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Return To The Forbidden Planet – Civic Theatre, Darlington

Posted by: The Reviews Hub – Yorkshire & North East 

https://www.thereviewshub.com/return-to-the-forbidden-planet-civic-theatre-darlington/

03/03/2015 

Writer &Director: Bob Carlton

4*

Celebrating the 25th Anniversary of Return To The Forbidden Planet, the anniversary tour arrives at Darlington this week. And what a celebration it is.

Billed as Shakespeare’s ‘forgotten rock n roll masterpiece’, Return to the Forbidden Planet has roots with The Tempest. Futuristically set on a spaceship under the command of pipe smoking Captain Tempest (Sean Needham), the ship’s new female Science Officer (Christine Holman) causes an argument with the Captain over the importance of men and women. A meteor shower mid argument sees the pair parting ways – the Captain intent on navigating through the storm, while the Science Officer has other ideas, escaping via shuttle craft.

Mysteriously drawn to the planet D’Illyria, the crew meet mad scientist Doctor Prospero (Jonathan Markwood), who has been marooned on the planet since his wife and science partner Gloria sent him and their daughter Miranda (Sarah Scowen) into space.

Potions, tentacled space monsters, love triangles and secrets make for a fun and thoroughly enjoyable evening of rock ‘roll madness. As the old saying goes – ‘all’s well that ends well’ and love’s labours are both lost and found in this incredible mishmash of Shakespeare, music and some psychedelic hippie-ness.

The cast are incredibly talented; acting, singing and playing a myriad of different musical instruments while at times, battling zero gravity. In the midst of the spoken Shakespearean prose and blank verse we are treated to cleverly linked songs and fabulous instrumentals. Mark Newnhams epic guitar solo, linking The Zombies 64 hit ‘She’s Not There’ to Nirvana’s 91 ‘Teen Spirit’ is phenomenal. Worthy of narrator, Brian May’s, legendary guitar solo’s indeed.

Return to the Forbidden Planet is in a similar vein to Rocky Horror, not taking itself seriously and having great fun at the same time. The audience also have to play their part, battling ‘great balls of fire’ and protecting themselves from the reversal of the polarity of the neutron flow. The show plays on every cheesy sci-fi cliché, drawing on classics such as Star Trek, Dr Who and Phantom of the Opera. Don’t be put off by the Shakespeare, it’s very clever and a mismatch of some of the more famous quotes in between. The show is witty, clever and hugely enjoyable – a fitting tribute for its 25th year.

Built to house exceptional theatre and to be rooted in the heart of Leeds’ communities, this March West Yorkshire Playhouse celebrates 25 years of inspirational work on Quarry Hill. In 1964 a group of 23 passionate drama lovers, headed by Doreen Newlyn, began a campaign to secure a permanent and professional producing theatre for the city. In 1969 the then ‘Leeds Playhouse’ moved into a temporary home at the University of Leeds. Determined to find something more lasting they continued to battle for a resident theatre in the city centre. On 8 March 1990 West Yorkshire Playhouse threw open its doors to the people of Leeds and since then more than 4 million people have seen a show on one of the Playhouse stages.  322 productions have been staged, and a far-reaching programme of education and outreach work has been created and delivered across the city and beyond.

 

25 years on and the Playhouse is a vital cultural hub for the city, a compelling creative force driven by the city’s desire to see original drama in Leeds. Today Artistic Director James Brining continues to challenge with a diverse programme of arresting theatre that reflects society today. Reworking classic texts for the 21^st century such as the award-winning contemporary production of Sweeney Todd set in 1980s Thatcher Britain and his inventive take on Bennett’s Enjoy, which scrutinised reality TV, sit in tandem with new initiatives such as A Play, A Pie and A Pint performed in the bar and brand new plays which inspire and excite, such as Maxine Peake’s critically acclaimed Beryl which will tour the UK later this year and Zodwa Nyoni’s Boi Boi is Dead.

 

Collaboration has always been important and the Playhouse continues to partner innovative and exciting organisations across the country. On-going relationships with The Royal Exchange Theatre, Kneehigh, Headlong, Birmingham Rep and new associations with companies such as the egg in Bath and Tiata Fahodzi allow the work of the Playhouse to be seen outside of Yorkshire widening the reach of our own productions.

