Haley Catherine cast in fringe musical Ordinary Days

November 21st – December 9th, Drayton Arms Theatre

London musical production Ordinary Days, currently playing its second week at the Drayton Arms Theatre, has had to cancel tonight’s (Tuesday Nov 28th) performance due to performer illness.

Actress Haley Catherine (Secret Cinema, Opera North) is being rehearsed in as emergency cover, and will be performing as Claire when the show resumes tomorrow (Wednesday Nov 29th).

Haley trained at Boston Conservatory (BFA) and Royal Central School of Speech and Drama (MA), and her credits include: Secret Cinema Present: Moulin Rouge! (Môme Fromage; Secret Cinema), Kiss Me Kate (Hattie u/s; Opera North, Welsh National Opera), A Winter’s Tale (Time; Moving Stories at the Minack), A Flea in Her Ear (Raymond Chandebise; Tabard Theatre), Lysistrata; a New Musical (Lysistrata; RCSSD), as well as workshops and rehearsed readings for the Lionel Bart Estate, and the National Theatre.

 “makes the ordinary extraordinary in this tight, exquisite production (…) singing throughout is first class – clear, precise & a joy to the ears” Musical Theatre Review

After receiving rave reviews, being shortlisted as one of only ten musicals for the Musical Theatre Review Best Musical Award and being nominated for Best Musical at the Broadway World Awards at the Edinburgh Fringe 2017, Streetlights, People! Productions’ revival of Ordinary Days returns to London as the winner of the Drayton Arms’ Eddies Kensington Award, intended to identify “the most exciting new companies at this year’s Fringe Festival.” This production began with a sold-out engagement at the Hen and Chickens Theatre last October before transferring to London Theatre Workshop.

 “a delight to see this compelling work performed with such conviction and talent” Broadway World

Ordinary Days is a contemporary musical, set in modern-day New York. It follows the parallel lives of four young city-dwellers struggling to find meaning in the madness: Claire, who can’t let go of her past; Jason, determined to begin their future together; Warren, an artist who’s lost his sense of purpose; and Deb, a student who’s lost her thesis notes. It is a witty, poignant, and ultimately very relatable story about human connection and finding beauty in unexpected places.

 “The cast takes on this show with energy, passion and enthusiasm” West End Wilma

New casting is announced for The Ferryman as Jez Butterworth’s critically acclaimed hit play extends for the third time

The Ferryman
By Jez Butterworth
Directed by Sam Mendes

  • New casting is announced for The Ferryman as Jez Butterworth’s critically acclaimed hit play extends for the third time.
  • The new cast will include Rosalie Craig, Owen McDonnell and Justin Edwards. 
  • Catherine McCormack will continue in her role as Mary Carney.
  • The Ferryman is currently booking to 19 May 2018

Producers Sonia Friedman Productions, Neal Street Productions and Royal Court Theatre Productions today announce new cast members for The FerrymanRosalie Craig (As You Like It, The Threepenny Opera, The Light Princess and London Road, National Theatre) will play Caitlin Carney, Owen McDonnell (Single-Handed, RTÉ/ ITV; Paula, BBC) will play Quinn Carney and Justin Edwards (The Thick of It, BBC; The Man Who Invented Christmas; The Death Of Stalin) will play Tom Kettle.

Also joining the company will be Stella McCusker as Aunt Maggie Far Away, Siân Thomas as Aunt Pat, Declan Conlon as Muldoon, Dean Ashton as Frank Magennis, Terence Keeley as Diarmaid Corcoran, Sean Delaney as Michael Carney, Francis Mezza as Shane Corcoran, Kevin Creedon as JJ Carney, Laurie Kynaston as Oisin Carney and Saoirse-Monica Jackson as Shena Carney.

Catherine McCormack will continue in her role as Mary Carney, as will Charles Dale as Father Horrigan, Mark Lambert as Uncle Pat and Glenn Speers as Lawrence Malone.  As previously the full company comprises 37 performers: 17 main adults, 7 covers, 12 children on rota and 1 baby.

The new company will give its first performance on 8 January 2018.

The Ferryman, directed by Sam Mendes, will run at the Gielgud Theatre until 19 May 2018.  The production won widespread critical acclaim when it opened at the Royal Court and was the fastest selling show in the theatre’s history.  This phenomenal success has continued at the Gielgud Theatre where it has been playing to sold-out houses, with early morning queues on Shaftesbury Avenue for the £12 day seats each day.

The play has been nominated for four honours at this year’s Evening Standard Awards including Best New Play, Best Director for Sam Mendes, Best Actress for Laura Donnelly and the Emerging Talent Award for Tom Glynn-Carney.

The Ferryman is directed by Sam Mendes, designed by Rob Howell, lighting by Peter Mumford, sound and original music by Nick Powell, with the new cast directed by Tim Hoare.

 

Listings:

Sonia Friedman Productions, Neal Street Productions 
& Royal Court Theatre Productions 
with Rupert Gavin, Gavin Kalin Productions, Ron Kastner and Tulchin Bartner Productions present
The Ferryman

By Jez Butterworth
Directed by Sam Mendes

Designer Rob Howell
Lighting Designer Peter Mumford
Composer & Sound Designer Nick Powell

New Cast Director Tim Hoare
Casting Director Amy Ball CDG

Gielgud Theatre
Shaftesbury Ave, Soho, London W1D 6AR
Until 19 May 2018
Box Office: 0844 482 5130*
*calls cost up to 7p per minute plus your standard network charge
Online: 
www.TheFerrymanPlay.com
Monday to Saturday 7.00pm, Wednesday and Saturday matinees 1.30pm. 
There will be no performances on Christmas Day or Boxing Day, no mid-week matinee on Wednesday 10 January, and extra performances added – check online for full details.

