Author: FairyPoweredProductions

West Yorkshire Playhouse, Leeds – Until 24th March 2018.  Reviewed By Dawn Smallwood

4****

Henry James’ classic ghost story comes alive on stage for a week at the West Yorkshire Playhouse in Leeds. Tim Luscombe’s adaptation tells the story about a young Governess (Carli Norris) who comes to Bly to look after Flora (Annabel Smith) and Miles (Michael Hanratty), two orphaned children, and the place appears peaceful and perfect. Soon after the Governess settles in things become unsettled and the household including Mrs Grose (Maggie McCarthy) has additional company, ghosts of a troubled past. The events make the Governess more determined to protect the two children even at all costs.

The play, under the direction of Daniel Buckroyd and produced by Dermot McLaughlin , opens with both the Governess and Flora who, a number of years later, confront each other with past events at Bly and both uncomfortably narrate what actually happened. During their conversations there are past flashbacks of events when the young Governess looked after the children and the decisions and emotions have been relived amid a dark and sinister setting.

Sara Perks’ staging is excellent and creates the atmospheric ambience for the nature of the play with the use of lighting, music and soundscapes, courtesy of Matt Leventhall and John Chambers, being applied for ghostly and scary touches of the story. The four person cast do a stellar performance with some doubling up as two characters and their accounts are articulately portrayed.

Turn of the Screw is more than a ghost story as it explores the characters thoroughly with touches of suspense, supernatural and obscurities of fantasy and reality. The audience is encouraged to think of the underlying themes raised for each of the characters, particularly the Governess, which are never shared except for suggestive texts and innuendo’s.

It is certainly a thought provoking play with a scope for personal interpretation of events and its circumstances that happened at Bly when The Governess took care of the children. This production is currently touring and is recommendable to go and see.

Salisbury Playhouse – until 24 March 2018.  Reviewed by Jo Gordon

4****

The Importance of Being Earnest is Oscar Wilde’s most well known play, a satirical take on Victorian high society and their ideals. Set around two friends; Jack Worthing (Peter Sandys-Clarke) and Algernon Moncrieff (Thomas Howes)  are both leading double lives. When Jack heads into London from the country he is known as Earnest and when in the country he is known as Jack referring to Earnest as his younger reprobate brother, and Algernon using Bunbury to be able to escape any tedious commitments that may be place upon him. Both men learn of the other ones double life. Jack has fallen in love with Algernons cousin Gwendoline Fairfax (Hannah louise Howell) and wishes to propose marriage and of course she accepts she always wished to marry an Earnest. Gwendoline’s Mother, the snobbish yet hilarious lady Bracknell (Gwen Taylor) soon puts a stop to this after learning that earnest was adopted after being found in a handbag within Victoria station.

Intrigued by the sound of Jack’s ward, Cecily (Louise Coulthard), Algernon heads to the country under the guise of Jack’s brother Earnest, and is welcomed into the home by Cecily who instantly falls in love with him and he her, again having a love for the name Earnest. Meanwhile Jack has decided to abandon his double life, returning home in full mourning suit declaring Earnest’s demise from a chill in Paris… awkward! Gwendoline then arrives to complicate matters further as she has absconded from home with Lady Bracknell hot in pursuit. In case you are a rarity like myself in not really knowing much about the story I will not go any further with the spoilers! Having only ever touching base with Oscar Wilde in my school days a 100 years ago, I will admit I was pretty adamant this would not be something that would fill me with enjoyment, how wrong I was! Maybe all the years that have passed since and maturity (some would argue that’s yet to come) has changed my opinion.

The set design was fantastic, portraying the country house, London pad and the country garden beautifully and transitioning you to each space effortlessly.

A brilliant cast that left me in awe of how strong they were in delivering such large pieces of dialogue effortlessly.  Peter Sandys-Clarkes stiff, serious demeanour as Jack balanced well with the bumbling, bouncy childlike presence of Algernon. Gwen Taylor’s Lady Bracknell had me loving her and disliking her in the same breath, utterly frustrating with her elitism but delivering her opinions and thoughts with impeccable comic timing and amusing quips.

I think this play has as much place in today’s world than when it first opened on 14 February 1895 as many people now seem to have a double life, the life they actually live and then the life they wish people to perceive they have as they share it with the world on social media . Maybe we should take heed of Jacks revelation of realising the importance of being earnest in life.

Grand Theatre, Leeds – until 31 March 2018.  

