THE ORANGE TREE THEATRE ANNOUNCE WORLD AND EUROPEAN PREMIERES IN FIRST SEASON PROGRAMMED BY ARTISTIC DIRECTOR TOM LITTLER
The Orange Tree (OT) today announces its first full year of programming under new Artistic Director Tom Littler. It features world and European premieres by Zoe Cooper and Lucas Hnath;revivals from Mustapha Matura, Noël Coward and Oliver Goldsmith; directors including Trevor Nunn and Matthew Dunster; and Niamh Cusack headlining the first major London revival of Polly Stenham’s breakout hit That Face.
Niamh Cusack will make her OT debut in the autumn with Polly Stenham’s That Face, which won the Evening Standard Charles Wintour Award, the TMA Best New Play Award, and the Critics’ Circle Award. Mustapha Matura’s Meetings follows, with JMK Award winner Kalungi Ssebandeke directing this first major UK revival.
2023 culminates with Tom Littler and Francesca Ellis, directing the 250th anniversary production of Oliver Goldsmith’s She Stoops to Conquer; alongside the OT’s annual family show, Tiny Tim’s Christmas Carol based on Charles Dickens’ novel, adapted and directed by Becca Chadder. In January, Zoe Cooper returns to the OT following the hit premieres of Jess and Joe Forever and Out of Water with her new play Northanger Abbey, inspired by Jane Austen’s novel, directed by Tessa Walker – in a co-production with the Octagon Theatre Bolton, the Stephen Joseph Theatre Scarborough and Theatre by the Lake.
2024 will also bring in a production of Chekhov’s Uncle Vanya, adapted and directed by Trevor Nunn; the UK premiere of Kate Attwell’s Testmatch directed by Diane Page, a co-production with ETT (English Touring Theatre) and Octagon Theatre Bolton; a rediscovery of Noël Coward’s Suite in Three Keys directed by Littler; and completing the season, the European premiere of Lucas Hnath’s Red Speedo directed by Matthew Dunster and co-produced with David Adkin. Priority booking for these 2024 productions is open to Members now, with public booking opening in the autumn.
This summer will see the brand-new season open with the OT’s inaugural Greenhouse Festival showcasing the theatre’s OT New Artists programme and marking a new collaboration between the OT and the drama school LAMDA, including the creation of a new Associate Director position. Headlining the Greenhouse Festival will be four productions by graduating LAMDA students, directing modern classics with their fresh and exciting takes on Ross Willis’ Wolfie (directed by Martha Barnett), Enda Walsh’s The Small Things (directed by Robert Elwood), Sophie Treadwell’s Machinal (directed by Anna Hampton) and Eugène Ionesco’s The Chairs (directed by Saniya Saraf).
The OT’s Community team continue their longstanding projects to connect young people with Shakespeare with the return of Primary Shakespeare and Shakespeare Up Close,with a retelling of Hamlet for primary school audiences, and a choice for secondary school students of Macbeth and Romeo and Juliet, in collaboration with Guildford Shakespeare Company. OT Community will also be welcoming back Flute Theatre as an Associate Company at the OT with a production of Twelfth Night directed by Kelly Hunter for autistic individuals and their families.
A selection of these newly announced productions will be available to watch on-demand thanks to the continuation of OT On Screen, allowing greater access for audiences worldwide to connect with the OT digitally.
Tom Littler says today “We’re excited to announce this year of great theatre at the Orange Tree. It builds on the OT’s history of a creative conversation between classics and new work, contemporary revivals and work with and for young people. The Orange Tree is a wonderful space to get to the heart of a play; to the human experience at its centre. These very different plays are united by their compassion and their heart.”
Hanna Streeter, Executive Director,says today “I’m absolutely thrilled about this year-long season in which Tom has honoured the OT’s history of producing early career artists while celebrating some of the greats. We are privileged to be partnering with so many amazing theatres, companies and producers, and it’s with thanks to them, along with our Patrons, Members and loyal audiences, that we can deliver such an ambitious programme.”
Polly Stenham’s
THAT FACE
Directed by Josh Seymour
9 September – 7 October
OT on the screen: 10 – 13 October
It’s a different world, with different rules.
Niamh Cusack leads a revival of Polly Stenham’s astounding 2007 debut. When Mia is expelled from boarding school, her mother Martha isn’t interested. Martha prefers to hang out with her son Henry. And now her estranged husband Hugh, who’s runoff to Hong Kong with his new girlfriend, is charging back threatening to sort things out. What is there to sort out? Everything is fine.
