Omnibus Theatre – until 25 February 2024
Review by Mandi Riggi
2**
“A Family Business” attempts to blend a TED Talk-style lecture with audience interaction, interspersed with uninspiring and expositional reenacted drama. Unfortunately, it falls short in effectively conveying the true story behind the creation of The Treaty on the Prohibition of Nuclear Weapons (TPNW). Written and energetically performed by Chris Thorpe, the play aims to jolt us into recognising the imminent threat of nuclear annihilation. However, this wake-up call lacks the necessary dramatic impact and only mildly stimulates thought.
Thorpe’s commendable attempt to make the subject interesting and accessible is evident in his passionate delivery and dry humour. The demonstrations of the size, scale, and destructive consequences of nuclear weapons are impactful. The incorporation of real-life tragedies, such as the Beirut explosion, is thoughtfully presented. However, the dramatisation of conversations lacks genuine conflict, the characters feel flat, and the scenes border on tedium. As a result, it fails to create a sense of urgency or emotional investment in the audience.
The use of surtitles, intended to enhance accessibility and translation, comes across as a gimmick rather than a meaningful addition to the performance. The projections that tally the number of countries ratifying and signing the treaty lack suspense, especially when the outcome is already known.
On a positive note, Eleanor Field’s set design effectively conveys a sense of connection through its twisted wires and plug sockets. It is one of the few elements of the show that leaves a lasting impression.
In conclusion, “A Family Business” disappoints in fulfilling its promises and falls short of being a truly impactful piece of theatre. It struggles to effectively engage the audience.