5*****

From the moment you enter the auditorium – to be greeted by the giant TV showing pages from Ceefax in 1993 – to the curtain down at the end, this show is nothing short of a phenomenon. The Band celebrates how music soundtracks our lives – and powerfully brings back memories while making plenty of new ones too.  Bursting with emotion, laughter and some of the most loved pop songs ever written. Laugh out loud jokes mixed with some heart-rending and tear-jerking moments, it takes the audience on a roller-coaster of emotions from the opening scene to the very last.

Written by Tim Firth and co produced by David Pugh, Dafydd Rogers, Gary Barlow, Howard Donald, Mark Owen and Robbie Williams – The Band revolves around five teenagers who adore “The Band” and win tickets to a concert of their heroes.  After the most perfect night of their 16 year old lives tragedy strikes and 25 years later the women meet up again after winning tickets to a concert again.

Whilst some “jukebox” musicals have songs shoehorned in and very little in the way of story, The Band is different.  The music of Take That is secondary to the piece, it doesn’t drive the show and its fits perfectly into the story.  Firth has woven a tight script around a simple premise of schoolgirl crushes and the pains of love and loss across a narrative that spans over 25 years.  The simplicity of which means that we can really connect with the characters

It would feel wrong to single out one member of the cast for praise as they were all outstanding, all playing their parts superbly.  The younger group of friends Faye Christall (Rachel), Debbie (Rachelle Diedericks), Heather (Katy Clayton), Claire (Sarah Kate Howarth) and Zoe (Lauren Jacobs) show great chemistry on stage together.  The older group of Rachel Lumberg, Emily Joyce, Alison Fitzjohn and Jayne McKenna are fierce, funny and wonderful. The casting is superb with the scenes in which they appear together showing how similar they all are. Back For Good sung by the teenagers to their adult selves was particularly moving.  It takes no imagination to believe they could be a younger and older version of the same person.  For these are real people, totally identifiable. And you will sit looking at your 16 year old self and recognising the 40 plus year old woman you have become

To “The Band” themselves, Gary Barlow’s TV talent show, Let it Shine, found the perfect line up of boys to play the part of the productions boy band Five to Five (A J Bentley, Yazdan Qafouri, Curtis T Johns, Sario Solomon and Nick Carsberg) who perfectly fit the bill.  The boys are the backing singers and musical interludes to the leading ladies, acting as cleaners, air port staff and statues amongst others to provide comedic, and sometimes more sombre, moments to the plot

We must also mention Rachel’s partner Jeff (Martin Miller) who has some fabulous one liners and Andy Williams who played Every Dave – including the bus driver, the Czech policeman, the cleaner and the caretaker, who has you laughing in every scene

Directors Kim Gavin and Jack Ryder ensure the production is as slick and sharp as possible which is helped by clever and immersive staged set-pieces with likeable attention to detail and brilliant special effects which really brought the room to life – be it in a fountain in Prague, on a hilltop outside Manchester, or in the middle of a concert.  With set design by Jon Bausor, alongside a lighting design from Patrick Woodroffe. And the live on stage band John Donovan, Richard Beesley, Tim Sandiford, Stu Roberts and John McKenzie

The Band knows that most people are there to hear the music of Take That, but the music doesn’t detract from a story that wears its heart loudly and proudly on its sleeve, for this is a musical love letter that makes you laugh, cry and want to sing at the top of your lungs.  With a message about the fragility of life making you ensure you live every moment as fully as possible. A nostalgic journey back in time for anyone who grew up loving a boy band 

This is a show that is fun and larger than life, and you don’t have to be a Take That fan to get enjoyment from.  I left the theatre completely worn out from the emotion, and made sure I told my life long trio of best friends just how much I loved them whilst trying to work out exactly when I can get to see the show again.

On tour around the UK for at least the next year I’m sure there will be plenty of chances for many more people to fall in love with this 5*, flawless, production.

Presented by Damsel Productions
Grotty
The Bunker, 53A Southwark Street London SE1 1RU
Tuesday 1st May – Saturday 26th May 2018

No one goes to the circus to get laid, do they? I do

Following the success of Brute at Soho Theatre, Damsel Productions teams up again with award-winning writer Izzy Tennyson to present Grotty, a semi-autobiographical piece centred on East London’s lesbian scene. The play is a provocative, satirical and at times grotesque exploration of intergenerational tension in the lesbian community, as well as struggles with mental health, identity and grief.

