Category: Uncategorized

Darlington Hippodrome – until 10 May 2025

Reviewed by Adam Craddock

5*****

It was an absolute pleasure to be invited along to review Darlington Operatic Society’s Spring 2025 production of Everybody’s Talking About Jamie at Darlington Hippodrome. It has been over 10 years since I had last seen a production by DOS and I am pleased to say that their standards have not dropped in this time!

Everybody’s Talking About Jamie follows Jamie New and his turmoil and ultimate triumph in finding his way through life as a 16 year old gay school boy in Sheffield who wants to become a drag queen, and his mother Margaret New supporting him through this journey of self discovery.

Harrison Bateman stars as the eponymous Jamie New. Bateman is fabulously eccentric and sassy as Jamie, with a brilliant innocence to his portrayal. He was strong in terms of movement and vocal and really grew into the more tender parts as the show progressed. Samantha Morrison was sublime as Margaret New. The bond between her and Bateman was palpable and her performance of “He’s My Boy” left my partner and I with goosebumps. Bravo!

Zoe Kent was strong as Ray, with an excellent comedic timing and command of her stage. Eva Ferguson was brilliant as Pritti Pasha, with a beautiful naturalism to her performance and a vocal to die for! I loved her performance of “It Means Beautiful”, although I think the use of the imagination chorus in this number was a mistake, taking the focus away from the beautiful lyric and Ferguson’s sublime performance. Other numbers I did not mind this new spin on the show but it didn’t feel needed here.

Ellen Dunbavin-Lomas was excellent as Miss Hedge, with an exceptional performance of “Work of Art” showcasing her magnificent vocals. Cam Scriven and Jonathan Wilson-Downs were both solid as Wayne New and Dean Paxton respectively, both brilliantly awful! Scott Edwards, Nick Robinson and James Bearpark were good as Laika Virgin, Tray Sophisticay and Sandra Bollock respectively, with strong comedic performance all around and a lovely sense of humanity to them.

However my absolute highlight of the show was Julian Cound as Hugo/Loco Chanelle. Cound gave a masterful performance, blending a brilliant realism to his performance with an outstanding vocal. His portrayal of this role matched up to those I have previously seen in the West End and on tour. Well done indeed!

I was gobsmacked by the production values on display for an amateur production. The set was brilliant, with a video wall being used at the back of the stage to prevent clunky scene changes. The various settings were all spot on and not one part visually looked weak, including the lighting which was perfect. The band were on top form tonight, sounding as good as any accompaniment I have heard. My only gripe with the production side was the sound. Balance between the principal cast was all spot on but the featured ensemble sound balancing was all over the place, with mics dropping out on a few occasions throughout the show, leaving the cast to deal with this as best they could.

However this was barely even a niggle on what was a marvellous night and one that I would gladly repeat. I would highly recommend the performance to anyone and you should catch this production before it closes on Saturday 10th May and see why Everybody’s Talking About Jamie!

Royal Shakespeare Theatre Stratford-Upon-Avon – until 7th June 2025

Reviewed by Amarjeet Singh

5****

A play so full of death yet in this production, it pulsates with life, director Max Webster’s rendition of Titus Andronicus is a bloody belter. The earliest of Shakespeare’s tragedies and of his Roman plays, Titus Andronicus’ protagonist’s ill-considered decisions, though perceived as honourable, lead to his ultimate downfall in quite the spectacular fashion.

Traditionally there is a tendency to go all out on the gore and shock factor, however, this offering plays more with the mind. Murders occur from a distance, allowing us to fill in the gaps. Mutilations take place before your eyes, but not quite, which makes for a more terrifying experience. The slow creep and undulation of peripheral characters between and during speeches brought true suspense and terror that no brash and bold conflict could induce. Don’t get me wrong, there is blood aplenty, but it’s appropriately used for effect and to enhance the story.

Joanna Scorcher’s set and costume design is minimalist monochrome, reminiscent of a totalitarian state. Black and grey hues adorn a white stage with bare benches, a robotic remote-controlled noose and hooks are summoned from above. Splashes of blue mark the Goths from the Romans, the motif effective as you notice the shifts in power and control. Plastic sheeting, bright red nozzles and hoses are in view, with the anticipation of a drenching along with plastic guards around the stage, but all is not what it seems. Lee Curran’s lighting enhances every moment along with eerie, unnatural movement direction by Jade Hackett and an absorbing soundscape by Tingying Dong. They add a nuanced depth to the piece, with the otherworldly, spotlit howl opening act 2 inducing shivers. Fight and intimacy director Rachel Bown-Williams and Ruth Cooper Brown bring a real authenticity to some of the more difficult scenes.