Polly Stenham’s plays include That Face (Royal Court Theatre and the Duke of York’s Theatre), for which she was awarded the Critics’ Circle Award for Most Promising Playwright, the Evening Standard Award for Most Promising Playwright 2007 and TMA Best New Play 2007. Also at the Royal Court Theatre: Tusk Tusk and No Quarter. Her other playwriting credits include Hotel and Julie (both National Theatre).
Josh Seymour directs. His theatre credits include The Narcissist (Chichester Festival Theatre), Musik and The Pet Shop Boys (Edinburgh Festival/Arts Theatre), Adding Machine (Finborough Theatre) and One Arm (Southwark Playhouse), for which he won Best Director at the 2016 Off-West End Awards.
Mustapha Matura’s
MEETINGS
Directed by Kalungi Ssebandeke
A co-production with the JMK Award
14 October – 11 November 2023
OT On Screen: 14 – 17 November
Dis country still must have people who know how ter eat an cook good food
Suited, booted, and stuffed with American burgers and fries, Hugh walks out of a meeting and buys a mango on the street. To the bemusement of his high-flying wife Jean, Hugh becomes obsessed with the foods of his Trinidadian childhood and hires a cook, Elsa, to indulge his nostalgic passion. Mustapha Matura’s razor-sharp comedy is about identity, belonging and the cost of progress.
Following his performance in 2019’s Blood Knot and his OT playwriting debut Prodigal for Inside/Outside in 2021, Kalungi Ssebandeke returns to the OT as the winner of the prestigious 2023 JMK Award. The OT follows Mustapha Matura’s Play Mas in 2015 with the first major UK revival of Meetings: an atmospheric, entertaining, and poignant play set to capture the sights, sounds and smells of the Caribbean.
Mustapha Matura’s (1939 – 2019) plays include As Time Goes By (Traverse Theatre, Royal Court Theatre), Another Tuesday, More More, India, Party, and My Enemy (Institute of Contemporary Arts), Bakerloo Line, Nice (Almost Free Theatre), Black Slaves – White Chains, Play Mas, Rum an’ Coca Cola (Royal Court Theatre), Bread (Young Vic), Dialogue (Institute of Contemporary Arts), The Coup (National Theatre), A Dying Business, One Rule (Riverside Studios), Independence (Bush Theatre), Meetings (Hamstead Theatre), Playboy of The West Indies (Tricycle Theatre), A Small World (Southwark Playhouse), Welcome Hom Jacko (The Factory), and Trinidad Sisters (Donmar Warehouse).
Kalungi Ssenbandeke is a director, writer and actor. He recently directed Attempts on Her Life by Martin Crimp for the newly formed drama school Bristol School of Acting founded by Stuart Wood with co-artistic director Nancy Medina the incoming Artistic Director of Bristol Old Vic Theatre. Prior to that, he worked as Director in Residence at Tonbridge School, whilst also directing NT Connections play Remote by Stef Smith for White City Youth Theatre at Lyric Hammersmith. He is also returning to the OT after performing in Blood Knot and writing Prodigal a short play for their Inside/Outside series. His further acting credits include Othello (The Watermill Theatre). His film credits include Columbite Tantalite and for television Dr Who. As a writer, his debut play Assata Taught Me premiered at Gate Theatre in 2017 starring Adjoa Andoh and Kenneth Omole directed by BAFTA Nominated Artistic Director of the Bush Theatre Lynette Linton. Both plays (Assata Taught Me and Prodigal) are published by Bloomsbury and Nick Hern Books respectively.
The JMK Trust was founded in memory of James Menzies-Kitchin, a young director of great promise who died suddenly and unexpectedly at the age of 28, to give opportunities to theatre directors of similar ability and vision. Each year it gives one prestigious award to enable an outstanding applicant aged 35 or under to create their own production of their choice of text. Its intensive development and selection process has itself given powerful impetus to the best theatre practitioners of the future. Previous winners have become major players in British theatre, including Thea Sharrock, Orla O’Loughlin, Bijan Sheibani, Joe Hill-Gibbins, Natalie Abrahami, Roy Alexander Weise and Polly Findlay.
