Kings Theatre, Portsmouth – until 9 May 2026
Reviewed by Emma Barnes
5*****
There is a certain kind of electricity that fills a theatre when a modern classic finally makes its local debut, and the atmosphere at Kings Theatre Portsmouth last night was no exception. If the opening night is anything to go by, local audiences are in for a treat: a beautifully told and wholly modern, relatable narrative.
At its heart, this is a story that speaks to us on so many levels. While it doesn’t shy away from “big” themes, such as the crushing weight of isolation, the tightrope of modern parenting, and the toxic speed of the online world, it ultimately emerges as a message of hope. It’s a poignant reminder that even in our darkest moments, there is light at the end of the tunnel.
Visually, the production is brilliant. The video-walled set and intricate lighting are far more than just background dressing; they perfectly capture the suffocating pressure of social media. These “Big Screen” elements truly envelop the audience, creating a digital claustrophobia that makes Evan’s journey feel hauntingly immediate.
The casting is, quite simply, spot on. In a show that hinges on the teenage experience, it was wonderful to see these roles inhabited by such talented young performers; the result felt raw and, above all, authentic. The chemistry between the three boys, Evan (Christopher McCrohon), Connor (Cohen Bates), and Jared (Arthur Westmorland), is at the show’s heart. Their interactions are sharp, witty, and devastatingly real, building a believable foundation for the fallout of Connor’s death.
This core cast is bolstered by a superb supporting ensemble. Perfectly drilled, professional, and word-perfect, they provided a seamless backdrop that allowed the emotional beats of the story to truly land.
Christopher McCrohon is captivating as Evan. It is a role that is both emotionally and vocally demanding, yet he was magnificent, commanding the stage with conviction. He captured the character’s physicality perfectly; every twitch and stammer felt layered, leading up to those soaring, effortless vocal notes.
Musically, the evening provided frequent “goosebump” moments. Requiem was a haunting highlight, with perfectly balanced harmony from Zoe (Kaylah Valaydon), Cynthia (Kerry McCrohon), and Larry (John-Paul McCrohon). As Zoe, Kaylah Valaydon is a particular powerhouse; her voice has a delicate quality that masks a raw strength, cutting right through the silence of the auditorium. Then, of course, there is the iconic You Will Be Found. Serving as the first act’s finale, it was a soaring anthem that left the audience visibly moved and full of anticipation for the second half.
As the final notes faded, the standing ovation was well deserved. This is a compelling, moving piece of theatre that captures the very essence of shared humanity.
This is a limited run ending on Saturday 9th May, and I cannot recommend it highly enough. It is an amazing opening performance that will only grow in power as the week goes on. Get a ticket while you still can, because today, at least, you’ve been found.