 

Artistic Director James Brining comments…

The significance of this theatre being built close to the city centre 25 years ago was huge. Moving the Playhouse from the intellectual grounds of Leeds University right into the heart of the city’s communities suddenly opened it up like never before. Cementing the relationship between great drama, accessibility and community outreach work has always been a driving force for West Yorkshire Playhouse. It is my vision as Artistic Director to open up what we do even further.  New initiatives include a Youth Theatre, a Community Ambassadors Scheme, Dementia Friendly productions, touring our work to community venues, establishing a third production space and a raft of artist development opportunities to sit alongside our programme of world class, cutting edge and popular theatre.

 

The next few years promise much as Brining and his team secure a dynamic future for the theatre. The implementation of a comprehensive talent development programme which includes supporting directors, writers, actors, designers, technicians and theatre makers to hone their practice, helps to discover upcoming creative talent. From simple initiatives such as free space to experiment to longer residencies in which artists are supported on all levels from grant applications to professional research & development advice. Alongside this a Capital Development project is planned in which the theatre would turn to face the city it continues to be inspired by.  Together with revamping the iconic stages, new spaces will be created for rehearsal and performance, as well as vibrant spaces for workshops, meetings and creative thinking. This significant redevelopment mirrors the determination set out 25 years ago for vibrant, forward thinking and accessible theatre in the city.

 

Alongside the on-stage work the Playhouse continues to offer an extraordinary programme of unique outreach work with communities from across Yorkshire. Year on year the theatre’s engagement programme has grown, from its pioneering access work to its inclusive creative arts projects for older and young participants (including the creation in 2009 of the award-winning First Floor, a space dedicated to work for young people), to the development of a brand new strand of work for people living with dementia, their families and carers.

 

Committed to deepening the Playhouse’s engagement across communities Brining continues to introduce and support new initiatives that cement relationships in the community. He began by introducing a Youth Theatre; now with over 160 attendees it is about to enter its 3^rd year. Members have developed their own devised work, worked with professional writers to create and stage two new plays, they have performed and worked alongside  professional casts as well as regularly performing for friends and family. Last year a new community ambassador programme was created to cement the theatre’s relationships with its surrounding communities. Brining’s production of Talking Heads by Alan Bennett toured seven community venues playing to audiences who may not ordinarily engage with the Playhouse, championed by ambassadors from each community. This spring the second community tour will begin; Little Sure Shot is a family show full of theatrical magic found in a live theatre performance.

 

Community attendees commented,
Bringing theatre to the inner-city – Brilliant idea!’ ‘…this gives us all a chance to see plays on our own doorsteps’

 

From vast Quarry stage productions of major texts like James Brining’s The Crucible to individually tailored community projects like First Floor’s Buzz Art Awards West Yorkshire Playhouse at 25 is a vital artistic, a community hub for Leeds to be proud of with a vibrant and vital future ahead.

 

Playhouse Chairman Sir Rodney Brooke said,

The Playhouse has a long history of creating excellent theatre which stretches back to its days in its temporary home on the Leeds University campus. It was championed by the people of Leeds, and built out of a desire for access to great plays right here in the city centre. Today the Playhouse has even more to offer. It is a vibrant, exciting and endlessly creative company which champions everything from great classic drama to new writing, talent development to education and outreach work. It is full of vitality and we are looking forward to a bright and entertaining future.

 

Civic Theatre, Darlington – 26 February 2015

Vampires Rock finally made it to Darlington Civic after lead singer, Steve Steinman, had to postpone due to ill health in January.

And it was worth the wait, playing to an Army of fans in a packed house, the show, in it’s 13 year and last incarnation,  was one of the best versions ever.

Set in the Live and Let Die club in the year 2030, Vampires Rock tells the story of Baron Von Rockula (Steinman) searching for a new singer for the club and new virgin bride for himself.  Enter sweet and innocent Pandora (Hayley Russell) and a love story is played out before our eyes.  With a background of some rock classics.  Starting with Welcome to the Jungle, followed by Highway to Hell and with many others in between; Total Eclipse, Since You’ve Been Gone, Bat out of Hell amongst the many.