Oliver Goldsmith’s
SHE STOOPS TO CONQUER
Directed by Tom Littler with Francesca Ellis
18 November 2023 – 6 January 2024
OT On Screen: 16 – 19 January
Ask me no questions and I’ll tell you no fibs.
Christmas at Hardcastle Hall, where guests are assured of a hearty welcome. The gramophone is playing a Charleston, cocktails are in the shaker, and romance is in the air. Kate Hardcastle can’t wait to meet her intended iancé, Charles Marlow – but when Marlow finally turns up, he’s not the shy and retiring man anyone was expecting. Wily Kate soon realises that faint heart never won fair husband…
Oliver Goldsmith’s(1730 – 1774) most famous works are his novel The Vicar of Wakefield, long poem The Deserted Village, and play She Stoops to Conquer.
Artistic Director of OT, Tom Littler directs, with OT Community Director Francesca Ellis. Littler’s theatre credits include The Circle (Orange Tree Theatre), Saturday Night (Jermyn Street Theatre, Arts Theatre), A Little Night Music (Central Theatre) Good Grief (Theatre Royal Bath), Dances of Death (Gate Theatre), Martine (Finborough Theatre), Miss Julie and Creditors (Theatre by the Lake, Jermyn Street Theatre), Tonight at 8.30, Cancelling Socrates, The Odyssey, 15 Heroines (Jermyn Street Theatre) Cabaret (English Theatre Frankfurt, Deutsches Theater Munich), and Hamlet (Guildford Shakespeare Company).
Shakespeare Up Close
MACBETH and ROMEO AND JULIET
A co-production with Guildford Shakespeare Company
5 – 10 December 2023
Designed to support GCSE curriculum teaching, these two fast-paced, 90-minute productions bring to life Shakespeare’s original text with clear and dynamic storytelling.
MACBETH: In a post-apocalyptic world, a bloody war draws to its conclusion. The celebrated warrior Macbeth and his ambitious wife, are propelled headfirst into a chilling quest for ultimate power, fuelled by supernatural powers beyond their control. The war maybe over, but the battle for the throne has only just begun. Directed by Gabriella Bird (The 4th Country, The Park Theatre, 2022; Creative Associate Jermyn Street Theatre, 2020-21).
ROMEO & JULIET: Set against the backdrop of modern school-life, a long-held family feud spills out into school canteens and corridors; at home, strict family ties strain to keep control. At an exclusive society party, a young couple meet, igniting a passion that sets all Verona alight. To stay together, they must risk everything. Directed by Indiana Lown-Collins (JMK Award Winner 2022; Shakespeare’s Globe Associate Director, 2023)
Co-produced with the award-winning Guildford Shakespeare Company, two of Shakespeare’s most popular and exciting plays visit the OT following an extensive regional schools’ tour.
Becca Chadder’s
TINY TIM’S CHRISTMAS CAROL
An adaptation of Charles Dickens’ A Christmas Carol
Adapted and directed by Becca Chadder
18 December – 6 January 2024
When Bob Cratchit takes over the company from his old boss Ebenezer Scrooge, he discovers it’s tough at the top. In fact, he works so hard that this year he might cancel Christmas. So now it’s up to Tiny Tim to remind his father of the story of Scrooge and the true meaning of Christmas. Charles Dickens’ much-loved Christmas story is reinvented for families with children aged five to ten. Packed with laughter, music and a heart-warming message, Tiny Tim’s Christmas Carol is the perfect introduction to theatre and to A Christmas Carol.
Becca Chadder is a writer and director. Her writing credits include Through The Looking Glass and The Girl of Ink and Star (The Watermill Theatre), La Voison (Vault Festival). Her directing credits include As You Like It (Orange Tree Theatre, Primary Shakespeare), La Voison (Vault Festival), The Poison Belt (Jermyn Street Theatre).
Zoe Cooper’s
NORTHANGER ABBEY
From the novel by Jane Austen
Directed by Tessa Walker
A co-production with the and Octagon Theatre Bolton, the Stephen Joseph Theatre and Theatre by the Lake Keswick
24 January – 24 February
OT On Screen: Tue 21 – Fri 24 May 2024
Friendship is certainly the finest balm for the pangs of any sort of … disappointed love
Catherine Moreland knows little of the world, but who needs real-life experience when you have novels to guide you? Catherine seizes her chance to escape her claustrophobic family and join the smart set in Bath. Between balls and parties, she meets worldly, sophisticated Isabella Thorpe – Iz, to her friends – and so Cath’s very own adventure begins.