The performances as a whole are brilliant. Simon Russell Beale takes an understated approach with his Titus, bringing warmth and humility, but ultimately becomes increasingly haunted by his unwise choices. Letty Thomas’ Lavinia is at times too painful to watch, with her severed limbs, having experienced the trauma of rape and ultimately released from her shame. The poignancy of her performance is perfect. Joshua James’ Saturninus, fluctuates between frustrated teen to stoney statesman, his comedic timing is brilliant and offers light relief. Wendy Kweh as Tamora balances the grief and fury of a mother bereft beautifully. Jeremy Ang Jones and Marlowe Chan-Reeves as her sons Demetrius and Chiron are sinister. Akin to prowling hyenas, almost dance like in their portrayal, with elements of parkour, the feeling of danger and destruction are always present. Natey Jones is a powerful and mesmerising Aaron. He explores every facet of this complex character to its fullest, relentless in his emotional mining.

This is a potent and powerful production of Titus Andronicus, which is relentless in drawing your every sense into the story making for a tremendous piece of theatre

LAUNCH EVENT HELD TODAY AT WEMBLEY

BOB GELDOF, MIDGE URE,
HARVEY GOLDSMITH & JOHN KENNEDY
TOGETHER AT ICONIC STADIUM ALMOST 40 YEARS ON FROM THE LEGENDARY CONCERTS

SPECIAL PERFORMANCE OF THE ACCLAIMED WEST END MUSICAL ANNOUNCED FOR 40^TH ANNIVERSARY ON 13 JULY

ORIGINAL CAST ALBUM TO BE RELEASED ON 11 JULY PERFORMANCES BEGIN AT SHAFTESBURY THEATRE, LONDON FROM 15 MAY

theliveaidmusical.com

Thursday 1 May 2025: A major event was held today at Wembley Stadium, launching the forthcoming West End production of Just For One Day – The Live Aid Musical.

The event was hosted by radio DJ Jo Whiley and reunited the founders of Live Aid and Trustees of the Band Aid Charitable Trust, Sir Bob Geldof KBE, Midge Ure OBE, Harvey Goldsmith CBE and John Kennedy OBE, as they returned to the iconic stadium almost 40 years on from the legendary concerts.

At the exclusive event, it was announced that Just For One Day – The Live Aid Musical will be celebrating the 40^th anniversary of Live Aid with a very special performance at the Shaftesbury Theatre, London, on Sunday 13 July, followed by an exclusive after party with surprise special guest performances at Koko, Camden. There are a limited number of tickets available to purchase for this performance and after party with a generous additional contribution to the Band Aid Charitable Trust. For more information on this, and all other performances, click HERE. 

Also announced today was Just For One Day – The Live Aid Musical (Original Cast Recording) which has been created with the backing of Sir Bob Geldof and the Band Aid Charitable Trust. More than just a collection of songs, this album is a love letter to the ‘80s – a time of bold anthems, raw emotion, and an unshakable belief in music’s power to change the world. This is not only a reworking of these legendary tracks, it’s a celebration of their lasting impact, recorded in the same spaces as many of the original iconic songs. 

Produced by Olivier nominated arranger Matthew Brind and Jon Bath, and engineered by Grammy-nominated Jeremy Murphy,the album boasts a modern, expansive sound while staying true to the energy and emotion of the originals, even featuring new lyrics penned by Sir Bob Geldof himself. 

Jamie Wilson, Producer of Just For One Day – The Live Aid Musical commented:

“As we approach the 40th anniversary of Live Aid, it’s an incredible honour to bring Just For One Day to the stage—a celebration of the people, the passion, and the power of music to change the world. This musical is not only a tribute to one of the most extraordinary days in music history, but a reminder of what we can achieve when we come together for a common cause.”

Just For One Day – The Live Aid Musical is the acclaimed new musical which had a record-breaking world premiere at London’s The Old Vic theatre in January 2024 – where it became the theatre’s fastest selling musical ever. It made its North American premiere at CAA Ed Mirvish Theatre in Toronto from 26 January to 16 March 2025.

The production will begin performances at Shaftesbury Theatre, London from Thursday 15 May.

Marking 40 years since the iconic Live Aid concerts in London and Philadelphia, 10% from the sale of all tickets to Just For One Day – The Live Aid Musical will be donated directly to The Band Aid Charitable Trust. To date, more than £600,000 has been raised by the musical.