Totally spectacular this year is the vocally outstanding Victoria Jones and her amazing version of China in your Hand, even better than the T’Pau original.

Comedy comes in the form of deviant janitor Bossley (John Evans) the perfect foil for Von Rockula.  Although in the second half, in a Freddie Mercury-esque jump suit, Evan’s raises the audience and the roof with the start of the rock n roll party at the end of the show.

The musicians belt out the numbers, and proving not only can they play but they can sing,  Richie Barlow, Mary Marcia Garner in particular.  And a circus like performance with fire dancing displays some  breath taking aerial dancing from Chloe Bass.

Yes it’s cheesy, it’s pantomime, with lots of audience interaction and breaking of the fourth wall.  But its a winning formula that works.  But now with a new ending which leads into the new story of Vampires Rock – The Ghost Train, the original is having a rest and I for one can’t wait to see the new show when it begins touring later on this year

 

In a special treat this week, to help with the launch of his new CD “RISE”, we have a second set of 20 questions.  I’m delighted to introduce singer, writer, director and welsh wonder … John Owen-Jones

Lets start with a few favourites

Actor, Director and Writer Simon Naylor answered 20 questions

Some favourites

1. Favourite show (whether you have been in it or not)?

There’s so many and I think it depends what mood I’m in but the one show that left me speechless was ‘Chicken Shop’ by Anna Jordan. She’s written some incredible things and this one was simply outstanding. I can’t wait to see her latest work, ‘Yen’ at the Royal Exchange!

2. Favourite book?

Another tough one! I’m a bit of a geek when it comes to books – I’m all about my vikings and gladiators and knights – Game of Thrones and anything by Bernard Cornwell. As a bit of an ‘off-piste’ one, I loved ‘Brand New Friend’ by Mike Gayle – really needs to be made into a film!

3. Favourite theatre?

Well, I think I’ve got to say the Wyndhams because it’s the first theatre I’ve performed in in the West End. There’s something pretty special about getting off the tube at Leicester Square and heading to work at one of the big ones! I do also love The Landor – it’s so intimate that it’s almost like TV.

4. Favourite song?

Erm….again, it’s all about what mood I’m in. I sometimes love a bit of old school dance, anything by Oasis (obviously!) and right now my running tune is Carry On by Fun – when the drums kick in I can’t help but speed up!

5. Favourite music?

I’m afraid I’m going to annoy a lot of people, but I really do like a lot of stuff. It all depends where I am and what I’m doing. From Cafe Del Mar to Robbie Williams I’m a bit eclectic. It can be embarrassing having my iPhone on shuffle! What you won’t find on there is anything that Radio 1 play after 6pm on a Friday night – rubbish!

6. Favourite food?

Well, when I’m eating out, it’s going to take a strong menu to tear me away from a burger. I’m definitely a man of simple tastes when it comes to food. SoLita is a new discovery to me and the burgers there are bloody marvellous! (Can I swear?!)

7. Favourite line from any show?

haha Well, ‘Joey doesn’t share food’ has always rang true with me but I guess until Friends is made into a stage show I can’t have that one. Proctor from ‘The Crucible’ has so many amazing quotes – everything he says is epic! ‘I will fall like an ocean on that court’ is maybe one of the best. So so many….

8. What is your favourite role?

My favourite role without question is my last role. I played Harper in The Glasshouse at The Tristan Bates Theatre. It was a character that I’d worked with on and off for over a year and I was incredibly fortunate that the writer, Max Saunders-Singer wrote it for me. He is a brilliant writer and allowed me to bring in so many of my own ideas – it was a delight to play him. He was unlike any other character I’ve played before and I’d love the producers, Grindstone, to bring it back!

9. What was your first role?

My first role I think was a moonbeam in a pantomime – I don’t remember it at all! My first professional job on stage was in Bouncers at the Lichfield Garrick – a great piece. Godber is a genius! My first TV role was Primeval where I was a Security Guard that was eaten by a dinosaur! Glamorous!