Zoe Cooper is a playwright. Her latest play The Kiss was performed as part of the OT’s Inside/Outside Series in April 2021. Her previous play Out of Water also played at the OT in 2019. It was produced in association with the RSC. Out of Water was named as a finalist in the 2020 Susan Smith Blackburn Prize, shortlisted for the Charles Wintour Award for Most Promising Playwright at the Evening Standard Awards 2019, and nominated for the Best New Production of a Play Award in the Broadway World UK Awards.
Tessa Walker is a theatre director and dramaturg. Upcoming productions include Biscuits for Breakfast (Hampstead Theatre). She was Associate Director at Hampstead Theatre from 20–1 – 2023 where she directed Ravenscourt and Big, Big, Sky. Other recent productions include Run, Rebel by Manjeet Mann (Pilot Theatre, tour), Symphony of Us by Paul O’Donnell (Coventry Cathedral, Coventry City of Culture) and The Glad Game by Phoebe Frances Brown (Nottingham Playhouse and tour)
As Associate Director at Birmingham Repertory Theatre she directed Bright Places, Jekyll and Hyde, 101 Dalmatians, The Whip Hand, Looking for John, Folk, The Quiet House, The Lion, the Witch and the Wardrobe, A Christmas Carol, The Mother, Circles, Back Down, 366 Days of Kindness and How to be a Hero.
Other directing includes: The Snow Queen (The Sherman Theatre, Cardiff), The (The Royal Exchange, Manchester), The Glee Club (Hull Truck), The Company Will Overlook a Moment of Madness, (The National Theatre of Scotland), Dream Pill, Dancing Bears (Soho Theatre), The Red Helicopter (The Almeida), She From the Sea by Zawe Ashton (LIFT), Harm’s Way by Zawe Ashton (The Lowry, Manchester), Black Crows (Arcola Theatre), Orange (Script Cymru), Debris (Theatre 503,BAC Critics’ Choice Season, The Traverse Edinburgh and Staatstheater Biennale, Germany).
William Shakespeare’s
TWELFTH NIGHT
Adapted and directed by Kelly Hunter
A co-production with the Flute Theatre
29 January – 20 February
Flute Theatre creates ground-breaking productions of Shakespeare for autistic individuals and their families. In the 90-minute performance, up to 12 participants sit with the actors on the OT stage and experience Shakespeare’s story through sensory games, which everyone plays together. Each performance is adapted to the specific needs of the participants, however complex they may be.
Anton Chekhov’s
UNCLE VANYA
Adapted and directed by Trevor Nunn
Production supported by Derek Robinson
2 March – 13 April 2024
I cannot go on living in the country. Human beings were not meant to live in the wild
Sonia and her Uncle Vanya lead an uneventful life on their country estate, animated only by visits from the dashing local doctor. But when Sonia’s famous father and his glamorous new wife unexpectedly turn up, old grudges return, and new desires ignite. In the heat of summer, tempers boil over and forbidden lusts threaten to end in catastrophe.
An unmissable opportunity to see Chekhov’s tragi-comic masterpiece about the frustrations of rural life and middle age performed in the most intimate surroundings.
Trevor Nunn has now directed all 37 of Shakespeare’s plays. From 1968 to 1986, he was the longest serving Artistic Director of the RSC, directing much of the Shakespeare canon, as well as Nicholas Nickleby and Les Misérables. From 1997 to 2003, he was Director of the National Theatre, where his productions included The Merchant of Venice, Summerfolk and The Cherry Orchard, as well as Oklahoma!, My Fair Lady and Anything Goes. He has directed the world premieres of Every Good Boy Deserves Favour, Arcadia, The Coast of Utopia and Rock ’n’ Roll, Cats, Starlight Express, Sunset Boulevard and The Woman in White. Other theatre includes, Timon of Athens and Skellig (Young Vic), The Lady from the Sea (Almeida), Hamlet, Richard II and Inherit the Wind (Old Vic), A Little Night Music (London/New York), Cyrano de Bergerac and Kiss Me, Kate (Chichester Festival Theatre), Flare Path, Rosencrantz and Guildenstern Are Dead, The Tempest and The Lion in Winter (Theatre Royal, Haymarket), A Chorus of Disapproval (West End), Beckett’s All That Fall (London/New York), Relative Values and Agnes Colander (Bath Theatre Royal/West End), Schikaneder (Vienna), Love in Idleness, Fiddler on the Roof (West End). Opera includes, Idomeneo, Porgy and Bess, Così fan tutte and Peter Grimes (Glyndebourne and Salzburg) and Katya Kabanova and Sophie’s Choice (Royal Opera House). His television credits include, Antony and Cleopatra, The Comedy of Errors, Macbeth, Three Sisters, Othello and King Lear; and for film, Hedda, Lady Jane, Twelfth Night and Red Joan.