Izzy Tennyson who will be playing Rigby, won the Ideastap/Underbelly award with the debut show Brute (Edinburgh fringe festival 2015). Tennyson will be starring alongside Grace Chilton (Father Brown, BBC; Humans, Channel 4; Pride & Prejudice, Sheffield Crucible; Macbeth, National Youth Theatre Rep Company) who will be playing Witch/Elliot, Rebekah Hinds (Shameless, Channel 4; Humble Boy, Orange Tree; Billy Liar, Manchester Royal Exchange; Around The World, Mint Theater Company, New York) playing Toad/Kate and Anita-Joy Uwajeh (Twelfth Night, Shakespeare’s Globe; Fury, Soho Theatre; Girls, Soho Theatre) who will be playing Josie/Natty/Dr Alexandra.

Grotty is not a sentimentalised view of the London lesbian scene and is certainly not for the faint hearted. Told through the eyes of a young and reckless Rigby, a series of flashbacks expose Rigby’s taste for self-destruction and girlfriends with nice flats. Rigby doesn’t just fall down the rabbit hole, she hits the very bottom of it – mind games with no logic, laddish girls with a ‘fuck them and leave them’ attitude, desperate nesting 30-somethings and fetish club outcasts who, if they were men, would probably be on some sort of list.

Director, Hannah Hauer-King comments, Damsel is thrilled to bring this new, provocative and caustically funny play by Izzy Tennyson to our recent venue of residence, the Bunker Theatre. There is a dearth of stories focused on the queer female experience, and Grotty is a fantastic exploration of this underrepresented part of the community, and ultimately a compelling piece that will engage a diverse audience.

The Bunker’s Spring Season sees the venue truly celebrate its place as a playground for ambitious and adventurous audiences, just over a year after it first opened its doors. The exciting season highlights the venue’s commitment to work with brilliant playwrights, both established and emerging.

CRITICALLY ACCLAIMED ACTRESS ANITA DOBSON

LEADS THE CAST IN STAGE TRAFFIC PRODUCTIONS’

WORLD PREMIERE OF

3WOMEN

 

WRITTEN BY RENOWNED COMEDIAN KATY BRAND

AND DIRECTED BY MICHAEL YALE

RUNNING AT TRAFALGAR STUDIOS FROM 15 MAY – 9 JUNE 2018

 

3Women, the debut play by the award-winning comedian and writer Katy Brand, will premiere at Trafalgar Studios 2, starring the celebrated screen and stage actress Anita Dobson (Eleanor), alongside Debbie Chazen (Suzanne), Maisie Richardson-Sellers (Laurie), and Oliver Greenall(Waiter). Running from 15 May to 9 June 2018, with press night on 18 May, 3Women explores the relationships between three generations of the same family, brought together in one hotel room, in a darkly comic and pertinent exploration of what it means to be a woman.

 

Katy Brand said, “3Women is a play I have been hoping to write for several years, but now that feminism and women’s rights are at the very forefront of the global conversation, I wanted to really explore those issues from the point of view of three generations of women, and how they interact and intersect within the same family. These movements are not so straightforward as the media would sometimes have us believe but wrapped up in the chaotic and all-too-human lived experiences of real women, from the Suffragettes to those who currently campaign for trans-gender rights.  We are all simply trying our best to be ‘modern women’ (whatever that means), making mistakes, and blundering on as best we can!”

Raise a glass to female family bonding and buried resentment!

 

From generation to generation, Mother to Daughter, this female-led play explores what it means to be a woman in the 21^st Century and the consequences of the generational gap on our attitudes, cultural expectations and family dynamic. From wedding celebrations to relationship disillusionment, 3Women is razor-sharp, funny and caustically irresistible.

 

This hilariously frank and original debut brings our three women and their own very different identities and opinions into one hotel suite for a single night of redemption. What will be revealed?

 

3Women is directed by Michael Yale, with designs by Zahra Mansouri, lighting by Nic Farman, and is produced by Stage Traffic Productions

Manchester actor Chris Jack stars in gang war play ‘Brighton Rock’ at The Lowry

Brighton Rock co-commissioned by Week 53 festival
Tue 22 – Sat 26 May

Manchester Actor Chris Jack will star in a new adaption of Brighton Rock as part of The Lowry’s Week 53 festival Tue 22 – Sat 26 May.

Tony-Award Nominee Bryony Lavery’s new adaptation of Graham Greene’siconic 1938 novel of sin and redemption Brighton Rock, follows two seventeen year olds Pinkie and Rose as they become involved in a vicious gang war.