Day seats will be available to purchase at £12 for every performance from 10.30am at the Box Office in person
Premium tickets are available

Age Guidance 14+ Contains strong language

Twitter: @TheFerrymanPlay
Facebook: /TheFerrymanPlay
#TheFerryman

THE ARCHER’S TIMOTHY WATSON JOINS TESSA PEAKE-JONES AND ADEN GILLETT FOR UK TOUR OF TERENCE RATTIGAN’S CLASSIC PLAY, THE WINSLOW BOY

MARK GOUCHER, GAVIN KALIN AND BIRMINGHAM REP PRESENT FOLLOWING CHICHESTER FESTIVAL THEATRE

TIMOTHY WATSON JOINS TESSA PEAKE-JONES AND ADEN GILLETT AS NEW CASTING IS ANNOUNCED FOR UK TOUR

Timothy Watson, best known for his role as the villainous Rob Titchener in BBC Radio 4’s long-running dramatic favourite The Archers is today confirmed to join the cast of The Winslow Boy which opens at Chichester Festival Theatre on February 8th 2018 before touring to the country’s most prestigious drama houses including Birmingham Rep, Bath Theatre Royal, Oxford Playhouse, Cambridge Arts Theatre, Salford Lowry, Cheltenham Everyman Theatre, Brighton Theatre Royal, Belfast Grand Opera House, Richmond Theatre and Canterbury’s Marlowe Theatre.

 

The play will be directed by Olivier Award-nominated Rachel Kavanaugh whose recent credits include A Christmas Carol (Royal Shakespeare Company), Oklahoma! (BBC Proms, Royal Albert Hall), Half a Sixpence (Noel Coward Theatre, Chichester Festival Theatre).

 

Timothy joins previously announced cast leads Tessa Peake-Jones (BBC 1’s Only Fools and Horses, ITV’s Grantchesteras Grace Winslow and Aden Gillett (BBC 1’s The House of Elliotas Arthur Winslow as sought after barrister Sir Robert Morton who comes to the defence of Navel Cadet Ronnie Winslow (played by Misha Butler who makes his stage debut in this production). Dorothea Myer-Bennett appears as Ronnie’s spirited sister, Catherine and Theo Bamber his brother, Dickie.  Today’s casting announcement is completed by Soo Drouet as the Winslow’s Maid, Violet and Sarah Lambie who appears as reporter Miss Barnes.

Timothy Watson captured the collective hatred of the nation as Rob Titchener in The Archers who, in Radio 4’s controversial slow-burning storyline, revealed himself to be not the charming and capable man he purported to be on his arrival in Ambridge but a manipulative bully who coercively controlled his partner, Helen. The storyline not only permeated the UK’s cultural fabric, but came during a period in which new UK Legislation was introduced protecting people from Controlling or Coercive Behaviour in an Intimate or Family Relationship. The charity Women’s Aid noted during the final year of the two and a half year plot that a 20% increase in calls to the National Domestic Abuse Helpline was observed which was noted, in part, to be a reflection of the ‘Archers’ effect.’

On stage Timothy has appeared regularly in London and the West End (The Beaux’ Stratagem, National Theatre, An Inspector Calls, Garrick, The Woman in Black, Fortune), toured the length and breadth of the country countless times, and acted in over fifty productions in repertory and other theatres. He has made numerous appearances on TV and film, including series regular Mr Perez, Maitre d’ of the Palm Court Restaurant in Mr Selfridge.

Timothy has always been particularly fond of radio drama. He first appeared in The Daughters of Venice, in the early 1990s. Since then he has been heard in many an afternoon play or classic serial. A particular favourite was playing Damon Wildeve in The Return of The Native for Rosemary Watts. Timothy is also a busy voice-over artist. He has narrated nearly a hundred documentaries, has lent his voice to a wide range of advertising and has recorded multiple voices in over thirty video games. He voiced both James Bond and Auric Goldfinger for the Bond ‘Legends’ game, released in 2012.

Having been expelled from the Royal Navy College for stealing a five-shilling postal order, young cadet Ronnie Winslow’s entire family are pulled apart by the repercussions of this charge. Set against the values of 1910 Edwardian London, the Winslow family fight to clear his name or face social ostracism as the case becomes a national scandal. Based on a real-life event, The Winslow Boy is a courageous and often delicately humorous window into the class and political hypocrisy of the time. This highly-charged moral drama will have audiences gripped by the heart-tugging decisions faced by each of The Winslow Family. Where will their sacrifices leave them and what is really at stake?

 

The 1946 play became one of Rattigan’s best known and most loved works. The Winslow Boy has enjoyed several high-profile revivals, both in the West End and on Broadway. It was turned into a feature film in 1948, directed by Anthony Asquith, and again in 1999 by David Mamet. The play won the Ellen Terry Award for Best New Play and, on its US premiere at the Empire Theatre in October 1947, received the New York Critics’ Circle Award for Best Foreign Play.

Mark Goucher once again presents a classic drama straight from seasons at the Chichester Festival Theatre and Birmingham Rep. The Winslow Boy follows acclaimed productions of The Kings Speech and Single Spies (the latter also directed by Rachel Kavanaugh).

2018 TOUR DATES

 

8 – 17 Feb                                                            01243 781 312

Chichester Festival Theatre                         www.cft.org.uk

 

21 Feb – 3 March                                              0121 236 4455

Birmingham Rep Theatre                              www.birmingham-rep.co.uk

5 – 10 March                                                      01225 448 844

Bath Theatre Royal                                          www.theatreroyal.org.uk

12 – 17 March                                                     01865 305305

Oxford Playhouse                                            www.oxfordplayhouse.com

26 – 31 March                                                  01223 503 333

Cambridge Arts Theatre                             www.cambridgeartstheatre.com

9 – 14 April                                                          0843 208 6000

Salford The Lowry                                            www.thelowry.com

16 – 21 April                                                        01242 572573

Cheltenham Everyman Theatre                 www.everymantheatre.org.uk

23 – 28 April                                                        0844 871 7650

Brighton Theatre Royal                                  www.atgtickets.com/venues/theatre-royal-brighton

 

1- 5 May                                                               028 9024 1919

Belfast Grand Opera House                         www.goh.co.uk

Tues 8 – 12 May                                                0844 871 7651

Richmond, Richmond Theatre                    www.atgtickets.com/richmond

14 – 19 May                                                         01227 787 787

Canterbury Marlowe Theatre                     www.marlowetheatre.com

Producer, Tom O’Connell set to join Mark Goucher Productions

Producer, Tom O’Connell set to join Mark Goucher Productions

 

 

Mark Goucher Productions has today agreed a new deal that will see Tom O’Connell join Mark Goucher Productions as Producer.