Kate Attwell’s
TESTMATCH
Directed by Diane Page
A co-production with ETT and Octagon Theatre Bolton
20 April – 18 May 2024
Lord’s, present day. The Women’s Cricket World Cup: England versus India. There’s a rain delay. Stuck in the same locker room together, tensions mount, ambitions are laid bare and a whole new tactical game begins. Calcutta, 1800. Two British administrators encounter challenges on the field of play that threaten the entire regime. In this game of integrity and power, past and present collide.
Kate Attwell is a playwright, television writer and devised theatre maker. She is currently working on commissions for Manhattan Theatre Club, A.C.T., EST and Playwright’s Horizons. Her previous productions include So Long Willy, and her work has been developed at Portland Centre Stage at the Armory, The Bushwick Starr and New York Theatre Workshop.
Diane Page returns to the Orange Tree to direct for a third time, following revered productions of Dael Orlandersmith’s Yellowman in 2022, and as the 2021 JMK Award winner, directing Statements After An Arrest Under The Immorality Act. Her other credits include Julius Caesar (Shakespeare’s Globe and Globe on Tour), Lost and Found (Royal Opera House), Out West (Co- director, Lyric Hammersmith Theatre).
Noël Coward’s
SUITE IN THREE KEYS
Directedby Tom Littler
24 May – 6 Jul 2024
In a luxury Swiss hotel suite, three separate stories unfold. In the full-length A Song at Twilight, an elderly writer faces blackmail at the hands of an ex-lover threatening to expose his secret past. Shadows of the Evening and Come into the Garden, Maud form a perfect double-bill, combining a late-life love triangle and a fizzing comedy about Americans abroad.
Noël Coward was one of the premiere entertainers of the 20th Century. Nicknamed, “The Master,” Coward was a playwright, a lyricist, a composer, an actor, a singer, a director, and a producer. He has over fifty of his plays published, including The Young Idea, The Vortex, Fallen Angels, Hay Fever, Private Lives, A Design for Living, Tonight at 8:30, Present Laughter, This Happy Breed and Blithe Spirit.
Artistic Director, Tom Littler, directs. For his biography see page 3.
Primary Shakespeare
HAMLET
3 June – 5 July 2024
Shakespeare’s most famous tragedy is brought to life in a fast-paced, interactive production accompanied by workshops for younger school audiences aged 7 to 12. Over 30 years Primary Shakespeare has introduced tens of thousands of young people to the magic of Shakespeare and live theatre.
Lucas Hnath’s
RED SPEEDO
Directed by Matthew Dunster
A co-production with David Adkin
13 Jul – 10 Aug 2024
Ray lives to swim. He is within touching distance of Olympic glory and a life-changing sponsorship deal. But everything changes when performance-enhancing drugs are discovered in the club’s refrigerator. As tensions run high, Ray’s brother wants them destroyed, his coach wants to call the authorities, his ex-girlfriend doesn’t want to know, and Ray wants the drugs back. A thriller played at the breakneck pace of an Olympic sprint, Red Speedo tackles the unforgiving weight of success in a world where the only crime is getting caught. Lucas Hnath is one of America’s most exciting contemporary playwrights, whose A Doll’s House Part 2 was recently seen at the Donmar Warehouse. Matthew Dunster directs this European première, fresh from his hit West End productions of Shirley Valentine, 2.22: A Ghost Story and Hangmen.
Lucas Hnath is an award-winning playwright whose plays include A Doll’s House, Part 2 (South Coast Repertory and Broadway), The Christians (Humana Festival), A Public Reading of an Unproduced Screenplay About the Death of Walt Disney (Soho Rep), Red Speedo (Studio Theatre), nightnight (Humana Festival), Isaac’s Eye (Ensemble Studio Theatre), and Death Tax (Humana Festival, Royal Court Theatre). He is the recipient of a Guggenheim Fellowship, a 2015 Whiting Award, a Whitfield Cook Award, two Steinberg/ATCA New Play Award Citations and a Windham Campbell Prize for drama.