Directed by Pilot Theatre’s new artistic director Esther Richardson and featuring a soundtrack composed by the acclaimed singer, musician and composer Hannah Peel, Brighton Rock will take audiences on a path where one brutal murder leads to the next. The police are impassive – but the courageous and life embracing Ida Arnold wants the truth. Nothing scares her. Whatever the cost, she’ll see justice is done.

Written in 1938, Graham Greene’s classic novel of good and evil was first adapted for the stage at the Garrick Theatre with Richard Attenborough playing Pinkie, a role he resumed in the iconic 1947 film version. In 2010 Greene’s novel was remade, setting it in 1964, with Sam Riley, Andrea Riseborough and Helen Mirren. In 1993 Vicky Featherstone directed David Hurlock’s stage adaptation of the novel at West Yorkshire Playhouse and in 2004 John Barry and Don Black wrote a musical version which ran at the Almeida Theatre

Bryony Lavery is a playwright whose play Frozen, commissioned by Birmingham Repertory Theatre, won the TMA Best Play Award and was then produced on Broadway where it was nominated for four Tony Awards. Fitting the Week 53 festival theme of ‘coming of age’ she said about her new adaptation, “In the poisoned relationship between Pinkie and Rose, there is one of the best accounts ever of what it is like to be 16 and 17 years’ old in a terrible, violent, adolescence.”

Brighton Rock is designed by Sara Perks (American Idiot, Arts Theatre and Sweeny Todd, Mercury Theatre) with lighting by Aideene Malone (Peter Pan and Jane Eyre, National Theatre). The production will feature a specially composed soundtrack by the Northern Irish artist, singer and electronic composer and member of The Magnetic North, Hannah Peel.

Brighton Rock is co-commissioned by The Lowry for Week 53 festival and presented by special arrangement with STUDIOCANAL

There will be a limited allocation of Pay What You Decide tickets for all Week 53 productions, more details to be announced

Listings Information

Brighton Rock 
Date: Tue 22 – Sat 26 May
Time: 7.30pm. Wed & Sat 2.30pm
Tickets: £20. PWYD limited capacity

Website

MOUSETRAP THEATRE PROJECTS

HOSTS SUCCESSFUL FUNDRAISING GALA

 

Mousetrap Theatre Projects (MTP) celebrated its 21^st Anniversary on Sunday night with a star-studded Gala at the Prince of Wales Theatre hosted by Christopher Biggins and Harriet Thorpe with performances from cast members of The Lion King, Mamma Mia!, Kiss Me Kate, The Royal Ballet and Dreamgirls. The show also featured star turns from Beau Dermott, Patricia Hodge, Tyrone Huntley, Samantha Spiro, David Suchet, Rachel Tucker and Michael Xavier.  The show was followed by an after party at Café de Paris with performances from Janie Dee and Clive Rowe.

The evening was hugely successful in raising funds for the charity and will help support MTP in its aims to bring the magic of theatre into the lives of disadvantaged young people and young people with special needs.

Susan Whiddington, Director of Mousetrap Theatre Projects said today, “We had a fantastic evening celebrating the last 21 years of MTP. We are so grateful to everyone involved with the event and are thrilled to have raised significant funds to further the charity and its aims. It’s been an incredible 21 years for MTP and we are incredibly thankful for all the support that we’ve received in this time from individuals, the theatre industry and trusts and foundations.  We are looking forward to the years to come.”

In the last 21 years, nearly 200,000 disadvantaged children and young people have taken part in projects run by Mousetrap Theatre Projects.  The charity has worked with 76% of mainstream state secondary schools in and 80% of secondary special schools in London.  10,000 families on low-incomes or in other challenging circumstances have participated in its Family First Nights theatregoing programme which will celebrate a 20^thanniversary this summer. 

MTP also works with a huge range of marginalised young people in youth clubs and community settings offering workshops that develop skills, broaden horizons and raise aspirations.  The remit of the charity is to open the magical world of theatre to young people who would otherwise not have access to it.

twitter.com/MousetrapTP

www.facebook.com/MousetrapTheatreProjectsCharity

www.instagram.com/mousetraptp

WINNERS OF THE SECOND ANNUAL TONIC AWARDS ANNOUNCED

RECOGNISING WOMEN ACROSS THE THEATRE INDUSTRY

Recipients of the second annual Tonic Awards were announced tonight at an awards ceremony held at the May Fair Theatre hosted by Dame Jenni Murray. The awards celebrate the achievements of game-changing women in theatre and the performing arts, and significant organisations, projects and productions that redefine the role of women in the performing arts, both on and off stage. The recipients honoured in this evenings event were: Emma de Souza, Clean Break theatre company, Walking the Feminists, The Royal Exchange Theatre Manchester, Steffi Holtz and Gina Abolins, Kully Thiarai, Lyn Gardner, Caryl Churchill and Katie Mitchell.

