The Bodyguard Review

Winter Gardens, Blackpool – until 4 October 2025

Reviewed by Debra Skelton

5*****

‘I Wanna Dance With Somebody’ is how I felt after watching the sensational production of The Bodyguard at The Winter Gardens Blackpool. So that you do not feel ‘How Will I Know’ then get yourselves down to The Winter Gardens before the show ends on the 04 October 25.

The Bodyguard the musical is an adaptation of the story based on one of the most iconic romance films ever made ‘The Bodyguard’ which was released in 1992. The musical premiered on the West End in 2012 which received numerous Olivier award nominations, including Best New Musical, and ultimately won the Whatsonstage award in the same category. It has since played to over 3.9 million people across 15 countries.

This adapted production is brought by Michael Harrison, David Ian for Crossroads Live with Playing Field Theatre Ltd, Mirvish Productions, ATG Touring and Michael Watt and directed by Thea Sharrock

The Bodyguard tells the story of Frank Farmer a former Secret Service agent and Rachel Marron a superstar sensation. Frank is hired to protect Rachel and her son Fletcher from a mysterious stalker who has been leaving cryptic messages for her (which her agent keeps a secret).

Both Frank and Rachel clash from the beginning as Rachel feels confined as Frank requests that she does not leave the house as he feels it is too dangerous, and Frank is frustrated as Rachel does not seem to be taking things seriously and defies him where she can. However, when the stalker gets too close to Fletcher, Rachel becomes frightened and starts to listen to what Frank says. She does however feel that a night out would help so they both go to a Karaoke bar where they both realise that they are starting to fall in love.

I will leave the ending for you to see for yourself, but I will point out that there are a few story differences between the original film and the musical version however, these differences make it easier to follow the plot on the stage.

The original film will always be remembered for the amazing soundtrack sung by the late and great Whitney Houston, and I have to say that the musical does not disappoint as it includes some of the biggest hits of the 90s, including Queen of the Night, I Wanna Dance With Somebody, I’m Every Woman, I Have Nothing, Greatest Love of All, and Run to You. Of course, it also includes the iconic I Will Always Love You.

The cast themselves were amazing including Sidonie Smith as Rachel Marron who performed the character as her own version and did not try to become Whitney which I felt she did extremely well. Sasha Monique who played her sister Nicki made you feel what it was like to be living in the shadow of a superstar so hats of to you. One thing I do need to say is what incredible voices they have such powerhouses that did justice to the incredible soundtrack.

There always has to be a villain in a love story so Jamie-Lee Harris gave a superb performance as the very creepy and sinister bad guy (chills down my spine). I also would like to shout out to ‘Fletcher’ on the night who was totally adorable and stole the stage as he pulled off some pretty slick moves.

Of course, the production would not be what it is without the phenomenal Olivier-nominated Adam Garcia who plays The Bodyguard himself Frank Fletcher. As always, he delivers a breathtaking performance bringing the character to life from being stoic and strict to gradually softening towards the frightened pop star. As Adam only gets to sing one number which is a very convincing bad karaoke this just shows how impressive his talents are especially as we know how well he can sing.

Finally, we cannot forget the impressive ensemble who supported the fantastic cast on stage, with some incredibly talented dancers and singers who brought some of the biggest pop numbers to life with so much energy.

This production would not be a success if I did not point out the set design by Tim Hatley which was so creative transporting us from pop star on stage to a rehearsal room, quiet moments in her mansion, various clubs and stages, and even a detailed ‘cabin in the woods’. Tim was also responsible for the sensational costumes (Rachel’s dresses, just saying), gorgeous. Lighting by Mark Henderson and Sound Design by Richard Brooker was very cleverly used creating some very creepy moments at times which helped to create an amazing experience. Finally, the amazing choreography by Karen Bruce brought many of the numbers to life, showcasing the talents of the ensemble.

I will say that there are definitely some edge of your seat moments in this production which did take me by surprise but what I will say is overall, it’s an absolutely spectacular show with some of the greatest hits of the 90s, performed beautifully by the talented cast. This show has it all, from spine-tingling ballads to big stage-level pop performances.