Tom O’Connell produced the recent hit production of Joe Orton’s Loot at The Park Theatre, Mart Crowley’s The Boys in the Band starring Mark Gatiss at the Vaudeville/Park Theatre/UK Tour, along with the twentieth anniversary production of Jonathan Harvey’s Beautiful Thingstarring Suranne Jones, amongst many others. O’Connell has a number of high profile productions in development that will now be produced out of Mark Goucher Productions.

The move is designed to help MGPL to continue developing new shows through 2018/19 while Goucher simultaneously develops plans in his new role as CEO of the Everyman Theatre Cheltenham.

O’Connell will work alongside Mark Goucher and his long standing team of Jonathan Russell (Head of Touring and Casting) and Giles Rowland (General Manager).

Goucher said, “I have always thought Tom a dynamic young producer and I welcome the opportunity to work with him on our shows which include the current national tour of HairspraySlava’s Snow ShowThe Winslow Boy and the next national tour of Let it Be. This will allow us to push forward with a number of high profile projects next year and allow me to simultaneously push forward plans at the Everyman Theatre Cheltenham.”

O’Connell said, “I am honoured to be joining Mark Goucher Productions in this new role as Producer. I’m looking forward to starting work on a wide range of exciting new and existing projects, including the ones I have been developing personally. I’ve worked with Mark and his fantastic team for over four years now and this will be an exciting new chapter for me.”

O’Connell will take up the position in January 2018 and will begin work on two new touring musicals and a new play being cast for the West End with director Sean Foley.

TRIO OF GROUND-BREAKING PLAYS AT HOPE MILL THEATRE IN EARLY 2018

Welcome 2018 with ground-breaking drama at

Hope Mill Theatre, Manchester

 

Tickets on sale now

Hope Mill Theatre in Manchester has announced a trio of ground-breaking plays that will feature at the award-winning venue in early 2018.

They are the regional premiere of a ‘thrilling and heartbreaking play’ that has been relocated to Manchester by its author, an exciting new period piece about the amazing life of an infamous 18th Century diplomat and spy starring Coronation Street’s Dean Fagan and a compelling look at parenthood and grief, which includes the first ‘baby-friendly’ relaxed performance at Hope Mill.

Joseph Houston, Artistic Director, said: “I am thrilled to announce our early 2018 season of plays. Since opening, Hope Mill has been a receiving venue for many emerging and smaller theatre companies and the ambition and standard of work from these independent theatre makers continues to amaze me.

“The three plays which make up our Feb to March programme include the northern premiere of Vincent River by Philip Ridley. What is so exciting about this play is that director John Young is working with Philip to relocate the play to Manchester, which is an incredible first for this piece.

“In keeping with LGBT History month in February we have a period piece by Manchester-based writer Renny Krupinski that is set around one of the first known trans people of their time, Chevalier D’Eon de Beaumont, and which includes a stellar cast of northern actors.

 

“Finally, The Replacement Child staged by Manchester based mother-and-child friendly company Abooo. This is a really important piece which tackles the effects of miscarriage and as a Hope Mill first we will be having a mother and baby friendly performance.

 

“As a venue we are constantly trying to push the boundaries of theatre on small scale and want to help support emerging companies as they pave their way in a highly competitive industry.

 

“I feel that our opening season of plays compliments our ambition with our in-house musicals – of which the first three of 2018 were recently announced – and which we will continue to develop and nurture.”

Yet Another Carnival and Hope Mill Theatre present Vincent River by Philip Ridley and directed by John Young from Tuesday 27 February to Saturday 24 March 2018. The regional premiere of Philip Ridleyʼs thrilling and heartbreaking play relocated to Manchester.

Vincent River slides under the surface of fear, hatred and love. Davey has seen something he canʼt forget. Anita has been forced to flee her home. These two have never met. Tonight their paths cross with devastating consequences.

This searing modern classic takes aim at homophobia and hate crime with breathtaking honesty.

Author Philip Radley said: “I’m so thrilled and excited that Vincent River is being brought to life, and relocated to Manchester, for its regional premiere at Hope Mill Theatre. It’s the perfect home for the play.”

 

This production is supported by the Arts Council, Superbia and The Philip Carne Trust.

 

D’Eon is a new piece of writing by Manchester-based Renny Krupinski, brought to life by the Straight Acting Company and starring Coronation Street’s Dean Fagan and runs from Tuesday 13 to Saturday 17 February 2018.

Celebrity, intrigue and scandal aplenty, D’Eon is the bizarre and amazing true story of one of the infamous, outrageous, unsung warriors of history and the first openly documented transgendered person in European history.

1769, Chevalier D’Eon de Beaumont stepped out of the limelight as a French diplomat to England, Russian spy, Prussain war hero and international bon viveur – only to step back into it as the woman she truly was.

 

The Replacement Child, by mother-and-baby friendly Manchester theatre company Abooo, runs from, Tuesday 20 to Friday 23 February.

Jumping between past and present, The Replacement Child – written by Victoria Cafolla and directed by Martin Gibbons – is a darkly humorous, visceral and compelling look at parenthood and grief and how one couple deals with loss – for better or worse.

Grace is tired of her father’s silence regarding the mother she never knew. The week after her 18th birthday she visits him and demands to know the circumstances leading up to her birth. Will Oscar risk losing his daughter by revealing a past shrouded in secrets and pain?

