Hall for Cornwall, Truro – until 26 September 2026
Reviewed by Kerry Gilbert
5*****
‘A dazzling celebration of dance, spectacle and Michael Flatley’s enduring legacy’
Having watched Michael Flatley’s Riverdance during The Eurovision Song Contest many years ago – a performance that has remained etched in my memory – it was a privilege to experience Lord of the Dance at the wonderful Hall for Cornwall, particularly as the production celebrates its 30th anniversary.
This spectacular Irish production combines traditional music and dance with theatrical storytelling, dazzling costumes and high-energy performances. The narrative centres on the timeless battle between good, represented by the Lord, and evil, embodied by the Dark Lord. While the storyline becomes more prominent during the second half, the production remains easy to follow throughout. Powerful choreography effectively conveys the emotions of each character through movement, complemented by striking visual effects and impressive costume design.
The opening scene immediately establishes an atmosphere of mystery, beginning in complete darkness before hooded figures emerge, holding brightly glowing orbs against a backdrop of ancient symbols. It is a visually captivating introduction to the spectacle that follows.
The entire cast delivers a tremendous performance, with precise movements and seemingly boundless energy throughout. The Lord, played by Macaulay Selwood, is a particular highlight. His immaculate dancing technique and commanding stage presence are captivating, making him a compelling focal point whenever he appears.
Tom Doherty, as the Dark Lord, is equally impressive, delivering a powerful performance and creating a striking onstage dynamic with Selwood. Their chemistry and contrasting performance add considerable impact to the production.
The Little Spirit, played by Evia Hayter, also gives an exceptional performance, showcasing an impressive range of talent across music, dance and theatrical performance. Her contribution brings both energy and charm to the production.
Michael Flatley’s influence and presence are felt throughout the show, which opens with a filmed biographical tribute to the legendary dancer and creator. The first encore features a particularly clever and entertaining video sequence in which three versions of Flatley appears on screen, attempting to out-dance one another. It is a wonderfully playful moment that adds a touch of humour to the finale. Lord of the Dance is an incredible, nostalgic and spectacular production. With its combination of traditional Irish music and dance, theatrical storytelling, exceptional performers and breathtaking visuals, it is easy to understand why audiences have continued to fill theatres around the world for three decades. A dazzling celebration of dance, spectacle and Michael Flatley’s enduring legacy.