Apollo Theatre – until 30 March 2024
Reviewed by Claire Roderick
3***
Audrey Niffenegger’s novel is adapted for the stage by Lauren Gunderson with music and lyrics by Joss Stone and Dave Stewart. The story of Henry (David Hunter), whose rare genetic disorder sends him uncontrollably through time, and Clare (Joanna Woodward) and their extraordinary relationship as Henry travels back and forth along Clare’s timeline was not exactly a triumph on film or TV, and it doesn’t really work on stage either. The impeccable credentials of the creatives involved should add up to one hell of a show, and the visuals are magnificent, but as a whole, the production is pretty forgettable.
Anna Fleischle’s design is lovely, with rotating scenery and Andrzej Goulding’s video and animation creating wonderful effects. Journeyman is the highlight of the show, with Goulding’s work front and centre as Hunter is propelled around the stage by the black clad ensemble, brilliantly showing the chaotic and damaging effects of his time travel. Chris Fisher’s clever illusions maintain the unpredictability of Henry’s vanishing act throughout. Bill Buckhurst’s directs with skill, but the rest of the show follows romantic conventions, apart from chronology: there are the comedy sidekick best friends (Hiba Elchikhe and Tim Mahendran – both fantastic), abusive high school jock, fractured relationships with parents (mentioned fleetingly then resolved) and marital struggles. Admittedly, these marital problems are weirder than most, but the plot mostly has Clare hanging around waiting for Henry and getting angry about a relationship she entered willingly with her eyes wide open. I’m not sure if there was meant to be an exploration of love against all odds, things just seemed to float along nicely between songs, with any tension resolved in the next number. The songs are sweet but generally forgettable, which is a shame as the stellar cast are at the top of their game. Hunter and Woodward play off each other beautifully and emote magnificently, but even they can’t elevate the script.
The Time Traveller’s Wife isn’t a bad show – visually stunning at times, it is a prime example of style over substance – but despite the best efforts of the cast, it’s all just a bit bland. If you’re looking for a pleasant, undemanding diversion (we all need that sometimes!) – this is for you.