 

There will be a baby-friendly relaxed performance on Thursday 22 February at 11am – a first for Hope Mill Theatre. (Please note the show contains emotional content and is not recommended for toddlers)

In addition to the above, the world premiere of The ToyBoy Diaries, Hope Mill’s first in-house musical production of 2018 runs from 18 January to 10 February and is on sale now. This new musical comedy charts the hilarious and sometimes heart-breaking sagas of mid-life dating.

 

For more information on these productions, or to book tickets, visit www.hopemilltheatre.co.uk.

Website:      www.hopemilltheatre.co.uk

Facebook:    https://www.facebook.com/Hope-Mill-Theatre-1450957091877957/

Twitter:         @hopemilltheatr1

ACTING FOR OTHERS ANNOUNCES NOMA DOMEZWENI, ARLENE PHILLIPS AND FREDDIE FOX AS HEAD WAITING STAFF FOR ONE NIGHT ONLY AT THE IVY 10 DECEMBER

ACTING FOR OTHERS ANNOUNCES FIRST STARS TO BE

ON THE BILL FOR ONE NIGHT ONLY AT THE IVY

                                                                                                                                                                                                                              

  • One Night Only to return to The Ivy on Sunday 10 December 2017
  • Noma Dumezweni, Arlene Phillips and Freddie Fox announced as head waiting staff
  • Dame Maggie Smith and Sir Derek Jacobi are the first stars announced to be joining the Dames and Knights table

 

Theatrical charity Acting for Others today announces the return of One Night Only at The Ivy in West Street on Sunday 10 December 2017. Over £100,000 was raised last year for the charity, which is an umbrella organisation for 15 invaluable charities dedicated to supporting people from the theatre and dance communities who have fallen on hard times through injury, illness or circumstance.

The evening sees stars of the stage and screen swap their costumes for aprons and serve diners across two sittings at The Ivy, world-renowned for their unfaltering impeccable service. Heading up the waiting staff this year to ply their trades in bartending, waiting tables, manning cloakrooms and welcoming guests will be Noma Dumezweni, Arlene Phillips and Freddie Fox. They will be joined by Annette Badland, Samantha Bond, Janie Dee, Neil Dudgeon, Dexter Fletcher, Celia Imrie, George Layton, Tamzin Outhwaite, Jemma Redgrave, Anne Reid MBE, Joanna Riding, Neil Stuke, Owen Teale, Kate Thornton, Stephen Tompkinson, Hannah Waddingham and Giles Watling MP with more to be announced.

The two dinner services, Acts I and II, will start at 6pm and 8.45pm and will run for two hours each, with identical auctions taking place after dinner. Guests will be able to book their tables for a three-course dinner with an aperitif and wine for £250 per person, of which £150 is a donation to charity. The dinners will be followed by swift but thrilling auctions, which will include enviable prizes such as a meal for four every month of the year in a selection of The Caprice Group’s finest restaurants, a pair of tickets to Hamilton at the Victoria Palace Theatre, a pair of tickets to Harry Potter and the Cursed Child at the Palace Theatre including a mid-show dinner at The Ivy and post show drinks with the cast, and tickets to the Olivier Awards 2018.

Director of The Ivy, Fernando Peire said today, “The Ivy’s staff members really do love it when they are joined for the night by so many familiar faces from stage and screen. Our restaurant owes a lot to its illustrious clientele and this is one way we can give back to the theatrical community that has supported us so well and for so long.”

Sir Stephen Waley-Cohen, Chairman of Acting for Others also said, “We are delighted that The Ivy will see the stars performing as staff in December for One Night Only, as all of the funds raised go to support theatre workers who need our help.”

Address: The Ivy │ 1-5 West Street, London WC2H 9NQ │ www.the-ivy.co.uk

 

To book:  020 7836 4751

 

Timings*                 w Act I (1st sitting): 6pm till 8pm

w Act II (2nd sitting): 8.15pm till close

NB Places are limited, so please call as soon as possible to book your table.

 

*actors subject to change

Sex Worker’s Opera Review

Ovalhouse – until 2 December.  Reviewed by Claire Roderick

4****

Don’t let the title put you off – this is definitely not a traditional opera. Based on stories from sex workers around the world, this show has the feel of a comedy revue, musical, social studies lesson and club night all mashed together.

Tied together loosely by the protests of a woman who wants to save her sister from being a sex worker (the weakest part of the production really as it’s a bit clunky, restating issues that have just been, or are just about to be explored through song or comedy), the show tackles preconceptions and clichés about sex work and offers a little insight as to why it is an obvious and practical choice of job for some people. The overwhelming message of the production is not to judge, or pity – just listen.

Between the songs, accompanied by a four-piece band – with Marcelo Faccacello’s hysterical solo performance with their cello (study that name carefully!) something you’ll never be able to forget – there are comedy and serious sketches, and a series of monologues where characters’ stories are shared. These monologues are the emotional core of the show, including the struggle of a mother to keep her teenage daughter, the experiences of a Fem sex worker, while the description of the sense of fulfilment a disabled prostitute who specialises in disabled clients gets drew a huge round of applause from the audience.

Political points, including the introduction of the Nordic model – where clients are criminalised, were made in a light-hearted way before their personal impact was passionately demonstrated, while the hypocrisy of media regulations was sent up brilliantly in a sketch where the most unpleasant and perverted thing was the regulator.

The standard of acting and vocals is variable, but this is a fine ensemble piece, with the three huge voices of Siobhán Knox, Charlotte Rose and Jordan Busson (with a truly operatic voice) carry the show. The joyful celebration turns a little dark in the second act, with a disturbingly staged police raid and remembrance of the dead, but the message of empowerment and strength shines through.

This is an unforgettable, emotional rollercoaster of a show that challenges and celebrates in equal measure. Grab a ticket now.