The cast includes Craige Els, who originated the role of Bob Geldof at The Old Vic, Kelly Agbowu, Julie Atherton, Jason Battersby, Jordan Cambridge-Taylor, Eloise Davies, James Hameed, Fayth Ifil, Melissa Jacques, Hope Kenna, AJ Lewis, Freddie Love, Tim Mahendran, Rhianne-Louise McCaulsky, Jack Michael Stacey, Emily Ooi, Ashley Samuels, Sadie-Jean Shirley, Jake Small, Tamara Tare and George Ure,with Kerry Enright, Evan Fox Harrison, Esme Laudat, Eddie Mann, Jaye Marshall, Lukin Simmonds and Dyd Wynford.

On 13 July 1985, music united the world.

Now, 40 years on, discover the behind-the-scenes story of Live Aid in a whole new way at JUST FOR ONE DAY – The Live Aid Musical. 

This exhilarating night out “rocks in all the right ways” (WhatsOnStage), with hit songs by Bob Dylan, David Bowie, The Who, U2, Queen, Madonna, The Police, Elton John, Paul McCartney, Diana Ross and more of the iconic artists who made history at simultaneous charitable concerts in London and Philadelphia.

Live Aid was an unprecedented global music event that brought 1.5 billion people together, and they all have a story to tell about ‘the day rock ‘n’ roll changed the world’. 

Whether you saw it live, watched it from home or weren’t even born yet, you won’t want to miss this “rip-roaring” (The Daily Telegraph) and “remarkable” (Daily Mail) new musical written by John O’Farrell (Mrs. Doubtfire, Something Rotten!) and directed by Luke Sheppard (& Juliet, The Little Big Things).

Director Sheppard has assembled a stellar creative team: Musical Supervision, Arrangements & Orchestration by Matthew Brind, Choreography by Ebony Molina, Set by Soutra Gilmour, Costume by Fay Fullerton, Lighting by Howard Hudson, Sound by Gareth Owen, Video & Projection by Andrzej Goulding and Casting by Stuart Burt CDG. 

JUST FOR ONE DAY – The Live Aid Musical is produced by Jamie Wilson Productions, Kevin McCollum, Sonia Friedman Productions, Gavin Kalin Productions, Kenny Wax Ltd, ATG Entertainment, David & Hannah Mirvish, Nederlander Presentations, Stephen C Byrd, Tilted, No Guarantees Productions, Burnt Umber Productions, Willette & Manny Klausner, Nicole Eisenberg, Hornos/Moellenberg and The Old Vic by permission of The Band Aid Charitable Trust.

###

JUST FOR ONE DAY

SHAFTESBURY THEATRE – 210 Shaftesbury Avenue, London, WC2H 8DP

15 May 2025 – 10 January 2026

For performance schedule, tickets and further information please visit theliveaidmusical.com

Social Media:
facebook.com/LiveAidMusical
x.com/liveaidmusical
instagram.com/liveaidmusical
tiktok.com/@liveaidmusical

ADAM PAULDEN & JASON HAIGH-ELLERY      SUE GILAD & LARRY

ROGOWSKY

STEVEN ANTIN        CHRISTINA AGUILERA      CLINT CULPEPPER

present

TODRICK HALL

TO DIRECT & CHOREOGRAPH THE

WEST END PREMIERE OF

BURLESQUE THE MUSICAL

Featuring Songs By Christina Aguilera and Sia

And New Music by

Todrick Hall and Jess Folley

Savoy Theatre, London

Thursday 10 July  – Saturday 6 September 2025

Gala Night: Tuesday 22 July 2025

www.burlesqueonstage.com

London, Wednesday 30 April 2025 – It was announced today that Todrick Hall will direct and choreograph the West End Premiere of Burlesque the Musical at the Savoy Theatre in London.  This highly anticipated new musical, based on Steven Antin’s film starring Christina Aguilera and Cher, will begin performances at The Savoy on Thursday 10 July and run until Saturday 6 September 2025, with a press night on Tuesday 22 July at 7pm.

With over 9 million followers across several platforms, Todrick is one of the most high profile and prolific storytellers in the world.

He has collaborated with superstars in every industry, including Beyonce, Taylor Swift, Ariana Grande, RuPaul, Chaka Khan, Brandy, Cynthia Erivo, Billy Porter, Gwen Stefani, Kristin Chenoweth, Jenifer Lewis, Nicole Scherzinger, Tyra Banks, Boby the Drag Queen, Monet X Change, Tiffany Haddish, Tiffany Pollard, Amber Riley and Pentatonix.

Since his television show Todrick aired on MTV, he has featured in a dozen more including The Masked Singer, RuPaul’s Drag Race, Dear White People, Bob’s Burgers Crazy Ex-Girlfriend and The Greatest Dancer. 

