Mayflower Theatre, Southampton – until 23 September 2023
Reviewed by Gemma Gibson
5*****
When you go to watch an Ailey 2 production, you are going to more than just a dance – there is always a story to tell. Coupled with the most incredible, emotionally- charged choreography, the sheer talent of this modern dance company will take your breath away.
Presented by Dance Consortium, Ailey 2’s latest tour is currently underway, taking stories of celebration, sorrow and African American culture all across the UK.
Already aware of the extravagant movement, costumes and lighting an Ailey production offers, I took my seat at Southampton Mayflower and relaxed, excited to watch the show.
The production opens with an excerpt from William Forsythe’s Enemy in the Figure– this is the perfect opportunity to showcase the talent of Ailey 2’s dancers. Every move performed with precision and power, complimented by the use of lighting, shadows, and fringed trousers.
Freedom Series, by Ailey 2’s Artistic Director Francesca Harper, focusses on memories and the future, the exploration of identity and community. This wholesome and fluid piece was so unexpected after a sharp, explosive start, but of course this just highlights the breadth of what the dancers can do.
My favourite part of the entire production, lanterns are creatively intertwined into movement during Freedom Series, reminding me of fireflies, as (No One Knows Me) Like the Piano plays softly in the background. It was a beautiful, thought-provoking routine, once again (and quite literally) shining a light on the versatility of the dancers.
In complete contrast, charged with a different energy, Robert Battle’s The Hunt was the third routine of the night, demonstrating the primal nature of humans. This was performed by just four members of the company, but explosive and animalistic, this was an upbeat and thrilling piece that showed a different side to the human race.
Ending with Alvin Ailey’s Revelations, the final piece of the night explores a world of deep grief and sorrow, followed by moments of euphoria and joy. This is all against the backdrop of Ailey’s own experiences and upbringing, infused with African American culture.
A firm dance favourite of mine, this piece from 1960 continues to be performed year-on-year with the same beauty, grace and power. The use of gospel songs, holy blues and spiritual music compliments the movement and narrative beautifully. Every aspect of Revelations is timeless.
Fix Me, Jesus received the biggest round of applause of the night, the duet wow-ing the audience with its breathtaking lifts, use of the floor and strong kicks suspended in the air.
The dancers’ strength and ability to command the stage and perform such striking movement was an absolute joy to watch. Even running across the stage looked effortless.
Francesca Harper took over as Artistic Director of Ailey 2 in 2021, and after watching this production, it is more than clear her vision has enabled the company to remain current and fresh, while celebrating the legacy of Alvin Ailey.
The same dancers may feature in all four pieces, but each story was completely different from the last. From the most advanced but flawless ballet to Ailey’s iconic angular arms, spins and kicks, there is nothing this company cannot do.