Ordinary Days Review

Drayton Arms Theatre – until 9 December.  Reviewed by Claire Roderick

4****

Streetlights, People!’s production of Ordinary Days is a triumph of minimalism, proving that you don’t need huge sets and effects to stage a quality show. Adam Gwon’s wonderfully conversational songs and a hugely talented cast make this a memorable production, with Jen Coles nifty direction managing to create the feel of a bustling metropolis with only 4 actors, accompanied by the fantastic Rowland Braché on keyboard.

This is a show about finding the beauty in everyday things, with the 4 characters all struggling to find their place in the big city. Warren (Neil Cameron) is a struggling artist whose major contribution to the art scene is cat sitting, but he has a glorious world view, finding joy and beauty in the simplest things. He finds a book containing the thesis notes of grad student Deb (Nora Perone) and arranges to meet her to return it. Deb is stuck in a rut with her research, and is full of vague ambition and stress. Her initial disdain develops into a sweet friendship – who could resist the lovely Warren for long? The perfect gay bestie.

Meanwhile Jason (Taite-Elliot Drew) is moving in with his girlfriend Claire (Natalie Day), and she’s not really happy about it. The audience are kept in the dark about her reasons for this unwillingness to let go of the past and commit to a new relationship until the penultimate song “I’ll Be Here”, and oh boy, is it a tearjerker. Have your tissues ready for that one – having seen the show in an earlier run, I was sniffling before she’d even begun.

That’s about it, really. Simple, but very, very effective, and affecting. The cast keep you gripped, and are all pitch perfect. Natalie Day brings raw emotion to Claire’s struggle to let go of the past. I promise you, she’ll break your heart. Taite-Elliot Drew is fantastic as Jason, full of boyish confusion and frustration about their relationship. Their argument duet “Fine” is a standout moment. Neil Cameron is the gentle heart of the piece, with a delightful stage presence and excellent voice, while Nora Perone is his perfect foil as the acerbic and exasperated Deb – showing her comedy chops to great effect.

Ordinary Days is a delightful, optimistic take on life, chock-a-block with great songs, characters and performances – the theatrical equivalent of a big, warm hug.

NATIONAL THEATRE WALES ANNOUNCES ITS 2018 SEASON; PEOPLE & PLACES

NATIONAL THEATRE WALES ANNOUNCES ITS 2018 SEASON
  • Kully Thiarai announces her first full season as the company’s Artistic Director
  • It includes collaborations with female artists from across the south Asian diaspora, Migrations, Quarantine, Junoon, Oily Cart, Gruff Rhys and Elis James
  • Multi-artform work including new writing, contemporary dance, music, comedy, sensory theatre and visual art
  • Performances in hospitals, schools and theatres, on a boat, underwater and at locations across Wales
  • The company also welcomes its first ever Associate Artists; theatre makers Mike Pearson & Mike Brookes, digital installation artist Shanaz Gulzar and television drama executive producer Bethan Jones

 

National Theatre Wales is today (Thursday 23 November 2017) announcing its 2018 season of productions, including a month-long festival to celebrate the 70th birthday of the NHS, two productions reflecting on the migrant experience in and beyond Wales, the first two productions in a three-year cycle of experimental works, and a work-in-progress.
Making the season announcement, Kully Thiarai, National Theatre Wales’ Artistic Director, said: “Our 2018 season is all about People and Places. We’re inviting audiences to join us in locations across Wales and take a moment to walk in others’ shoes, be they south Asian women or migrants from all over the world, NHS staff or patients past and present.
“These productions will be experimental, political, diverse and provocative. All of them will explore the human condition, what effect places have on our identities, and our impressions of others’ identities. Join us next year for this exciting new season of work, and see Wales, the world and its people through fresh eyes.”
National Theatre Wales present
THE STORM CYCLE
Created by Mike Pearson & Mike Brookes
2018-2020
Locations across Wales
Theatre-makers Mike Pearson & Mike Brookes, who have created some of National Theatre Wales’ most critically-acclaimed work to date, will join the company as Associate Artists and begin an extraordinary, three-year collaboration with NTW in 2018.
The Storm Cycle will be a series of six productions conceived, designed and directed by Pearson & Brookes. These multimedia works will be performed at different locations across Wales, at a variety of scales and sizes, and will explore two key themes; truth and testimony. They will culminate in 2020 with the creation of a major, new, large-scale production for NTW’s 10th anniversary programme.
There is a storm coming…
We live in tempestuous times: an era of climatic and environmental uncertainty and of 
social and political upheaval. Perhaps it was always so.
But what new forms can theatre develop and adopt: to engage with and to reflect the temper of our times?
An urgent theatre: fit for purpose, addressing and expressing our present realities
Of living in the eye of the storm
The Storm Cycle will build on the approaches and techniques that Pearson & Brookes have brought to their trilogy of groundbreaking NTW productions, The Persians (2010), Coriolan/us (2012) and Iliad(2015), while also drawing on their own histories and experiences as theatre-makers in Wales over the past 40 years.
The works will draw on dramatic, literary, mythological, cinematic and artistic sources; historical and contemporary, local and international, fictional and documentary. They will include original texts, specially-created soundtracks, innovative scenic designs and novel physical activities.
Tickets for the first two productions in the cycle are on sale from today.
STORM.1: NOTHING REMAINS THE SAME will be a poetic yet cinematic reimagining of the first two books of Ovid’s Metamorphoses.
STORM.2: THINGS COME APART will be a vivid evocation of the Cardiff riots of June 1919 – as reported in the local press (‘Wild Scenes at Cardiff’, South Wales Echo, Thursday 12 June 1919).
Mike Pearson was a member of Transitions (1971-72) and R.A.T. Theatre (1972–73), and an artistic director of Cardiff Laboratory Theatre (1973–80) and Brith Gof (1981–97). He currently makes performance as a solo artist, with artist Mike Brookes as Pearson/Brookes (1997–present), and with senior performers’ group Good News From The Future. For NTW, he co-directed The Persians (2010),Coriolan/us (2012) and Iliad (2015). He is author of Theatre/Archaeology (2001); In Comes I: Performance, Memory and Landscape (2006); Site-specific Performance (2010); MIckery Theater: an imperfect archaeology (2011); and Marking Time: performance, archaeology and the city (2013). He is Emeritus Professor of Performance Studies, Aberystwyth University.
Mike Brookes is an award-winning artist, director and designer, whose work has always bridged media. He co-founded the performance collective Pearson/Brookes in 1997, focusing on intermedial and located performance work, most recently co-creating a series of acclaimed large-scale works in collaboration with NTW. Over the past decade, his work has centred on the production of context-specific and interventional public art works within his long-term collaboration with artist Rosa Casado; their work together having been widely commissioned and presented across Europe, Asia, Australasia, South America, and the USA. 
Listings Information
STORM.1: NOTHING REMAINS THE SAME
Dates: 15-17 February 2018
Time: 8pm