Todrick was in the original Broadway casts of The Color Purple and Memphis, and played Lola in Kinky Boots, Billy Flynn in Chicago, and Ogie in Waitress.  In the UK he played Billy Flynn in the West End production of Chicago and Donkey in Shrek the Musical.  He originated the roles of Nurse Shea and Robin in the World Premiere of Wild about You and played Sean in Burlesque the Musical in Manchester and Glasgow. 

He has written, co-produced and released 18 studio albums; composed The Magic Happens Parade at Disney; directed, choreographed and headlined eight international tours; and appeared in and co-produced Taylor Swift’s LGBTQ+ anthem You Need to Calm Down, for which he also won a video music award.

Todrick, who has also written brand new songs for the production , said:  “This is a huge milestone in my life and career. I’ve always dreamt of being involved in the creative side of a brand new original musical, and I’m privileged, flattered and ecstatic to make my directorial debut with Burlesque The Musical!”

Burlesque The Musical is a scintillating journey of self-discovery that absolutely sizzles with songs by Christina Aguilera and Sia, and new music by Todrick Hall and Jess Folley. 

The full creative team joining Todrick Hall (Director and Choreographer) Steven Antin (Book Writer/Producer),  Christina Aguilera, Sia, Todrick Hall & Jess Folley (Music and Lyrics) and Kate Wetherhead (Additional material – Book) will be announced in due course.

Welcome to Burlesque the Musical, the glamorous, gritty and outrageously fun new musical based on the much-loved hit movie that reminds us…Life Isn’t Fair…It’s Fabulous!

Discover a club like no other…a place beneath the city lights where the sequins sparkle, seduction shimmers, and a life can change in the flick of a feather boa.

When Ali heads to New York in search of her mother, she finds herself drawn into a dazzling underground world where the beat of the music and the heat of the dance moves will change her life forever. Ali will unwittingly find her extraordinary voice and a most unlikely family of misfits, dreamers, and schemers.

Burlesque The Musical is produced by Adam Paulden & Jason Haigh-Ellery and Sue Gilad & Larry Rogowsky, Steven Antin & Christina Aguilera and Clint Culpepper.

The West End run follows the show’s record-breaking previews in Manchester and Glasgow where audiences agreed it’s the most exciting movie musical to come to the stage in decades.

Casting will be announced at a later date.

DANIEL CASEY TO RETURN TO MIDSOMER

TO STAR AS INSPECTOR BARNABY

IN WORLD PREMIERE OF

MIDSOMER MURDERS: THE KILLINGS AT BADGER’S DRIFT

ADAPTED FOR THE STAGE AND DIRECTED BY GUY UNSWORTH

BASED ON THE CAROLINE GRAHAM NOVEL AND THE ITV SERIES

UK TOUR OPENS IN OCTOBER 2025

Daniel Casey, who created the role of Sergeant Troy in ITV’s Midsomer Murders from 1997 to 2008, will now take on the role of Inspector Tom Barnaby in the world premiere of Guy Unsworth’s stage adaptation of Midsomer Murders: The Killings at Badger’s Drift, based on the book by Caroline Graham, The Killings at Badger’s Drift, and the television series Midsomer Murders produced by Bentley Productions [for ITV] in association with All3Media International. The tour will open at Richmond Theatre on 24 October, with a national press night on Thursday 30 October, and will tour through to April 2026.  The UK tour is produced by Nicholson Green Productions and Colin Ingram Ltd.

Daniel said of taking on the role originally created by John Nettles, “I never expected to revisit the world of Midsomer, with its weird and wonderful characters and all their dark, twisted secrets.  So to be asked to play the iconic role of Detective Chief Inspector Barnaby in this new stage adaptation of The Killings at Badger’s Drift was a real surprise.

“Workshopping the play, you realise the characters have an inherent theatricality, which is perfect to bring to the stage.

“It has brought back some wonderful memories of such a happy time in my career playing Sgt Troy and the fantastic time I had working with the amazing John Nettles and to be stepping into his shoes as Barnaby is both a little daunting and incredibly exciting.”

John Nettles, in response, said, “How wonderful that the original tale of murder and intrigue in Midsomer will be solved by Daniel, in this new stage version of Badger’s Drift.

“Daniel brought the young Troy to life so brilliantly in the original TV pilot of the book and I’m delighted that he gets to lead the investigation in this theatre adaption. 

“He has a fabulous track record in his stage work – and had a marvellous DCI to teach him the detecting ropes, back in the day!”