Lucy Kerbel, Director of Tonic Theatre, said: ‘I’m delighted that we’ve been joined by colleagues from across the theatre industry tonight to celebrate the work of inspirational women who are changing our industry. It’s a great opportunity to bring people together, creating new partnerships and sharing ideas. This last year has shown that a shared voice can make profound change, and the atmosphere of community here tonight reflects that.’

Sita McIntosh, Chair of Tonic’s Board of Trustees, said: “Tonight has been about celebrating the success stories, and this brilliant group of women have achieved extraordinary things, leading the way for a new generation. The Tonic Awards is an inspiring and unique event, and we’re thrilled with the support its had from across the industry. It shows a desire to platform the success stories and come together to drive for further change and greater representation of women across the theatre industry.”

This year’s recipients were:

Emma de Souza, for her tireless commitment to bringing new audiences into London’s West End through Kids Week, which offers families the opportunity to experience theatre together at an affordable price.

The award was presented to Emma by Caro Newling, Vice President of the Society of London Theatres.

 

Clean Break theatre company, for forty years of work on the theme of women and the criminal justice system, giving opportunities to generation after generation of female creatives, and giving voice to women whose experiences are all too often silenced by society.

The award was presented to Chief Executive Lucy Perman MBE and other representatives of Clean Break theatre company by Jennifer Joseph, an actor and Clean Break theatre company member.

Waking the Feminists, for a brave and creative campaign to effect positive change in regard to representation of women in Irish theatre. The campaign was ultimately successful in its clear demands, and has gone on to effect wider change across the theatre industry in Ireland and beyond.

The award was presented to Lian Bell on behalf of Waking the Feminists by playwright Ursula Rani Sarma.

 

The Royal Exchange Theatre, Manchester, for the consistency with which the theatre has programmed and foregrounded work about women, and within that, the diversity of women’s experiences. It has acted as a beacon of enlightened, exciting and nuanced programming.

The award was presented to Sarah Frankcom, Artistic Director of the Royal Exchange Theatre, by actress Maxine Peake, whose recent credits at the Royal Exchange include A Streetcar Named Desire, The Striker and Hamlet, and who will shortly appear in Beckett’s Happy Days at the venue.

Steffi Holtz and Gina Abolins, for their brave decision to speak up about inappropriate behaviour in their workplace, in spite of potential personal and professional repercussions, giving voice to the often unseen and unheard experiences of those working behind the scenes and in less high profile positions.

The award was presented to Steffi and Gina by Vicki Featherstone, Artistic Director at the Royal Court Theatre.

Kully Thiarai, for her achievements and ethos as an artistic director. In particular, her dedication and energy to creating theatre and artistic experiences for the communities around which the organisation she has led are based.

The award was presented to Kully by theatre director and Soho Theatre Associate Charlotte Bennett.

Journalist Lyn Gardner, for her dedication to showcasing new voices and productions as a theatre critic and her thoughtful contributions to debate within the theatre industry as a journalist.

The award was presented to Lyn by Kwame Kwei-Armah, Artistic Director of the Young Vic.

Caryl Churchill, for an extraordinary career, in particular her consistent daring to defy form, leading the way for a new generation of female playwrights, breaking down walls within the theatre industry.

The award was presented by playwright and screenwriter Moira Buffini.

Director Katie Mitchell, for her game-changing artistic work, proactive support of younger female theatre artists, and dedication to foregrounding feminism on stage.

The award was presented to Katie by Lucy Kerbel, Director of Tonic Theatre.

Attending the ceremony tonight were senior figures from across the UK theatre industry including Gemma Arterton, Haydn Gwynn, Tracy Ann Oberman, Dame Rosemary Squire and Timberlake Wertenbaker. The Tonic Awards will return in March 2019 with another cohort of recipients.

The Tonic Awards were made possible by the generosity of our headline sponsor White Light Ltd, and the following sponsors: Boom Ents, Dewynters, JHI Marketing, Kate Morley PR, The May Fair Hotel, Nick Hern Books and WhatsOnStage.