10. And what role would you really like to play?

Well obviously John Proctor. I played him at Drama School and would love to do it again. He’s brilliant. Also, I’d love to Play Eddie in A View from the Bridge – I guess I’m a fan of Arthur Miller! On TV, I’d just love to do anything that is meaty… Broadchurch was sensational. Chris Chibnall writes such amazing stuff – I’d love to be in something he’d written.

11. If you could be anyone else for the day, who would it be?

Ooh…good question! I’m not sure. My first thought was someone who owns their own island but I think that just means I need a holiday; and it’s a waste! I’d probably be the Queen – I’ve always wondered what she gets up to!!

12. You’re clearly very talented and had a varied career, do you prefer writing, directing or performing?

Thank you! I will always have performing at the top – or at least for the foreseeable future. As I get older, I get more excited by directing as I want to put my stamp on things. Writing is more of something that just happens. I’ve only written a few things and it tends to be quite by accident. I have just converted one of my short plays, ‘IF’ into a full length play so we’ll see what happens with that!

13. So to follow on, do you prefer TV or Theatre?

I’m going to be boring again – I think it depends! Some days I like TV, others theatre. They both do different things. There’s nothing that can beat the buzz of standing in the wings before a show or walking on stage for a curtain call. In TV though, I love the subtleties that it allows you to use; cameras see everything in detail that you might not see in a theatre.

14. How did you get into marathon running?

If I’m honest I’m not sure! When I was at school I’d do ANYTHING to get out of cross country. In 2007 (I think!?) my mate asked if I wanted to do a 5k fundraiser run with him and it grew from there – half marathons, Spartan Race, Trailwalker (which was the most difficult thing I’ve ever done!) and now 3in3!

15. If you weren’t a performer what would you be?

Richer! Erm…I wanted to be a soldier originally but I couldn’t as I have asthma! I guess what’s becoming clear is my ability to organise so maybe a producer. Is that allowed – it’s still to do with acting?! Marketing maybe?!

16. What advice would you give 16 year old Simon?

Great question! First I’d say ‘save some money you idiot!’. Having said that, I’ve been really lucky and enjoyed myself with this career. I don’t know – difficult because I don’t think I’d want him to do much different. I’ve made some huge errors in my life but I think that’s supposed to happen!?

17. What was the last stage show you saw and really enjoyed?

I’ve seen lots recently but I’ve tended to get more picky as I get old and bitter! It was sometime ago but I cannot forget Chicken Shop. I’ve rarely been moved so much by theatre.

18. You taught at Italia Conti, did you enjoy spotting new talent?

Teaching has been incredible; at Conti and elsewhere. I’ve been so lucky to be able to continue doing what I love every day – it’s impossible for a lot of actors. It’s also great to see the students move through 3 years. I’ve seen quite a few graduate now and I still remember a lot of their auditions or first work for me. Conti is really holding it’s own with the big guns right now and some of the work that the graduates are getting is amazing. It’s great to see them on stage at the Globe or National or in huge films and TV shows. Auditions are still a favourite part of the teaching though – you never know who’s coming through the door next.

19. What is your advice for anyone hoping to survive the Edinburgh Festival?

​Edinburgh! Myself and the festival have had a short and bumpy relationship. I’ve been to the festival lots and it is awesome! It’s like a 24 hour party, every day, for a month. So much theatre! When I performed there however, I realised that it might be a little over saturated. I genuinely think that to go there and be ‘spotted’ is a thing of the past; so, my advice! Go there, soak it up, gain an invaluable experience but at the same time, know that you WILL leave with a lighter wallet and that you might not get out of it the ‘fame and glory’ that you wanted. It’s brilliant, with the right mindset!

20. Can you tell us what you will be up to next?

Mainly training, panicking and fundraising! At least until April! I’ve just moved back to Manchester where I’m from and so I’m spending a lot of time meeting people and getting into the ‘crowd’ up there. It’s quite exciting to have a lot of new people to get to know. I have a play that someone has asked me to look at and do with them and of course, like every other actor, waiting for the phone to ring!