Daniel’s recent theatre credits includeProfessor Plum in Cluedo (UK Tour), Walter in Sleepless: A Musical Romance (Troubadour Wembley), Bernard in Yes, Prime Minister (Theatr Clywd), Laurence in Abigail’s Party (UK Tour) and Roger in The Curious Incident of the Dog in the Night-time (National Theatre).  Daniel’s recent television credits include Terry in Emmerdale (ITV), Tom Bailey in EastEnders (BBC), Gavin Williamson in Theresa V Boris: How May Became PM (Juniper TV) and Tom Finlay in Coronation Street (ITV).

When well-loved spinster Emily Simpson is found dead in the picturesque village of Badger’s Drift, her friend Lucy Bellringer refuses to accept it was an accident. DCI Tom Barnaby and Sergeant Gavin Troy are called in to investigate, uncovering a world of hidden passions, long-buried secrets and deadly rivalries.

With eccentric villagers, shocking twists and an unforgettable reveal, The Killings at Badger’s Drift is a classic whodunit that will keep audiences on the edge of their seats. Bringing to life the wit, charm and chilling suspense of the beloved television series and original series of books, this gripping and thrilling new show will entrance theatre audiences.

Midsomer Murders: The Killings at Badger’s Drift will be directed by Guy Unsworth, with design by David Woodhead, lighting design by Matt Haskins, sound design by Ella Wahlström and casting by Ginny Schiller CDG.

Website: Midsomeronstage.com

Facebook, Instagram and YouTube: @MidsomerOnStage

TOUR SCHEDULE

2025

24 October – 1 November        Richmond Theatre, London

                                                      www.atgtickets.com/Richmond                                                          

4-8 November                            Malvern Festival Theatre                                                                         01684 892277

                                                      www.malvern-theatres.co.uk                                                              

11-15 November                       Chester Storyhouse                                                                                   01244 409 113

                                                      www.storyhouse.com                                                                             

18-22 November                       Eastbourne Devonshire Park Theatre                                                01323 412000

                                                      www.eastbournetheatres.co.uk                                                        

25-29 November                       Sheffield Lyceum                                                                                        0114 249 6000

                                                      www.sheffieldtheatres.co.uk                                                              

2026

20-24 January                             TruroHall for Cornwall                                                                              01872 262 466                                                         

                                                      www.hallforcornwall.co.uk                                                                   

27-31 January                             The Yvonne Arnaud Theatre, Guildford                                            01483 440000

                                                      www.yvonne-arnaud.co.uk                                                                  

3-7 February                               Theatre Royal Brighton

                                                      www.atgtickets.com/brighton                                                             

10-14 February                          Blackpool Grand                                                                                          01253 290190

                                                      www.blackpoolgrand.co.uk                                                                  

17-21 February                          Glasgow Theatre Royal

                                                      www.atgtickets.com/glasgow                                                              

24-28 February                          NottinghamTheatre Royal                                                                      0115 989 5555

                                                      www.trch.co.uk                                                                                         

10-14 March                               Birmingham The Alexandra

                                                      www.atgtickets.com/birmingham             

17-21 March                               Norwich Theatre Royal                                                                             01603 630000

                                                      norwichtheatre.org

24-28 March                               Derby Theatre                                                                                              01332 593939

                                                      derbytheatre.co.uk                                                                                  

14-18 April                                  Curve, Leicester                                                                                         

www.curveonline.co.uk

More dates to be added.

Hull New Theatre – until 3rd May 2025

Reviewed by Dawn Bennett

4****

Ghost The Musical presented by Bill Kenwright Ltd with book and lyrics by Bruce Joel Rubin and Music and Lyrics by Dave Stewart and Glen Ballard.

I don’t know how I have managed not see Ghost the 1990 film or the stage musical but I haven’t, I had a rough idea of what the story was about but that was about it so I was looking forward to seeing what it was all about.

The musical, set in New York, sees Molly Jenson (Rebekah Lowings) and boyfriend Sam Wheat (Josh St. Clair) moving into an apartment in Brooklyn. They are loving life and living together.

Sam works in the City in a high-powered finance job along with his friend Carl Bruner (James Mateo-Salt) lots of money is involved which always seems to bring out the worst in people. Sam seems worried and when Carl asks why, Sam confesses that he seems to have far too much money in his work accounts and also that he feels that he is too happy and is just waiting for something bad to happen. And then it does. Sam and Molly get mugged by Willie Lopez (Jules Brown) and Sam is shot…dead.