2018 UK TOUR

 

The 5 world-class illusionists of Champions Of Magic tour the UK from March 25^th to May 5^th following sold out shows across the globe, five star rave reviews and a run in London’s West End.

 

With over 30 million online views between them, this cast of Britain’s top magicians includes award winning tricksters presenting daring grand illusions, stunning close-up magic and incredible mind reading. Their skills have been seen around the world with appearances on TV including ITV’s ‘The Next Great Magician’, ‘Good Morning Britain’, ‘Penn & Teller: Fool Us’ and NBC’S ‘Access Hollywood’.

Following a 6 month international tour the show returns to the UK with brand new illusions, huge special effects and more incredible magic. Each performance features ‘blink and you miss it’ disappearances, impossible teleportation across the theatre, impossible escapes and interactive magic.

Broadway World described the cast as “5 of the world’s finest magicians”, Wales Online called the magic “So mind-boggling that I won’t even attempt to describe it” and The List added “Spectacular feats of mindreading, vanishing tricks and close-up magic will have you guessing for weeks”. In the USA NBC called Champions Of Magic “the most incredible show” with FOX saying “Incredible… you guys are rock stars”.

The show’s producer, Alex Jarrett, said “Following a huge tour across North America we’re excited to bring the show home to the UK with some never before seen magic that’s been in development for the last year. With every tour the team add new illusions, bigger special effects and more incredible tricks making the show more unbelievable than ever. Interest in magic has rocketed over the last few years with some brilliant TV programs, but you haven’t seen magic until you’ve seen it live – and this team are the best in the business”.

Champions Of Magic has been seen by thousands across the UK and North America, now is your chance to see why fans return to be amazed by the country’s biggest touring illusion show time and time again.

Tickets are now on sale –

Day	Date	City	Venue	Box Office	Tickets & Information
Sunday	25th March	Yeovil	Octagon Theatre	01935 422884	www.ChampionsOfMagic.co.uk
Friday	30th March	Dunstable	Grove Theatre	01582 602080	www.ChampionsOfMagic.co.uk
Saturday	31st March	Camberley	Camberley Theatre	01276 707600	www.ChampionsOfMagic.co.uk
Sunday	1st April	Norwich	Theatre Royal	01603 630000	www.ChampionsOfMagic.co.uk
Monday	2nd April	Stoke	Regent Theatre	0844 871 7649	www.ChampionsOfMagic.co.uk
Tuesday	3rd April	Stoke	Regent Theatre	0844 871 7649	www.ChampionsOfMagic.co.uk
Friday	6th April	Torquay	Princess Theatre	0844 871 3023	www.ChampionsOfMagic.co.uk
Saturday	7th April	Torquay	Princess Theatre	0844 871 3023	www.ChampionsOfMagic.co.uk
Sunday	8th April	Richmond	Richmond Theatre	0844 871 7651	www.ChampionsOfMagic.co.uk
Monday	9th April	Guildford	G Live	01483 369350	www.ChampionsOfMagic.co.uk
Wednesday	11th April	Edinburgh	Assembly Rooms	0871 220 0260	www.ChampionsOfMagic.co.uk
Thursday	12th April	Edinburgh	Assembly Rooms	0871 220 0260	www.ChampionsOfMagic.co.uk
Friday	13th April	Edinburgh	Assembly Rooms	0871 220 0260	www.ChampionsOfMagic.co.uk
Saturday	14th April	Edinburgh	Assembly Rooms	0871 220 0260	www.ChampionsOfMagic.co.uk
Sunday	15th April	Reading	Hexagon	0118 960 6060	www.ChampionsOfMagic.co.uk
Friday	20th April	York	Grand Opera House	0844 871 3024	www.ChampionsOfMagic.co.uk
Saturday	21st April	York	Grand Opera House	0844 871 3024	www.ChampionsOfMagic.co.uk
Saturday	28th April	Brighton	Brighton Centre	0844 847 1515	www.ChampionsOfMagic.co.uk
Sunday	29th April	Plymouth	Theatre Royal	01752 267222	www.ChampionsOfMagic.co.uk
Tuesday	1st May	Aylesbury	Waterside Theatre	0844 871 7607	www.ChampionsOfMagic.co.uk
Wednesday	2nd May	Aylesbury	Waterside Theatre	0844 871 7607	www.ChampionsOfMagic.co.uk
Friday	4th May	Southsea	Kings Theatre	023 9282 8282	www.ChampionsOfMagic.co.uk