Location: Pafiliwn Bont, Pontrhydfendigaid, Ceredigion
Tickets: £10, £7.50 conc and £5 for preview (15 February)
STORM.2: THINGS COME APART 
Dates: 21-24 March 2018
Time: 8pm (plus 3pm matinee on 24 March)
Location: The Tabernacl Church, Cardiff city centre
Tickets: £10, £7.50 conc and £5 for preview (21 March)
Box Office
Online: 
nationaltheatrewales.org/storm1
nationaltheatrewales.org/storm2
By phone: 029 2037 1689
National Theatre Wales with Junoon present
SISTERS
Created by Kully Thiarai, Sameera Iyengar and other female artists from the South Asian diaspora
Date: 20 April 2018
Time: 8pm
Weston Studio, Wales Millennium Centre, Cardiff
Sisters is a conversation across continents about the richness, complexity and diversity of being a south Asian woman today. Stories recalled and half-remembered, embedded in objects, left behind on trains and in airport lounges. Journeys and conversations between women in India and Wales.
Sisters is us at our best, our worst, our strongest, our weakest. Unadorned and visible, we just are.
This all-female work-in-progress by leading British-Asian and Indian artists aims to hold a mirror up to life as a south Asian woman today, wherever she lives; the echoes and the contradictions, the (in)visibility and the comradeship, all told with playfulness, honesty and humour.
Sisters is part of India Wales, a major season of artistic collaboration between the two countries to mark the UK-India Year of Culture, and is supported by British Council Wales, the Arts Council of Wales and Wales Arts International.
Director Kully Thiarai has worked in the performing arts for many years as a theatre maker, Artistic Director and arts consultant. Her early career was largely in new writing with national touring companies like Red Ladder Theatre Company and Major Road, both based in Yorkshire. She has since led a number of organisations and companies including as Artistic Director of Contact Theatre, Manchester, Leicester Haymarket Theatre, Theatre Writing Partnership and Red Ladder Theatre Company; commissioning, producing and directing work nationally and internationally. Kully has been Artistic Director and CEO of National Theatre Wales since May 2016.
Sameera Iyengar is co-founder of Junoon, an organisation that focuses on creating access to theatre and the arts. She is also currently Course Director of SMART (Strategic Management in the Art of Theatre), a capacity-building course designed specifically for theatre-makers in India, offered under the aegis of the India Theatre Forum (ITF). As a core member of the ITF till 2014, Sameera was involved in diverse efforts to strengthen the theatre environment in India. Previous to Junoon, as Director of Projects at Prithvi Theatre, Sameera was involved with running the Prithvi Theatre Festivals and Summertime programme of shows and workshops for children. She has co-edited Our Stage: The Pleasures and Perils of Theatre Practice in India Today (Tulika 2009). Her PhD thesis was Performing Presence: feminism and theatre in India.
Junoon seek to weave arts experiences into the fabric of society. Working closely with artists from theatre and allied arts fields, they strive to build a world imbued with the spirit of the arts, a world where curiosity, imagination, empathy, resolve, courage and possibility are celebrated, nurtured and valued. Junoon is about creating access to theatre and the arts. Bringing the arts into the spaces of our daily lives. Bridging the gap between arts, artists and audiences. They do this through a variety of arts experiences and engagements carefully designed and curated. Engagements include free public programmes as well as programmes designed for specific audiences. Junoon work with one eye on the present and another on the future, with a strong focus on sharing the arts with children and young people as well. junoontheatre.org
The British Council is the UK’s international organisation for educational opportunities and cultural relations. They create international opportunities for the people of the UK and other countries and build trust between them worldwide. They work in more than 100 countries and their 8,000 staff – including 2,000 teachers – work with thousands of professionals and policy makers and millions of young people every year by teaching English, sharing the arts and delivering education and society programmes. The British Council is a UK charity governed by Royal Charter. A core publicly-funded grant-in-aid provides less than 20% of their turnover which last year was £864m. The rest of its revenues are earned from services which customers around the world pay for, through education and development contracts and from partnerships with public and private organisations. All of its work is in pursuit of its charitable purpose and supports prosperity and security for the UK and globally. wales.britishcouncil.org/en
Wales Arts International is the international team of Arts Council of Wales. It aims to increase the value of international cultural exchange to Wales by facilitating and supporting opportunities for international artistic collaboration and market development. Wales Arts International work closely with Welsh Government, British Council and other UK and international partners.
National Theatre Wales & Quarantine present
ENGLISH                                            
with Wales Millennium Centre
Part of Festival of Voice 2018
June 2018
Dance House, Cardiff
English is spoken by 1.75 billion people worldwide – that’s one in every four. Non-native speakers far outnumber first-language English speakers.
What happens to your sense of self when you move someplace where you don’t really know how to say who you are?
It’s said that by the end of this century, we’ll have lost more than half the world’s languages. In June,National Theatre Wales – which itself operates in a bilingual country – will collaborate with Quarantine to create a brand new production exploring language, migration and identity, how we learn to speak, and how we learn to listen.
Quarantine was formed in 1998 by artists Simon Banham, Richard Gregory and Renny O’Shea. Over the past 19 years, the Manchester-based company have developed an international reputation for their pioneering work in re-shaping who gets seen and heard in performance, and are widely recognised as one of the UK’s leading contemporary theatre companies. Working with a shifting constellation of collaborators, the company makes theatre and other public events that are characterised by their intimacy, fragility and a playful instinct to place everyday life side-by-side with moments of rare, crafted beauty. Quarantine work with virtuosic performers and with people who have never done anything like this before – electricians, philosophers, families, soldiers, chefs, children, florists, opera singers and countless others. qtine.com