With some very clever stage work we see the body of Sam on the floor but also stood next Molly as a ghost. We see Sams funeral and then Molly in the apartment very much grieving for the loss of her boyfriend. Sam desperately tries to contact Molly and when he sees that Craig is up to no good, he knows he needs to find a way, so he visits spiritual medium Oda Mae Brown (Jacqui Dubois). Now Oda Mae Brown is a con artist, her mother and grandmother all had the gift of talking to the spirits but it had somehow missed Oda Mae. Not that it stopped her making money from unsuspecting clients. But luckily for Sam Oda Mae could hear him. She struggles with her new found gift, will she be able to help Sam? Can they warn Molly about Craig before it’s too late?

The band, led by Musical Director Jordan Alexander, were excellent and played some fabulous songs my favourites being “Are you a believer?”, “Focus” and “Nothing stops another day”

All the cast were brilliant with excellent singing, dancing and acting and they all really brought the script to life.

This show was very well received by the audience who were on their feet for a well-deserved standing ovation at the final curtain

This was a very good production, in its last week of the tour so if you want to catch it, you’ll have to come and watch at Hull New Theatre!

Nottingham Theatre Royal – until Saturday 3 May 2025

Reviewed by Louise Ford

3***

Nothing is quite what it seems.

Before I start my review I think I should come clean on my dislike of all ”things scary”. I love the idea of thrills and suspense, but the reality is just too much. At last year’s Goose Fair I was “keen” to have a go on the waltzers, it had been a while since I’d last visited. However once in my seat, and well and truly strapped in, I couldn’t wait for the ride to end. I had my eyes firmly shut throughout and sang hymns in my head. So watching Ghost Stories was going to be a bit of a trial! Spoiler alert I did keep my eyes shut for a lot of the story Although I could feel my theatre buddy jumping at the scary scenes.

So back to the theatre. In the advertising, publicity and before the performance we are asked not to reveal any of the stories or twists. The first rule of Ghost Stories is not to talk about Ghost Stories!

After a successful West End run Ghost Stories is now on a nationwide tour. The play is written by Jeremy Dyson and Andy Nyman.

From the get go the theatre is set for an evening of tension and paranormal experiences.
The set  design is particularly impressive (Jon Bausor). The scenes move seamlessly between a factory, a hospital ward and a nursery. And a couple of other scenes that I won’t spoil the surprise. The use of light (Abbi Clarke) and shadow plays tricks on your eyes to create a distorted sense of space and atmosphere.

Having said that the use of light to create a distorted perspective is impressive, there are times when the lights are overly blinding.

Coupled with the clever lighting is the use of sound (Nick Manning). From the little noises from the back of the auditorium to the full blown “crash bang wallop “ sounds and the echoing silence makes for a full auditory experience. For me at times the sound was overpowering with the volume a bit too high.

The first scene is a lecture on Paranormal Events and Activities. The lecture on parapsychology is delivered by Professor Goodman (Dan Tetsell), who engages the audience from the get go with a show of hands. You are part of the story from the beginning all experiences are valued! The rest of the cast (there are only five cast members, all men) take it in turns to recount their own experiences to the Professor. On balance each character is on the whole unlikeable. There’s Tony Matthew’s (David Cardy), Simon Riffkind (Eddie Loodmer-Elliott) and Mike Priddle (Clive Mantle), all with an unusual tale to tell.  After each re-enactment the Professor reviews the “facts”and looks to evaluate if the events are evidence of paranormal activity or rather something more “rational ”. The impact of guilt and toxic masculinity are touched on, but not examined in huge detail, to explain the events. There are also some moments of humour which help to break up the tension. But hey who doesn’t love an upturned torch illuminating a face!

Yvonne Arnaud – until 3^rd May 2025

Reviewed by Heather Chalkley

5*****

Alan Bleasdale’s award winning TV series had a huge impact when it was screened in the 80’s, at the height of yuppiedom and a time when people either lived in feast or famine. How is it possible to transport that success to the stage? By bringing together a writer who lived through those times, James Graham and an inspirational director, Kate Wasserberg. The essence of the original series is laid out before you and if it’s possible, has a greater impact, hitting you solidly in the gut. 

The story of each character displays the many different facets of high unemployment and the demonisation of those out of work happening during Thatcher’s era. The Department of Employment set up to support people into work is presented as a weapon of the state, stepping over the line with tragic consequences.  

People of a certain generation remember the phrase ‘Giz a job’ with a wry smile. Jay Johnson gives a full frontal, passionate performance to Yosser, bringing tears to the eyes of many in the audience. Yosser’s struggle with mental health and break down in family relationships is laid bare by Johnson, in a bleakly humorous fashion, mostly ending with a headbutt!

Snowy (Reiss Barber) represents hope for the future, defiance and rebellion against the state. Barber brings an almost reckless, positive vibe to his character, encouraging his fellow tarmacs to see the bigger picture. His loss dashes the hopes of them all. 

