournemouth International Centre, 7.30pm

7/5/19             Nottingham Royal Concert Hall, 7.30pm

8/5/19             Nottingham Royal Concert Hall, 7.30pm

9/5/19             Llandudno Cymru, 7.30pm

10/5/19           Edinburgh Playhouse, 7.30pm

11/5/19           Edinburgh Playhouse, 2.30pm & 7.30pm

12/5/19           Aberdeen ECC, 2.30pm & 7.30pm

15/5/19           Blackpool Opera House, 2.30pm & 7.30pm

16/5/19           Birmingham Symphony Hall, 7.30pm

17/5/19           Birmingham Symphony Hall, 7.30pm

18/5/19           Hammersmith Apollo, 2.30pm & 7.30pm

19/5/19           Hull Venue, 7.30pm

21/5/19           Portsmouth Guildhall, 7.30pm

22/5/19           Plymouth Pavilions, 2.30pm & 7.30pm

23/5/19           Plymouth Pavilions, 7.30pm

24/5/19           Brighton Centre, 7.30pm

25/5/19           Motorpoint Arena Cardiff, 2.30pm & 7.30pm

26/5/19           Motorpoint Arena Cardiff, 7.30pm

28/5/19           Liverpool Empire, 7.30pm

29/5/19           Leeds Arena, 7.30pm

30/5/19           Sheffield City Hall 7.30pm

31/5/19           Sheffield City Hall, 7.30pm

01/6/19           Sunderland Empire, 2.30pm & 7.30pm

02/6/19           Sunderland Empire, 2.30pm & 7.30pm

 

Website: strictlytheprofessionals.com

‘OUR FINEST HOUR’ CELEBRATES DUNKIRK AND THE BATTLE OF BRITAIN IN CONCERTS ACROSS THE UK FROM APRIL

Fiery Angel presents 
OUR FINEST HOUR
WITH THE BBC BIG BAND

  • DUNKIRK AND THE BATTLE OF BRITAIN REMEMBERED IN THE MUSIC AND SONGS OF THE PERIOD
  • KEVIN WHATELY AND PETER BOWLES WILL HOST CONCERTS ACROSS THE UK CELEBRATING THE MOMENTOUS TURNING POINT OF WORLD WAR TWO

In commemoration of the miracle of Dunkirk and the decisive victory of the Battle of Britain, Our Finest Hour will see stars of stage and screen Peter Bowles and Kevin Whately host a series of triumphant and rousing concerts across the United Kingdom.

Featuring vocalist Annie Gill and the BBC Big Band, with music director Barry ForgieOur Finest Hour looks back in the words and music of World War Two, bringing together the famous speeches of Winston Churchill and the best tunes of the time from the dance halls and wireless.

“The Battle of France is over. The Battle of Britain is about to begin…

The whole fury and might of the enemy must very soon be turned on us.
Hitler knows that he will have to break us in this Island or lose the war.

If we can stand up to him, all Europe may be free
and the life of the world may move forward into broad, sunlit uplands.”

Winston Churchill, 18 June 1940

As Britain stood alone, facing the most fearful odds, Winston Churchill rallied the nation with his historic speeches, laying bare the enormous task that had to be undertaken on the road to final victory. Across the Channel, after the miracle of Dunkirk, the Germans readied their invasion plans but the Battle of Britain denied the Luftwaffe control of the skies and the Nazis turned instead towards attacking the Soviet Union. The music and songs of the era evoke so tellingly the national feelings of pride and determination mixed with typical British humour and a touch of self-deprecation. It really was Our Finest Hour.

From Vera Lynn and Gracie Fields to the Andrews Sisters and Glenn Miller, the music of the 1940s is as well-loved today as ever. Our Finest Hour will feature iconic songs such as We’ll Meet Again(There’ll Be Bluebirds Over) The White Cliffs of Dover and A Nightingale Sang In Berkeley Square as well as some of the classic music the war inspired, including the Dam Busters March and the music from Ron Goodwin’s classic scores to Battle of Britain and 633 Squadron. Dunkirk Spirit and audience participation will be encouraged  through rousing performances of Rule, Britannia!I Vow to Thee My Country, and Land of Hope and Glory.

Our Finest Hour’s spring dates include Birmingham Symphony Hall (13 April), Cardiff St David’s Hall (15 April), Liverpool Philharmonic Hall (17 April), Edinburgh Usher Hall (18 April), Glasgow Royal Concert Hall (20 April), Southend Cliffs Pavilion (a special St George’s Day performance on 23 April), Gateshead Sage (3 May), Manchester Bridgewater Hall (4 May) and London’s Barbican Hall (5 May).

Autumn dates are The Anvil, Basingstoke (22 September), Leicester De Montfort Hall (23 September), Leeds Town Hall (27 September), Newcastle City Hall (28 September), IpswichRegent Theatre (30 September), Poole Lighthouse (4 October) and Cambridge Corn Exchange (5 October).