Thank you so much for helping me

If you would like to sponsor Simon for his 3 in 3 Marathon you can do so here  

www.threeinthree.com/fundraising/4588455983

 

A uniquely adapted version of the West End family favourite, Shrek The Musical, will be playing for one special performance at Newcastle Theatre Royal, which recently became the first theatre in the UK to be recognised for its work with autistic audience members.

The ‘relaxed performance’ of Shrek The Musical will take place on Tuesday 24 March at 2pm and is the first such performance since the Theatre was presented with its Autism Access Award from the National Autistic Society. Newcastle Theatre Royal is the first venue on Shrek The Musical UK and Ireland tour at which a relaxed performance is being held.

Dawn Taylor, Director of Operations at the Theatre said: “We were extremely proud to be presented with our AAA award last month and since then we’ve had more and more families and teachers getting in touch to find out about our relaxed performances. They are all so excited that we are providing a relaxed performance of Shrek The Musical, which will have all the same elements of the wonderful storyline but with the lighting, special effects and very loud noises reduced.”

Relaxed performances are specifically designed to welcome people with an Autistic Spectrum Condition, learning disability or sensory and communication disorder into the Theatre. They have a less formal, more supportive atmosphere in order to reduce anxiety levels and chill out zones are provided for any audience members feeling anxious.

Newcastle Theatre Royal also provides a ‘visual story’ to those attending the performance, to allow them to familiarise themselves with both the theatre and the themes of the show before arriving. And as a special one-off, face painters have been specially commissioned for the Shrek The Musical Relaxed Performance to help the children get into the spirit of the action both before the show and during the interval, for free.

Shrek The Musical is based on the story and characters from William Steig’s book Shrek! and the Academy Award®-winning DreamWorks Animations feature film, featuring all new songs as well as cult Shrek anthem I’m a Believer. Dean Chisnall stars as beloved swamp-dwelling ogre ‘Shrek’, the role he previously played in the West End, with Faye Brookes as damsel in distress ‘Princess Fiona’, Idriss Kargbo as Shrek’s wisecracking sidekick ‘Donkey’ and Gerard Carey as pint-sized villain ‘Lord Farquaad’.

 

The producers of Shrek The Musical UK and Ireland Tour said: “Following a highly successful relaxed performance at London’s Theatre Royal Drury Lane, we are delighted that the first relaxed performance of Shrek The Musical UK and Ireland Tour will take place at Newcastle Theatre Royal, especially following their recent Autism Access Award. These specially tailored performances welcome those audience members with autism or learning disabilities who might normally find it hard to attend and enjoy live theatre. We appreciate how important these performances are and we are committed to ensuring Shrek The Musical is a show the whole family can enjoy in a warm and inclusive environment, together.”

For more information about Shrek The Musical Relaxed Performance visit www.theatreroyal.co.uk or call Group Bookings on 08448 11 21 22.

John Owen-Jones

Single ‘Rise Like A Phoenix’ released 9 March 2015

Sweeney Todd at the ENO – Easter 2015

www.johnowenjones.com

Award winning performer John Owen-Jones (Les Miserables/Phantom of The Opera) releases new single ‘Rise Like A Phoenix’ in February 2015. A second track ‘Bread Of Heaven’ is also on the single CD. Both tracks are taken from his forthcoming album ‘RISE’ which is released on the 2nd March 2015.

The single, ‘Rise Like A Phoenix’ is familiar to most as the song that won Eurovision 2014. The song was chosen by John following a search for a Bond-esque track for the album.  Composer Grant Olding suggested the track and John vaguely knew it but “when I listened to it properly, I just knew I had to record it. I liked the song so much it even inspired the name of the album”. ‘Bread of Heaven’ (re-imagined in the style of rock band Queen!) is a Welsh favourite that has been taken to heart by Welsh rugby fans as they look forward to the forthcoming Six Nations and Rugby World Cup tournaments.

‘RISE’ features twelve new tracks reflecting John’s lifelong love for music. Staying true to the West End and Broadway star’s theatrical roots, the album also broadens out to the worlds of gospel, soul, classic rock and, of course, Eurovision!  The album ‘RISE’ has two duets featuring West End stars Ruthie Henshall (currently in Billy Elliot) and Madalena Alberto (recently seen in Evita).