Chrissie (George Caple) is a peacemaker, trying to keep it all together, almost breaking his marriage by sticking to his principles. Caple gives a natural performance, simply showing this is who Chrissie is at the core and he cannot deny it. 

The old boy George (Ged McKenna) gives context to the story and a reflection of past times, providing a gateway for each character to express their hopes and fears. McKenna gives a believable performance that we can all relate to. 

The cast represent the strong relationships that grow out of doing a physically tough job and how their whole community is tested when unemployment hits them all hard. The culture of society was inexorably changed by the decisions made by government in the 80’s, for good or for bad. This play is a lesson in social history, a powerful watch and a warning to any government making radical changes to the system.

The National Youth Music Theatre brings three extraordinary musicals to Birmingham Hippodrome this summer

The National Youth Music Theatre (NYMT) is bringing three exciting productions to Birmingham Hippodrome this August to showcase young talent and push the boundaries of music theatre.

From the vibrant energy of Fame: The Musical (Thu 7 Aug – Sat 9 Aug) to the fantastical world of Lightning Boy (Thu 21 Aug – Sat 23 Aug), a brand-new musical, and the highly anticipated UK premiere of Tuck Everlasting (Thu 14 Aug – Sat 16 Aug), this season shines a spotlight on the NYMT company.

Talent from across the nation, ranging from ages 10 to 23, will come together to showcase their skills in these groundbreaking performances. Additionally, NYMT is proud to share that it has recently welcomed a record-breaking 1,200 auditionees to its audition workshops, further highlighting the growing passion and talent among young people eager to be part of the world of music theatre.

Chris Cuming, Artistic Director at NYMT, says: “This year, as we look ahead to our 50th celebrations, we’ve chosen a theme that’s very close to our hearts at NYMT: family. Our young company members and alumni often say that being part of NYMT feels like being part of a family — and we couldn’t agree more. Through this wonderful programme of work, we’re exploring the full spectrum of family life: the good, the complicated, the challenging, and the joyful stories that shape our experiences.

“I’m incredibly proud to be bringing this programme to the brilliant city of Birmingham, and delighted to be working so closely with the Hippodrome to share our passion for new musicals — including a UK premiere and a brand-new British musical.”

This upcoming season at Birmingham Hippodrome further reinforces NYMT’s commitment to nurturing exceptional young talent, while celebrating both the rich heritage and the vibrant future of musical theatre. The strengthened partnership with the Hippodrome marks a significant milestone in NYMT’s vision: to champion fresh voices from all backgrounds and showcase the powerful role of young talent in shaping the industry of tomorrow.

Birmingham, with its thriving creative scene and strong network of cultural partners, offers an ideal base for this work. As the home of the UK’s first in-house New Musical Theatre department, the Hippodrome provides a unique platform to develop talent, while commissioning, producing, and presenting new musicals both on its stages and beyond. The first steps of this collaboration – and the possibilities for the future – underscore Birmingham’s position at the heart of the UK’s musical theatre landscape, fostering innovation and creativity in an industry that continues to evolve.

Chris Sudworth, Creative Director at Birmingham Hippodrome, says: “It’s wonderful to welcome NYMT for their first full season in the Patrick Studio at Birmingham Hippodrome. With an even clearer focus on new musicals and supporting a wider range of creative voices to progress their craft on and offstage, we’re excited for this summer’s programme and the possibilities for the future in this great city.”

Fame: The Musical follows the journey of the final class at New York City’s renowned High School for the Performing Arts, spanning their time from admission in 1980 to their graduation in 1984. With a book by Jose Fernandez, music by Steve Margoshes, and lyrics by Jacques Levy – the show brings to life the struggles, hopes, and dreams of the young artists as they tackle the challenges of prejudice, substance abuse, and the demanding world of music, dance, and drama. The on-stage version was conceived by David De Silva , with its iconic songs and unforgettable characters, enabling the NYMT company to deliver a powerful message about resilience and the pursuit of artistic passion. Directed by Jonathan O’Boyle, with musical direction by Alex Bellamy and choreography by Lauren Stroud, this production is sure to leave a lasting impression.

Making its UK premiere, Tuck Everlasting brings to the stage an enchanting tale of adventure, immortality, and choice. Written by Claudia L. Dey (book and lyrics) and with a score by Chris Miller and Nathan Tysen, Tuck Everlasting follows eleven-year-old Winnie Foster, who encounters the mysterious Tuck family, who defy mortality; living for centuries due to their secret of eternal life. As she embarks on a life-changing journey with them, Winnie faces an extraordinary dilemma—whether to return to her familiar world or join the Tucks on their never-ending adventure. Directed by Richard Fitch, with musical direction by Josh Cottell and choreography by Simon Hardwick, Tuck Everlasting promises to be a beautiful exploration of life, love, and the passage of time, making its long-awaited UK debut.