Mathew Dunster’sdirecting credits include Shirley Valentine (Duke of York’s), 2:22 (Apollo), True West (Vaudeville Theatre), Oedipus (Bunkamura Theatre), Hangmen, (Royal Court Theatre, Golden Theatre), Liberian Girl (Royal Court Theatre) The Seagull, A Midsummer Night’s Dream (Regent’s Park Open Air Theatre), Love’s Sacrifice (RSC), The Lightning Child, Doctor Faustus (Shakespeare’s Globe), The Love Girl & The Innocent, You Can Still Make a Killing (Southwark Playhouse), Mametz (National Theatre Wales), Before the Party (Almeida Theatre), A Sacred Flame (ETT), Saturday Night and Sunday Morning (Royal Exchange Manchester), Mogadishu (Royal Exchange Manchester and Lyric Hammersmith), The Most Incredible Thing (Sadler’s Wells), and The Two Gentlemen of Verona (Royal & Derngate, Northampton). His writing credits include Children’s Children (Almeida Theatre), You Can See the Hills (Royal Exchange Manchester), You Used To, Tell Me, The Glazier, The Bank, and Two Clouds Over Eden.
ORANGE TREE THEATRE
LISTINGS
1 Clarence Street, Richmond, TW9 2SA
Box Office: 020 8940 3633 (Mon-Sat, 10am-6pm)
Ticket prices (NO BOOKING FEES)
In person tickets: from £15, prices increase with demand
Under 30s: £15
OT On Screen: From £15
Access: £15
Recipients of Universal Credit / London Ticket Bank Scheme: limited £1 tickets
SEASON AT A GLANCE
THE CIRCLE
29 April – 17 June 2023
Mon – Sat 7.30pm
Thu & Sat 2.30pm
Audio Described Performance: Tue 30 May 7.30pm
Captioned Performance: Thu 8 June 7.30pm
PRIMARY SHAKESPEARE: AS YOU LIKE IT
6 May – 16 June (schools’ performances)
Tue, Wed & Fri, 10.30am & 2pm
THE SWELL
24 June – 29 July 2023
Mon – Sat 7.30pm
Thu & Sat 2.30pm (from 29 June)
Captioned Performance: Tue 18 July 7.30pm
Audio Described Performance: Thu 13 July 7.30pm
OT On Screen: Tue 1 – Fri 4 Aug
GREENHOUSE FESTIVAL
21 August – 2 September 2023
Full details to be announced
THAT FACE
9 September 2023 – 7 October 2023
Mon – Sat 7.30pm
Thu & Sat 2.30pm (from Thu 14 Sep)
Captioned Performance: 27 September 7.30pm
Audio Described Performance: Tue 26 Sep 7.30pm
OT On Screen: Tue 10 – Fri 13 Oct
MEETINGS
14 October 2023– 11 November 2023
Mon – Sat 7.30pm
Thu & Sat 2.30pm (from Thu 19 Oct)
Captioned Performance: Wed 1 Nov 7.30pm
Audio Described Performance: Mon 30 Oct 7.30pm
OT On Screen: Tue 14 – Fri 17 Nov
SHE STOOPS TO CONQUER
18 November 2023 – 6 January 2024
Mon – Sat 7.30pm
Thu & Sat 2.30pm (from Thu 23 Nov)
Captioned Performance: Tue 12 Dec 7.30pm
Audio Described Performance: Mon 11 Dec 7.30pm
OT On Screen: Tue 16 – Fri 19 Jan
SHAKESPEARE UP CLOSE: MACBETH and ROMEO AND JULIET
5 – 10 December 2023
Schools tour: 20 – 30 Nov
Schools performances at the OT: 5 – 8 Dec
Public performances at the OT: 9 – 10 Dec
TINY TIM’S CHRISTMAS CAROL
18 December – 6 January 2024
Mon – Sat 11am
Mon, Wed, Fri 2.30pm (no performances Mon 25 Dec, Mon 1 Jan)
NORTHANGER ABBEY
24 January– 20 February 2024
Mon – Sat 7.30pm
Thu & Sat 2.30pm (from Thu 25 Jan)
Captioned Performance: Wed 14 Feb 7.30pm
Audio Described Performance: Tue 13 Feb 7.30pm
OT On Screen: Tue 21 – Fri 24 May 2024
FLUTE THEATRE: TWELFTH NIGHT
29 January – 20 February 2024
Mon – Sat: 10.30am
Further summer programming includes:
UNCLE VANYA
2 March – 13 April
TESTMATCH
20 April – 18 May 2024
SUITE IN THREE KEYS
24 May – 6 Jul 2024
Primary Shakespeare: HAMLET
3 June – 5 July 2024 (workshops and performances)
Mon, Tue & Fri
RED SPEEDO
13 Jul – 10 Aug 2024
ABOUT THE ORANGE TREE THEATRE
The Orange Tree (OT) is an award-winning, independent theatre. Recognised as a powerhouse that creates high-quality productions of new and rediscovered plays, it entertains 70,000 people across the UK every year.