Wales Millennium Centre is the nation’s home for the performing arts, situated at the heart of Cardiff Bay. One of the UK’s top cultural attractions, the Centre showcases Welsh creativity and talents, provides an extensive programme of world class entertainment, partners with international artistic companies, and offers creative learning opportunities that aim to increase accessibility to art and culture.
Created by Wales Millennium Centre, Festival of Voice Cardiff is an international arts festival that celebrates the voice in all its forms. Festival of Voice is about discovery through participation and immersion – about finding voices; bringing artists and audiences together to hear and be heard. The festival commissions new work and brings together unique collaborations in contemporary and classical music, opera, theatre, talks and visual art. 
NHS70: A FESTIVAL
July 2018
Locations across Wales
On 5 July 1948, one of the biggest ideas ever to come out of Wales was born. The brainchild of Ebbw Vale MP and the UK’s Health Minister Aneurin “Nye” Bevan, the National Health Service was a revolutionary idea, formed along with the Welfare State during Britain’s austere post-war period, and under the principle of collective responsibility.
National Theatre Wales will celebrate the NHS’s 70th birthday in July 2018 with a month-long festival, inspired by some of the founders, staff and patients of this unique institution. This countrywide tribute to the NHS will feature seven multi-platform productions and events, made and performed live across the country and online:
  1. Theatre company Oily Cart will create Splish Splash; a multi-sensory, underwater, touring production for young people aged 3-19, performed in schools and hospitals. There will be three versions: one for those with profound and multiple learning disabilities, another for those on the autism spectrum, and a third for the deafblind. Their aim is to present a watery wonderland, a magical space where every sense is delighted. Hydro-therapy pools will be transformed by underwater lighting, clouds of bubbles drifting from below, curtains of perfumed spray, and live music played on floating pipes, with a sound that can be felt as much as heard.
Writer Tim Webb is Artistic Director of Oily Cart, and over the past 36 years has written and directed over eighty shows for the company. Webb co-founded the company with Musical Director Max Reinhardt, who has written and arranged the music in every production and performed in many shows. Reinhardt has co-composed the music for Splish Splash with percussionist George Panda, who will perform live on a specially constructed, marimba-like set of tuned pipes that float on the water. Designer Jens Cole will join the Oily Cart team again, having most recently worked with the company on their acclaimed show Kubla Khan.
Since 1981 Oily Cart has been taking its unique blend of theatre to children and young people in schools and venues across the UK. Challenging accepted definitions of theatre and audience, they create innovative, multi-sensory and highly interactive productions for the very young and for young people with profound and multiple learning disabilities. By transforming everyday environments into colourful, tactile ‘wonderlands’, Oily Cart invite audiences to join them in a world of the imagination. Using hydro-therapy pools and trampolines, aromatherapy, video projection, and puppetry together with a vast array of multi-sensory techniques, they create original and highly specialised theatre for young audiences.
  1. Love Letters to the NHS will be a series of five, new, solo shows written by five writers and performed in community spaces the length and breadth of Wales. These extended monologues will be intimate, heartfelt love letters to an institution with which all of us have had – or will have – a relationship, at some stage of our lives.
  2. National Theatre Wales will team up with arts organisation Migrations, French choreographer and dancer Julie Nioche and choreographers Filiz Sizanli and Mustafa Kaplan from Turkey, to createTouch, a site-specific, interactive and tactile dance piece about the therapeutic aspects of dance and the social place of the body. Made and performed in a medical facility in north Wales, the piece will be made with local, professional and non-professional dancers.
Founded in 2004, Migrations brings international contemporary arts to Wales while developing innovative collaborations, commissions and partnerships in Wales and further afield. To create unique experiences rooted in Wales, they collaborate with challenging and inventive artists, local communities and groups, national and international partners.
Migrations’ projects come in all sort of sizes and shapes, from large-scale site-specific commissions to dance film production with 100 amateur participants and interactive installations, variously using empty shops, rural landscapes and urban architecture as a stage.
Julie Nioche created A.I.M.E. in 2007 with a team of teacher-researchers, community leaders and active practitioners. The association’s mission statement speaks of its goal, the creation of choreographic works and the development of a citizen art, consisting of sharing and touring dance and the knowledge linked to this practice, notably somatic practices in the socio-medical sector. Seeing another way of considering a space for senses in our daily lives, she anchors her projects in different environments, so that they may take diverse forms and be seen by as many kinds of audiences as possible. She steps away from theatres in order to adapt to different spaces, producing many in situ projects.
Choreographers and co-founders of TALdans, Mustafa Kaplan and Filiz Sizanly explore what two, interacting, brave bodies could produce as mixed mechanisms within an unstructured logic, while making cautious physical discoveries. They have produced numerous works which have toured extensively internationally and share a special history with Migrations as they launched its very first season, and performed again in a site-specific performance for the landscape with Simon Whitehead in 2007.
  1. Gruff Rhys will write, record and release a new song paying tribute to the NHS on its 70th birthday. Keep an eye on NTW’s website for more information about where and when to hear it first.