LISTINGS

Fiery Angel present
OUR FINEST HOUR
with the BBC Big Band
ourfinesthourconcert.co.uk

Presented by Kevin Whately
BIRMINGHAM
Symphony Hall
Friday 13 April
0121 780 3333
www.thsh.co.uk
CARDIFF 
St David’s Hall
Sunday 15 April
029 2087 8444
www.stdavidshallcardiff.co.uk
LIVERPOOL
Philharmonic Hall 
Tuesday 17 April
0151 709 3789
www.liverpoolphil.com
EDINBURGH 
Usher Hall 
Wednesday 18 April
0131 228 1155
www.usherhall.co.uk
GLASGOW 
Royal Concert Hall
Friday 20 April
0141 353 8000
www.glasgowconcerthalls.com
SOUTHEND 
Cliffs Pavilion
Monday 23 April
01702 351135
www.southendtheatres.org.uk
Presented by Peter Bowles
GATESHEAD 
Sage 
Thursday 3 May
0191 443 4661
www.sagegateshead.com
MANCHESTER 
Bridgewater Hall 
Friday 4 May
0161 907 9000
www.bridgewater-hall.co.uk
LONDON 
Barbican Hall 
Saturday 5 May
020 7638 8891
ON SALE SOON
www.barbican.org.uk
Presented by Kevin Whately
BASINGSTOKE 
The Anvil
Saturday 22 September
01256 844 244
www.anvilarts.org.uk 
LEICESTER 
De Montfort Hall 
Sunday 23 September
0116 233 3111
www.demontforthall.co.uk
ON SALE SOON
LEEDS 
Town Hall 
Thursday 27 September
0113 376 0318
www.leedstownhall.co.uk
ON SALE SOON
NEWCASTLE 
City Hall
Friday 28 September
08448 11 21 21
www.theatreroyal.co.uk
IPSWICH 
Regent Theatre
Sunday 30 September
01473 433 100
apps.ipswich.gov.uk 
ON SALE SOON
POOLE 
Lighthouse 
Thursday 4 October
01202 280000
www.lighthousepoole.co.uk
ON SALE SOON
CAMBRIDGE 
Corn Exchange 
Friday 5 October
01223 357851
www.cambridgelivetrust.co.uk
ON SALE SOON

FULL CASTING ANNOUNCED FOR THE FIRST PRODUCTION IN POLKA THEATRE’S NEW SEASON – MICHAEL ROSEN’S CHOCOLATE CAKE

FULL CASTING ANNOUNCED FOR THE FIRST PRODUCTION IN

POLKA THEATRE’S NEW SEASON

– MICHAEL ROSEN’S CHOCOLATE CAKE

 

MAIN STAGE

A Polka Theatre production

Michael Rosen’s CHOCOLATE CAKE

Written by Michael Rosen

Adapted by Peter Glanville and Barb Jungr

Music and songs by Barb Jungr

 

Design by Verity Quinn; Lighting by Dan Saggars; Film & Animation by Will & Joe

 

23 March – 13 May

Ages 4+

 

Polka Theatre today announces full casting for the world première of the brand new musical adaptation of Michael Rosen’s Chocolate Cake, opening the new Spring/Summer seasonThe production opens with previews from 23 March and runs until 13 May.  It has been adapted by the theatre’s Artistic Director, Peter Glanville and Barb Jungr. Glanville also directs Mark Houston (Michael), Aminita Francis (Teacher/Mum) and Todd Heppenstall (Brother) in the production.

When I was a boy, I had a favourite treat. It was when my mum made… Chocolate Cake!

Follow the adventures of two brothers and the night-time disappearance of a chocolate cake in this scrumptious new musical adaptation by the creators of We’re Going on a Bear Hunt and How to Hide a Lion from Michael Rosen’s beloved poem Chocolate Cake, which has just been published as a picture book.

Michael Rosen is the author of over 140 books of poetry, stories and politics. He was the Children’s Laureate between 2007–9 and is currently the professor of Children’s Literature at Goldsmiths University. He has won numerous international awards for his work in literature and he also presents Word of Mouth on BBC Radio 4.

Peter Glanville became Artistic Director of Polka Theatre in 2013 following eight years as Artistic Director and Chief Executive of the Little Angel Theatre. He has directed acclaimed productions for Polka including Royal Opera House co-production HatchMoomin Summer Madness (co-directed with Dani Parr) and early years Opera Skitterbang Island. For Little Angel Theatre he directed MacbethThe Snow Queen, Michael Rosen’s The Magician’s Daughter, The Tempest (RSC co-Production) and Carol Ann Duffy’s The Tear Thief (narrated by Juliet Stevenson). Glanville has previously collaborated with Barb Jungr on three musicals – Fabulous Flutterbys, We’re Going on a Bear Hunt and How to Hide a Lion (co-produced with Oxford Playhouse). His productions of The Tempest and The Tear Thief were both nominated for in the Offies for Best Production for Young People, and his Peter Pan won the award in 2015. He pioneered puppet work for adults alongside children’s shows and introduced the biennial SUSPENSE London Puppetry Festival and also directed a short marionette film for the RSC’s production of Matilda.