The OT’s home in Richmond, South West London, is an intimate theatre with the audience seated all around the stage: watching a performance here is truly a unique experience. We believe in the power of dramatic stories to entertain, thrill and challenge us; plays that enrich our lives by enhancing our understanding of ourselves and each other.
As a registered charity (266128) sitting at the heart of its community, we work with 10,000 people in Richmond and beyond through participatory theatre projects for people of all ages and abilities. Our mission is to enable audiences to experience the next generation of theatre talent, experiment with ground-breaking new drama and explore the plays from the past that inspire the theatre-makers of the present. Operating without regular support from Arts Council England, the OT relies on the support of its audiences and funders to raise £500k a year to create this outstanding work on stage and in the community.
Artistic Director Tom Littler
Executive Director Hanna Streeter
Website orangetreetheatre.co.uk | Email [email protected]
Twitter @OrangeTreeThtr | Facebook/Instagram OrangeTreeTheatre
ABOUT JMK
The JMK Trust was founded in memory of James Menzies-Kitchin, a theatre director of thrilling promise, to give practical learning opportunities to theatre directors of similar ability and vision. The JMK Award allows one such director a year to stage their own production of a classic text.
Website www.jmktrust.org
ABOUT OCTAGON THEATRE
Octagon Theatre Bolton is a regional producing theatre that makes popular, bold and adventurous theatre of the highest quality. We believe theatre matters because everyone’s story matters and aim to entertain, inspire and engage as many people as possible through theatre. We are leaders in ensuring arts and culture thrive in Bolton working with thousands of young people and community groups every year. The Octagon reopened in May 2021 following a major redevelopment, funded by Bolton Council and Arts Council England. The redevelopment is the largest transformation of the building in the Octagon’s history and will ensure the future of the Theatre for generations to come
Website: https://www.octagon-theatre.co.uk/
ABOUT THE STEPHEN JOSEPH THEATRE
Scarborough’s Stephen Joseph Theatre has provided world-class accessible theatre for audiences on the Yorkshire coast since 1955. It’s produced over 700 plays, many of them new – developing new writers and writing was the primary aim of the company’s founder, Stephen Joseph, and it remains one of our core aims. The SJT was the first professional theatre-in-the round in the UK, and is widely known for presenting the world premieres of most of Alan Ayckbourn’s 89 full-length plays. It also has an extensive community programme.
Website: https://sjt.uk.com/
ABOUT THEATRE BY THE LAKE
Theatre by the Lake, described by the New Statesman as “artistically sharp and stunningly situated”, opened in 1999. Born out of Century Theatre’s travelling Blue Box, it was willed into existence by passionate theatre lovers who wanted a permanent home for theatre in Keswick. Theatre by the Lake is idyllically situated a short stroll from Derwentwater amid the magnificent western fells of the Lake District, a UNESCO World Heritage Site. The theatre has two stages, a 400-seat Main House and 100-seat Studio and presents an annual programme of homemade shows throughout the year, as well as hosting a variety of festivals, visiting companies and community performances, playing to over 120,000 people per year. As the only Arts Council funded producing theatre in Cumbria, our purpose is to enrich the lives of our local communities through making theatre. We create and share great theatre, develop and champion talent, and celebrate our place and culture in the work we do across our county and our nation.
