Blackpool Winter Gardens – until 2 May 2026
Reviewed by Charlotte McWilliam
5*****
The beloved jukebox musical Mamma Mia! arrives at the Winter Gardens Blackpool with sunshine, sparkle, and a whole lot of heart, telling the story of Sky and Sophie’s wedding and her quest to discover which of three men Bill, Harry, or Sam, is her father. What unfolds is a joyous, high energy production that keeps the audience hooked from the very first note.
From the moment the musical director lifts his baton, the atmosphere is electric. Toes are tapping, hands are clapping, and the entire theatre feels alive with anticipation. The fast paced sequence of songs is expertly woven into the narrative, ensuring that the music never feels forced but instead propels the story forward with infectious momentum.
A standout early highlight is “Dancing Queen,” where Donna, Tanya, and Rosie, played by Jenn Griffin, Sarah Earnshaw, and Rosie Glossop, display impeccable rapport. Their comedic timing is spot-on, and while some of the humour leans into deliberately childish gags, think swinging bananas and snorkels used as microphones, the sheer commitment and professionalism of the performers quickly win over the audience. What could feel pantomime esque instead becomes comedy gold, with laughter rippling throughout the theatre.
Equally inventive is “Lay All Your Love on Me,” featuring Sky, played by Joe Grundy, alongside Sophie’s friends Ali and Lisa, portrayed by Bibi Jay and Eve Parsons. Flippers and snorkel masks are cleverly incorporated into the choreography before seamlessly transitioning into the vibrant hen party scene. The production’s visual flair continues with dazzling lighting and shimmering silver 1970s costumes during “Super Trouper,” where the female chorus delivers tight harmonies and an exhilarating ensemble performance.
The Act 1 finale, “Voulez-Vous,” is nothing short of spectacular. With dynamic choreography and striking lighting design, the full company including Sam Carmichael (Luke Jasztal), Bill Austin (Mark Goldthorp), and Harry Bright (Richard Meek) takes to the stage in a show stopping number that leaves Sophie in turmoil, as all three potential fathers believe they could be hers.
Sophie, played by Lydia Hunt, delivers a standout performance. Her strong vocal ability and perfect tessitura for the ABBA repertoire make her a compelling lead, while her portrayal of Sophie as grounded and determined offers a refreshing alternative to the more traditional ingénue interpretation.
Act 2 explores some of the musical’s more reflective moments. The duet “SOS” between Donna (Jenn Griffin) and Sam (Luke Jasztal) reveals a deeper emotional layer, balancing the show’s humour with genuine poignancy. Tanya, played by Sarah Earnshaw, is a commanding presence, bringing charisma and comic flair, particularly during “Does Your Mother Know,” where her playful flirtation and dance off with Pepper (Joseph Vella) steal the scene.
Further emotional depth is found in “Our Last Summer,” while Donna’s rendition of “The Winner Takes It All” is a vocal and emotional triumph, filled with raw intensity. Lighter moments return with Rosie (Rosie Glossop) and Bill (Mark Goldthorp) in their delightful “Take a Chance on Me,” bursting with comedic energy. Eddie (Ethan Casey-Clothier) also brings lively charm to the ensemble, while Father Alexander (William Hazell) adds a humorous touch to the wedding scenes.
In a touching twist, Sophie and Sky decide they are too young to marry, leading instead to Donna and Sam’s long awaited union. The story concludes on a hopeful note, as Sophie and Sky set off on their own adventure, underscored by the uplifting “I Have a Dream.”
This production is a true celebration of talent, individuality, and experience. The cast’s chemistry and professionalism shine throughout, making it one of the most engaging and polished versions of Mamma Mia! in recent memory. A standing ovation and a floor rocking finale confirm what is already clear, this is musical theatre at its most joyful and irresistible.