John will return to the London stage during Easter to play the role of ‘Pirelli’ in the English National Opera “staged concert” production of ‘Sweeney Todd’. The critically acclaimed production was a sell out for its short run at the Lincoln Center in New York last year and will have a strictly limited run of 13 performances at the London Coliseum Theatre from March 30th to April 12th. John will join previously announced stars Bryn Terfel (Sweeney Todd), Emma Thompson (Mrs Lovett).

John Owen-Jones has previously released two solo albums on the Sain label ‘John Owen-Jones’ in 2009 and ‘Unmasked’ in 2011. John, from Burry Port in South Wales, has enjoyed critical acclaim for his record breaking and award winning performances in the lead role of Jean Valjean in ‘Les Miserables’ (he remains the youngest actor to have played the role) and the title role in ‘The Phantom of the Opera’ (more performances in the role in the West End than any other actor).

Tour dates with Katherine Jenkins as Special Guest and Welsh dates

Wed 11 Feb Cambridge Corn Exchange
Thu 12 Feb Guildford G Live
Sat 14 Feb Nottingham Royal Concert Hall
Sun 15 Feb Brighton Dome
Tue 17 Feb London Royal Festival Hall
Wed 18 Feb Bristol Colston Hall
Fri 20 Feb Plymouth Pavilions
Sat 21 Feb Bournemouth International Centre
Mon 23 Feb Sheffield City Hall
Wed 25 Feb York Barbican
Thu 26 Feb Edinburgh Usher Hall

Sat 28 Feb Gateshead Sage 1
Sun 1 Mar Wales At No. 1, Wales Millennium Centre, Cardiff
Mon 02 Mar Liverpool Philharmonic Hall
Tue 03 Mar Manchester Bridgewater Hall
Thu 05 Mar Llandudno Venue Cymru Theatre

Sat 07 Mar Birmingham Symphony Hall

Sun 08 Mar Birmingham Symphony Hall

Tue 10 Mar Ipswich Regent

Wed 11 Mar Southend Cliff Pavilion

Fri 13 Mar Oxford New Theatre

Sat 14 Mar Cardiff Motorpoint Arena

Mar 30 – April 12                    Sweeney Todd, Coliseum Theatre, London

Sat 18 April                        Morriston Orpheus Choir Gala Concert,

                                               Brangwyn Hall, Swansea

 

www.johnowenjones.com

 

 

Newcastle Theatre Royal is celebrating being the first theatre in the country to be honoured with the Autism Access Award from The National Autistic Society (NAS).

The award has been granted following a year-long project working with local schools, families and specialists to develop an all-inclusive approach to theatre in relation to the specific needs of theatre-goers with autism.

Newcastle Theatre Royal has already pioneered a highly popular programme of ‘relaxed performances, which this season includes Shrek The Musical and the ever-popular Theatre Royal pantomime, Dick Whittington.These specialist performances include tailored sound and lighting effects as well as a less formal, more supportive atmosphere in order to reduce anxiety levels.

 But this award from the NAS moves a step beyond these specialist performances and looks at making the theatre and its productions accessible at any time of the year. Director of the NAS Accreditation scheme, Robert Pritchett, said: “Newcastle Theatre Royal’s engagement with local autism groups has enabled them to receive accurate and honest feedback that has supported them to establish new ways of working and viewing accessibility within the theatre.

“The Theatre Royal has made an enthusiastic and effective leap into the world of autism, the impact it has had on those that it has supported to come through its doors can be seen throughout all the positive feedback it receives and the success stories they have. It will be with excitement and anticipation that we await the coming year and see the developments and feedback that come from access to more public performances.”

Chief Executive of the Newcastle Theatre Royal, Philip Bernays, said: “We are extremely proud to be the first theatre in the UK to be granted this award from the National Autistic Society and we are very grateful for all the support and guidance they have given us.

“The whole team here at the Theatre have worked extremely hard towards this award and the positive feedback from our audience members with special needs makes all that hard work worthwhile.”

For more information on the Theatre Royal’s relaxed performances, please visit www.theatreroyal.co.uk or call our Group Sales on 08448 11 21 22.