Lightning Boy, written by Charlie Turner (music and lyrics) and Liv Warden (book), is an exciting new musical that blends Greek mythology with contemporary drama, following a group of teenagers who just so happen to be Greek gods. Development of new writing is at the heart of NYMT’s artistic vision – not just something they support, but something they champion. NYMT is passionate about giving space to fresh voices and ambitious ideas, and Lightning Boy is exactly that: theatrical, joyful, and unafraid to ask big questions. Directed by Kate Golledge, with musical direction and orchestrations by Lee Freeman and choreography by Aimee Leigh, this premiere production is a celebration of youth, identity, and the stories that shape us.

The following NYMT productions are at Birmingham Hippodrome on the following dates: Fame: The Musical from Thursday 7 August – Saturday 9 August, Tuck Everlasting from Thursday 14 August – Saturday 16 August and Lightning Boy from Thursday 21 August – Saturday 23 August. Tickets can be booked at www.birminghamhippodrome.com or by calling 0121 689 3000.

CORONATION STREET STAR SUE CLEAVER MAKES PANTO DEBUT IN BEAUTY AND THE BEAST AT HULL NEW THEATRE ALONGSIDE COMEDY LEGEND PAUL CHUCKLE

Coronation Street’s Sue Cleaver swaps Weatherfield for Hull this Christmas as she joins the cast of the region’s largest panto in the role of Mrs Potts in Beauty and the Beast at Hull New Theatre, her first pantomime.

Sue will be joined by Chuckle Brother and comedy legend Paul Chuckle as Mr Chuckle, Jack Land Noble as Dame Betty Bouffant and award-winning Hull comedian Jack Gleadow as Silly Billy

Sue Cleaver is perhaps best-known for playing Eileen Grimshaw in the long-running ITV soap Coronation Street, having spent 25 years on the cobbled streets of Weatherfield. Alongside her stellar TV career, Sue has toured the country as Mother Superior in Sister Act: The Musical and is a regular guest panellist on Loose Women and spent 16 days in the Jungle in the 2022 series of I’m A Celebrity… Get Me Out Of Here.

Paul Chuckle became a household name as part of the legendary double-act The Chuckle Brothers with his beloved brother Barry. Generations have grown up with the catchphrase “to me, to you” made famous by the brothers on the BAFTA award-winning TV show ChuckleVision, which commanded prime time viewing slots for nearly three decades. Alongside his TV work, Paul is a familiar face in theatres around the country and has appeared in numerous pantos, including Hull, over the years. When not on-stage entertaining, Paul can often be found in some of the UK’s biggest nightclubs as a popular DJ.

Returning for a fourth year is renowned actor, playwright, producer, director, musician, and singer-songwriter Jack Land Noble, Jack made his Hull pantomime debut in Jack and the Beanstalk in 2022, returning as one of the Wicked Sisters in Cinderella the following year and last year, delighting audiences once again, as Betty Barnum in Goldilocks and the Three Bears.

Hull’s very own Jack Gleadow is a rising star in the world of comedy, known for his high-energy performances packed with physical comedy, razor-sharp storytelling, music, and audience interaction. His unique blend of old-school variety and modern stand-up has made him one of the most exciting acts on the comedy circuit today.

Beauty and the Beast is produced by the world’s biggest panto producer, Crossroads Pantomimes, whose Chief Executive Michael Harrison said:

“We’re absolutely delighted to welcome Sue Cleaver to Pantoland this Christmas in our Hull Production, joined by the comedy legend Paul Chuckle along with Jack Land Noble and local talent Jack Gleadow. Beauty and the Beast is a truly magical story which we can’t wait to bring to life on the Hull New Theatre stage.”

Dreaming of a happier life, Belle finds herself transported to a cursed castle and held captive by a terrifying beast. To her surprise, the castle is full of magical characters placed under a spell by an evil enchantress. Can Belle see beyond the monster and fall in love with her captor before the last petal falls from the enchanted rose? Or will the Beast’s selfishness cost him the world he once knew and the hand of the girl who has melted his heart?

Tickets for Beauty and the Beast, which runs from Wed 10 – Wed 31 Dec 2025 are on sale now. Book at the Hull City Hall box office, call 01482 300 306 or visit www.hulltheatres.co.uk to book online.