Website: https://www.theatrebythelake.com/
ABOUT ETT (ENGLISH TOURING THEATRE)
ETT are a UK based international touring company. They stage both new and classic production of outstanding quality, imagination, and ambition; make innovative and pioneering immersive digital experiences; work which interrogates and celebrates contemporary England, reinventing the rules, reflecting the diversity of the nation. You can find their work in your local theatre, online, at festivals, in a field, internationally and in the West End. In the last five years ETT has produced over 50 live productions and pieces of digital work, enjoyed by audiences of over 340,000; and has won the UK Theatre Awards Best Touring Production in 2014, 2015, 2016; Best Play Revival in 2019; Excellence in Inclusivity and Best Play in 2022.
Recent productions include a major revival of Equus by Peter Shaffer in a co-production with Theatre Royal Stratford East, directed by award winning director Ned Bennett, which transferred to Trafalgar Studios; Othello, which toured internationally to the Far and Middle East; Trailer Story (a travelling outdoor performance programme that celebrated local creativity); immersive virtual reality experience Adult Children and XR experience Museum of Austerity, directed by Sacha Wares in partnership with Donmar Warehouse, National Theatre Storytelling Studio, ScanLAB Projects and Trial and Error. More recently Cat on a Hot Tin Roof, a co-production with Curve and Liverpool Everyman and Playhouse, directed by Anthony Almeida, the winner of the 2019 RTST Sir Peter Hall Director Award. A national tour of Tonderai Munyevu’s Mugabe, My Dad & Me; A national tour of The Importance of Being Earnest, directed by 2021 RTST Sir Peter Hall Director Award winner Denzel Westley-Sanderson; and The Cherry Orchard reimagined by Vinay Patel.
ETT are a limited company and a registered charity, founded in 1993. We are based in London Waterloo; our premises comprise of offices, audition rooms and a large rehearsal studio.
Website: https://ett.org.uk/
ABOUT DAVID ADKIN
David Adkin Limited is an award-winning, London based theatrical production and general management company. Our passion is to develop and produce world-class productions of thrilling stories both old and new.
Website: https://www.davidadkin.com/
ABOUT GUILDFORD SHAKESPEARE COMPANY
Guildford Shakespeare Company is an award-winning, site-responsive theatre company, established in 2006 by actor-managers Sarah Gobran and Matt Pinches. GSC has a site-responsive approach that places audiences right at the heart of the action, immersing them in the world of the play, enabling them to create an experience that is immediate and accessible by everyone. Specialising in Shakespeare and other classics, unique venues have included Guildford Cathedral, Watts Gallery, West Horsley Place, a Flemish Spiegeltent and even Queen Mary 2. In 2022 Freddie Fox played the title role in Hamlet, receiving wide-spread national acclaim and in 2015, Brian Blessed OBE played the title role in King Lear. GSC’s Education & Outreach creates some 17,000 participant opportunities every year for young and old through workshops, clubs and classes. Their free-to-access social inclusion projects includes mental health, inter-generational and young carers programmes. Their TIE tours reach 7,500 students a year, in targeted, less advantaged primary and secondary schools across Surrey. For the last 6 years, the secondary schools tour has been made possible by funding from the Geoff Herrington Foundation. GSC is one of the largest producers of home-grown theatre in the region.
Website: https://www.guildford-shakespeare-company.co.uk/
ABOUT FLUTE THEATRE
Led by Artistic Director Kelly Hunter, we create and deliver groundbreaking productions of Shakespeare for all.
We present critically acclaimed productions of Shakespeare, adapted by Kelly Hunter.
We are renowned for our innovative productions of Shakespeare for autistic individuals and their families, which use the award-winning Hunter Heartbeat Method, a series of sensory drama games which allow autistic individuals to share how it feels to be alive and celebrate their identity.
We also perform in the UK and internationally with refugees and those displaced by war.
Website: https://www.flutetheatre.co.uk/
ABOUT LAMDA
A world-leading conservatoire, we offer exceptional vocational training to actors, stage managers, technicians, directors and designers, regardless of their background or economic circumstances.
We are also an awarding organisation, offering world-renowned qualifications in communication and performance and inspiring the next generation of confident communicators through our examinations in drama, literature and poetry.
We believe drama has the power to transform lives. We want more people to share in this experience through training, qualifications, work, productions and facilities.
For more information, please contact:
Website: https://www.lamda.ac.uk/