Gruff Rhys is known around the world for his work as a solo artist as well as a singer and songwriter with Super Furry Animals and Neon Neon, and for his collaborations with Gorillaz, Mogwai, Dangermouse and Sparklehorse amongst others. The latest album by Neon Neon, Praxis Makes Perfect,based on the life of radical Italian publisher Giangiacomo Feltrinelli, was performed as an immersive gig, produced by National Theatre Wales and toured in 2013. In 2014, Gruff released his groundbreaking multimedia project American Interior – book, app, film and album. American Interior is published by Penguin and was longlisted for the Guardian First Book Award 2014 and shortlisted for The Gordon Burn Prize 2014. That same year, he wrote the soundtrack of Andy Goddard’s film Set Fire to the Stars. More recently. Gruff wrote music and lyrics for, and performed in, NTW’s The Insatiable, Inflatable Candylion, performed in Cardiff, Christmas 2015.
  1. Laughter is the Best Medicine will be a night of comedy, compèred by actor and comedian Elis James, at the Lyric Theatre in his hometown of Carmarthen.
Carmarthen-born Elis James has been performing professionally on the UK comedy circuit for over a decade. As well as a seasoned stand up, Elis currently can be seen alongside Josh Widdicombe in hit BBC sitcom Josh. He’s also recently starred in his own series on BBC2 with Miles Jupp (Jupp and James) plus numerous appearances on Mock the Week8 Out of 10 Cats and Dave’s One Night Stand. Elis is also the co-host of the Elis James and John Robins Show on Saturday afternoons on Radio X, and presented Elis in Euroland for BBC Radio Wales in 2016.
  1. Following National Theatre Wales’ 2017 listening project, in which they gathered stories about people’s experiences with the NHS in Wales, one of the seven events will be a participative, live event reflecting the breadth of experiences and stories told from across Wales. This event will incorporate digital storytelling, sound and music, and celebrate the human stories that put the heart into our National Health Service. It’s not too late to send in your stories about your experiences (as a patient, relative or staff member) of the NHS in Wales. Get in touch…
  2. And finally, NTW will commission a visual artist to make a brand new work inspired by the volume of data generated by NHS Wales. This work could sit in a museum, online, a found space, a hospital site or somewhere we have yet to imagine. More information about this opportunity can be found at www.nationaltheatrewales.org/nhs70-open-call-artists.
National Theatre Wales present
THE TIDE WHISPERER
Written by Louise Wallwein
Directed by Kully Thiarai
Designed by Camilla Clark
September 2018
Tenby, Pembrokeshire
An immersive experience written by poet and playwright Louise Wallwein, The Tide Whisperer will tackle the global phenomenon of displacement and mass movement. Record numbers are on the move all over the world. What is it like to leave your home, and to live with the uncertainty of ever finding another?
The Tide Whisperer is full of stories, forever a nomad, having travelled the oceans and been carried by the tide to fresh new shores.
On the shores of Tenby, the audience gathers. The tide is turning fast and a storm is coming. The future feels uncertain – humanity is on the move and seeking refuge. Will we be met by kindness or rejection; offered sanctuary or forced to survive the perilous, treacherous sea?
The Tide Whisperer, in which audiences will take to the sea to explore the coast of Pembrokeshire by boatwill be made with a leading Welsh creative team including award-winning composer John Hardy, sound designer Mike Beer and theatre designer Camilla Clark, who grew up in the area.
A renowned and award-winning poet, playwright and performer from Manchester, Louise Wallwein has made a name for herself as an explosive artist that detonates her audiences’ imaginations. Louise was brought up in 13 different children’s homes and wrote her first play at the age of 17. Her career took off in 1998 when she performed an award-winning one-woman show on the wing of a World War II Shackleton reconnaissance aircraft, and her various experiences as a cleaner, club promoter and dancer at the Hacienda and activist for organisations such as Anti-Clause 28 and Viraj Mendis’ defence campaign have undoubtedly shaped her. Three radio plays have been broadcast by the BBC. Theatre includes Sydney Opera House, Royal Exchange, Contact Manchester and HOME mcr. She has written several outdoor spectacular shows for Walk The Plank. Glue, her acclaimed one-woman show is currently on tour was broadcast this year, when Louise was a BBC Contains Strong Language resident poet in Hull 17. Glue The Extended Remix published by Smith Doorstop is Louise’s first volume of poetry and is now on sale.
As well as Mike Pearson & Mike Brookes, television drama executive producer Bethan Jones and digital installation artist, stage designer and producer Shanaz Gulzar will become Associate Artists for National Theatre Wales. Bethan will be helping to develop new writing projects and broadcast opportunities, while Shanaz will focus on digital projects.
After training at RWCM&D, Bethan Jones worked as an actor in theatre and television, eventually turning to theatre directing. As Artistic Director first of Dalier Sylw, which evolved into Script Cymru, she developed and directed numerous productions and collaborated with Theatr Clwyd, Paines Plough, the Traverse Theatre and Soho Theatre. Theatre directing led to directing television drama for BBC Wales and S4C, and Bethan joined BBC Wales in 2002 as Producer in charge of local drama output. From 2005, as Executive Producer at BBC Wales Drama Department, Bethan worked on a number of award-winning television dramas including Merlin, Sherlock, A Poet in New York, The Long Walk to Finchley, Room at The Top, Hamlet, War and Peace and most recently Aberfan: The Green Hollow. Bethan left BBC Wales in May 2017 and joined CUBA Pictures, where she is developing new network drama.
Shanaz Gulzar is best known for creating work across disciplines to make innovative and challenging interventions. She works as a digital installation artist and stage designer also working as producer for specialist projects. Her work explores interactions between new technologies, film, theatre, place and identity. She has a clear and distinct artistic voice with a vision for producing ambitious, contemporary art that is accessible to both arts and non-arts audiences. Recent work includes Made in India (Tamasha Theatre), Mother Tongues from Farther Lands (at Alchemy Festival, The Southbank), Calderland (509 Arts Outdoor site specific Community Opera at The Piece Hall, Halifax) and HOME1947 with double Oscar-winning filmmaker Sharmeen ObaId Chinoy for Manchester International Festival.