 

Internationally acclaimed award-winning singer, songwriter and performer Barb Jungr has released numerous albums, appeared on television, is often heard on national radio and has performed all over the world. Her writing and composing credits include The Fabulous Flutterbys (Little Angel Theatre and touring), We’re Going on a Bear Hunt (Little Angel and touring) and lyricist for Birmingham Stage Company’s The Jungle Book. Most recently she co-adapted and wrote the lyrics and music for Helen Stephens’ How to Hide a Lion (Polka Theatre/Oxford Playhouse and touring) and co-adapted and wrote lyrics and music for The Singing Mermaid(Little Angel/Royal and Derngate). She is lyricist and book writer of Liver Birds Flying Home which opens in 2018 at Liverpool’s Royal Court Theatre. www.barbjungr.com

 

Mark Houston plays Michael. For theatre his credits include Sleeping Beauty and Jack and The Beanstalk (Hall For Cornwall).

 

Aminita Francis plays Teacher/Mum. For theatre her credits include Frankenstein – A Monster of a Musical(Battersea Arts Centre), Bite Your Tongue (Talawa), Romeo and Juliet and The Arsonists (N1 Theatre Company)Blood Wedding (Court 27) and The Winter’s Tale (RSC); and for television, The Choir.

 

Todd Heppenstall plays Brother. His theatre credits include The Room Upstairs (Cheltenham Everyman/Wardrobe Theatre), Ten Foot Tales (Hull Truck)Andy Capp: The Musical (Finborough Theatre), The Day After – They Went Off on One (The Vaults) and The Last Days of Mankind (Bristol Old Vic).

www.polkatheatre.com

Twitter: @polkatheatre

Facebook: @polkatheatre

 

Polka Theatre

Listings

240 The Broadway, Wimbledon, London SW19 1SB

 

www.polkatheatre.com

How to get there:

By Train
Wimbledon Station BR (10 minute walk)

By Tube
Wimbledon, District Line (10 minute walk)
South Wimbledon, Northern Line (5 minute walk)

By Bus
57, 93, 219, 131 stop outside Polka
156, 163, 164, 200 stop nearby Wimbledon (10 minute walk)

By Bike

There is a cycle rack at the theatre for those who wish to cycle to Polka.  Polka is also now just off the new Super Cycle Highway that goes from Merton to the City. Click here for more information and to plan your route to cycle to us.

 

SEASON AT A GLANCE:

 

Main Stage

 

I Believe in Unicorns

14 – 18 February

Grandad’s Island

22 February – 4 March

The Boy Who Climbed Into the Moon

8 – 11 March

Chocolate Cake

23 March – 13 May

 

Techtopia Festival

24 May – 3 June

 

Double Act

15 June – 5 August

 

Jack and the Beanstalk

8 – 19 August

 

Adventure Theatre

Glisten

28 February – 4 March

Much Ado About Puffin

4 – 15 April

 

This is My Bed

13 – 24 June

The Everywhere Bear

6 July – 26 August

Catherine and Anita Review

King’s Head Theatre – until 24 February.  Reviewed by Claire Roderick

4****

Anita is Catherine’s best friend, adventurous and dangerous compared to withdrawn intellectual Catherine. The trouble is, only Catherine can see Anita, and Anita’s actions have terrible consequences.

We first meet Catherine as an adult, in a state of mild panic as she reunites with Anita and admits her partner’s terrible secret. Through flashbacks, Catherine’s story is gradually pieced together revealing a life of abuse and mental illness. David Ahonen has written a fascinating character, never trivialising or exploiting her, effortlessly highlighting the loneliness of those struggling with their mental health, and examining the terrible cycle of victimhood and victimiser. Between the shocking truths, there is lots of dark humour, but the audience is always laughing with Catherine, never at her.

Sarah Roy is mesmeric as Catherine, morphing through subtle changes in hairstyle and posture into younger versions of the character. As a 7-year-old and a 12-year-old, the precocious language and judgemental demeanour could be wearing, but Roy manages to allow the damaged child beneath to trickle through without any sense of melodrama. Holly Ellis’s lighting design, and the distorted music and sound effects between scenes adds to the feeling of disassociation and confusion.

One of the most moving scenes is Catherine’s first date, where she tells Dan all about her past and her treatment. Her calm descriptions are beautifully counterbalanced by her awkward jokes and naïve hope that this man will still want to get to know her, and the main message of the show is handled with great sensitivity as she explains why she would sometimes go off her meds because of the loneliness she feels without her best friend Anita.

Catherine and Anita is an extraordinarily performed, sensitive and stylish story that will touch your heart and hopefully stimulate conversations about mental health. Well worth a look.